Peter Vronsky

Peter Vronsky
Peter Vronsky in 2015
Born Toronto, Ontario
Occupation Author, historian, film director, professor
Nationality Canadian
Education PhD in espionage in international relations and criminal justice history
Alma mater University of Toronto
Genre True crime, military history
Subject Serial killers, history, international relations
Notable works Serial Killers: The Method and Madness of Monsters (2004), Female Serial Killers: How and Why Women Become Monsters (2007), Ridgeway: The American-Fenian Invasion and the 1866 Battle that made Canada (2011)
Website
www.petervronsky.org
Literature portal

Peter Vronsky is a Canadian author, filmmaker and investigative historian. He holds a PhD in criminal justice history and espionage in international relations from the University of Toronto. He is the author of the bestseller true crime histories Serial Killers: The Method and Madness of Monsters (2004) and Female Serial Killers: How and Why Women Become Monsters and the forthcoming Sons of Cain: A History of Serial Killers From the Stone Age to the Present (August 2018). He is the director of several feature films, including Bad Company (1980) and Mondo Moscow (1992). Vronsky is the creator of a substantial body of formal video and electronic artworks and new media.[1] He has also worked professionally in the motion picture and television industry as a producer and cinematographer in the field of documentary production and news broadcasting with CNN, CTV, CBC, RAI and other global television networks in North America and overseas.[2] Vronsky's most recent book was published in 2011, Ridgeway: The American Fenian Invasion and the 1866 Battle That Made Canada, a controversial new history of Canada's first modern battle – the Battle of Ridgeway fought against Irish American Fenian insurgents who invaded across the border from the United States on the eve of Canadian Confederation shortly after the American Civil War. He currently lectures at Ryerson University's History Department in the history of international relations, terrorism, American Civil War, Third Reich, and new military history.

1970s

Peter Vronsky was a writer and film reviewer for Canada's national film magazine Cinema Canada and University of Toronto's The Varsity. He was a member of Toronto Filmmakers Coop and University of Toronto Film Board (Hart House). He studied with Canadian film directors Don Shebib, Clarke Mackey, and Peter Pearson at the Toronto Filmmakers Coop. Vronsky dropped out of the University of Toronto at the end of his second year to pursue filmmaking full-time. He wrote and directed two thirty-minute short drama films starring Paul Young from the Cardboard Brains: American Nights (1976) and The Sheep-Eaters (1977). He received several Canada Council and Ontario Arts Council Grants and directed and produced a thirty-minute music documentary special on punk rock for CBC television Crash'n'Burn (Dada's Boys) (1977) with the Viletones, ] Teenage Head, Dishes, The Ramones and The Deadboys, filmed at CBGB in New York and the New Yorker Theater and Crash'n’Burn in Toronto.[3] (Not to be confused with Ross McLaren's independent Crash 'n' Burn made the same year on the same subject. Vronsky produced and directed a feature film, Bad Company (1980). He worked as an assistant-director on Canadian feature films: Nothing Personal (1979), The Last Chase (1979) and Screwballs (1981). Vronsky frequently collaborated with documentary filmmaker Peter Lynch (director) on Video Culture International projects and with horror film director Tibor Takacs who before he left for Hollywood worked as a D.O.P. and Art Director on several Vronsky films.[4]

1980s

Peter Vronsky created numerous video art tapes and formal video installations exhibited in Canada and internationally in Tokyo, Paris, Rome, Amsterdam, New York and London.[1] He was the Artist-in-Residence with Sony Corporation at Video/Culture International, 1983. He frequently worked as an undercover video specialist – field producer with CBC's The Fifth Estate and CTV's W5. In 1984–1985 during the pioneering period of laserdisc development, Vronsky was the Head of Interactive Laser Optical Software Development, Sony Corporation-Video/Culture and the Project Director of the Berlin Wall Videodisc, Sony Canada-Image Over Time, 1985. He worked as a Field Producer/Cameraman for CNN International, Rome Bureau, 1986–1990. Vronsky was the Producer-director of Russian Rock Underground (1988), a thirty-minute music television special on underground ("unofficial") rock music in the Soviet Union, featuring Boris Grebenshchikov, Televizor, Zvuki Mu and Auktion.[5]

1990s

Vronsky was the writer-producer-director of Mondo Moscow, a feature-length documentary on incipient Stalinism and underground culture in the USSR, 1990.[6] In 1991 Vronsky investigated Lee Harvey Oswald's activities in the USSR in 1959–1962 and was the first Westerner ever to interview Oswald's friends, lovers and acquaintances in Russia.[7] Vronsky was the cameraman-line producer on The Hunt for Red Mercury, an investigative one-hour documentary (Discovery Channel – CTV) on nuclear weapons material smuggling in Chechnya, 1992. He was the writer-director of The Uncanadians, a NFB feature documentary 1994–1995 but withdrew his name from the director's credit in a dispute with the National Film Board over the film's controversial contents.) Vronsky was the Head of English Language Production, Panavideo, Venice Italy – service producer for Italy's national television network, RAI, 1997–1999.

