List of concert arias, songs and canons by Wolfgang Amadeus Mozart

This is a list of concert arias, songs and canons by Wolfgang Amadeus Mozart.

Arias, canzonettas, cavatinas

Soprano
K1 K6 Composition, score and critical report (NMA) Librettist Date
23 "Conservati fedele" (Score/Crit. report)
Aria for soprano and orchestra		Metastasio,
Artaserse I,1		October 1765
7061c"A Berenice … Sol nascente" (Score/Crit. report)
Recitative and aria (Licenza) for soprano and orchestra		unknown28 February 1767 or 1769
7773e"Misero me! … Misero pargoletto" (Score/Crit. report)
Recitative and aria for soprano and orchestra		Metastasio,
Demofoonte III, 4&5		March 12, 1770
7873b"Per pietà, bell'idol mio" (Score/Crit. report)
Aria for soprano and orchestra		Metastasio,
Artaserse I,5		1766, or Count Firmian's audition party, Milan, March 12, 1770
7973d"O temerario Arbace! … Per quel paterno amplesso" (Score/Crit. report)
Recitative and aria for soprano and orchestra		Metastasio,
Artaserse II,11		1766, or Count Firmian's audition party, Milan, March 12, 1770
deest "Cara, se le mie pene" (Score/Crit. report)
Aria for soprano, 2 horns, violin, viola & bass		unknown1769
8273o"Se ardire, e speranza" (Score/Crit. report)
Aria for soprano and orchestra		Metastasio25 April 1770
8373p"Se tutti i mali miei" (Score/Crit. report)
Aria for soprano and orchestra		Metastasio1770
8873c"Fra cento affanni e cento" (Score/Crit. report)
Aria for soprano and orchestra		Metastasio,
Artaserse I,2		1770
119382h"Der Liebe himmlisches Gefühl" (Score/Crit. report)
Aria for soprano and orchestra (piano reduction)
This is possibly (Kunze) the aria for Gretl Marchard from K. deest		unknown1782
152210a"Ridente la calma" (Score/Crit. report)
Aria (canzonetta) for voice and piano
arrangement of Josef Mysliveček's aria from Armida		Giovanni Ambrogio Migliavaccabetween 1772 and 1775
178417e"Ah, spiegarti, oh Dio" (Score/Crit. report)
Aria for soprano and orchestra (piano reduction)		unknownJune 1783
217 "Voi avete un cor fedele" (Score/Crit. report)
Aria for soprano and orchestra		Carlo Goldoni26 October 1775
272 "Ah, lo previdi! … Ah, t'invola … Deh, non varcar" (Score/Crit. report)
Recitative, aria and cavatina for soprano and orchestra		Vittorio Amedeo Cigna-SantiAugust 1777
294 "Alcandro, Io confesso … Non sò d'onde viene" (Score/Crit. report)
Recitative and aria for soprano and orchestra		Metastasio
L'Olimpiade III,6		24 February 1778
316300b"Popoli di Tessaglia! … Io non chiedo, eterni Dei" (Score/Crit. report)
Recitative and aria for soprano and orchestra		Ranieri de' Calzabigi8 January 1779
368 "Ma che vi fece, o stelle … Sperai vicino il lido" (Score/Crit. report)
Recitative and aria for soprano and orchestra		MetastasioJanuary 1781
369 "Misera, dove son! … Ah! non son io che parlo" (Score/Crit. report)
Recitative and aria for soprano and orchestra		Metastasio8 March 1781
374 "A questo seno deh vieni … Or che il cielo a me ti rende" (Score/Crit. report)
Recitative and aria for soprano and orchestra		Giovanni de GamerraApril 1781
383 "Nehmt meinen Dank, ihr holden Gönner!" (Score/Crit. report)
Aria for soprano and orchestra		unknown10 April 1782
416 "Mia speranza adorata! … Ah, non sai qual pena" (Score/Crit. report)
Recitavo and aria (rondo) for soprano and orchestra		Gaetano Sertor8 January 1783
418 "Vorrei spiegarvi, oh Dio!" (Score/Crit. report)
Aria for soprano and orchestra		unknown20 June 1783
419 "No, che non sei capace" (Score/Crit. report)
Aria for soprano and orchestra		unknownJune 1783
440383h"In te spero, oh sposo amato" (Score/Crit. report)
Aria for soprano and orchestra (sketch)		MetastasioFebruary 1782
486a295a"Basta, vincesti … Ah, non lasciarmi, no" (Score/Crit. report)
Recitative and aria for soprano and orchestra		Metastasio28 February 1778
505 "Ch'io mi scordi di te? … Non temer, amato bene" (Score/Crit. report)
Recitative and aria (rondo) for soprano, piano obbligato and orchestra		unknown26 December 1786
528 "Bella mia fiamma, addio! ... Resta, oh cara!" (Score/Crit. report)
D. Michele Sarcone3 November 1787
538 "Ah se in ciel, benigne stelle"
Aria for soprano and orchestra		Metastasio4 March 1788
569 "Ohne Zwang aus eignem Triebe" (lost)
Aria for soprano		Michel-Jean Sedaine, Le roi et le fermier, tr. Johann Heinrich Faber[1]January 1789
577 "Al desio di chi t'adora" (Score)
Replacement aria for soprano and orchestra in The Marriage of Figaro		Lorenzo Da Ponte1789
578 "Alma grande e nobil core" (Score/Crit. report)
Aria for soprano and orchestra		Giuseppe PalombaAugust 1789
579 "Un moto di gioia mi sento" (Score)
Replacement aria for soprano and orchestra in The Marriage of Figaro		Lorenzo Da Ponte1789
580 "Schon lacht der holde Frühling" (Score/Crit. report)
Aria for soprano and orchestra		unknown17 September 1789
582 "Chi sà, chi sà, qual sia" (Score/Crit. report)
Aria for soprano and orchestra		Lorenzo Da PonteOctober 1789
583 "Vado, ma dove? oh Dei!" (Score/Crit. report)
Aria for soprano and orchestra		Lorenzo Da PonteOctober 1789
 74b"Non curo l'affetto" (Score/Crit. report)
Aria for soprano and orchestra		Metastasio,
Demofoonte I,7		early 1771

