Beirut (band)

Beirut
Beirut frontman Zach Condon live at the Fonda Theatre in Los Angeles in 2013
Background information
Origin Santa Fe, New Mexico, U.S.A
Genres
Years active 2006–present
Labels
Associated acts
Website www.beirutband.com
Members Zach Condon
Nick Petree
Paul Collins
Kyle Resnick
Ben Lanz
Aaron Arntz
Past members Jeremy Barnes
Heather Trost
Jason Poranski
Kristin Ferebee
Jon Natchez
Tracy Pratt
Greg Paulus
Jared van Fleet
Kelly Pratt
Perrin Cloutier

Beirut is an American band which was originally the solo musical project of Santa Fe native Zach Condon. Beirut's music combines elements of indie-rock and world music. The band's first performances were in New York, in May 2006, to support the release of their debut album, Gulag Orkestar.[2][3] Despite their name, Beirut had never performed in Lebanon until the Byblos International Festival in August 2014.

Condon said of the band's name, “One of the reasons I named the band after that city was the fact that it’s seen a lot of conflict. It’s not a political position. I worried about that from the beginning. But it was such a catchy name. I mean, if things go down that are truly horrible, I’ll change it. But not now. It’s still a good analogy for my music. I haven’t been to Beirut, but I imagine it as this chic urban city surrounded by the ancient Christian and Muslim worlds. The place where things collide”.[3]

History

Early years

Zach Condon was born in Albuquerque, New Mexico, on February 13, 1986. He grew up partly in Newport News, Virginia, and partly in Santa Fe.[4][5] Condon played trumpet in a jazz band as a teenager and cites jazz as a major influence.[6]

Condon attended Santa Fe High School, where he was a student until he dropped out at the age of 17.[4] According to a 2011 interview[7] with David Dye on NPR, growing up in Santa Fe meant that Condon was exposed to Mexican music such as mariachi. He also worked at a cinema showing international films and this piqued his interest in Fellini arias and Sicilian funeral brass as well as providing his first experience of Balkan music.[7]

He later enrolled in community college, but only attended for a short period before traveling to Europe at the age of 17 with his older brother, Ryan.[8] This discovery and Condon's subsequent exploration of world music proved to be instrumental in the development of Beirut's melodic sound.[2] Zach's younger brother Ross Condon has also made a name in music, having played in the Brooklyn-based band Total Slacker.[9][10][11][12]

Gulag Orkestar

On his return from Europe, Condon enrolled at the University of New Mexico, where he studied Portuguese and photography.[4] Condon recorded the bulk of the material used for Gulag Orkestar by himself in his bedroom, going into the studio to finish the album with the assistance of Jeremy Barnes (Neutral Milk Hotel, A Hawk and a Hacksaw) and Heather Trost (A Hawk and a Hacksaw), who became early contributors to the band.

On the strength of the recordings, Condon was signed under the name of Beirut to Ba Da Bing! records, and Gulag Orkestar was given a May 2006 release. Condon recruited some friends to play the music live for the first shows in New York, and Beirut was born.

Beirut's first official music video was for the song "Elephant Gun". The second video, which was for the song "Postcards from Italy", was directed by Alma Har'el, and was released later. 2007 saw the first release of the full band with the Lon Gisland EP.

The Flying Club Cup

Beirut's second album, The Flying Club Cup, was recorded largely at a makeshift studio in Albuquerque and completed at Arcade Fire's studio in Quebec. The music on the album has a French influence due to Condon's interest in French chanson during its recording.[13] Condon has cited Francophone singers Jacques Brel, Serge Gainsbourg and Yves Montand as influences.[14] He also expressed interest in French film and culture, claiming this was his original reason for travelling to Europe.[15] The Flying Club Cup was officially released in October 2007. In September 2007 they did a Take-Away Show acoustic video session shot by Vincent Moon. A DVD, Cheap Magic Inside, was shot but quickly sold out; in December 2010, Beirut, BaDaBing, and La Blogothèque authorized its dissemination via digital download.[16]

March of the Zapotec

On April 3, 2008, Beirut canceled a previously announced summer European tour.[17] The band had already been touring and had completed the U.S. leg of the tour, but before the European leg, Condon stated that after two months of touring, he was suffering from exhaustion.[18] Zach Condon explained the cancellations in a post on the official Beirut website, stating that he wanted to put the effort into ensuring that any shows would be "as good as humanly possible".[19] In January 2009 the double EP March of the Zapotec/Holland EP was released, containing an official Beirut release based on Condon's recent trip to Oaxaca (March of the Zapotec), and electronic music under the "Realpeople" name (Holland).[20] On February 6, 2009 Beirut made their debut television performance in the United States on the Late Show with David Letterman, performing "A Sunday Smile".

