Sampo

The Defense of the Sampo by Akseli Gallen-Kallela

In Finnish mythology, the Sampo or Sammas was a magical artifact of indeterminate type constructed by Ilmarinen that brought riches and good fortune to its holder. When the Sampo was stolen, it is said that Ilmarinen's homeland fell upon hard times and he sent an expedition to retrieve it, but in the ensuing battle it was smashed and lost at sea.

In the Kalevala

The Forging of the Sampo by Akseli Gallen-Kallela

The Sampo is a pivotal element of the plot of the Finnish epic poem Kalevala, compiled in 1835 (and expanded in 1849) by Elias Lönnrot based on earlier Finnish oral tradition.

In the expanded second version of the poem, the Sampo is forged by Ilmarinen, a legendary smith, as a task set by the Mistress of Pohjola in return for her daughter's hand.

"Ilmarinen, worthy brother,
Thou the only skilful blacksmith,
Go and see her wondrous beauty,
See her gold and silver garments,
See her robed in finest raiment,
See her sitting on the rainbow,
Walking on the clouds of purple.
Forge for her the magic Sampo,
Forge the lid in many colors,
Thy reward shall be the virgin,
Thou shalt win this bride of beauty;
Go and bring the lovely maiden
To thy home in Kalevala."[1]

Ilmarinen works for several days at a mighty forge until finally the Sampo is created:

On one side the flour is grinding,
On another salt is making,
On a third is money forging,
And the lid is many-colored.
Well the Sampo grinds when finished,
To and fro the lid in rocking,
Grinds one measure at the day-break,
Grinds a measure fit for eating,
Grinds a second for the market,
Grinds a third one for the store-house.[1]

Later, Louhi the sorceress steals the Sampo, provoking Ilmarinen and Väinämöinen to enter her stronghold in secret and retrieve it. Louhi, in reply, pursues them and combats Väinämöinen. In the struggle, Louhi is vanquished but the Sampo is destroyed.

Interpretation

The Sampo has been interpreted in many ways: a world pillar or world tree, a compass or astrolabe, a chest containing a treasure, a Byzantine coin die, a decorated Vendel period shield, a Christian relic, etc. In the Kalevala, compiler Lönnrot interpreted it to be a quern or mill of some sort that made flour, salt, and gold out of thin air. The world pillar hypothesis was originally developed by historian of religions Uno Harva and the linguist Eemil Nestor Setälä in the early 20th century.

According to the archaeologist Kuz'Mina the Sampo mill myth originates from the Indo-European skambhá (support, pillar, column), and was borrowed into Finno-Ugric.[2] In the Atharvaveda the 'skambhá' is a creature that supports the universe, analogous to the World Tree - the Sampo has been claimed to be the finnish equivalent of the world tree.[2][3]

Similar devices

The World Mill is a hypothesized mytheme shared by the mythologies of certain Indo-European-speaking peoples, involving the analogy of the cosmos or the firmament (Finnish: Taivaankansi) and a rotating millstone.

In the Aarne–Thompson classification systems of Folk-Tales, tale type 565 refers to a magic mill that continuously produces food or salt.[4] Examples include Why the Sea is Salt (Norway, based on the poem Grottasöngr), Sweet porridge (Germanic), and The Water Mother (Chinese). Such devices have been included into modern tales such as Strega Nona (1975, children's book). Variants on the theme with a cautionary tail and pupil-master relationship include The Master and his Pupil (English), and Goethe's 1797 poem The Sorcerer's Apprentice.

The Cornucopia of Greek mythology also produces endless goods, and some versions of the Grail myth emphasize how the Grail creates food and goods.

Japanese folktale Shiofuki usu speaks of a grindstone that could be used to create anything. Like Sampo, it too was lost to the sea, endlessly grinding salt.

The Mahabharatha speaks about the Akshaya Patra, a vessel or bowl capable of creating food. It stopped providing at the end of the day when the lady of the house had her last meal. Similarly in Irish myth the Cauldron of the Dagda (coire ansic or "un-dry cauldron") was a magickal vessel that satisfied any number of people.

Influences

Main article Kalevala § Influence
  • The 1959 Soviet-Finnish film Sampo is loosely based on the story.
  • In 1933, A. A. Öpik named a genus of fossil brachiopod Sampo.[5]
  • Asteroid 2091 Sampo is named after the story.
  • The Finnish heavy metal band Amorphis has a song called Sampo on their 2009 album Skyforger.
  • The Finnish symphonic power metal band Amberian Dawn has a song called Sampo on their 2010 album End of Eden.
  • The Semantic Computing Group at Aalto University has used Sampo as a generic name for their cultural heritage Web services, most recently BiographySampo (2018).[6]

See also

  • MacGuffin, in storytelling, any unspecified device existing solely to further the plot

References

  1. 1 2 Kalevala, Rune X. Translated by John Martin Crawford (1888).
  2. 1 2 Kuz'mina, Elena E. (2007). Mallory, J.P., ed. The origin of the Indo-Iranians. Leiden Indo-European Etymological Dictionary Series. 3. Brill. p. 56. ISBN 9789004160545.
  3. ↑ Erdodi, J. (1932), "Finnische Sampo, ai. Skambha", Indogermansiche Forschungen, 3
  4. ↑ "565: The Magic Mill", www.mftd.org
  5. ↑ "Genus Sampo Öpik, 1933", fossiilide.info
  6. ↑ "BiographySampo".

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