Natalie Jeremijenko

Natalie Jeremijenko
AO
Born 1966 (age 5152)
Mackay, Queensland
Nationality Australian
Alma mater
Style net.art
Movement Experimental design
Spouse(s) Dalton Conley (dis.)
Website environmentalhealthclinic.net/natalie-jeremijenko

Natalie Jeremijenko AO (born 1966) is an artist and engineer whose background includes studies in biochemistry, physics, neuroscience and precision engineering. She is an active member of the net.art movement, and her work primarily explores the interface between society, the environment and technology. She has alternatively described her work as "X Design" (short for experimental design) and herself as a "thingker", a combination of thing-maker and thinker.[1] She is currently an associate professor at New York University in the Visual Art Department, and has affiliated faculty appointments in the school's Computer Science and Environmental Studies.

Early life and education

She was born in Mackay, Queensland, and raised in Brisbane, the second of ten children to a physician and a schoolteacher. Her parents were champions of domestic technology, and Jeremijenko claims that her mother was the first woman in Australia to own a microwave.[2]

She enrolled in PhDs, in Australia and possibly Stanford University but was not awarded a doctorate.[2]

YearDegreeUniversityDetailsNotes
1992BFA (with Honors)Royal Melbourne Institute of TechnologyDigital Information: "Explorations in Scientific Representation Exploiting Surround Sensory Input (Virtual Reality)"[3][4]
1993BS (Conferred)Griffith University, Queensland, AustraliaNeuroscience and biochemistry[3][4]

Transition to art installations

In 1988, Jeremijenko co-founded the Livid rock festival in Brisbane.[5] She credits her involvement in helping her move towards public art as she created installations that would appeal to the young crowd.[2]

Notable works

D4PA: Designed 4 Political Action

A catalogue of devices and strategies for political engagement and direct action developed by the Bureau of Inverse Technology and others.[6] Described by Wired Magazine as "the DARPA of dissent".[7]

Live Wire (Dangling String), 1995

In 1995,[8] as an artist-in-residence at Xerox PARC in Palo Alto, California under the guidance of Mark Weiser, she created an art installation made up of LED cables that lit up relative to the amount of internet traffic. The work is now seen as one of the first examples of ambient or "calm" technology.[9][10]

OOZ

Various technological interfaces to facilitate interaction with natural systems as opposed to virtual systems. These interfaces encourage interactive relationships with non-humans and are intended to accumulate the actions of participants into productive local environmental knowledge and the remediation of urban territories.

HowStuffIsMade

How Stuff is Made (HSIM) is a visual encyclopaedia documenting the manufacturing processes, environmental costs and labour conditions involved in the production of contemporary products.[11] This is a wiki-based collectively produced academic project to change the information available on and about the production.

Feral Robots

An open source robotics project providing resources and support for upgrading the raison d'etre of commercially available robotic dog toys; and facilitating mediagenic Feral Robotic Dog Pack Release events. Because the dogs follow concentration gradients of the contaminants they are equipped to sniff, their release renders information legible to diverse participants, provides the opportunity for evidence-driven discussion, and facilitates public participation in environmental monitoring and remediation.[12]

BIT Plane, 1997

The BIT plane is a radio-controlled model aircraft, designed by the Bureau of Inverse Technology and equipped with a micro-video camera and transmitter.[13] Its name could be a reference to bit plane, a set of digital discrete signals. In 1997 it was launched on a series of sorties over the Silicon Valley to capture an aerial rendering.

Guided by the live control-view video feed from the plane, the pilot on the ground could steer the unit deep into the heartlands of the Information Age. Most of the corporate research parks in Silicon Valley are no-camera zones and require US citizen status or special clearance for entry. The bit plane (with an undisclosed citizenship) flew covertly through this rarified information-space, buzzing over the largest concentration of venture capital in the world, returning with several hours of aerial footage.

