Sylvia Grace Borda

Sylvia Grace Borda
Born Vancouver, British Columbia, Canada
Nationality Canadian
Education University of British Columbia, Emily Carr University of Art and Design
Known for photography, video, emergent technologies, multimedia framework architecture
Website sylviagborda.com

Sylvia Grace Borda is a Canadian artist working in photography, video, and emergent technologies. Outside of her artistic practice, Borda has worked as a curator, a lecturer, a multimedia framework architect with a specialization in content arrangement (GUI) and production.[1] Born and raised in Vancouver,[2] Borda is currently based in Vancouver, Helsinki, and Scotland. Borda studied anthropology and fine art at the undergraduate level at the University of British Columbia (1991–1996) and digital media at the graduate level, also at the University of British Columbia (1999–2001 MFA) and photography and video at the Emily Carr University of Art and Design (1993–95 BFA).[3][2] Her work has been exhibited locally, nationally, and internationally.[4][5]

Artistic practice

Borda achieved early recognition for her photographic practice. Her first exhibition was a national, juried photography exhibition entitled Photoperspectives '88, which ran from October 28 – November 27, 1988 at the Presentation House Gallery. Adjudicated by Sheila Hall, Geoffrey James, and Russell Keziere, the project was supported by the Province of British Columbia through the Ministry of Tourism, Recreation, and Culture. the North Vancouver Community Arts Council, and the District of West Vancouver. Writing for the Vancouver Sun, Elizabeth Godley praises Borda's work as "[leavening] an otherwise deadly serious exhibit with her cheerful view from Grandma's Window."[6]

More recently, Borda has produced works as a part of Frontiers in Retreat[7] that captures "intimate insights into Finland’s agricultural resources and peoples. Only recently has Finland shifted significantly away from an agrarian-based country where nearly 60% of the population was involved in agricultural production up until the mid 1950s. [Borda's] portrayals of farming reach far beyond the romantic stereotypical notions viewers might hold ranging from new perspectives on Lapland to intensive farming or green house production."[8] This is in line with her recent interests in "re-addressing public views about specific socio-cultural landscapes and how cultural symbols may be co-opted to form new media platforms,"[9] an interest which has generated an array of stereo-works and multi-dimensional tableaux produced in Google Streetview.[10] The innovative[11] Farm Tableux won her the 2016 Lumen Prize,[12] and was a product of the "first explorative artworks in Google Street View in partnership with Google Business StreetView photographer, John M Lynch."[13]

Curatorial work

Scripted Exhibition - curated by Sylvia Grace Borda, 2004 http://www.motionbeyond.com/

Digital Visions - New media interviews 2004-05 - curated by Sylvia Grace Borda https://web.archive.org/web/20070806142020/http://www.ontherundesign.com/

ESC - Electronic Social Culture, New Media artists in Canada Curated by Sylvia Grace Borda, Gu Xiong, Sadira Rodrugues, Centre A, Vancouver, BC, 2002 http://centrea.org/2003/05/esc-electronic-social-culture/

Research and teaching

Borda has held teaching positions as Senior Photography Lecturer at Salford-Manchester University from January – September 2010,[14] MA Convenor in Photography and Imaging at Queen’s University Belfast,[15] and Associate Researcher in New Media at the University of British Columbia.[16] From 2009–2016 Borda was an Honorary Research Fellow in Visual Arts at the University of Stirling, Scotland.[17][2]

As an Associate Researcher and Lecturer in Digital Arts at the Department of Art History, Visual Art, and Theory at the University of British Columbia and Emily Carr Institute of Art and Design, Borda examined how "cognitive responses evolve over time in relation to a media stimuli" as part of her broader research interests in "examination of popular culture and in the emergence of convergent graphical user interface systems." At the same time, Borda conducted research on "accessibility standards, tools and the plausibility of their facilitation for projects supporting cultural collections". She has participated in research projects on PDA deployment and cultural/visual recognition, examined the Canadian Heritage Information Network's mobile technologies and new wireless (was) enabled catalogue, and was the architect behind EdWeb, an "educational on-line content generation tool, designed to meet England's National Curriculum needs for school children aged 8–13."[18]

Publications

  • Borda, Sylvia Grace (2006) EK modernism: celebrating Scotland's first New Town [19]
  • Borda, Sylvia Grace (January 1, 2009). "[20 Modernist Structures in NI I Love]". Building Material (19): 82–85. JSTOR 29792383.

