The Born Losers

Born Losers
Directed by T. C. Frank
Produced by Delores Taylor
Don Henderson
Tom Laughlin
Written by Elizabeth James
Starring Tom Laughlin
Elizabeth James
Jeremy Slate
Music by Mike Curb
Cinematography Gregory Sandor
Edited by John Winfield
Distributed by American International Pictures
Release date
  • July 12, 1967 (1967-07-12)
Running time
113 min.
Country United States
Language English
Budget $400,000[1]
Box office $36 million[2]

Born Losers is a 1967 action film and the first of the Billy Jack movies.[3] The film introduced Tom Laughlin as the half-Indian Green Beret Vietnam veteran Billy Jack. Since 1954 Laughlin had been trying to produce his Billy Jack script about discrimination toward American Indians. In the 1960s he decided to introduce the Billy Jack character in a quickly written script designed to capitalize on the then-popular trend in motorcycle gang movies. The story was based on a real incident from 1964 where members of the Hells Angels were arrested for (allegedly) raping two teenage girls in Monterey, California.

Plot

Billy Jack is introduced as an enigmatic, half-Indian Vietnam veteran who shuns society, taking refuge in the peaceful solitude of the California Central Coast mountains. His troubles begin when he descends from this unspoiled setting and drives into a small beach town named Big Rock (Morro Bay). A minor traffic accident in which a motorist hits a motorcyclist results in a savage beating by members of the Born Losers Motorcycle Club. The horrified bystanders (including Laughlin's wife, Delores Taylor, and their two children in cameo roles) are too afraid to help or be involved in any way. Billy Jack jumps into the fray and rescues the man by himself. At this point the police arrive and arrest Billy for using a rifle to stop the fight. (The irony here is that, unknown to Billy, the motorist is the one who starts the fight by inexplicably insulting one of the bikers.)

The police throw Billy in jail and the judge fines him heavily for discharging a rifle in public. He is treated with suspicion and hostility by the police. Meanwhile, the marauding bikers terrorize the town, rape four teenage girls (Jane Russell plays the mother of one of the girls), and threaten anyone slated to testify against them. One of the girls, played by Susan Foster, later recants, saying she willingly gave herself to the biker gang. (Foster would go on to play a larger supporting role in Billy Jack.)

Co-scriptwriter Elizabeth James plays Vicky Barrington, a bikini-clad damsel-in-distress who is twice abducted and abused by the gang. The second time, she and Billy are kidnapped together. After Billy is brutally beaten, Vicky agrees to become the gang's sexually compliant "biker mama" if they release Billy. At the police station, Billy is unable to get help from the police or the local residents and must return to the gang's lair to rescue Vicky by himself.

Billy, armed with a bolt-action rifle, captures the gang, shoots the leader (Jeremy Slate) between the eyes in cold blood, and forces some of the others to take Vicky, who's been badly beaten, to the hospital. As the police finally arrive, Billy abruptly rides away on one of the gang's motorcycles.

The anti-authority sentiment continues up to the end when a police deputy accidentally shoots Billy in the back, mistaking him for a fleeing gang member. He is later found, nearly dead, lying by the shore of a lake. He is placed on a stretcher and is flown to the hospital in a helicopter as Vicky and the sheriff give him a salute.

Production

The movie was filmed on location in California at Seal Beach, Huntington Beach, Rancho Palos Verdes, University of California, Los Angeles, Big Sur, Morro Bay, and other coastal locales. The bikers' lair in Seal Beach was once owned by silent film star Rudolph Valentino as a hideaway from Hollywood.

According to Laughlin's DVD audio commentary, filming was completed in just three weeks on an operating budget of $160,000. To cut costs, a stunt scene of a biker crashing into a pond was taken from American International's 1966 comedy The Ghost in the Invisible Bikini..

Laughlin ran out of money during post production, but showed the film to American International Pictures who bought out the original investors and gave Laughlin $300,000 to finish it.[4]

The film was commercially successful, and resulted in Laughlin being able to raise the funds to make its sequel, Billy Jack. In 1974, after the sequel proved financially successful, American International Pictures re-released Born Losers with the taglines "The film that introduced Billy Jack" and "Back By Popular Demand: "Born Losers" The Original Screen Appearance of Tom Laughlin as Billy Jack". The film was the highest grossing American International release until 1979, when The Amityville Horror was released.

Reception

Critical response was generally negative. Film critic Leonard Maltin criticized Laughlin's films for "using violence as an indictment of violence".

In 1967 the film earned an estimated $2,225,000 in North American rentals.[5]

The movie was re-released by AIP in 1974 following the success of Billy Jack. AIP issued ads which proclaimed "THE ORIGINAL BILLY JACK IS BACK!" which led to a lawsuit from Laughlin.[6] Following Laughlin's lawsuit, the advertising for the re-release of Born Losers was changed. All newspaper advertising had to include the disclaimer "This is a Re-release" to make viewers aware that the film was not the film Billy Jack.

By 1977 it had earned $12.5 million in U.S. and Canadian rentals.[7]

Banned Hungarian version

Born Losers was released in Hungary as Halálfejesek ("Death's-heads").[8], dubbed by cult Hungarian actors like Zoltán Latinovits, Gábor Agárdy, Gyula Szabó, and Éva Almási.[9] The film caused a sensation in Hungary, registering a full house at the Pushkin Cinema in Budapest and at other cinemas in capital city. After a month later, the film was banned in Hungary. Forty years later, the film has become very popular among Hungarian Internet circles and on YouTube.[10]

See also

References

  1. Hollywood's Only Woman Producer a Born Winner Clifford, Terry. Chicago Tribune (1963-Current file) [Chicago, Ill] 20 Aug 1967: g13.
  2. "Born Losers, Box Office Information". The Numbers. Retrieved March 8, 2012.
  3. Gary A. Smith, The American International Pictures Video Guide, McFarland 2009 p 32
  4. Mark McGee, Faster and Furiouser: The Revised and Fattened Fable of American International Pictures, McFarland, 1996 p252
  5. "Big Rental Films of 1967," Variety, 3 January 1968, p. 25. These figures refer to rentals accruing to the distributors.
  6. 'Losers' Ad Results in Suit Murphy, Mary. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 28 June 1974: f24.
  7. "All-time Film Rental Champs", Variety, January 4, 1978, p. 82
  8. The Born Losers akas (imdb.com)
  9. Halálfejesek (iszdb.hu)
  10. Halálfejesek (youtube.com)
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