The Sparrow (novel)

The Sparrow
Cover of first edition (hardcover)
Author Mary Doria Russell
Country United States
Language English
Genre Science fiction novel
Publisher Villard
Publication date
 1996
Media type Print (hardback & paperback)
Pages 408 pp
ISBN 0-679-45150-1
OCLC 34281380
813/.54 20
LC Class PS3568.U76678 S63 1996
Followed by Children of God

The Sparrow (1996) is the first novel by author Mary Doria Russell. It won the Arthur C. Clarke Award, James Tiptree, Jr. Award, Kurd-Laßwitz-Preis and the British Science Fiction Association Award. It was followed by a sequel, Children of God, in 1998. The title refers to Gospel of Matthew 10:29–31, which relates that not even a sparrow falls to the earth without God's knowledge thereof.

Plot

In the year 2019, the SETI program at Arecibo Observatory discovers radio broadcasts of music from the vicinity of Alpha Centauri. The first expedition to Rakhat, the world that is sending the music, is organized by the Society of Jesus (Jesuits), known for its missionary, linguistic and scientific activities since the time of its founder, Ignatius of Loyola. In the year 2060, only one of the crew, the Jesuit priest Emilio Sandoz, survives to return to Earth, and he is damaged physically and psychologically. The story is told with parallel plot lines, interspersing the journey of Sandoz and his friends to Rakhat with Sandoz's experiences upon his return to Earth.

Father Sandoz, a talented Puerto Rican linguist, is described as of mixed Taíno and Conquistador heritage and character. Sandoz grew up in La Perla, a poor neighborhood, and joined the Jesuits as a teenager. After several stints at Jesuit missionaries around the world, he returns to Puerto Rico. Several of his close friends and co-workers, people with a variety of unique skills and talents, have seemingly coincidental connections to Arecibo. One of them, a gifted young technician, was the first to hear the transmissions; another, Sofia Mendes, a Turkish Jewish artificial intelligence specialist, has the connections and aptitude to obtain a spacecraft and help pilot the mission. Sandoz, who has often struggled with his faith, becomes convinced that only God's will could bring this group of people with the perfect combination of knowledge and experience together at the moment when the alien signal was detected. Sandoz and his friends, along with three other Jesuit priests, are chosen by the Society of Jesus to travel in secret to the planet, using an interstellar vessel made with a small asteroid.

Upon reaching Rakhat, the crew tries to acclimatize themselves to the new world, experimenting with eating local flora and fauna, then making contact with a rural village, inhabited by a peaceful tribe of vegetarian gatherers, the Runa. Though clearly not the singers of the radio broadcasts, the Earthlings settle among the Runa and begin to learn their language, known as Ruanja, and culture. Although Sandoz struggles with his attraction to Sofia, he finds greater spiritual meaning in his interactions with the Runa. The crew transmits all their findings via computer uplink to the asteroid-ship in orbit. One day, in an attempt to retrieve supplies from their landing vehicle for a sick crew member, the landing vehicle runs short of the fuel needed to safely return to the asteroid ship, and the crew must face the reality that they may never return to Earth.

When the Earthlings finally meet a member of the culture which produced the radio transmissions, he proves to be of an entirely different species from the rural natives, a Jana'ata. This Jana'ata, an ambitious merchant named Supaari VaGayjur, sees in the visitors a possibility to improve his status, while the crew hopes to find an alternative source of fuel in Supaari's city, Gayjur. Meanwhile, the crew begins to grow their own food, introducing the concept of agriculture to the villagers. These seemingly innocent actions and accompanying cultural misunderstandings precipitate an outbreak of violence. Though not closely related genetically, the Jana'ata have evolved by aggressive mimicry to physically resemble the Runa, who are in fact their prey species. The human introduction of agriculture leads to a Runa baby boom which is harvested by the predatory Jana'ata. The humans are riven with guilt over their misguided action, and most, including Sofia, are killed defending against the Jana'ata attack. Only Sandoz and one other human survive, and Sandoz endures capture, degradation, and a crisis of faith. Eventually found by Suupari, Sandoz's hands are disfigured and rendered useless in a Jana'ata practice meant to convey the honor and privilege of being dependent on another, a mutilation analogous to the practice of foot binding. The mutilation kills the other surviving crew member; Sandoz survives, though he is physically and spiritually traumatized and believes himself at fault for the death of his friends. Later, Supaari gives Sandoz away to the Reshtar of Galatna, the poet and musician behind the music originally heard on Earth, in exchange for the right to have a wife and start his own lineage. Held captive by the Reshtar, Sandoz realizes the Reshtar is the sources of the music that brought them to Rakhat and momentarily regains his faith; however, the Reshtar is only interested in Sandoz as a pet and he is forced to sexually satisfy the musician, along with his friends and colleagues. It is later revealed that the Reshtar broadcasts songs about his sexual exploits, songs which may have been heard on Earth.

When Sandoz returns to Earth in 2060, his friends are dead, and his faith, once considered worthy of canonization by his superiors, has turned into bitter anger with the God who inspired him to go to Rakhat. Due to relativistic space-time effects, decades had passed while he has been gone, during which popular outrage at the UN's initial and highly out-of-context report on the mission, and especially Sandoz's role in the tragedy, had left the Society of Jesus shattered and nearly extinct. The Jesuits shelter Sandoz from the media and help him recover physically, while the Father Superior selects a panel of Jesuit priests from around the world to help Sandoz come out of his shell and explain what really happened. Initially bent on discovering the truth, the other priests eventually recognize the great personal cost at which the journey came, and accept Sandoz's epic struggle with his faith. Over the course of several months, Sandoz painfully explains his story and begins his personal healing.

