Suspiria (2018 film)

Suspiria
Theatrical release poster
Directed by Luca Guadagnino
Produced by
  • Marco Morabito
  • Brad Fischer
  • Luca Guadagnino
  • David Kajganich
  • Silvia Venturini Fendi
  • Francesco Melzi d'Eril
  • William Sherak
  • Gabriele Moratti
Screenplay by David Kajganich
Based on
Starring
Music by Thom Yorke
Cinematography Sayombhu Mukdeeprom
Edited by Walter Fasano
Production
company
  • K Period Media
  • Frenesy Film Company
  • Videa
  • Mythology Entertainment
  • First Sun
  • Memo Films
  • Vega Baby
Distributed by
Release date
  • September 1, 2018 (2018-09-01) (Venice)
  • October 26, 2018 (2018-10-26) (United States)
Running time
152 minutes[1]
Country
  • United States
  • Italy
Language English
Budget $20 million[2]

Suspiria is a 2018 Italian-American horror film directed by Luca Guadagnino and written by David Kajganich, based on the 1977 film directed by Dario Argento. It stars Dakota Johnson, Tilda Swinton, Mia Goth, Jessica Harper and Chloë Grace Moretz. Harper, the lead in the original film, appears in a different role. Set in Berlin 1977, the plot follows a young American dancer who enrolls at a prestigious dance academy plagued by unusual occurrences.

A remake of Suspiria was announced in 2008, with David Gordon Green attached to direct, but was canceled due to financing conflicts. In September 2015, Guadagnino confirmed his plans to direct, with the film described as an "homage" to the 1977 film rather than a direct remake. Principal photography took place in 2016 and 2017 in Varese and Berlin. The score was composed by Radiohead singer Thom Yorke and the dances were choreographed by Damien Jalet.

Suspiria premiered at the 75th Venice International Film Festival on September 1, 2018. It is scheduled for a limited release by Amazon Studios in Los Angeles and New York on October 26, 2018, before opening wide on November 2, 2018.

Plot

During the German Autumn of 1977, Susie Bannion, a young American from a Mennonite family in Ohio, travels to Berlin to audition for the Markos Dance Academy. Though formally untrained, her natural talent fascinates the company's director and choreographer, Madame Blanc. She is admitted, and soon meets Sara, a wealthy young student who is reeling from the unexpected departure of her friend, fellow dancer Patricia Hingle. Patricia left the academy the day before Susie's arrival, whereupon she met with her psychiatrist, Dr. Jozef Klemperer, claiming that the Markos Academy is controlled by a coven of witches. She left Klemperer a backpack full of journals and research detailing "The Three Mothers": Mater Suspiriorum (Mother of Sighs), Mater Tenebrarum (Mother of Darkness), and Mater Lachrymarum (Mother of Tears). Klemperer initially dismisses her claims as delusion, but grows suspicious after her disappearance.

Madame Blanc posits to her students that Patricia left to join the Red Army Faction. During rehearsal, a Russian student, Olga, becomes indignant with Madame Blanc, accusing her of making Patricia leave. She storms out, but before she can leave, becomes lost in the building, and finds herself trapped in a room lined with mirrors. Madame Blanc resumes the rehearsal, during which Susie performs an aggressive dance routine; her movements begin physically inflicting Olga, ravaging her body to the point of rupturing her internal organs and bones. After Olga dies, several of the academy's matrons drag her mangled corpse away with large hooks.

Susie quickly becomes Madame Blanc's protégée, and is appointed the lead of the academy's new piece, Volk. Meanwhile, Sara finds clandestine hallways in the academy and grows suspicious, prompting her to meet with Klemperer. Klemperer and numerous others attend the opening night of Volk. Prior to the performance, Sara explores a passageway that leads her into a series of catacombs, where she finds a disfigured Patricia. Sara is confronted by several of the matrons, and breaks her leg trying to escape. The performance begins without her, but she emerges midway through the piece, dancing her part with robotic precision on a broken leg; her eyes have also changed from brown to blue, and Susie's blue to brown. Klemperer notices this, and leaves the performance unnerved.

