Ota Benga

Ota Benga
Benga at the St. Louis World's Fair, 1904
Born c. 1883
Colonial Congo
Died (aged 32)
Lynchburg, Virginia, U.S.
Cause of death Suicide by gunshot to the heart
Resting place White Rock Cemetery
37°23′56.23″N 79°7′58.41″W / 37.3989528°N 79.1328917°W / 37.3989528; -79.1328917
Height 4 ft 11 in (150 cm)
Weight 103 lb (47 kg)

Ota Benga (c. 1883[1] – March 20, 1916) was an Mbuti (Congo pygmy) man, known for being featured in an anthropology exhibit at the Louisiana Purchase Exposition in St. Louis, Missouri, in 1904, and in a human zoo exhibit in 1906 at the Bronx Zoo. Benga had been purchased from African slave traders by the missionary and anthropologist Samuel Phillips Verner,[2] a businessman searching for African people for the exhibition.[3] He traveled with Verner to the United States. At the Bronx Zoo, Benga had free run of the grounds before and after he was exhibited in the zoo's Monkey House. Except for a brief visit with Verner to Africa after the close of the St. Louis Fair, Benga lived in the United States, mostly in Virginia, for the rest of his life.

African-American newspapers around the nation published editorials strongly opposing Benga's treatment. Robert Stuart MacArthur, spokesman for a delegation of black churches, petitioned New York City Mayor George B. McClellan Jr. for his release from the Bronx Zoo.

In late 1906, the mayor released Benga to the custody of James M. Gordon, who supervised the Howard Colored Orphan Asylum in Brooklyn. In 1910, Gordon arranged for Benga to be cared for in Virginia, where he paid for him to acquire American clothes and to have his teeth capped, so the young man could be more readily accepted in local society. Benga was tutored in English and began to work at a Lynchburg tobacco factory. He proved a valuable employee because he could climb up the poles to get the tobacco leaves without having to use a ladder. He began to plan a return to Africa, but the outbreak of World War I in 1914 stopped ship passenger travel. Benga fell into a depression, and he committed suicide in 1916.[4]

Life

Early life

As a member of the Mbuti people,[5] Ota Benga lived in equatorial forests near the Kasai River in what was then the Congo Free State. His people were attacked by the Force Publique, established by King Leopold II of Belgium as a militia to control the natives for labor in order to exploit the large supply of rubber in the Congo. Benga's wife and two children were murdered; he survived only because he was on a hunting expedition when the Force Publique attacked his village. He was later captured by "Baschelel" (Bashilele) slave traders.[6][7][8]

American businessman and explorer Samuel Phillips Verner travelled to Africa in 1904 under contract from the Louisiana Purchase Exposition (St. Louis World Fair) to bring back an assortment of pygmies to be part of an exhibition.[9] To demonstrate the fledgling discipline of anthropology, the noted scientist W. J. McGee intended to display "representatives of all the world's peoples, ranging from smallest pygmies to the most gigantic peoples, from the darkest blacks to the dominant whites" to show what was commonly thought then to be a sort of cultural evolution.[10] Verner discovered Ota Benga while 'en route' to a Batwa village visited previously; he negotiated Benga's release from the slave traders for a pound of salt and a bolt of cloth.[11] Verner later claimed Benga was rescued from the cannibals by him.[12] The two spent several weeks together before reaching the village. There the villagers had developed distrust for the muzungu (white man) due to the abuses of King Leopold's forces. Verner was unable to recruit any villagers to join him until Benga spoke of the muzungu saving his life, the bond that had grown between them, and his own curiosity about the world Verner came from. Four Batwa, all male, ultimately accompanied them. Verner recruited other Africans who were not pygmies: five men from the Bakuba, including the son of King Ndombe, ruler of the Bakuba, and other related peoples – "Red Africans" as they were collectively labeled by contemporary anthropologists.[13][14]

As exhibit

St. Louis World Fair

Benga (second from left) and the Batwa in St. Louis

The group was brought to St. Louis, Missouri, in late June 1904 without Verner, who had been taken ill with malaria. The Louisiana Purchase Exposition had already begun, and the Africans immediately became the center of attention. Ota Benga was particularly popular, and his name was reported variously by the press as Artiba, Autobank,[15] Ota Bang, and Otabenga. He had an amiable personality, and visitors were eager to see his teeth, which had been filed to sharp points in his early youth as ritual decoration. The Africans learned to charge for photographs and performances. One newspaper account, promoting Ota Benga as "the only genuine African cannibal in America", claimed "[his teeth were] worth the five cents he charges for showing them to visitors".[13]