Solo exhibitions

  • Kissing Project,[20] Oxygen Arts Centre, British Columbia, Canada (June 6 – July 8, 2017).
  • Murals, Serde Arts Centre, Aizpute, Latvia (2017)
  • The Lumsden Biscuit, Scottish Sculpture Workshop, Scotland (2016) Curated by Nuno Sacremento.
  • Revisiting a Holiday in Glenrothes, The Lighthouse, Scotland's Centre for Architecture and Design. (March 28 – May 8, 2015) Produced by the Scottish Civic Trust.
  • Camera Histories, Street Level Photoworks, Glasgow, Scotland. (November 22, 2013 – February 2, 2014) Curated by Malcolm Dickson.[4]
  • Aerial Fields, Surrey Urban Screen, British Columbia. (September 8, 2013 – January 6, 2014) Curated by Liane Davison and Alison Rajah.[4]
  • Beyond Sight: Interrogations of a Camera, A&D Gallery, London, UK. (2009–2010) Curated by Karen Downey[4]
  • Cameras and Watercolour sunsets, CSA Space, Vancouver, Canada. Curated by Christopher Brayshaw and Steven Tong.[21][4]
  • A Holiday in Glenrothes, Royal Institute of Architect’s Scotland Gallery, Edinburgh, Scotland (2008).[4]
  • Traveling to Glenrothes, Rothes Hall Galleries, Fife, Scotland (2008) Curated by Andy Neil.
  • EK Modernism, CSA Space, Vancouver, Canada. (2007) Curated by Adam Harrison.[4]
  • EK Modernism: New Town Passages, EKAC Galleries, East Kilbride, Scotland. (2006)
  • New works, East Kilbride Arts Centre, Scotland (2005) Curated by J.Keith Donnelly.
  • Minimalist Portraits, Net Art Launch, SAW Art Gallery, Ottawa, Ontario (2004)[4] Curated by Jason St Laurent.
  • Every Bus Stop in Surrey, BC, Surrey Art Gallery, Surrey, British Columbia. (2002)[4] Curated by Liane Davison.
  • Capital Cities, Centre A, Vancouver, British Columbia. (2002) Curated by Alice Ming Wai Jim.
  • In Transit, Pocket Gallery, Vancouver, British Columbia (1999) Curated by Jeremy Turner.
  • Of Myth and Muse, Richmond Art Gallery, Richmond, British Columbia (1996)[22] Curated by Paige Hope-Smith.

