Burgenland Croatian

Dialects of Burgenland Croats by J. Lisac

• Štoj dialect: dialect of the Croatian folklore group Štoji (Güttenbach, Stinatz, Neuberg), is a Shtokavian–(south)Chakavian mixed dialect
• Vlah dialect: dialect of the Vlahi, is a Shtokavian dialect in Weiden bei Rechnitz, Zuberbach, Althodis, Schandorf, Dürnbach, Allersdorf, etc., is Shtokavian (schacavian) ikavian dialect similar to Slavonian
• Dolinci dialect: dialect of the Dolinci in Unterpullendorf, Frankenau, Kleinmutschen, etc. is a (middle)Chakavian dialect
• Poljan dialect: dialect of the Poljanci near Lake Neusiedl, is a (middle)Chakavian dialect
• Hac dialect: Chakavian dialect of Haci near Neusiedl
• some Croats speak a Kajkavian dialect near Neusiedl
• Grob dialect: a Kajkavian dialect, spoken in Chorvátsky Grob in Slovakia

Grgur Mekinić: Dusevne Peszne (Spiritual Hymns), is one of the first Burgenland Croatian artworks (1609).

Burgenland Croatian was the language of Croatian refugees who fled Croatia during the Turkish Wars and settled in the western part of what was then Hungary, the area where they still live. Burgenland Croats included speakers of all three dialects of the Serbo-Croatian language (Shtokavian, Chakavian and Kajkavian), with the majority being the Chakavians. They originally came from the river Una valley.

A map depicting the Una River origin theory for the Burgenland Croats

Burgenland Croats did not take part in the shaping of the present standard Croatian in the 19th century. Instead, they constructed their own written standard based mainly on the local Chakavian speech and adopted the Croatian alphabet, a modified Latin alphabet, as their script.

It is still a matter of debate whether Burgenland Croatian should be classified as a Slavic micro-language of its own. Burgenland Croatian dialects are mostly viewed as isolated dialects of the Croatian.

Burgenland Croatian and the Prekmurje dialect of Slovene (in Prekmurje and Hungary) have influenced each other. The first Prekmurje Slovene works (for example, the Old Hymnal of Martjanci) was applied to the Burgenland Croatian books. A few of those that wrote in Prekmurje Slovene were of Burgenland Croatian descent (for example Jakab Szabár) and also Burgenland Croatian (József Ficzkó).

After the dissolution of the Austro-Hungarian monarchy in 1918 the areas in which Burgenland Croats lived were divided between Austria, Czechoslovakia and Hungary. After 1921 most of these areas became part of Austria, which established a new province of Burgenland, after which the Croatian minority was named. In 1922 Austria founded the Apostolic administration of Burgenland and began to abolish bilingual schools through the introduction of the teaching of German in all primary schools. This process was temporarily stopped after The National Education Act, that allowed the work of the Croatian elementary schools, was adopted. After Hitler Annexed Austria in 1938 this law was abolished. In 1955 the Austrian State Treaty was signed. It gave permission to the Burgenland Croats to use Croatian in education, judiciary and public administration. With the adoption of the Law on National Minorities in 1976 use of Croatian in public life became limited. After constitutional complaint was accepted in 1987 parts of the law were changed and Croatian was introduced as an official in 6 out of 7 districts of Burgenland.[4]

Burgenland Croatian written language is based mainly on the local Chakavian dialect with some influences from the other Croatian dialects spoken in Burgenland. It uses the Latin alphabet with the same diacritical modifiers as the Croatian alphabet. In the course of language development it acquired some of its own specialised vocabulary, sometimes different from that used in standard Croatian.

The popular The Little Prince has also been translated into Burgenland Croatian (1998), specifically the Standard version by Ivan Rotter.[5]

Croats living in the south of Burgenland speak mainly the Shtokavian-Chakavian dialect, those in the central part the Chakavian dialect with a hard Kajkavian influence, and in the north (close to Vienna) the Chakavian dialect.

Newspapers of the Burgenland Croats are: Crikveni glasnik (Church Gazett), 1946; Naše selo (Our village), 1947; Naš tjednik (Our weekly), 1947; Naša domovina (Our homeland), 1952; Glas (Voice), 1957; Novi glas (New Voice), 1969; Put (Way), 1981).

The beginnings of literacy are linked to: Klimpuški misal (Klimpuški Missal) (1501), S. Consul Histrianus and Antun Dalmatin's Postila (Fasting) (1568), Duševne pesne (Spiritual songs) (1609) and Grgur Mekinić Pythiraeus's Druge knjige duševnih pesan (Other books of the Spiritual songs) (1611). Until the mid-19th century, the literature in Burgenland Croatian had religious character and was intended mostly for peasants. Main writers were priests and nuns. In the second half of the 19th century teachers began to write. Thanks to that, many school textbooks and calendars were written.

Most popular Burgenland Croat writers are: J. Mulih (1694–1754), Godefrid Palković (1714–78), L. Bogović (1719–89), E. M. Kragel (1725–88), M. Laáb (cca. 1746–1823), J. Ficko (1772–1843), M. Drobilić (1808–91), T. Jordan (1815–93), G. Glavanić (1833–72), M. Naković (1840–1900), I. Mušković (1848–1930), M. Borenić (1850–1939), Ivan Čuković (1865–1944), P. Jandrišević (1879–1938), I. Blažević (1888–1946), Mate Meršić Miloradić (1850–1928), Ignac Horvat (1895–1973), Martin Meršić, A. Blazović (1921–2004), Franz Probst (1919–93), N. Benčić (b. 1938), Ivan (Lav) Sučić (b. 1938), Mathilda Bölcs (b. 1949), J. Čenar (b. 1956), P. Tyran (b. 1955) and H. Gassner (b. 1955).[4]

• Minority languages of Austria

• Burgenland Croatian Center in Vienna (in English, Croatian, and German)
• Scientific Institute of the Burgenland Croats (in Croatian and German)
• Croatian Cultural and Documentation Center in Eisenstadt (in German)