Amadeus (play)

Shaffer used artistic licence in his portrayals of both Mozart and Salieri. Documentary evidence suggests that there may have been some occasional antipathy between the two men, but the idea that Salieri was the instigator of Mozart's demise is not taken seriously by scholars of the men's lives and careers. While historically there may have been some actual rivalry and mild tension between Mozart and Salieri, there is also evidence that they enjoyed a relationship marked by mutual respect.[1] As an example, Salieri later tutored Mozart's son Franz in music. He also conducted some of Mozart's works, both in Mozart's lifetime and afterwards.[2]

Writer David Cairns called Amadeus "myth-mongering" and argued against Shaffer's portrait of Mozart as "two contradictory beings, sublime artist and fool", positing instead that Mozart was "fundamentally well-integrated". Cairns also rejects the "romantic legend" that Mozart always wrote out perfect manuscripts of works already completely composed in his head, citing major and prolonged revisions to several manuscripts (see: Mozart's compositional method).[3] Mozart scholar H. C. Robbins Landon commented that "it may prove difficult to dissuade the public from the current Schafferian view of the composer as a divinely gifted drunken lout, pursued by a vengeful Salieri. By the same token, Constanze Mozart, she (in the film) of the extraordinary decollete and fatuous giggle, needs to be rescued from Schaffer's view of her."[4]

Amadeus was first presented at the National Theatre, London in 1979, directed by Sir Peter Hall and starring Paul Scofield as Salieri, Simon Callow as Mozart, and Felicity Kendal as Constanze. (Callow appeared in the film version in a different role.) It was later transferred in modified form to Her Majesty's Theatre in the West End, starring Frank Finlay as Salieri.[5] The cast also included Andrew Cruickshank (Rosenberg), Basil Henson (von Strack), Philip Locke (Greybig), John Normington (Joseph II) and Nicholas Selby (van Swieten).[6]

The play premiered on Broadway on 11 December 1980 at the Broadhurst Theatre,[7] with Ian McKellen as Salieri, Tim Curry as Mozart, and Jane Seymour as Constanze. It ran for 1,181 performances, closing on 16 October 1983, and was nominated for seven Tony Awards (Best Actor for both McKellen and Curry, Best Director for Peter Hall, Best Play, Best Costume Design, Lighting, and Set Design for John Bury), of which it won five (including Best Play and Best Actor for McKellen). In 2015, Curry stated in an interview that the original Broadway production was his favorite stage production that he had ever been in.[8] During the run of the play McKellen was replaced by John Wood, Frank Langella, David Dukes, David Birney, John Horton, and Daniel Davis. Curry was replaced by Peter Firth, Peter Crook, Dennis Boutsikaris, John Pankow, Mark Hamill,[9] and John Thomas Waite. Also playing Constanze were Amy Irving, Suzanne Lederer, Michele Farr, Caris Corfman and Maureen Moore.

In June 1981, Roman Polanski directed and co-starred (as Mozart) in a stage production of the play, first in Warsaw (with a legendary performance of Tadeusz Łomnicki as Salieri), then at the Théâtre Marigny in Paris with François Périer as Salieri.[10][11] The play was again directed by Polanski, in Milan, in 1999.[12]

In 1982, Richard Wherrett directed a Sydney Theatre Company production at the Theatre Royal, Sydney. It starred John Gaden as Salieri, Drew Forsythe as Mozart and Linda Cropper as Constanze, with Lyn Collingwood as Mrs Salieri and Robert Hughes as Venticello II. It ran from 6 April to 29 May 1982.[13]

Adam Redfield (as Mozart) and Terry Finn (as Constanze) appeared in the 1984 Virginia Stage Company production, at the Wells Theatre in Norfolk, Virginia, directed by Charles Towers.[14]

The play was revived in 1999 at the Music Box Theatre, New York City, directed again by Peter Hall and ran for 173 performances (15 December 1999 until 14 May 2000), receiving Tony Award nominations for Best Revival and Best Actor in a Play (David Suchet, who played Salieri).[15] Also in the cast were Michael Sheen as Mozart, Cindy Katz as Constanze and David McCallum as Joseph II.

In July 2006, the Los Angeles Philharmonic presented a production of portions from the latest revision of the play at the Hollywood Bowl. Neil Patrick Harris starred as Mozart, Kimberly Williams-Paisley as Constanze Mozart, and Michael York as Salieri. Leonard Slatkin conducted the Philharmonic Orchestra.[16]

Rupert Everett played Salieri in a production at the newly refurbished Chichester Festival Theatre from 12 July through 2 August 2014.[17] The cast included Joshua McGuire as Mozart, Jessie Buckley as Constanze and John Standing as Count Orsini-Rosenberg. Simon Jones played Joseph II. Peter Shaffer attended the play at the closing performance.

The play was revived at the National Theatre in London in a new production directed by Michael Longhurst, from October 2016 to March 2017.[18] It starred Lucian Msamati as Salieri alongside Adam Gillen as Mozart, Karla Crome as Constanze, Hugh Sachs as Count Orsini-Rosenberg and Tom Edden as Joseph II, accompanied with a live orchestra by the Southbank Sinfonia. The production sold out with rave reviews and returned to the Olivier Theatre at the NT with Msamati and Gillen reprising the roles of Salieri and Mozart from February to 24 April 2018, again with rave reviews.[19][20]

The play was performed at the Estates Theatre, where Don Giovanni was premiered in 1787, and where part of the 1984 film was shot, in 2017 for the first time in English in the Czech Republic, directed by Guy Roberts.[21]

Amadeus was directed by Javad Molania in Tehran in March 2018 at Hafez Hall.[22][23][24]

The play was directed by Işıl Kasapoğlu in Turkey in January/February 2020 at Uniq Hall Theatre, Istanbul.[25]

The 1984 film adaptation won an Academy Award for Best Picture. In total, the film won eight Academy Awards. It starred F. Murray Abraham as Salieri (winning the Oscar for Best Actor for his performance), Tom Hulce as Mozart, and Elizabeth Berridge as Constanze. The play was thoroughly reworked by Shaffer and the film's director, Miloš Forman with scenes and characters not found in the play.[28] While the focus of the play is primarily on Salieri, the film goes further into developing the characters of both composers.

In 1983, BBC Radio 3 aired an audio version directed by Sir Peter Hall which starred the original cast of his National Theatre production. The cast included:

• Paul Scofield as Antonio Salieri
• Simon Callow as Wolfgang Amadeus Mozart
• Felicity Kendal as Constanze Mozart
• John Normington as Joseph II, Holy Roman Emperor
• Nicholas Selby as Gottfried van Swieten
• Willoughby Goddard as Count Franz Orsini Rosenberg
• Basil Henson as Johann Killian Von Strack
• Donald Gee, Dermot Crowley as Venticelli
• Nigel Bellairs, Susan Gilmore, Peggy Marshall, Robin Meredith, Anne Sedgwick, William Sleigh, Glenn Williams as Citizens of Vienna

This radio production was re-broadcast on 2 January 2011 as part of Radio 3's Genius of Mozart season.[29]

To celebrate Mozart's 250th birthday in 2006, BBC Radio 2 broadcast an adaptation by Neville Teller of Shaffer's play in eight fifteen-minute episodes directed by Peter Leslie Wilde and narrated by F. Murray Abraham as Salieri.[30] This version was re-broadcast 24 May – 2 June 2010 on BBC Radio 7).