2000s

Vronsky was the Queens Park/Toronto Bureau Chief at E-Press, Canada's first online news streaming service, 2000 and the Broadband Content Specialist, Canada-Invest.com, financial news streaming service, 2000–2001. He was the Director of Photography on the feature-length music documentaries, Life Could Be A Dream (Bravo Television, 2002) and I'll Fly Away Home (Bravo Television, 2004). He authored two crime history books, Serial Killers The Method and Madness of Monsters (Berkley-Penguin Books, 2004) and Female Serial Killers: How and Why Women Become Monsters (Berkley-Penguin Books, 2007). Vronsky returned to the University of Toronto as a full-time student from 2003 to 2010, completing the following degrees:

  • University of Toronto, Trinity College, Honours BA, 2003.
  • University of Toronto, Graduate School, M.A. (History) 2004.
  • University of Toronto, Graduate School, PhD. (History), 2010.[8]

Currently

Peter Vronsky currently lectures at Ryerson University History Department in international relations, American Civil War, Third Reich, and the history of terrorism. In 2017, he was chosen as the Writer-In-Residence at the Toronto Public Library.[9] The third volume in his history of serial homicide, a global macro history or Big History of serial homicide, Sons of Cain: A History of Serial Killers from the Stone Age to the Present (formerly Serial Killer Chronicles) for the Penguin Random House Berkley imprint is scheduled to be released in the summer of 2018.[10] A chapter from this new history "Serial Killer Zombie Apocalypse and the Dawn of the Less Dead" was recently published as the prologue to the Serial Killer True Crime Anthology 2014. In it Vronsky compares the brain functions of a serial killer with that of a fictional zombie, arguing that the capacity for serial murder, rape, and cannibalism, originates with primitive survival instincts rooted in an older "reptilian" sector of the human triune brain that “misfires” for a complexity of reasons, ranging from familial, environmental, social, cultural, to perhaps even bio-chemical or genetic.[11]

Peter Vronsky is fluent in English, Russian and Italian and resides in Toronto, Canada and Venice, Italy.

References

  1. 1 2 Vanguard Magazine, November 1983, p. 47; Art London Review, Vol IV No. 3, 15 March 1984; John Bentley Mays, "Peter Wronski presents a garage sale of a show, Toronto Globe & Mail, January 21, 1982, p. E3; Lisa Balfour Bowen, "Even Sadat's death becomes stuff of wry comedy for innovative video artist", Toronto Star, January 16, 1982, p. F5; Susan Mackay, "Confession booth among video wizardry", Globe & Mail, August 15, 1984, p. M9; Dan Proudfoot, "The Video Art Vortex", Toronto Sun, October 28, 1984, p. S3; Christina Ritchie and Allan Blaine, Signal Approach, Catalogue to accompany the video series Signal Approach, held at The Funnel Experimental Film Theatre, Toronto, January 9 – March 13, 1985, The Funnel, 1984: http://mikehoolboom.com/thenewsite/wp-content/uploads/2013/08/Signal-Approach.pdf; http://www.rewind.ac.uk/documents/Steve%20Hawley/SHA008.pdf
  2. ↑ "Danger Man: The Underground Adventures of Peter Wronski", Metropolis Magazine, Vol. 1, No. 4, June 9, 1988; Enrico Sorrentino, "Due Marine per Lee", L'Espresso, 23 February 1993, p.61.
  3. ↑ http://www.thelastpogo.net/peter-vronskys-crash-n-burn-movie/
  4. ↑ http://cinemacanada.athabascau.ca/index.php/cinema/article/viewFile/2146/2197
  5. ↑ Peter Vronsky (23 August 2010). "Russian Rock Underground Part 1 (1988)" – via YouTube.
  6. ↑ "MONDO MOSCOW". www.russianbooks.org.
  7. ↑ "Lee Harvey Oswald in Russia Main Menu". www.russianbooks.org.
  8. ↑ http://history.utoronto.ca/graduate/phd/dissertations#recent-dissertations-defended-tab-7
  9. ↑ "Meet Peter Vronsky, Writer in Residence".
  10. ↑ "Serial Killer Chronicles". www.serialkillerchronicles.com.
  11. ↑ Katherine Ramsland, "A Murder of Pros", Psychology Today.com, April 18. 2014 (http://www.psychologytoday.com/blog/shadow-boxing/201404/murder-pros)
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