Similarities to other works

The Sparrow is similar to James Blish's science fiction novel A Case of Conscience. It also involves a Jesuit priest confronting an alien civilization. Mary Doria Russell has addressed this speculation:

I get this question all the time, because Blish's 1958 story is about a Spanish Jesuit in space. People have told me that the protagonist is named Ruiz-Sanchez, so they thought I must have named Emilio Sandoz in homage to Blish. In fact, Emilio got his name from the pharmaceutical manufacturer who made my son's cold medicine. Danny got a cold in 1992 when I started the book, and I noticed the name Sandoz on the medicine label and thought it sounded good. No symbolism or homage beyond that, I'm afraid![1][2]

Literary significance and reception

Nancy Pearl, a reviewer at Library Journal, felt that this book was mistakenly categorized as science fiction, and that it is really "a philosophical novel about the nature of good and evil and what happens when a man tries to do the right thing, for the right reasons and ends up causing incalculable harm".[3]

In the Catholic journal Commonweal, Paul Q. Kane writes that Russell has done her research on the early historic Jesuit missions and on Jesuit spirituality. He continues that she is successfully updating the stories of other important Jesuits who have sent men to distant lands or went themselves to foreign cultures to represent Christianity. "Russell subtly raises concerns about the ways in which sophisticated cultures tell themselves cover stories in order to justify actions taken at a terrible cost to others". This is also reflected in the way that Sofia has to buy her freedom from what she describes as an institution of intellectual prostitution; as well as the differences between the simple Runa who live in the countryside and the Jana'ata, who are the sophisticated city dwellers that created the beautiful music which triggered the mission originally.[4]

Awards and nominations

Film, television and theatrical adaptations

In March 2006 it was announced that Warner Bros. had purchased the rights to The Sparrow for Brad Pitt's production company, Plan B, and that Pitt himself would be playing the role of Sandoz with screenwriter Michael Seitzman adapting the novel to film.[9][10]

Since then, Mary Russell has revoked all film rights, believing that Hollywood cannot and will not make a film version of The Sparrow that is faithful to the book. She has written her own screenplay with her assistant Karen Hall, but has realized it has little to no chance of being produced.[11]

In 2014, AMC announced it was developing a television adaptation of the book.[12]

Publication history

  • 1996, US, Villard ISBN 978-0-679-45150-1, Pub date 9 September 1996, Hardcover
  • 1996, US, Brilliance Corp ISBN 978-1-56100-708-0, Pub date 1 October 1996, Audio Cassette
  • 1997, US, Ballantine Books ISBN 978-0-449-91255-3, Pub date 8 September 1997, Paperback
  • 1997, UK, Black Swan ISBN 978-0-552-99777-5, Pub date 1 November 1997, Paperback
  • 2008, US, Brilliance Audio ISBN 978-1-4233-5628-8, Pub date 4 April 2008, Audio CD

Notes

  1. ↑ Russell, Mary Doria (2007-03-10). "Frequently Asked Questions". homepages.roadrunner.com. Mary Doria Russell. Retrieved 2008-05-02. [original link included this text:] If I ever read this story, I guess it didn't make much of an impression on me, because I don't remember it. I still haven't come across it...
  2. ↑ Russell, Mary Doria (2007-03-10). "Frequently Asked Questions". marydoriarussell.net. Retrieved April 5, 2017.
  3. ↑ Pearl, Nancy (15 January 2001). "What Does Your Book Group Read Next?". Library Journal. 126 (9): 192. ISSN 0363-0277.
  4. ↑ Kane, Paul Q. (28 February 1997). "Jesuits, far out". Commonweal. 124 (4): 27–28. ISSN 0010-3330.
  5. ↑ "The 1996 James Tiptree, Jr. Award". tiptree.org. James Tiptree Jr. Literary Award Council. Archived from the original on 2008-03-13. Retrieved 2008-05-03.
  6. ↑ "1998 Winner". clarkeaward.com. Great Britain: Arthur C. Clarke Award. Archived from the original on 2009-04-17. Retrieved 2008-05-03.
  7. ↑ "The 2001 Kurd Laßwitz Award" (in German). Archived from the original on 2008-04-16. Retrieved 2008-05-03.
  8. ↑ "Gaylactic Spectrum Awards - 2001 Information". Retrieved 2008-04-26.
  9. ↑ McClintock, Pamela (2006-03-10). "'Sparrow' in Warners nest". Variety.com. Retrieved 2008-04-26.
  10. ↑ Kung, Michelle (2006-03-13). "Briefs...". Publishers Weekly. 253 (11): 10. ISSN 0000-0019.
  11. ↑ Russell, Mary Doria (April 27, 2012). "Saying No to Hollywood". marydoriarussell.net. Retrieved June 8, 2012. Michael [Seitzman]’s adaptation made sense in the context of what Hollywood is likely to buy and/or produce, but it changed too much of the story for it to be satisfying to the many readers who genuinely love that novel. And I don’t want to spend the rest of my life apologizing to people who would feel betrayed by a screen adaptation that didn’t face up to the central issues of the story.
  12. ↑ Andreeva, Nellie (October 2014). "AMC Network Narrows Field Of Drama Pilot Contenders With Producer Meetings". Deadline Hollywood. Retrieved 17 July 2015.
  13. ↑ "Metaphor Releases Sci-Fi Rock Opera" (Press release). trope audio. Retrieved 2008-04-28.
  14. ↑ "Metaphor Discography". Metaphor. Archived from the original on 2016-03-07. Retrieved August 25, 2016.

The following links are to detailed reviews with many plot details.

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