Group exhibitions

  • Home/Shelter/Belonging: Sylvia Grace Borda, Jim Breukelman, Germaine Koh, Hani Al Moulia, Annie Pootoogook, Itee Pootoogook, Gu Xiong[23], Exhibition curated by Robin Laurence and Darrin Morrison, West Vancouver Museum: Art, Design + Architecture, BC (July 19 – September 9, 2017)
  • Edge Effects II, Frontiers in Retreat (Lumsden Biscuit presentation), Centre for Contemporary Art, Glasgow, Scotland, Guest Curated by Yvonne Billmore, SSW (July 28–31, 2017)
  • Sites of Assembly, the Morris and Helen Belkin Art Gallery, Vancouver, British Columbia. (June 23 – August 13, 2017)[24]
  • Napier University, Edinburgh, Scotland (2017)
  • Glasgow Women's Library Group exhibition, Scotland (2017)
  • Summer Exhibition, Mustarinda, Finland (June 16- August 8, 2017)
  • Lumen Prize Digital Arts Tour 2017: Canary Wharf Winter Festival, London, England; FQ Projects, Shanghai, China; Leeds Digital Art Festival, UK; New York City's Creative Tech week, USA
  • Lumen Prize, Digital Arts Tour 2016: Hackney House, London, England; Cardiff Technology Centre, United Kingdom; Berlin Electronic Visualisation Conference, Germany; Caerphilly Castle, Wales (2016)
  • Man-Made Art, A+D Gallery, London, England (Jan 11 – February 22, 2016)
  • Summer show, Photographs and prints. A&D Gallery, London, United Kingdom. Guest curated by Maika (July 16 – August 30, 2015)
  • Mantta Summer Exhibition: a new present || uusi nykyisyys. (June 13 – August 31, 2015) Curated by Kalle Hamm & Dzamil Kamanger.
  • A Sense of Place, Oulu Art Museum, Finland (January 23 – March 15, 2015) Curated by Helka Ketonen.
  • Cultural Productions, SERDE Residency, Latvia (September 2015)
  • Views from the Southbank: Information, Objects, Mapping, Surrey Art Gallery, British Columbia (September 19 – December 13, 2015) Curator: Jordan Strom.
  • Residency: Frontiers in Retreat workshop, Helsinki International Artist Programme, Finland (2014). Curated by Jenni Nurmenniemi & Nuno Sacremento.
  • Digital Cultures, Museum of Finnish Photography, Helsinki, Finland (2014)
  • "Figuring Ground: Sylvia Grace Borda and Jeremy Herndl," Surrey Art Gallery, British Columbia (September 21 – December 15, 2013) Curated by Jordan Strom.
  • NORTHERN IRELAND: 30 Years of Photography, Belfast Exposed Gallery and the MAC, (May 10 – July 7, 2013) Curated by Karen Downey, Catalog by Colin Graham.
  • Blueprint, Street Level Photoworks, Glasgow, Scotland. (February 2 – March 31, 2013)
  • Beyond Vague Terrain: The City and The Serial Image, Surrey Art Gallery, Canada. Curated by Jordan Strom (2012)
  • Zoo Art Sculptural Biennale, Cueno, Italy (2012)
  • Seeing and Being in the Landscape, Blue Wall Gallery, Ireland Curated by Joe Keenan (2011)
  • Scoping Worlds, Leitrim Sculpture Centre, Ireland. (2010) Curated by Sean O'Reilly.
  • Glocal, Cultural Capital of Canada Artist Project, Tech Lab, Surrey Art Gallery (2009–2010)
  • '(Not) A Photograph' Exhibition Obalne Galerije, Piran, Slovenia. (2008) Curated by Vasja Nagy.
  • re-COLLECT-ing, Naughton Gallery, Belfast, Northern Ireland (2008)
  • Subversive Cartography, National web launch – Virtual Net Art,Gallery TPW, Toronto, Ontario. (2007) Curated by Michael Alstad and Daniel Young.
  • Proun series, HZ Net Gallery. (2007) Curated by Sachiko Hayashi.
  • Two Chicken Noodle, Barcode Series, Digital Fringe, Melbourne (2007)
  • National web launch – Virtual Net Art, Gallery TPW, Toronto, Ontario. (2007) Curated by Michael Alstad and Daniel Young
  • Node.London'06, Media Arts Festival and exhibition (2007)
  • Pixelware, Travelling exhibition: Dazibao Gallery, Montreal and Photographer’s Gallery, Toronto (2005) Pixelware, a sublime forgery is a collaborative project curated by Dazibao, France Choinière and Marisa Portolese, and Gallery 44, Sara Angelucci and Elaine Whittaker.
  • Ruins and Civilization: Stan Douglas, Antonia Hirsch, Sylvia Grace Borda, International art exhibition, Eslite Vision Art Space, Taipei, Taiwan. (August 7–29, 2004) Curated by Amy Cheng.[25][26][5]

Residencies

  • Mustarinda Art Centre, Finland, April 5 - May 1, 2016.[27]
  • Helsinki International Artists Program, March 28, 2016 – April 3, 2016.[4]
  • Scottish Sculpture Workshop, February 20 - March 15, 2016.[28]
  • Helsinki International Artists Program, January 1, 2014 – December 31, 2015.[4]
  • Peace III, Cavan Arts, County Cavan, Ireland, May 2009 - February 2011.[29]
  • Taipei Artist Village, Taiwan, August 5–30, 2004.

