Traditional point-size names
Fonts originally consisted of a set of moveable type letterpunches purchased from a type foundry. As early as 1600, the sizes of these types—their "bodies"[1]—acquired traditional names in English, French, German, and Dutch, usually from their principal early uses.[2] These names were used relative to the others and their exact length would vary over time, from country to country, and from foundry to foundry. For example, "agate" and "ruby" used to be a single size "agate ruby" of about 5 points;[2] metal type known as "agate" later ranged from 5 to 5.8 points. The sizes were gradually standardized as described above.[3] Modern Chinese typography uses the following names in general preference to stating the number of points. In ambiguous contexts, the word hào (t 號, s 号, lit. "number") is added to the end of the size name to clarify the meaning.
Note that the Chinese font sizes use American points; the Continental systems traditionally used the Fournier or Didot points. The Fournier points, being smaller than Didot's, were associated with the names of the Didot type closest in size rather than identical in number of points.
Comparison table
Point | American system | Continental system | Chinese system | |||||
---|---|---|---|---|---|---|---|---|
American[4] | British[1] | French[5] | German[6] | Dutch | Character | Pinyin | Meaning | |
1 | American[8] | Achtelpetit | Achtste petit | |||||
1 1/2 | German | Achtelcicero | Achtste cicero | |||||
2 | Saxon | Non Plus Ultra[9] Viertelpetit | Non plus ultra[10] Vierde petit |
|||||
2 1/2 | Norse | Microscopique[11] | Microscopique[9] | Microscoop Microscopie |
||||
3 | Excelsior[12][14] | Minikin[12] | Diamant | Brillant[9] Viertelcicero | Kwart cicero | |||
3 1/2 | Ruby Brilliant[15] | |||||||
4 | Brilliant | Perle | Diamant Halbpetit[9] | Robijn Diamant Halve petit |
||||
4 1/4 | Gem | |||||||
4 1/2 | Diamond | |||||||
5 | Pearl | Parisienne Sédanoise | Perl | Parel Parisienne |
八 | Bā | "Eight" | |
5 1/2 | Agate | Ruby[16][17] | 七 | Qī | "Seven" | |||
6 | Nonpareil | Nonpareille | Nonpareille | Nonparel Nonpareil |
||||
6 1/2 | Minionette[18] | Emerald[18] | Insertio | Insertio | 小六 | Xiǎoliù | "Little Six" | |
7 | Minion | Mignonne | Kolonel | Kolonel Mignon |
||||
7 1/2 | Petit-texte | 六 | Liù | "Six" | ||||
8 | Brevier | Gaillarde Petit-texte[15] | Petit Jungfer[15] | Petit Brevier[15] |
||||
9 | Bourgeois[20] | Petit-romain Gaillarde[19] | Bourgeois Borgis[21] | Borgis Burgeois[19] |
小五 | Xiǎowǔ | "Little Five" | |
10 | Long Primer | Philosophie | Korpus Garmond[21] | Corpus Garamond |
||||
10 1/2 | 五 | Wǔ | "Five" | |||||
11 | Small Pica | Cicéro | Rheinländer Discendian[21] | Mediaan Rheinländer |
||||
12 | Pica | St.-Augustin | Cicero | Cicero Augustijn |
小四 | Xiǎosì | "Little Four" | |
14 | English | Gros-texte[22] | Mittel | Grote cicero Grote augustijn Mediaan[23] |
四 | Sì | "Four" | |
15 | Gros-texte[22] | 小三 | Xiǎosān | "Little Three" | ||||
16 | Columbian Exchange | Gros-texte[22] | Tertia | Tertia | 三 | Sān | "Three" | |
18 | Great Primer | Gros-romain | 1 1/2 Cicero | Paragon Tekst[24] |
小二 | Xiǎoèr | "Little Two" | |
20 | Paragon[2][4] | Petit-parangon | Text Secunda[9] | |||||
22 | Double Small Pica[2][4] | Gros-parangon | 二 | Èr | "Two" | |||
24 | Double Pica | Palestine | Doppelcicero | Dubbele cicero Palestine |
小一 | Xiǎoyī | "Little One" | |
26 | 一 | Yī | "One" | |||||
28 | Double English | Petit-canon | Doppelmittel | Dubbele mediaan | ||||
30 | Five-line Nonpareil | |||||||
32 | Double Columbian | Kleine Kanon Doppeltertia[25] | Dubbele tertia | |||||
36 | Double Great Primer | Trismégiste | Kanon Canon[9] | Kanon | 小初 | Xiǎochū | "Little Initial" | |
40 | Double Paragon | Doppeltext[26] Große Kanon[27] | ||||||
42 | Seven-line Nonpareil | Große Kanon[27] | Grote Kanon | 初 | Chū | "Initial" | ||
44 | Canon | Gros-canon[28] | Missal[29] | Parijs Romein[30] | ||||
48 | Four-line Pica French canon |
Canon | Gros-canon[28] | Kleine Missal | Konkordanz Kleine missaal |
|||
54 | Missal | Missaal | ||||||
56 | Double-canon | |||||||
60 | Five-line pica | Große Missal | Sabon | |||||
66 | Große Sabon[9] | Grote sabon | ||||||
72 | Six-line pica Inch | Double-trismégiste | Sabon Sechscicero[9] Kleine Sabon[26] | 6 cicero | ||||
84 | Seven-line pica | Siebencicero[9] Große Sabon[26] | 7 cicero | |||||
88 | Triple-canon | |||||||
96 | Eight-line pica | Grosse-nonpareille | Achtcicero[9] Real[31] | 8 cicero | ||||
100 | Moyenne de fonte | |||||||
108 | Nine-line pica | Imperial[26] | 9 cicero | |||||
See also
References
- 1 2 Southward, John (1888), "Typography", Encyclopædia Britannica, 9th ed., Vol. XXIII, New York: Charles Scribner's Sons, p. 698 .