The Rip Tide

In early June 2011, amidst touring the US, Beirut announced that their newest album, The Rip Tide, which had been recorded the previous winter in upstate New York,[21][22] was to be released on August 30.[21][23] The band simultaneously released a single from the album, "East Harlem" (which was first recorded on Live at the Music Hall of Williamsburg), with the B-side "Goshen". The album was recorded, managed, and released under Condon's own Pompeii Records.[24] Reviewers and fellow musicians have noted that, unlike the prior albums which drew heavily on foreign music from Mexico, France, the Balkans, etc., this one has shown Beirut with its own, more pop-oriented sound; saying, "what emerges [on The Rip Tide] is a style that belongs uniquely and distinctly to Beirut, one that has actually been there all along."[25] One reviewer noted that "the Euro influences [of Beirut's previous albums] are still there, but the presiding spirit is old-fashioned American pop."[26] This album also differs from Beirut's previous albums in that the music was recorded as a band playing together rather than laying down individual tracks one at a time, though the lyrics were only added by Condon after all the music had been recorded.[7]

No No No

On June 1, 2015, Beirut announced their fourth album, No No No, which was released on September 11, 2015.[27] On the same day, the title track "No No No" was released for streaming. The album was recorded following a period of turmoil in Condon's life, facing a divorce and having been admitted into a hospital in Australia for exhaustion following extensive touring. However, Condon recovered fully thanks to a new relationship and his return to New York. Beirut also announced a tour for the new album.[27]

Personnel

Condon plays a rotary valve flugelhorn and the ukulele as his main instruments. He bought the ukulele as a joke stage prop, but found he liked the sound and was able to play it despite a wrist injury that inhibited him from playing guitar. Condon also plays the trumpet, euphonium, mandolin, accordion, various keyboard instruments, and a modified conch shell that appears on The Flying Club Cup.[2][28][29][30]

Live, Beirut's roster generally consists of:

Past members include:

The majority of the members of Beirut have performed live as well as appeared on recorded material.

Side projects

Realpeople

Realpeople is Zach Condon's electronic side-project. It was under this name that Condon made his first (unreleased) album, The Joys of Losing Weight, and the name to which the Holland EP is credited. The Joys of Losing Weight, which was made when Condon was fifteen, has never been released officially, but has been leaked on the internet.

1971

Condon has also released an EP, Small-Time American Bats, under the name 1971. This was recorded with his friend Alex Gaziano on guitar and vocals, when they were both around 16 years old (2002). Gaziano is a founding member of Kidcrash, another band originating from Santa Fe, New Mexico.

Soft Landing

Soft Landing was a project started by Beirut members Paul Collins (bass) and Perrin Cloutier (accordion) and Mike Lawless.[31] Their eponymous debut album was released on October 12, 2010 on Ba Da Bing records,[32] and has been described as "a pop version of Beirut"[33] and freak-folk,[34] with a heavy emphasis on dance beats and sheer energy.[35]

Pompeii Records

Pompeii Records is the record label founded in 2011 by Zach Condon[36] in order to give the band and himself full control over their music. The first recordings released on the label were the band's third album, The Rip Tide,[37] and the preceding single, "East Harlem".

Guest appearances

Condon plays mandolin, trumpet and ukulele on A Hawk and a Hacksaw's album A Hawk and a Hacksaw and the Hun Hangár Ensemble, and trumpet and ukulele on Alaska in Winter's album Dance Party in the Balkans. He appears on Get Him Eat Him's album Arms Down, on the song "2×2".

Condon is featured on the song Found Too Low RMX by fellow Santa Fean Pictureplane and also appears on the first and last tracks of the Grizzly Bear EP Friend.