When Verner arrived a month later, he realized the pygmies were more prisoners than performers. Their attempts to congregate peacefully in the forest on Sundays were thwarted by the crowds' fascination with them. McGee's attempts to present a "serious" scientific exhibit were also overturned. On July 28, the Africans' performing to the crowd's preconceived notion that they were "savages" resulted in the First Illinois Regiment being called in to control the mob. Benga and the other Africans eventually performed in a warlike fashion, imitating American Indians they saw at the Exhibition.[16] The Apache chief Geronimo (featured as "The Human Tyger" – with special dispensation from the Department of War)[15] grew to admire Benga, and gave him one of his arrowheads. For his efforts, Verner was awarded the gold medal in anthropology at the close of the Exposition.[16]

American Museum of Natural History

Benga accompanied Verner when he returned the other Africans to the Congo. He briefly lived amongst the Batwa while continuing to accompany Verner on his African adventures. He married a Batwa woman who later died of snakebite, and little is known of this second marriage. Not feeling that he belonged with the Batwa, Benga chose to return with Verner to the United States.[17]

Verner eventually arranged for Benga to stay in a spare room at the American Museum of Natural History in New York City while he was tending to other business. Verner negotiated with the curator Henry Bumpus over the presentation of his acquisitions from Africa and potential employment. While Bumpus was put off by Verner's request of the prohibitively high salary of $175 a month and was not impressed with the man's credentials, he was interested in Benga. Wearing a Southern-style linen suit to entertain visitors, Benga initially enjoyed his time at the museum. He became homesick, however.[18]

The writers Bradford and Blume imagined his feelings:

What at first held his attention now made him want to flee. It was maddening to be inside – to be swallowed whole – so long. He had an image of himself, stuffed, behind glass, but somehow still alive, crouching over a fake campfire, feeding meat to a lifeless child. Museum silence became a source of torment, a kind of noise; he needed birdsong, breezes, trees.[19]

The disaffected Benga attempted to find relief by exploiting his employers' presentation of him as a 'savage'. He tried to slip past the guards as a large crowd was leaving the premises; when asked on one occasion to seat a wealthy donor's wife, he pretended to misunderstand, instead hurling the chair across the room, just missing the woman's head. Meanwhile, Verner was struggling financially and had made little progress in his negotiations with the museum. He soon found another home for Benga.[18]

Bronx Zoo

At the suggestion of Bumpus, Verner took Benga to the Bronx Zoo in 1906. William Hornaday, director of the zoo, initially hired Benga to use as help in maintaining the animal habitats. However, Hornaday saw that people took more notice of Benga than the animals at the zoo, eventually making Hornaday create an exhibition to feature Benga.[7] There, the Mbuti man was allowed to roam the grounds freely. He became fond of an orangutan named Dohong, "the presiding genius of the Monkey House", who had been taught to perform tricks and imitate human behavior.[20] The events leading to his "exhibition" alongside Dohong were gradual:[8] Benga spent some of his time in the Monkey House exhibit, and the zoo encouraged him to hang his hammock there, and to shoot his bow and arrow at a target. On the first day of the exhibit, September 8, 1906, visitors found Benga in the Monkey House.[8] Soon, a sign on the exhibit read:

Ota Benga at the Bronx Zoo in 1906. Only five promotional photos exist of Benga's time here, none of them in the "Monkey House"; cameras were not allowed.[21]

The African Pygmy, "Ota Benga."

