A Yoke of Gold

This melodrama takes place during the Spanish Missions period of California’s history. The film is set between 1834 and 1850. During this period, a massive economic gap existed. While the elite continued to increase their wealth, the poor sunk further in status. The subservient poor were under the “Yoke of Gold,” i.e., the yoke of the aristocracy.

Luis Lopez, acted by Alfred Allen, is smarting under this aristocratic yoke. The fiery Luis wants to become the champion of the poor. Luis fancies himself as a local Robin Hood. Luis claims he wants to rob the rich and redistribute wealth among the poor.

Jose Garcia, played by Emory Johnson, is content to live out his life in the sleepy outskirts of San Gabriel Mission. The gullible Jose falls under the spell of Luis’s fiery rhetoric. Jose also becomes determined to find a way to help the less fortunate. Luis is sensing Jose’s frustration enlists Jose to assist him in pursuing his evil designs. Since they now share common goals, the two become fast friends. Luis and Jose start developing a plan to achieve their aims.

The plan comes together. Jose will rob wealthy landowner Don Ortega portrayed by Frank Whitting. Don Ortega lives in Santa Barbara, California. Luis will rob the wealthy Don Mendoza who resides in “the valley of the seven moons.” After the men have completed both break-ins, they will travel back to San Gabriel. They both swear to distribute all their ill-gotten gains to the poor.

Before Jose departs, he informs his devoted mother and Padre Amador of his plans. Richard Morris plays the role of Padre Amador and leads the Santa Barbara Mission. Since he happens to be San Gabriel visiting friends, the padre gives Jose his blessing. The priest also slips a crucifix into Jose’s backpack for good luck.

Jose has a significant obstacle. Before he can rob Don Ortega, he must first cross a burning desert to reach Santa Barbara. Jose starts a journey under the blistering sun. Soon, overcome with thirst, Jose stops for a drink of water. He discovers he has lost his canteen. Jose starts to search his backpack and finds the crucifix that Padre Amador had concealed. He grabs the cross and throws it into the sand. Jose realizes his fate sealed and lays down in the sand waiting for death.

As luck would have it, another party is traveling behind Jose and headed in the same direction. Castro Arrellanes, performed by Harold Skinner, and his beautiful daughter – Carmen, featuring Dorothy Davenport, are traveling to visit Castro’s cousin. In a bit of irony, Castro’s cousin is none other than Don Ortega. They come across the crucifix half-buried in the sand. Later they discover the half-dead Jose. Jose is on the edge of death. Castro and Carmen decide to finish their journey and take Jose to Don Ortega home to recover. After they arrive at Don Ortega’s home, Carmen starts nursing Jose back to good health.

Now we turn our focus to Luis Lopez. Luis arrived at the home of Don Mendoza in the valley of the seven moons. He convinces Don Mendoza he has lost his way and requests lodging. The Mendozas take him in. After waiting for Mendoza and his wife to fall asleep, Lopez sneaks into the living room. He knows Don Mendoza has hidden bags of gold in a large chest. While stealing the gold, Mendoza’s wife catches him in the act. Lopez attacks the woman, but the ensuing struggle wakes-up Don Mendoza. He rushes to his wife’s aid and forces Lopez to flee. Lopez takes his gold and heads back to San Gabriel to meet up with Jose.

Jose continues to recuperate in Don Ortega’s home under Carmen’s tender care. But during Jose healing process, Jose falls in love with Carmen. Now a man in love, Jose renounces his plans to rob the rich and give to the poor. Recovered, Jose heads back home to confront Luis and tell him of his change of heart.

Jose arrives in San Gabriel. Luis Lopez confronts him. Luis learns Jose had failed in his attempt to rob Ortega. Luis is beside himself with rage. Luis vows to steal Ortega's gold himself. In another starling turn, Jose learns, Lopez never intended to give the gold to the poor. From the start, Lopez had planned to keep all the gold for himself. Jose promises himself; he will not be complicit in robbing those who had befriended him. Before Luis retires for the evening, he stashed the gold he stole from Mendoza under his pillow. Luis falls to sleep. Later in the evening, Jose sneaks into Lopez’s room, takes the gold and escapes into the darkness. Jose then secures a horse and heads for Don Ortega home in Santa Barbara.