Condon also appeared on The New Pornographers' fifth album, Together.[38]

Rock group Blondie's 2011 album, Panic of Girls, features a ska cover of "A Sunday Smile" on which Condon plays trumpet. He also plays on "Le Bleu".[39][40]

On the benefit album Red Hot + Rio 2, Beirut performed a cover of the Portuguese-language song "O Leãozinho" originally written by Brazilian composer and singer Caetano Veloso.

Condon is featured singing on the track "We Are Fine" on indie rocker Sharon Van Etten's 2012 album, Tramp.

Condon also contributed to 4 songs on Mouse On Mars' 2018 album, Dimensional People.

Discography

Albums

Title Details Peak chart positions Sales
US
[41]
US
Rock

[42]
AUT
[43]
FRA
[44]
GER
[45]
IRE
[46]
NLD
[47]
NZ
[48]
SWE
[49]
SWI
[50]
UK
[51]
Gulag Orkestar
The Flying Club Cup
  • Release date: October 9, 2007
  • Label: Ba Da Bing
118 64 51 54 94 69
The Rip Tide
  • Release date: August 30, 2011
  • Label: Pompeii Records
80 15 20 42 69 89 28 26 52 29 49
No No No
  • Release date: September 11, 2015
  • Label: 4AD
46 10 12 24 38 62 13 39 38 37
"—" denotes a recording that did not chart or was not released in that territory.

EPs

Compilations

Again in 2011, they contributed a cover of Caetano Veloso's song "O Leãozinho" to the Red Hot Organization's most recent charitable album Red Hot+Rio 2. The album is a follow-up to the 1996 Red Hot+Rio. Proceeds from the sales will be donated to raise awareness and money to fight AIDS/HIV and related health and social issues.

DVDs

  • Cheap Magic Inside (2007)
  • Beirut: Live at the Music Hall of Williamsburg (2009)[54]