Age, 23 years. Height, 4 feet 11 inches.
Weight, 103 pounds. Brought from the
Kasai River, Congo Free State, South Cen-
tral Africa, by Dr. Samuel P. Verner. Ex-
hibited each afternoon during September.[22]

Hornaday considered the exhibit a valuable spectacle for visitors; he was supported by Madison Grant, Secretary of the New York Zoological Society, who lobbied to put Ota Benga on display alongside apes at the Bronx Zoo. A decade later, Grant became prominent nationally as a racial anthropologist and eugenicist.[23]

African-American clergymen immediately protested to zoo officials about the exhibit. Said James H. Gordon,

Our race, we think, is depressed enough, without exhibiting one of us with the apes ... We think we are worthy of being considered human beings, with souls."[8] Gordon thought the exhibit was hostile to Christianity and a promotion of Darwinism: "The Darwinian theory is absolutely opposed to Christianity, and a public demonstration in its favor should not be permitted.[8]

A number of clergymen backed Gordon.[24]

In defense of the depiction of Benga as a lesser human, an editorial in The New York Times suggested:

We do not quite understand all the emotion which others are expressing in the matter ... It is absurd to make moan over the imagined humiliation and degradation Benga is suffering. The pygmies ... are very low in the human scale, and the suggestion that Benga should be in a school instead of a cage ignores the high probability that school would be a place ... from which he could draw no advantage whatever. The idea that men are all much alike except as they have had or lacked opportunities for getting an education out of books is now far out of date.[25]

After the controversy, Benga was allowed to roam the grounds of the zoo. In response to the situation, as well as verbal and physical prods from the crowds, he became more mischievous and somewhat violent.[26] Around this time, an article in The New York Times stated, "It is too bad that there is not some society like the Society for the Prevention of Cruelty to Children. We send our missionaries to Africa to Christianize the people, and then we bring one here to brutalize him."[22]

The zoo finally removed Benga from the grounds. Verner was unsuccessful in his continued search for employment, but he occasionally spoke to Benga. The two had agreed that it was in Benga's best interests to remain in the United States despite the unwelcome spotlight at the zoo.[27] Toward the end of 1906, Benga was released into Reverend Gordon's custody.[8]

Later life

Gordon placed Benga in the Howard Colored Orphan Asylum, a church-sponsored orphanage which he supervised. As the unwelcome press attention continued, in January 1910, Gordon arranged for Benga's relocation to Lynchburg, Virginia, where he lived with the McCray family.[28] So that Benga could more easily be part of local society, Gordon arranged for the African's teeth to be capped and bought him American-style clothes. Tutored by Lynchburg poet Anne Spencer,[29] Benga could improve his English, and he began to attend elementary school at the Baptist Seminary in Lynchburg.[25]

Once he felt his English had improved sufficiently, Benga discontinued his formal education. He began working at a Lynchburg tobacco factory. He proved a valuable employee because he could climb up the poles to get the tobacco leaves without having to use a ladder. His fellow workers called him "Bingo". He often told his life story in exchange for sandwiches and root beer. He began to plan a return to Africa.[30]

In 1914 when World War I broke out, a return to the Congo became impossible as passenger ship traffic ended. Benga became depressed as his hopes for a return to his homeland faded.[30] On March 20, 1916, at the age of 32, he built a ceremonial fire, chipped off the caps on his teeth, and shot himself in the heart with a stolen pistol.[31]

He was buried in an unmarked grave in the black section of the Old City Cemetery, near his benefactor, Gregory Hayes. At some point, the remains of both men went missing. Local oral history indicates that Hayes and Ota Benga were eventually moved from the Old Cemetery to White Rock Cemetery, a burial ground that later fell into disrepair.[32]

Legacy

Phillips Verner Bradford, the grandson of Samuel Phillips Verner, wrote a book on the Mbuti man, entitled Ota Benga: The Pygmy in the Zoo (1992). During his research for the book, Bradford visited the American Museum of Natural History, which holds a life mask and body cast of Ota Benga. The display is still labeled "Pygmy", rather than indicating Benga's name, despite objections beginning a century ago from Verner and repeated by others.[33] Publication of Bradford's book in 1992 inspired widespread interest in Ota Benga's story and stimulated creation of many other works, both fictional and non-fiction, such as:

  • 1994 – John Strand's play, Ota Benga, was produced by the Signature Theater in Arlington, Virginia.[34]
  • 1997 – The play, Ota Benga, Elegy for the Elephant, by Dr. Ben B. Halm, was staged at Fairfield University in Connecticut.[35]
  • 2002 – The Mbuti man was the subject of the short documentary, Ota Benga: A Pygmy in America, directed by Brazilian Alfeu França. He incorporated original movies recorded by Verner in the early 20th century.[36]
  • 2005 – A fictionalized account of his life portrayed in the film Man to Man, starring Joseph Fiennes, Kristin Scott Thomas.
  • 2006 – The Brooklyn-based band Piñataland released a song titled "Ota Benga's Name" on their album Songs from the Forgotten Future Volume 1, which tells the story of Ota Benga.[8]
  • 2006 – The fantasy film The Fall features a highly fictionalized character based on Ota Benga.
  • 2007 – McCray's early poems about Benga were adapted as a performance piece; the work debuted at the Columbia Museum of Art in 2007, with McCray as narrator and original music by Kevin Simmonds.
  • 2008 – Benga inspired the character of Ngunda Oti in the film The Curious Case of Benjamin Button.[37]
  • 2010 – The story of Ota Benga was the inspiration for a concept album by the St. Louis musical ensemble May Day Orchestra [38]
  • 2011 – Italian band Mamuthones recorded the song "Ota Benga" in their album Mamuthones.
  • 2012 – Ota Benga Under My Mother's Roof, a poetry collection, was published by Carrie Allen McCray, whose family had taken care of Benga
  • 2012 – Ota Benga the Documentary Film appeared (http://www.otabengathedocumentaryfilm.com/).
  • 2015 – Journalist Pamela Newkirk published the biography Spectacle: The Astonishing Life of Ota Benga[39]
  • 2016 – Radio Diaries, a Peabody Award-winning radio show, tells the story of Ota Benga in "The Man in the Zoo" on the Radio Diaries podcast.[40]

Similar case

Like Ota Benga, Ishi (a Native American) was displayed in the human zoo.

Similarities have been observed between the treatment of Ota Benga and Ishi. The latter was the sole remaining member of the Yahi Native American tribe, and he was displayed in California around the same period. Ishi died on March 25, 1916, five days after Ota.[41][42]