Susie attends a celebratory dinner with the matrons at a bar. Meanwhile, Klemperer encounters Anke, his thought-to-be-deceased wife, on a street in East Germany. She tells him she faked her death after the uprising of the Nazis, and made a life in Zurich. They walk together, passing through a security checkpoint into West Germany without notice. Klemperer realizes the two have arrived at the Markos Academy; before his eyes, he realizes Anke is in fact Miss Huller, one of the matrons. He has been lured there by the coven.

Susie leaves the bar and strolls through the city before returning to the academy. Inside, she finds a passageway leading her up a staircase where Madame Blanc and the other matrons await with Klemperer, whom they have incapacitated. Beside Madame Blanc is a withered, hunched woman, whom they introduce as Mother Helena Markos; Susie is to be her new vessel. The entranced dancers enter the chamber and perform a ritualized dance, but it is interrupted when Susie reveals that she is Mother Suspiriorum herself, there to claim the academy. She kills Mother Markos and her most faithful matrons while sparing others, including Miss Huller. Madame Blanc is nearly decapitated in the melee. Three disguised women in the dance reveal themselves as Sara, Olga and Patricia. After they plead for death, which is granted to them, Susie commences a furious dance with the remaining dancers.

The following day, the academy resumes operations as usual. Miss Huller discovers Madame Blanc on the verge of death, but still alive. Meanwhile, Klemperer, who was spared, is met by Susie at his office. She discloses to him the fate of Anke, whom she says died at the Theresienstadt concentration camp. Upon touching him, he suffers a violent seizure that erases his memories, and Susie leaves.

Cast

Lutz Ebersdorf

In March 2017, photographs of a seemingly old man spotted on the film's set were published online, identifying the man as Swinton in heavy makeup.[4] In February 2018, Guadagnino said that the man was not Swinton but in fact a German actor named Lutz Ebersdorf in his screen debut, who plays a psychoanalyst named Jozef Klemperer in the film and is a psychoanalyst himself.[5] IndieWire questioned the veracity of Guadagnino's statement because of Ebersdorf's suspicious IMDb profile and otherwise lack of online presence. The film's casting director and executive producer Stella Savino responded to IndieWire, saying "the character of Dr. Klemperer has been played by Professor Lutz Ebersdorf, a psychoanalyst and not at all a professional actor", because Guadagnino wanted a real psychoanalyst for the role.[6] During a press conference following the film's September 1, 2018 premiere at Venice, Swinton read a letter purportedly written from Ebersdorf in lieu of his absence, which read: "I am a private individual who prefers to remain private ... Though I strongly suspect Suspiria will be the only film I ever appear in, I like the work, and I do not mind getting up very early."[7]

Writing for Vanity Fair, Joanna Robinson reported that when the film screened at Fantastic Fest in Austin, Texas, on September 23, 2018, the audience was certain that the role of Klemperer was played by Swinton. Robinson speculated that the filmmakers wrote the role and cast Swinton in order for the film to have both an outsider's perspective and a narrative of female power. By September 2018, IMDb had deleted Ebersdorf's profile and credited Swinton as playing Klemperer under the alias "Lutz Ebersdorf".[8]

In October 2018, Swinton told The New York Times that Dr. Klemperer was played by Lutz Ebersdorf and Ebersdorf was played by her. When asked why she played Ebersdorf, she said, "for the sheer sake of fun above all". Swinton asked the makeup department to make a prosthetic penis and wore it to get into the role. Swinton wrote Ebersdorf's IMDb biography.[9]

Production

Development

A remake of Suspiria (1977) was originally announced in 2008 by director David Gordon Green, who had co-written a script with his sound designer.[10][11] Green cast Isabelle Huppert and Janet McTeer, as well as Isabelle Fuhrman.[12] However, according to Green, conflicts with the studio financing the production resulted in the project being scrapped.[12]