References

  1. Jorgensen, Chris. "Off the Charts: DeVotchKa Employs Symphony to Fine, Subtle Effect". Billings Gazette. Archived from the original on 7 July 2017. Retrieved 7 July 2017.
  2. 1 2 3 "Beirut Interview", Pitchfork, archived from the original on December 18, 2008, retrieved December 11, 2009
  3. 1 2 "Beirut, the band", New York Magazine, August 6, 2006, retrieved December 11, 2009
  4. 1 2 3 "Zach Condon returns home to the land of red and green", Albuquerque Tribune, October 19, 2006, archived from the original on April 12, 2008, retrieved December 11, 2009
  5. Roberts, Kathaleen (May 30, 2008). "Musical Maven – Zach Condon Follows His Muse to E. Europe And France of the '40s". Albuquerque Journal.
  6. "Beirut: Zach Condon's Brass Band Blowout", ShockHound, February 24, 2009, archived from the original on March 8, 2009, retrieved December 14, 2009
  7. 1 2 3 "Beirut On World Cafe : World Cafe". NPR. November 7, 2011. Retrieved January 14, 2014.
  8. "An interview with Beirut", Brooklyn Vegan, retrieved December 11, 2009
  9. "Summerscreen TONIGHT: Point Break with Total Slacker and Red Romans – Free Williamsburg". www.freewilliamsburg.com.
  10. Total Slacker : pop hallucinogène pour fins de soirées enfumées – Rolling Stone Archived March 13, 2012, at the Wayback Machine.
  11. Klimchak, Amre (May 19, 2010). "Dazed and Amused". New York Press. Archived from the original on August 15, 2010.
  12. Fitzmaurice, Larry (July 6, 2010). ""Crystal Necklace"". Pitchfork.
  13. "Beirut's Zach Condon: young success 'fucked with a lot of things'", All Shook Down: SF weekly, October 8, 2007, archived from the original on 26 December 2009, retrieved December 11, 2009
  14. "Beirut", Myspace, archived from the original on 10 December 2009, retrieved December 11, 2009
  15. "Exclusive interview with Beirut", The Miscellany News, January 26, 2009, archived from the original on 2012-02-20, retrieved December 11, 2009
  16. "Beirut Giving Away Movies: Or, Why I Love Indie Labels Against My Better Judgment - Chris Peterson". Cpeterson.org. Retrieved 2014-01-14.
  17. "Beirut cancel all European tour plans", Gigwise, April 3, 2008, retrieved December 11, 2009
  18. Beirut's Zach Condon: Young Success 'Fucked With a Lot of Things' – Interview – San Francisco Music – All Shook Down
  19. Beirut's official website, archived from the original on 16 December 2009, retrieved December 11, 2009
  20. Beirut's Zach Condon discusses new EPs, time off, archived from the original on November 2, 2008, retrieved December 11, 2009
  21. 1 2 "Beirut announces new album, The Rip Tide". Consequence of Sound. 2011-06-07. Retrieved 2014-01-14.
  22. "Beirut: side-project Soft Landing; New Beirut album in the works". World Music Instruments Happen. 2010-12-23. Retrieved 2014-01-14.
  23. "Beirut The Rip Tide Details". Stereogum. Retrieved 2014-01-14.
  24. "Persona Sauna: New Album: Beirut - The Rip Tide". Personasauna.blogspot.com. Retrieved 2014-01-14.
  25. Beirut – ‘East Harlem’ / The Rip Tide at the Wayback Machine (archived June 10, 2011)
  26. Meatto, Keith (August 15, 2011). "Less Is More – A Review of Beirut's The Rip Tide". Frontier Psychiatrist. Retrieved 2014-01-14.
  27. 1 2 "Beirut announces new album, shares title track No No No". Consequence of Sound. June 1, 2015. Retrieved June 1, 2015.
  28. "Montreal International Jazz Festival: Beirut in conversation", The Gazette, July 10, 2009, retrieved December 14, 2009
  29. Beirut op Myspace Music – Gratis gestreamde MP3’s, foto’s en Videoclips
  30. YouTube – Zach Condon Interview
  31. Dunn, Ryan (2010-07-02). "Beyond Beirut, a Soft Landing". Liftingfaces. Retrieved 2014-01-14.
  32. "Soft Landing November 2010 Tour | BA DA BING". Badabingrecords.com. 2010-11-11. Archived from the original on 2012-03-16. Retrieved 2014-01-14.
  33. "Beirut: side-project Soft Landing; New Beirut album in the works". Puddlegum. Retrieved 2014-01-14.
  34. Reidy, Julia. "Soft Landing - Soft Landing | Music Review". Tiny Mix Tapes. Retrieved 2014-01-14.
  35. Archived September 28, 2011, at the Wayback Machine.
  36. "Beirut Prepare Seven Inch | News | Clash Magazine". Clashmusic.com. Retrieved 2014-01-14.
  37. "Beirut releases "The Rip Tide" on Pompeii Records". Sound Colour Vibration. Retrieved 2014-01-14.
  38. The New Pornographers reveal album details | stereokill.net Archived May 28, 2010, at the Wayback Machine.
  39. "Listen: Blondie Cover Beirut | News". Pitchfork. 2011-06-16. Retrieved 2014-01-14.
  40. "Preview Blondie's Beirut Cover". Stereogum. Retrieved 2014-01-14.
  41. "Beirut Album & Song Chart History - Billboard 200". Billboard. Prometheus Global Media.
  42. "Top Rock Albums". Billboard. Prometheus Global Media.
  43. "Discography Beirut". austriancharts. Hung Medien.
  44. "Discography Beirut". lescharts.
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  46. "Discography Beirut". irish-charts.com. Hung Medien.
  47. "Discography Beirut". Dutch Charts. Hung Medien.
  48. "Discography Beirut". charts.org.nz. Recording Industry Association of New Zealand.
  49. "Discography Beirut". swedishcharts.com. Hung Medien.
  50. "Discography Beirut". hitparade.ch.
  51. "Chart Stats - Beirut". The Official Charts Company.
  52. "Upcoming Releases". Hits Daily Double. HITS Digital Ventures. Archived from the original on August 25, 2015.
  53. Tobias Zywietz (2011-05-07). "Chart Log UK". Zobbel. Retrieved 2010-08-07.
  54. Beirut: Live at the Music Hall of Williamsburg < PopMatters
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