Riddley Walker

Riddley Walker

First edition
Author	Russell Hoban
Country	United Kingdom
Language	English
Genre	Science fiction, dystopian novel
Publisher	Jonathan Cape
Publication date	1980
Media type	Print (hardback & paperback)
Pages	220
ISBN	0-224-01851-5
OCLC	7313161

Riddley Walker is a science fiction novel by Russell Hoban, first published in 1980. It won the John W. Campbell Memorial Award for best science fiction novel in 1982, as well as an Australian Science Fiction Achievement Award in 1983. It was additionally nominated for the Nebula Award for Best Novel in 1981.

Hoban began writing the novel in 1974, inspired by the medieval wall painting of the legend of Saint Eustace at Canterbury Cathedral. It is Hoban's best-known adult novel and a drastic departure from his other work, although he continued to explore some of the same themes in other settings.

Plot

Riddley Walker is set about two thousand years after a nuclear war has devastated world civilizations. The main action of the story begins when the young narrator, Riddley, stumbles upon efforts to recreate a weapon of the ancient world.

The novel's characters live a harsh life in a small area which is presently the English county of Kent, and know nothing of the world outside of "Inland" (England). Their level of civilization is similar to England's prehistoric Iron Age, although they do not produce their own iron but salvage it from ancient machinery. Church and state have combined into one secretive institution, whose mythology, based on misinterpreted stories of the war and an old Catholic saint (Eustace), is enacted in puppet shows.

Narrative style and themes

The novel is in the post-apocalyptic genre and features a first person narrator, Riddley, and is written in an imagined English dialect with phonetic transliteration of a Kentish accent.^[1] Many modern words (especially technological and religious terms) have changed in meaning; many of the place names are folk etymologies, such as "Dog Et" for Dargate, and "Do It Over" for Dover. While the unfamiliar language is a projection of how historical linguistics might apply in the future, it also provides clues to the nature of life in Riddley's world (e.g., being "et" by wild dogs is a common fate), and creates suspense as the reader gradually becomes accustomed to the idiosyncratic narration, and comes to understand some of the references of which Riddley is unaware. Religious philosophy and the supernatural are also central to the novel, elements which Hoban treats in an allusive, mystical way, drawing on elements of many religious traditions. Hoban also draws on the history of his adopted country, including Celtic mythology and Punch and Judy.

Critical reception

Peter Ruppert noted that Hoban's novel draws on "such well-known dystopias as A Clockwork Orange, Lord of the Flies, and A Canticle for Leibowitz", and "what is unique in Hoban's haunting vision of the future is his language" which is described as being similar to the Nadsat slang spoken in Anthony Burgess' A Clockwork Orange.^[2] The Bulletin of the Atomic Scientists stated that, "The force and beauty and awfulness of Hoban's creation is shattering," and praised the author's use of a crude "Chaucerian English".^[3] John Mullan of The Guardian also praised Hoban's decision to narrate the novel in a devolved form of English: "The struggle with Riddley's language is what makes reading the book so absorbing, so completely possessing."^[4]

Library Journal wrote that the book holds "a unique and beloved place among the few after-Armageddon classics".^[5] It was included in David Pringle's book Science Fiction: The 100 Best Novels. In 1994, American literary critic Harold Bloom included Riddley Walker in his list of works comprising the Western Canon.^[6]

Theatrical versions

• Robert C. Cumbow, writing for Slant Magazine, stated that the post-apocalyptic film Mad Max Beyond Thunderdome borrows "whole ideas, themes and characterizations" from the novel.^[7]
• A theatrical adaptation (by Hoban himself) premiered at the Royal Exchange Theatre, Manchester, in February–March 1986. It was directed by Braham Murray and starred David Threlfall. Its U.S. premiere was at the Chocolate Bayou Theatre, in April 1987, directed by Greg Roach.^[8]
• In 1998, Russell Hoban gave permission for Film and Theatre students at Sir Percival Whitley/Calderdale College, Halifax, West Yorkshire, to transcribe the book into a theatrical script, which was then staged in a new production at Piece Hall. In November 2007, the play was produced by Red Kettle^[9] in Waterford, Ireland, to positive reviews.^[10]
• In 2011, the play was also adapted for Trouble Puppet Theater Co. by artistic director Connor Hopkins at Salvage Vanguard Theater in Austin, Texas. This production employed tabletop puppetry inspired by the Bunraku tradition and was supported by an original score by Justin Sherburn.^[11] In March 2015, a group of Aberystwyth drama students performed the play in Theatre y Castell over the course of two days. The production was directed by David Ian Rabey.

Use in popular music

• "The Rapture of Riddley Walker" is the eighth song on the Clutch album From Beale Street to Oblivion (2007).^[12]
• "Widder's Dump", named after a location in the book and notes on the credits as being inspired by the novel, is the fifth song on the 1989 King Swamp album.^[13]
• "In the Heart of the Wood and What I Found There" from the album Thunder Perfect Mind by Current 93 features references to Riddley Walker. Another Current 93 song, "The Blue Gates of Death" from the album Earth Covers Earth incorporates a rhyme from the book. Also, their album Of Ruine or Some Blazing Starre cites the Saint Eustace story.^[14]

See also

• The Book of Dave
• Engine Summer
• Pilgermann

References

External links

• Riddley Walker Annotations
• The Riddley Walker Concordance
• Russell Hoban on Riddley Walker (The Guardian, 26 November 2010)