In September 2015, at the 72nd Venice Film Festival, the filmmaker Luca Guadagnino announced plans to direct a "remake" of Dario Argento's Suspiria with the four main actors of his film A Bigger Splash (2015), which had premiered at the festival.[13] Guadagnino revealed that his version was to be set in Berlin circa 1977 (the year in which the original film was released), and would focus thematically on "the uncompromising force of motherhood."[14][15] Guadagnino has since said explicitly that the film is not a remake, but is instead an "homage" to the "powerful emotion" he felt when he first watched the original film.[16] The screenplay was written by American writer David Kajganich, who had previously written Guadagnino's A Bigger Splash (2015), as well as developed the British television series The Terror.[17][18]

Casting

On November 23, 2015, Guadagnino confirmed[19] that Tilda Swinton and Dakota Johnson had been cast in the film and that shooting was scheduled to begin in August 2016, with release set for 2017.[20][21] In October 2016, Chloë Grace Moretz and Mia Goth were cast in supporting parts,[21][22] alongside Sylvie Testud, Angela Winkler, Małgosia Bela, and Fabrizia Sacchi.[23][24][25] Jessica Harper, who played Suzy Bannion in the original film, also joined the cast.[26]

Filming

Principal photography began in Varese, Italy on October 31, 2016.[27][28][29] The Grand Hotel Campo dei Fiori served as a stand-in for Markos Dance Academy.[30] Filming also took place at the Palazzo Estense.[31] Photography took place primarily in Varese from October to December 2016, before moving to Berlin, where it continued from February to March 2017.[32] Like its predecessor, Suspiria was shot on 35mm film stock.[33] Principal photography completed in Berlin on March 10, 2017.[34][35]

In an interview with actress Johnson about the shoot, she commented that it "fucked me up so much that I had to go to therapy. We were in an abandoned hotel on top of a mountain. It had 30 telephone poles on the roof, so there was electricity pulsating through the building, and everyone was shocking each other. It was cold as shit, and so dry."[36] Johnson later expanded on this statement, saying that the filming process "was not traumatic" and instead "the most fun and the most exhilarating and the most joyful that it could be...  I find sometimes when I work on a project and — I don't have any shame in this — I'm a very porous person and I absorb a lot of people's feelings. When you're working sometimes with dark subject matter, it can stay with you and then to talk to somebody really nice about it afterwards is a really nice way to move on from the project. My therapist is a really nice woman."[37]

Post-production

Post-production began on March 15, 2017.[32] In contrast to the original, Guadagnino's film uses no primary colours.[38] Guadagnino described the film's look as "winter-ish, evil, and really dark".[39]

Soundtrack

Radiohead singer Thom Yorke composed the score, his first feature film soundtrack. It features the London Contemporary Orchestra and Choir and Yorke's son Noah on drums.[40] He initially refused the offer, but accepted after months of requests from Guadagnino.[41] Yorke cited inspiration from the 1982 Blade Runner soundtrack,[42] musique concrète artists such as Pierre Henry,[41] modern electronic artists such as James Holden,[41] and music from the film's 1977 Berlin setting, such as krautrock.[43] He said: "There's a way of repeating in music that can hypnotise. I kept thinking to myself that it's a form of making spells. So when I was working in my studio I was making spells. I know it sounds really stupid, but that's how I was thinking about it."[43] The soundtrack will be released on October 26, 2018 by XL Records.[40] On September 4, Yorke released a song from the soundtrack, "Suspirium",[40] with lyrics inspired by the script.[41]

Release

Suspiria held its world premiere at the 75th Venice International Film Festival on September 1, 2018.[44][45] It is scheduled to be released in a limited release in Los Angeles and New York on October 26, 2018, before opening wide on November 2, 2018.[46][47] It will be released in the United Kingdom by MUBI on November 16, 2018. A scene from the film was screened during a luncheon at the 2018 CinemaCon in Las Vegas; it was reported that the footage was so intense it reportedly "traumatized" those present.[48] The scene presented featured Dakota Johnson in character performing in a ballet studio for her demanding instructor, played by Tilda Swinton, intercut with scenes of another woman in that same studio at a different time whose body is being contorted and mangled by every movement Johnson makes.[49] Peter Sciretta of SlashFilm described the scene as "Very gruesome and hard to watch. This film will make most people feel uneasy."[50]