- 1 2 3 4 5 Romano, Frank (Summer 2009). "The History of the Typographic Point" (PDF). APHA Newsletter (171): 3–4.
- ↑ "Type", Sizes.com, Santa Monica: Sizes Inc., 2004 .
- 1 2 3 4 5 Pasko, Wesley Washington, ed. (1894), American Dictionary of Printing and Bookmaking, Containing a History of These Arts in Europe and America, with Definitions of Technical Terms and Biographical Sketches, New York: Howard Lockwood & Co., p. 522 .
- 1 2 3 Pasko (1894), p. 215.
- ↑ Bauer, Friedrich (1929), Die Normung der Buchdrucklettern: Schrifthöhe, Schriftkegel, und Schriftlinie in ihrer geschichtlichen Entwichlung, Leipzig: Deutscher Buchgewerbeverein, p. 64 . (in German)
- ↑ Pasko (1894), p. 18.
- ↑ The existence of such small bodies was only notional in the age of metal type.[7]
- 1 2 3 4 5 6 7 8 9 10 Bauer (1934).
- ↑ De Vinne (1900), p. 68.
- ↑ De Vinne, Theodore Low (1900), The Practice of Typography: A Treatise on the Processes of Type-Making, the Point System, the Names, Sizes, Styles, and Prices of Plain Printing Types, New York: The Century Co., p. 68 .
- 1 2 "minikin, n.¹ and adj.¹", Oxford English Dictionary, 3rd ed., Oxford: Oxford University Press, 2002 .
- ↑ "excelsior, n."'", Oxford English Dictionary, 1st ed., Oxford: Oxford University Press, 1894 .
- ↑ Note that the American name for 3-point type was initially "Brilliant"[4] and the English name was initially "Excelsior".[2] The American "Excelsior", meanwhile, was originally 4-point type.[4][13] The situation subsequently changed.
- 1 2 3 4 Pasko (1894), p. 70.
- ↑ "ruby, n.¹", Oxford English Dictionary, 3rd ed., Oxford: Oxford University Press, 2011
- ↑ Pasko (1894), p. 11.
- 1 2 "minionette, n.", Oxford English Dictionary, 3rd ed., Oxford: Oxford University Press, 2002 .
- 1 2 3 Pasko (1894), p. 65.
- ↑ Pronounced "burjoyce".[19]
- 1 2 3 Pasko (1894), p. 229.
- 1 2 3 The French gros-texte referred indifferently to type sizes between 14 and 16 points.[5]
- ↑ Pasko (1894), p. 172.
- ↑ Pasko (1894), p. 238.
- ↑ von Bauer, Friedrich (1934), Handbuch für Schriftsetzer, Frankfurt: Verlag von Klimsch & Co. . (in German)
- 1 2 3 4 Staeck (1980).
- 1 2 The German Große Kanon referred indifferently to 40- or 42-point type.
- 1 2 The French gros-canon referred indifferently to type sizes of 44 or 48 points.[5]
- ↑ Pasko (1894), p. 79.
- ↑ Pasko (1894), p. 213.
- ↑ Staeck, Erich; et al. (1980), Rechenbuch für die Druckindustrie, Itzehoe: Verlag Beruf und Schule, ISBN 3-88013-155-4 . (in German)