Public grants and awards

  • Frontiers in Retreat, EU Visual Arts and Innovation (2014–17) [4]
  • Lumen Prize Web Based Award (2016)[30]
  • BC Innovation and Media Grant (2011–12) [4]
  • Creative Communities Grant, Province of British Columbia, Canada.[4]
  • Surrey Art Gallery Urban Screen Production Grant.[4]
  • City of Richmond Public Art Commission: No.4 Pump Station (2010–11).[4]
  • Cultural Capital of Canada Artist status award in combination with Cultural Olympiad project status for the Vancouver Winter Olympics (2008–10)[4]
  • the Innovation Award, The Lighthouse Gallery Glasgow (2006)[4]
  • the Urban Culture Award (through the Millennium Commission, Cities of Culture Liverpool) for 2005–07.[4]

Further reading

Review of Sylvia Grace Borda's "Camera Histories" project http://sshop.org.uk/project/rebecca-travis/

Further listening

"Sylvia Grace Borda talking about the development of the 'Kissing Project'," with Kootenay Co-op Radio, Nelson, BC, 2017.[31]

"Sylvia Grace Borda talking about the creation of Farm Tableaux in Canada and Finland," Helsinki, Finland, 2015.[32]

"Recasting Modernism - Scotland and Venice Architecture Biennale Roundtable," Glasgow, Scotland, March 17, 2015.[33]

"Sylvia Grace Borda talking about the photography activity ’ Take a Holiday In Your Own Back Yard’," 2014, with the Scottish Civic Trust.[34]

"Q+A between Christiane Monarchi of PhotoMonitor Magazine and Sylvia Grace Borda," November 24, 2013 at Street Level Photoworks, Glasgow, Scotland.[35]

"Northern Ireland: 30 Years of Photography Artist panelist and discussion between Sylvia Grace Borda, John Duncan Mary McIntyre, and Donovan Wylie"2013 at the MAC Belfast, Northern Ireland.[36]

"Agency of Light: A history of the photogram - an artist discussion," April 5, 2013 at Street Level Photoworks, Glasgow, Scotland.[35]

"Seeing across boundaries and borders - artist discussion about her residency work in Ireland," May 2010, with CavanArts.[37]