Contralto
K1 K6 Composition, score and critical report (NMA) Librettist Date
255 "Ombra felice! … Io ti lascio" (Score/Crit. report)
Recitative and aria (rondo) for contralto and orchestra		Giovanni de GamerraSeptember 1776

Tenor
K1 K6 Composition, score and critical report (NMA) Librettist Date
2119c"Va, dal furor portata" (Score/Crit. report)
Aria for tenor and orchestra		Metastasio1765
3633i"Or che il dover – Tali e cotanti sono" (Score/Crit. report)
Recitative and aria for tenor and orchestra		unknownDecember 1766
71 "Ah, più tremar non voglio" (Score/Crit. report)
Aria for tenor and orchestra (fragment)		Metastasio1769 or 1770
209 "Si mostra la sorte" (Score/Crit. report)
Aria for tenor and orchestra		unknown19 May 1775
210 "Con ossequio, con rispetto" (Score/Crit. report)
Aria for tenor and orchestra		unknownMay 1775
256 "Clarice cara mia sposa" (Score/Crit. report)
Aria for tenor and orchestra		unknownSeptember 1776
295 "Se al labbro mio non credi" (Score/Crit. report)
Aria for tenor and orchestra		Antonio Salvi28 February 1778
420 "Per pietà, non ricercate" (Score/Crit. report)
Aria (rondo) for tenor and orchestra		unknown21 June 1783
431425b"Misero! O sogno … Aura, che intorno spiri" (Score/Crit. report)
Recitative and aria for tenor and orchestra		unknownDecember 1783
435416b"Müßt' ich auch durch tausend Drachen" (Score/Crit. report)
Aria for tenor and orchestra		unknown1783

Bass
K1 K6 Composition, score and critical report (NMA) Librettist Date
 209a"Un dente guasto e gelato" (Score/Crit. report)
Aria for bass and orchestra		unknown1775
432421a"Così dunque tradisci … Aspri rimorsi atroci" (Score/Crit. report)
Aria and recitative for bass and orchestra		Metastasio1783
433416c"Männer suchen stets zu naschen" (Score/Crit. report)
Aria for bass and orchestra (sketch)		unknown1783
512 "Alcandro, Io confesso … Non sò d'onde viene" (Score/Crit. report)
Recitative and aria for bass and orchestra		Metastasio
Olimpiade III,6		18 or 19 March 1787
513 "Mentre ti lascio, oh figlia" (Score/Crit. report)
Aria for bass and orchestra		Duca Sant' Angioli-Morbilli23 March 1787
539 "Ich möchte wohl der Kaiser sein" (Score/Crit. report)
A German war song for bass and orchestra		Johann Wilhelm Ludwig Gleim5 March 1788
541 "Un bacio di mano" (Score/Crit. report)
Arietta for bass and orchestra		Lorenzo Da PonteJune 1788
612 "Per questa bella mano" (Score/Crit. report)
Aria for bass, contrabass obbligato, and orchestra		unknown8 March 1791
Anh. 245621a"Io ti lascio, oh cara, addio" (Score/Crit. report)
Aria for bass and orchestra		unknown1788