See also

References

  1. ↑ Bradford and Blume (1992), p. 54.
  2. ↑ Crawford, John R. (1982). "Pioneer African Missionary: Samuel Phillips Verner". Journal of Presbyterian History (1962-1985). 60 (1): 42–57. JSTOR 23328464.
  3. ↑ "Caged in the human zoo: The shocking story of the young pygmy warrior put on show in a monkey house – and how he fuelled Hitler's twisted beliefs". Dailymail. October 31, 2009. Retrieved May 23, 2014.
  4. ↑ Evanzz, Karl (1999). The Messenger: The rise and fall of Elijah Muhammad. New York: Pantheon Books. ISBN 9780679442608.
  5. ↑ Bradford and Blume describe Benga as Mbuti and write, "A feature article described Ota Benga as 'a dwarfy, black specimen of sad-eyed humanity.' He was sad because the other pygmies were Batwa but he was not..." (p. 116). They later mention that he "never fully assimilated into the Batwa" during his time with them. Parezo and Fowler refer to "[t]he Mbuti (Batwa) Pygmies and 'Red Africans'" and note that "McGee called them all Batwa Pygmies, 'real aboriginals of the Dark Continent' ... [Benga] was slightly taller than the other Pygmies, a characteristic common to his society, the Badinga or Chiri-chiri. Verner considered the Chiri-chiris a Pygmy society, and McGee and the press decided not to quibble over details." (pp. 200–203). Many sources, e.g. Adams (p. 25) and NPR, simply describe him as "a Batwa Pygmy from Africa".
  6. ↑ name="nyt2006"
  7. 1 2 "Looking Back at the Strange Case of Ota Benga". NPR.org. National Public Radio. Retrieved 27 September 2017.
  8. 1 2 3 4 5 6 7 Keller, Mitch (August 6, 2006). "The Scandal at the Zoo". The New York Times.
  9. ↑ Bradford and Blume (1992), pp. 97–98.
  10. ↑ Quoted in Bradford and Blume (1992), p. 5.
  11. ↑ Bradford and Blume (1992), pp. 102–103.
  12. ↑ "100 years ago today, Ota Benga ended his horrible life after caged as 'pygmy' at Bronx Zoo". RT International. Retrieved 2016-03-22.
  13. 1 2 Parezo and Fowler (2007), p. 204.
  14. ↑ Bradford and Blume (1992), pp. 109–110.
  15. 1 2 Bradford and Blume (1992), pp. 12–16.
  16. 1 2 Bradford and Blume (1992), pp. 118–121
  17. ↑ Bradford and Blume (1992), pp. 151–158.
  18. 1 2 Bradford and Blume (1992), pp. 159–168.
  19. ↑ Bradford and Blume (1992), pp. 165–166.
  20. ↑ Bradford and Blume (1992), pp. 172–174.
  21. ↑ Bradford and Blume (1992), photo insert.
  22. 1 2 "Man and Monkey Show Disapproved by Clergy," The New York Times, September 10, 1906, pg. 1.
  23. ↑ Bradford and Blume (1992), pp. 173–175.
  24. ↑ Spiro (2008), p. 47.
  25. 1 2 Spiro (2008), p. 48.
  26. ↑ Smith (1998). See chapter on Ota Benga.
  27. ↑ Bradford and Blume (1992), pp. 187–190.
  28. ↑ Bradford and Blume (1992), pp. 191–204.
  29. ↑ Bradford and Blume (1992), pp. 212–213.
  30. 1 2 Spiro (2008), p. 49.
  31. ↑ "Ota Benga", Encyclopedia Virginia
  32. ↑ Bradford and Blume (1992), p. 231.
  33. ↑ Laurent, Darrel (May 29, 2005). "Demeaned in Life, Forgotten in Death". The Lynchburg News & Advance. Retrieved 2006-04-03.
  34. ↑ Ota Benga. Broadway Plays. Archived from the original on August 17, 2010.
  35. ↑ "Memorial details — Ben Halm". Fairfield University. Archived from the original on November 2, 2007. Retrieved 2009-01-06.
  36. ↑ Alfeu França (2002). Ota Benga:A Pygmy in America (film).
  37. ↑ Hornaday, Ann (January 3, 2009). "Basest Instinct: Case of the Zoo Pygmy Exhibited a Familiar Face of Human Nature". Washington Post. Retrieved 2009-01-06.
  38. ↑ May Day. Ota Benga. Allmusic.com.
  39. ↑ Newkirk, Pamela (June 2, 2015). Spectacle: The Astonishing Life of Ota Benga. Amistad. ISBN 9780062201003.
  40. ↑ Radio Diaries, The Man in the Zoo
  41. ↑ Weaver, Jace (2003). "When the Demons Came: (Retro)Spectacle among the Savages". In Kroeber, Karl; Kroeber, Clifton B. Ishi in Three Centuries. Lincoln: University of Nebraska Press. p. 41. ISBN 0-8032-2757-4.
  42. ↑ Kroeber, Karl & Kroeber, Clifton B. (editors) (2003). Ishi in Three Centuries. Lincoln: University of Nebraska Press. p. 41.

Bibliography

  • Adams, Rachel (2001). Sideshow U.S.A: Freaks and the American Cultural Imagination. Chicago: University of Chicago Press. ISBN 0-226-00539-9.
  • Bradford, Phillips Verner; Blume, Harvey (1992). Ota Benga: The Pygmy in the Zoo. New York: St. Martins Press. ISBN 0-312-08276-2.
  • McCray, Carrie Allen (2012). Kevin Simmonds, ed. Ota Benga under My Mother's Roof. Columbia: University of South Carolina Press. ISBN 978-1-61117-085-6.
  • Newkirk, Pamela (2015). Spectacle: The Astonishing Life of Ota Benga. New York: Amistad. ISBN 978-0-06-220100-3.
  • Parezo, Nancy J.; Fowler, Don D. (2007). Anthropology Goes to the Fair: The 1904 Louisiana Purchase Exposition. Lincoln, Nebraska: University of Nebraska Press. ISBN 0-8032-3759-6.
  • Smith, Ken (1998). Raw Deal: Horrible and Ironic Stories of Forgotten Americans. New York: Blast Books. ISBN 0-922233-20-9.
  • Spiro, Jonathan Peter (2008). Defending the Master Race: Conservation, Eugenics, and the Legacy of Madison Grant. Burlington, VT: University of Vermont Press. pp. 43–51. ISBN 978-1-58465-715-6.
  • http://www.otabengathedocumentaryfilm.com/
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