Critical response

On review aggregator Rotten Tomatoes, the film has an approval rating of 74% based on 42 reviews, with an average rating of 8.4/10.[51] On Metacritic, the film has an average weighted score of 77 out of 100 based on 17 critics, indicating "generally favorable reviews".[52]

David Ehrlich wrote in IndieWire that Suspiria is sure to be "the most polarizing film since mother!" and then said, "[i]t's more gross than it is creepy, and more elegiac than it is gross."[53] Robbie Collin of The Telegraph gave the film a five-star rating and commented that it's a "slow burner" that surpasses the original 1977 film.[54] David Rooney of The Hollywood Reporter criticized the film as "unnecessarily drawn out" with "too many discursive shifts to build much tension".[55]

Peter Bradshaw of The Guardian awarded the film three out of five stars, describing it as "more an MA thesis than a remake"; he wrote: "There are smart moments of fear and subliminal shivers of disquiet, the dance sequences are good and of course Guadagnino could never be anything other than an intelligent film-maker. But this is a weirdly passionless film. The spark of pure diabolical craziness of Argento has gone, together with his brash streak of black comedy, and in its place is something determinedly upscale and uppermiddlebrow, with indigestible new layers of historical meaning added."[56] Stephanie Zacharek of Time was critical of the 1977 Germany setting: "The political backdrop is an extra layer of needless complication. Guadagnino is thinking too much and feeling too little."[57] Zacharek said that the actors "do what is asked of them," but that "not even [Swinton's] powers are enough to reanimate the gray corpse of this Suspiria."[57]

For RogerEbert.com, Glenn Kenny gave the film an unfavorable review, writing: "This empty, overstuffed, ugly and thoughtless remake—Guadagnino apparently prefers the term 'cover version'—of the grindhouse-surreal 1977 film directed by Dario Argento is a breathtaking achievement in hollow, know-somethingish sensationalism that fully deserves to be called 'pretentious.' And quite a few other things."[58]

Lawsuit

On September 27, 2018, it was reported that the film's American distributor, Amazon Studios, was being sued for copyright infringement by the estate of artist Ana Mendieta.[59] The suit, filed in a federal court in Seattle, Washington, alleges that two images present in the film's teaser trailer were taken from Mendieta's work.[59] The first is an image of a woman's hands bound with rope on a white table, allegedly derived from Mendieta's Untitled (Rape Scene), and the other is the red silhouette of a body imprinted on a bedsheet, which was claimed to have been derived from her Silueta series.[59] A cease and desist letter had previously been delivered to Amazon in July over the images, and they were not included in the subsequent theatrical trailer released the following month.[59] According to the suit, both images had been excised from the film, but an alleged eight others bore notable similarities to other works by Mendieta.[59]

Accolades

Award Date of ceremony Category Recipient(s) and nominee(s) Result Ref(s)
Venice Film Festival September 8, 2018 Golden Lion Suspiria Nominated [60]
[61]
[62]
Queer Lion Suspiria Nominated

Possible sequel

In an interview with Deadline, Guadagnino revealed that the original title for the film was Suspiria: Part One, which was changed so as not to reflect something that could not be considered a standalone work. However, he admitted interest in further exploring the origins of characters Madame Blanc and Helena Markos, and also the future of Susie Bannion – provided the film is a success at the box office.[63]

References

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  2. Wiseman, Andreas (August 29, 2018). "'Suspiria': Luca Guadagnino On Amazon's Wild First Horror Pic, Dakota Johnson, That Comic-Con Scene & Sequels". Deadline Hollywood. Penske Business Media. Retrieved August 29, 2018.
  3. Desta, Yohanna (August 23, 2018). "Don't Watch the Suspiria Trailer If You Want to Sleep Tonight". Vanity Fair. Retrieved September 2, 2018.
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