Group
K1 K6 Composition, score and critical report (NMA) Librettist Date
20 "God is our refuge" (Score)
Choral for soprano, contralto, tenor, bass		Psalms 46:1July 1765
Anh. 024a43a"Ach, was müssen wir erfahren!" (Score)
Duet for two sopranos (fragment)		unknown15 October 1767
346439a"Luci care, luci belle" (Score)
Notturno (terzet) for two sopranos and bass		Angelo Lungi, La Pupillapossibly 1783
436 "Ecco quel fiero istante" (Score)
Notturno (terzet) for two sopranos and bass		Metastasio
(from La partenza)		possibly 1783
437 "Mi lagnerò tacendo" (Score)
Notturno (terzet) for two sopranos and bass		Metastasio
(from Siroe, II, 1)		possibly 1783
438 "Se lontan, ben mio, tu sei" (Score)
Notturno (terzet) for two sopranos and bass		Metastasio
(Strofe per musica)		possibly 1783
439 "Due pupille amabili" (Score)
Notturno (terzet) for two sopranos and bass		Giuseppe Petrosellini, L'incognita perseguitatapossibly 1783
441 "Liebes Manndel, wo ist's Bandel?" (Score)
Terzet for soprano, tenor and bass		Vienna dialectpossibly 1783
479 "Dite almeno, in che mancai" (Score/Crit. report)
Aria for soprano, tenor, 2 basses		unknown5 November 1785
480 "Mandina amabile" (Score/Crit. report)
Aria for soprano, tenor, bass, and orchestra		unknown21 November 1785
483 "Zerfließet heut', geliebte Brüder" (Score)
Song with 3-part male choir		Augustin Veith Edler von SchittlersbergDecember 1785
484 "Ihr unsre neuen Leiter" (Score)
Song with 3-part male choir		Augustin Veith Edler von SchittlersbergDecember 1785
434480b"Del gran regno delle amazzone" (Score/Crit. report)
Aria for tenor, 2 basses, and orchestra		Giuseppe Petroselliniend of 1785
532 "Grazie agl'inganni tuoi" (Score)
Untexted sketch for a terzet for soprano, tenor and Bass		Metastasiopossibly 1787
549 "Più non si trovano" (Score)
Canzonetta (terzet) for two sopranos and bass		Metastasio
(from Olimpiade, I, 7)		16 July 1788
Anh. 5571a"Caro mio Druck und Schluck" (Score)
Quartet for soprano, two tenors and bass		Wolfgang Amadeus Mozartbeginning of 1789