References

  1. ↑ "People at the Banff Centre: Sylvia Borda," Banff Centre, accessed 2006, http://www.banffcentre.ca/faculty_faculty_member.aspx?facId=432
  2. 1 2 3 "Fall arts preview: Sylvia Grace Borda finds art in farms and sequins," by Robin Laurence, published September 11, 2013, https://www.straight.com/arts/421776/fall-arts-preview-sylvia-grace-borda-finds-art-farms-and-sequins
  3. ↑ "Sylvia Grace Borda," accessed March 18, 2017, https://www.digitalartarchive.at/database/artists/general/artist/borda.html
  4. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 "Sylvia Grace Borda", Helsinki International Artists Program, accessed March 18, 2017, http://www.hiap.fi/artist/sylvia-grace-borda
  5. 1 2 Cheng, Amy Huei-Hua. Ruins and Civilization. Taiwan: Jih-Tung art printing co., Ltd., 2004.
  6. ↑ Godley, Elizabeth. "Photoperspectives '88: A national, juried photography exhibition." The Vancouver Sun, November 19, 1988.
  7. ↑ "Frontiers in Retreat:Multidisciplary Approaches to Ecology in Contemporary Art 2013–2018," accessed March 18, 2017, http://www.hiap.fi/project/frontiers-retreat
  8. ↑ "Sylvia Grace Borda," Helsinki International Artist Programme, accessed March 18, 2017, http://www.hiap.fi/artist/sylvia-grace-borda
  9. ↑ "Sylvia Grace Borda," accessed March 18, 2017, http://www.frontiersinretreat.org/artists/sylvia_grace_borda
  10. ↑ "Aerial Fields," accessed March 18, 2017, http://www.surrey.ca/culture-recreation/13529.aspx
  11. ↑ "Sylvia Grace Borda," accessed March 18, 2017, http://www.mantankuvataideviikot.fi/en.php?k=100875
  12. ↑ "2016 Lumen Winners Announced," accessed March 18, 2017, https://lumenprize.com/newsarticle/2016-lumen-winners-announced
  13. ↑ "Farm Tableaux: Sylvia Grace Borda," accessed March 18, 2017, by John M. Lynch, http://lumenprize.com/artwork/farm-tableaux
  14. ↑ "Dr Sylvia Borda," faculty page, University of Salford, Manchester, accessed March 18, 2017, http://www.seek.salford.ac.uk/profiles/SBORDA.jsp
  15. ↑ "Picturetext," CELT(NI):The Center for Excellence in the Creating and Performing Arts, accessed March 18, 2017, http://www.qub.ac.uk/cecpa/picturetext.html
  16. ↑ "Borda Crossings," by Terri Whitehead for Canadian Architecture, published February 1, 2006, https://www.canadianarchitect.com/features/borda-crossings/
  17. ↑ "Sylvia Grace Borda," Archive of Digital Art, accessed March 18, 2017, https://www.digitalartarchive.at/database/artists/general/artist/borda.html
  18. ↑ "New Media Technologies & New Media Learning," Colloquium Series: 2003 – 2004 Series Archive, published February 18, 2004, http://iit-iti.nrc-cnrc.gc.ca/colloq/0304/04-03-11_e.html
  19. ↑ Scott, Davie. "From Westwood to Hollywood, BBC Scotland".
  20. ↑ "On Google Street View, this small town in B.C. is a work of art | CBC Arts". CBC. Retrieved 2017-11-03.
  21. ↑ "Sylvia Grace Borda: DEVELOPING PROCESSES," published December 8, 2009, https://csaspace.blogspot.ca/2009/12/sylvia-grace-borda-developing-processes.html
  22. ↑ Moore, Linda. "Artist's works make a fitting double exhibit," Time Out: The Review, August 24, 1996.
  23. ↑ "Home, Shelter, Belonging: The meaning of space at Harmony Arts Festival and West Vancouver Museum". Vancouver Sun. 2017-08-03. Retrieved 2017-11-03.
  24. ↑ "Sites of Assembly," the Morris and Helen Belkin Art Gallery, accessed March 18, 2017, http://belkin.ubc.ca/future/summer-collection-show-2017
  25. ↑ "Sylvia Grace Borda," published July 25, 2004, http://ruins.bluecircus.net/archives/001988.html
  26. ↑ "最新訊息," published July 25, 2004, http://ruins.bluecircus.net
  27. ↑ "Mustarinda". www.mustarinda.fi. Retrieved 2017-11-03.
  28. ↑ "Lumsden Biscuit | Scottish Sculpture Workshop". www.ssw.org.uk. Retrieved 2017-11-03.
  29. ↑ "Anglo Celt - A peek through a camera obscura for inspiration". Anglo Celt. Retrieved 2017-11-03.
  30. ↑ "2016 Lumen Winners Announced," Lumen Prize, accessed March 18, 2017, http://lumenprize.com/newsarticle/2016-lumen-winners-announced
  31. ↑ "Kootenay Co-Op Radio". Retrieved November 3, 2017.
  32. ↑ Mäntän Kuvataideviikot (2015-07-07), Sylvia Grace Borda, retrieved 2017-11-03
  33. ↑ "Re-Casting Modernism Seminar - Why EK Modernism matters? Sylvia Grace Borda - A&DS". A&DS. 2015-05-07. Retrieved 2017-11-03.
  34. ↑ "Sylvia Grace Borda talking about the photography activity ' Take a Holiday in Your Own Back Yard'," accessed March 18, 2017, https://vimeo.com/122963584
  35. 1 2 StreetLevelPhoto (2013-12-05), Sylvia Grace Borda - Street Level, retrieved 2017-11-03
  36. ↑ "Mr Ulster Culture".
  37. ↑ CavanArts (2010-07-14), Camera Obscura: Seeing Across Boundaries Introduction, retrieved 2017-11-03
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