Luis discovers what has happened. He vows to pursue the traitorous Jose and kill him. Even though Jose has a head start, Luis believes he can beat Luis to Don Ortega’s home.

Both Jose and Luis ride hard and fast across the desert to Santa Barbara - the home of Don Ortega. Jose wins the race and arrives before Luis. He warns Ortega of the impending robbery, and then both men lay a trap for Lopez. They catch him in the act.

Carmen enters the picture. She believes a caring heart is beneath Luis Lopez’s wicked veneer. Carmen thinks Luis can be redeemed. She pleads with Luis to turn his life around. At Carmen’s bidding, padre Amador has returned to Santa Barbara. He joins Carmen in trying to convince Luis to forsake his sinful life and repent. Suddenly, Luis sees the light, heeds the call and reforms his evil ways. Luis decides to become a monk. He enters the Mission at Santa Barbara under the guidance of Padre Amador. He will spend the rest of his days as a priest at the mission.

Later, Jose and Carmen get married and live in wedded bliss.[4]

Actor	Role
Emory Johnson	Josie Garcia
Alfred Allen	Luis Lopez
Richard Morris	Padre Amador
Harold Skinner	Castro Arrellanes
Dorothy Davenport	Carmen, his daughter
Frank Whitting	Otega
Gretchen Lederer

Based on an American Film Institute standard, films with a running time of forty-five minutes or longer are considered feature films. In 1915, feature films were becoming more the trend in Hollywood. In 1916, Universal formed a three-tier branding system for their releases. Universal films decided to label their films according to the size of their budget and status. Universal, unlike the top-tier studios, did not own any theaters to market its feature films. By branding their product, Universal gave theater owners and audiences a quick reference guide. Branding would assist theater owners in making a judgment for films they were about to lease and help fans decide which movies they wanted to see.

Universal released three different types of feature motion pictures:[5][6]

• Red feather Photoplays – low-budget feature films
• Bluebird Photoplays – mainstream feature release and more ambitious productions
• Jewel – prestige motion pictures featuring high budgets using prominent actors

This film carried Universal’s “Red Feather” brand, designating a low-budget feature film.

Emory Johnson was 22 years old when he made this movie. Dorothy Davenport was 21 years old.

The film was also known as In The Days of the Missions.[7] The film's name has also been cited as The Yoke of Gold.[8][9]

The film was copyrighted on July 17, 1916, announced in Motion Picture News on July 28, 1916, and officially released on August 14, 1916.[2]

The film opened to mixed reviews.

Movie Critic Review
	In the September 16, 1916 issue of the New York Clipper, the reviewer points out,[1]	Here we have the "Red Feather" stuff at what seems to be its lowest ebb . . . The story is weak, the direction fair at best, the acting "most ordinary", and the general characteristics, designate "The Yoke of Gold" as a puerile affair.

Movie Critic Review
	When Robert C. McElravy of Moving Picture World reviewed this movie, he stated:[8]	A weak story is its main drawback, and this is the more noticeable because so many strong tales have been woven about the early days of California. . . . There is a great deal of quiet beauty in these offerings and a strong moral purpose in the story. But these things do not compensate for the slow action and lack of dramatic strength.

Movie Critic Review
	Peter Milne of Motion Picture News was more upbeat in his review. He observed,[9]	Aided by some very pretty scenes and good photography, the picture leaves little to be desired from an artistic standpoint . . . With Emory Johnson and Dorothy Davenport in the roles of lovers and Alfred Allen as the bandit, the picture has been well acted.

According to the Library of Congress, all known copies of this film are lost.[27]

• A Yoke of Gold at AllMovie
• "A Yoke of Gold". silentera.com.
• A Yoke of Gold on IMDb