Songs
K1 K6 Composition, score and critical report (NMA) Librettist Date
5347e"An die Freude" (Score/Crit. report)
Freude, Königin der Weisen
Possibly (Einstein) the aria for the daughter of Joseph Wolf from K. deest		Johann Peter Uz (1720–1796)November 1768
147125g"Wie unglücklich bin ich nit" (Score/Crit. report)unknown1772
148125h"Lobgesang auf die feierliche Johannisloge" (Score/Crit. report)
O heiliges Band der Freundschaft treuer Brüder		Ludwig Friedrich Lenz (1717–1780)1772
307284d"Oiseaux, si tous les ans" (Score/Crit. report)Antoine Houdart Ferrand (1678–1719)30 October 1777
308295b"Dans un bois solitaire" (Score/Crit. report)Antoine Houdar de la Motte (1672–1731)between 30 October 1777 and 13/14 March 1778
343336c"Zwei deutsche Kirchenlieder" (Score/Crit. report)
O Gotteslamm, Als aus Ägypten Israel		unknownSpring 1787
349367a"Die Zufriedenheit" (Score/Crit. report)
Was frag' ich viel nach Geld und Gut		Johann Martin Miller (1750–1814)between 8 November 1780 and mid-March 1781
351367b"Komm, liebe Zither, komm" (Score/Crit. report)unknownbetween 8 November 1780 and mid-March 1781
390340c"Ich würd' auf meinem Pfad" (Score/Crit. report)Johann Timotheus Hermes (1738–1821)between August 1781 and May 1782
391340b"Sei du mein Trost" (Score/Crit. report)Johann Timotheus Hermes (1738–1821)between August 1781 and May 1782
392340a"Verdankt sei es dem Glanz der Großen" (Score/Crit. report)Johann Timotheus Hermes (1738–1821)between August 1781 and May 1782
Anh. 25386d"Bardengesang auf Gibraltar" (Score/Crit. report)
O Calpe! Dir donnert's am Fusse (sketch)		Michael Denis (1729–1800)end of December 1782
468 "Lied zur Gesellenreise" (Score/Crit. report)
Die ihr einem neuen Grad		Joseph Franz von Ratschky (1757–1810)26 March 1785
472 "Der Zauberer" (Score/Crit. report)
Ihr Mädchen, flieht Damöten [Damoetas] ja!		Christian Felix Weiße (1726–1804)7 May 1785
473 "Die Zufriedenheit" (Score/Crit. report)
Wie sanft, wie ruhig		Christian Felix Weiße (1726–1804)7 May 1785
474 "Die betrogene Welt" (Score/Crit. report)
Der reiche Tor		Christian Felix Weiße (1726–1804)7 May 1785
476 "Das Veilchen" (Score/Crit. report)
Ein Veilchen auf der Wiese stand		Johann Wolfgang von Goethe8 June 1785
506 "Lied der Freiheit" (Score/Crit. report)
Wer unter eines Mädchens Hand		Aloys Blumauer (1755–1798)end of 1785
Anh. 26475a"Einsam bin ich, meine Liebe" (Score/Crit. report)
fragment		Johann Martin Miller (1750–1814)[2]possibly 1785
517 "Die Alte" (Score/Crit. report)
Zu meiner Zeit, zu meiner Zeit		Friedrich von Hagedorn (1708–1754)18 May 1787
518 "Die Verschweigung" (Score/Crit. report)
Sobald Damötas Chloen sieht		Christian Felix Weiße (1726–1804)20 May 1787
519 "Das Lied der Trennung" (Score/Crit. report)
Die Engel Gottes weinen		Klamer Eberhard Karl Schmidt (1746–1824)23 May 1787
520 "Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte" (Score/Crit. report)
Erzeugt von heißer Phantasie		Gabriele von Baumberg (1766–1839)26 May 1787
523 "Abendempfindung"[3] (Score/Crit. report)
Abend ist's, die Sonne ist verschwunden		unknown24 June 1787
524 "An Chloe" (Score/Crit. report)
Wenn die Lieb’ aus deinen blauen, hellen, offnen Augen sieht		Johann Georg Jacobi (1740–1814)24 June 1787
529 "Des kleinen Friedrichs Geburtstag" (Score/Crit. report)
Es war einmal, ihr Leute		Johann Eberhard Friedrich Schall (1742–1790),
last verse by Joachim Heinrich Campe (1746–1818)		6 November 1787
530 "Das Traumbild" (Score/Crit. report)
Wo bist du, Bild		Ludwig Christoph Heinrich Hölty (1748–1776)6 November 1787
531 "Die kleine Spinnerin" (Score/Crit. report)
Was spinnst du?		unknown11 December 1787
552 "Lied beim Auszug in das Feld" (Score/Crit. report)
Dem hohen Kaiserworte treu		unknown11 August 1788
596 "Sehnsucht nach dem Frühling" (Score/Crit. report)
Komm, lieber Mai, und mache		Christian Adolph Overbeck (1755–1821)14 January 1791
597 "Der Frühling" (Score/Crit. report)
Erwacht zum neuen Leben		Christoph Christian Sturm (1740–1786)14 January 1791
598 "Das Kinderspiel" (Score/Crit. report)
Wir Kinder, wir schmecken der Freuden recht viel!		Christian Adolph Overbeck (1755–1821)14 January 1791