Biotech Hobbyist magazine

(1st issue) An online magazine with kits and resources to bring biotech to the garage, bedroom, and everyman, to raise the standards of evidence and capacity for public involvement in the political decisions on the biotechnological future.[14]

Bat Billboard, 2008

Created in 2008, this project's goal was to dispel misinformation, as well as educate people on bats, their habitat, and activities. The billboard was an interactive home for bats that would display written messages based on the sonar messages the bats were sending. This work was showcased at MoMA's 2011 exhibit "Talk to Me".[15]

The Art Of The Eco-mindshift, Oct 2009

Jeremijenko gave a TED Talk in October 2009. Here she discussed her various projects and what she was currently working on with the Environmental Health Clinic. In the TED Talk she also discusses what her plans are to improve the environment in industrious areas like New York City. [16]

Chronology of selected works

YearTitleTypeDetails
2010xAirportInstallationhttp://www.environmentalhealthclinic.net/xairport/
2004Clear Skies: FaceMaskshttp://xdesign.ucsd.edu/facemasks/
1999Tree LogicInstallation
1998OnetreeInstallation
Bitplanefilm
CIRCA: The Ratio Virus
1997ALifeTreehttp://www.onetrees.org/
Suicide BoxFilmhttp://www.bureauit.org/sbox/
1⁄2 Life Ratio
1996The Corporate ImaginationFilm
Voice BoxInstallation
Crossover Datehttp://bureauit.org
1995Live WireInstallation
Despondency Index
1993The Bureau of Inverse TechnologyFilm

Awards

Personal life

She was previously married to the sociologist Dalton Conley[21] with whom she had two children: E and Yo.[22][23] Jeremijenko also has a daughter, Jamba, from a previous relationship.[2]

See also

References

  1. More Intelligent Life, M.G (20 September 2010). "The Q&A: Natalie Jeremijenko, thingker". The Economist. Retrieved 19 October 2012.
  2. 1 2 3 4 Kevin, Berger (January 2006). "The artist as mad scientist". salon.com. Retrieved 19 October 2012.
  3. 1 2 "Natalie Jeremijenko". Core77. Retrieved 19 October 2012.
  4. 1 2 "Natalie Jeremijenko". School of Visual Arts. Retrieved 19 October 2012.
  5. Walsh, Peter. "A Brief History of Livid".
  6. "BUREAU OF INVERSE TECHNOLOGY: THE DECADE REPORT, THE BUREAU THE EVIDENCE THE FIRST 10 YEARS".
  7. http://xdesign.ucsd.edu/d4pa/
  8. "Natalie Jeremijenko". Media Artists. Retrieved 19 October 2012.
  9. "Calm Technology". Berkeley. Retrieved 19 October 2012.
  10. "Ubicomp". IPV6. Retrieved 19 October 2012.
  11. "How Stuff Is Made". Retrieved 19 October 2012.
  12. "Shocking the Big City with a Little Green Grass," Yes! magazine, Winter 2013, p. 40.
  13. "BUREAU OF INVERSE TECHNOLOGY: THE DECADE REPORT, THE BUREAU THE EVIDENCE THE FIRST 10 YEARS".
  14. http://www.biotechhobbyist.org/
  15. http://www.moma.org/interactives/exhibitions/2011/talktome/objects/
  16. https://www.ted.com/talks/natalie_jeremijenko_the_art_of_the_eco_mindshift/transcript?language=en
  17. (http://creative-capital.org/projects/view/763)
  18. "Most Influential Women in Tech: Natalie Jeremijenko". Fast Company. Retrieved 19 October 2012.
  19. Poynor, Rick (9 January 2005). "The I.D. Forty: What Are Lists For?". Design Observer. Retrieved 19 October 2012.
  20. "Technology Review's annual list of 35 INNOVATORS UNDER 35: Natalie Jeremijenko, 32". Technology Review. Retrieved 19 October 2012.
  21. "Dalton Conley: Biography". New York University. Retrieved 26 October 2012.
  22. Bahrampour, Tara (25 September 2003). "A Boy Named Yo, Etc.; Name Changes, Both Practical and Fanciful, Are on the Rise". New York Times. Retrieved 12 March 2018.
  23. Conley, Dalton (1 March 2010). "Raising E and Yo..." Psychology Today magazine. Retrieved 26 October 2012.

Further reading

  • Perini, Julie (2010). "Art as Intervention: A Guide to Today's Radical Art Practices". In Team Colors Collective. Uses of a Whirlwind: Movement, Movements, and Contemporary Radical Currents in the United States. AK Press. ISBN 9781849350167.
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