Canons
K1 K6 Composition, score and critical report (NMA) Librettist Date
8973k"Kyrie in G" (Score)
Kyrie a cinque con diversi canoni		liturgical textMay 1770
89a II73r"Four Riddle Canons" (Score)
Sit trium series una: Incipe Menalios for 3 voices;
Ter ternis canite vocibus: Cantate Domino for 9 voices;
Canon ad duodecimam: Confitebor tibi Domine for 3 voices;
Canon. Ter voce ciemus: Thebana bella for 6 voices		unknownSummer 1770
89a73i"Canon for 4 instruments" (Score)—April 1770
228515b"Ach! zu kurz" (Score)
Double canon for 4 voices		unknownbefore 24 June 1787
229382a"Sie ist dahin" (Score)
Canon for 3 voices		Ludwig Heinrich Christoph Hölty (1748–1776)1782
230382b"Selig, selig" (Score)
Canon for 2 voices		Ludwig Heinrich Christoph Hölty (1748–1776)1782
231382c"Leck mich im Arsch" / "Lasst uns froh sein") (Score)
Canon for 6 voices		probably WA Mozart himself1782
232509a"Lieber Freistädtler, lieber Gaulimauli" (Score)
Canon for 4 voices		probably WA Mozart himselfafter 4 June 1787
233382d"Leck mir den Arsch fein recht schön sauber" (Score)
/ "Nichts labt mich mehr als Wein" – Canon for 3 voices		probably WA Mozart himself1782
234382e"Bei der Hitz im Sommer eß ich" (Score)
/ "Essen, Trinken" – Canon for 3 voices		probably WA Mozart himself1782
347382f"Wo der perlende Wein im Glase blinkt" (Score)
Canon for 6 voices		unknown1782
348382g"V'amo di core" (Score)
Quadruple canon for 12 voices (3 choirs)		unknown1782
deest 1. "Canon for 6" (sketch) (Score)—1781/82 or later
deest 2. "Canon for 4" (sketch) (Score)—1781/82 or later
deest 3. "Canon for 4" (sketch) (Score)—1781/82 or later
deest 4. "Canon for 4" (sketch) (Score)—end of 1785/1786
507 "Heiterkeit und leichtes Blut" (Score)
Canon for 3 voices		after 3 June 1786
508 "Auf das Wohl aller Freunde" (Score)
Canon for 3 voices (sopranos)		unknownafter 3 June 1786
 508a2 canons for 3 sopranos / 14 Interval canons (8 movements/sections) (Score)
Canons for various voices (sketches)		—after 3 June 1786
deest 6. "Canon for 3" (sketch) (Score)—after 3 June 1786
deest 7. "Canon for 2" (sketch) (Score)—after 3 June 1786
deest "Canon for 4" (Score)—Summer 1786
553 "Alleluia" (Score)
Canon for 4 voices		liturgical text2 September 1788
554 "Ave Maria" (Score)
Canon for 3 voices		liturgical text2 September 1788
555 "Lacrimoso son'io" (Score)
Canon for 4 voices		liturgical text2 September 1788
556 "Grechtelt's enk" (Score)
Canon for 4 voices		unknown2 September 1788
557 "Nascoso è il mio sol" (Score)
Canon for 4 voices		unknown2 September 1788
558 "Gehn wir im Prater, gehn wir in d'Hetz" (Score)
Canon for 4 voices		unknown2 September 1788
559 "Difficile lectu mihi mars" (Score)
Canon for 3 voices		probably WA Mozart himself2 September 1788
560a559a"O du eselhafter Peierl" (Score)
Canon for 3 voices		probably WA Mozart himselfbetween 1785 and 1787
560b560"O du eselhafter Martin (Jakob)" (Score)
Canon for 4 voices		probably WA Mozart himself2 September 1788
deest 9. "Canon for 4" (sketch) (Score)—1787 or 1788
deest 10. "Canon for 4" (sketch) (Score)—1787 or 1788
deest 11. "Canon for 4" (sketch) (Score)—1787 or 1788
561 "Bona nox! bist a rechta Ox" (Score)
Canon for 4 voices		WA Mozart2 September 1788
562 "Caro bell' idol mio" (Score)
Canon for 4 voices		unknown2 September 1788
 562a"Canon for 4" (Score)—unknown
 562c"Canon for 4 Instruments" (Score)
Canon for 2 violins, viola, bass		—unknown
 616b"Canonical Study for 4" (Score)—Summer 1787

See also

References
  1. Dexter Edge, "Mozart's Reception in Vienna, 1787–91" pp. 66–117 in Wolfgang Amadè Mozart: Essays on His Life and Music, ed. Stanley Sadie, Oxford University Press, 1996. p. 86, note 65; ISBN 978-0-19-816443-2
  2. Miller, Johann Martin (1783). Gedichte. Ulm: Johann Konrad Wohler. p. 190.
  3. "Who was Mozart's Laura? – 'Abendempfindung' and the Editors" by David Paisey, Electronic British Library Journal, 2006
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