Maria Messina

Maria Messina
Born March 14, 1887
Palermo
Died January 19, 1944(1944-01-19) (aged 56)
Pistoia
Residence Mistretta
Nationality Italian
Subject Sicilian women
Years active 1909–1928

Maria Messina (Palermo, March 14, 1887 – Pistoia, January 19, 1944) was an Italian writer. She was the aunt of the writer Annie Messina (daughter of Maria's brother Salvatore).

Biography

Maria was born in Palermo, Sicily, the daughter of school inspector Gaetano Messina and Gaetana Valenza Trajna, descendant of a baronial family of Prizzi. She grew up in Messina where she spent an isolated childhood with her parents and brothers. During adolescence, she traveled a lot through the Center and South of Italy because of her father's continual relocations, until in 1911 her family settled in Naples. Maria Messina was self-educated and was consequently encouraged by her older brother to begin the career of a writer.

When she was twenty-two she began an intense correspondence with Giovanni Verga. Between 1909 and 1921, she published a series of short stories. Thanks to Verga's support, she also had a novella published in a literary magazine, Nuova Antologia. Another one, La Mèrica, appeared in La Donna and won the Gold Medal prize.

She carried on intense correspondence with various personalities of the time, for example with the Florentine publisher Enrico Bemporad, with the Sicilian poet and critic Alessio Di Giovanni, and especially the Catanese writer Giovanni Verga. Altogether, Maria Messina produced various collections of novellas, five novels, and a selection of children's literature, which gave her notable prestige—diverse were her contributions in magazines, and of a certain worth was her article included in a 1934 anthology edited by Lina Perroni, Studi Critici su Giovanni Verga. In 1928 her last novel L'Amore Negato came out, while the multiple sclerosis that she had been diagnosed with at the age of twenty was developing complications. She died of this disease in Pistoia in 1944.

She lived for many years in Mistretta, a city in the Province of Messina, in the heart of the Nebrodi Mountains, where many of her stories are set. Her mortal remains, along with those of her mother, were transferred on April 24, 2009 to Mistretta, considered her second hometown. Maria Messina was made an "honorary citizen" of the ancient "capital" of the Nebrodi.[1]

Writing

Messina's writing concentrates above all on Sicilian culture and, as principal themes, the isolation and oppression of young Sicilian women.[2] Moreover, her writing is focused on the domination and submission inherent in the emotional relationships between men and women.[2] What is more, one of her best-known novels, La Casa nel Vicolo, marked a turning point in Messina's writing, toward the use of psychological conditions.[3] In her narration Messina depicted the oppression of women as inevitable and cyclic and, because of this, some think that she was not a feminist.[2] Nevertheless, the women she depicted were the representation of powerful declarations of an attitude of challenge.[4]

Reception

Maria Messina is among the basic women writers in the history of Italian literature of the early 20th century. For this reason she is counted in the research project The Women Authors of Italian Literature.[5]

After her premature death, Maria Messina's name slowly and gradually started to become forgotten and her books started going out of print. By chance, in the very early 1980s, she was rediscovered by Leonardo Sciascia,[6] who arranged for many of her works to be republished in prestigious publishing houses. But her comeback had an ephemeral life and, after the passing of Sciascia, the name of Maria Messina fell into a second oblivion.

Only in 2017 have her works returned to bookstores, thanks to the restoration work directed by Salvatore Asaro,[7] the top expert on Messinese works,[8] who, after years of interest, has arranged for her novels to be reprinted. The first fruit of this restoration was the republication of Alla Deriva in March 2017, and a preface by the writer Elena Stancanelli, followed by Le Pause della Vita and Primavera Senza Sole.

The Progetto Mistretta cultural association founded the Maria Messina Prize for literature in her honor, through its journal Il Centro Storico, in 2003.[9]

Works

Novellas

  • Pettini fini e altre novelle, Palermo: Edizioni Remo Sandron, 1909; Sellerio, Palermo, 1996
  • Piccoli gorghi, Sandron, Palermo, 1911; Sellerio, Palermo, 1988
  • Le briciole del destino, Fratelli Treves, Milan, 1918; Sellerio, Palermo, 1996
  • II guinzaglio, Treves, Milan, 1921; Sellerio, Palermo, 1996
  • Personcine, A. Vallardi, Milan, 1921; Sellerio, Palermo, 1999
  • Ragazze siciliane, Le Monnier, Florence, 1921; Sellerio, Palermo, 1997
  • Casa paterna (1944), Sellerio, Palermo, 1981 (with a note by Leonardo Sciascia)
  • Gente che passa, Sellerio, Palermo, 1989
  • Dopo l'inverno, edited by Roswitha Schoell-Dombrowsky, Sellerio, Palermo, 1998

Novels

  • Alla deriva, Treves, Milan, 1920; preface by Elena Stancanelli, Edizioni Croce, Rome, 2017
  • Primavera senza sole, Giannini, Naples, 1920; Edizioni Croce, Rome, 2017, introduced and edited by Salvatore Asaro
  • La casa nel vicolo, Treves, Milan, 1921; Sellerio, Palermo, 1982
  • Un fiore che non fiorì, Treves, Milan, 1923; Edizioni Croce, Rome, 2017, prefaced and edited by Salvatore Ferlita, bio-bibliographic chronology by Salvatore Asaro
  • Le pause della vita, Treves, Milan, 1926; Edizioni Croce, 2017
  • L'amore negato, Ceschina, Milan, 1928; Sellerio, Palermo, 1993

Literature for children

  • I racconti di Cismè, Sandron, Palermo, 1912
  • Pirichitto, Sandron, Palermo, 1914
  • Cenerella, Bemporad, Florence, 1918
  • I figli dell'uomo sapiente, Sandron, Palermo, 1920; Mondadori, Milan, 1939
  • Il galletto rosso e blu e altre storielle, Sandron, Palermo, 1921
  • Il giardino dei Grigoli, Treves, Milan, 1922
  • I racconti dell'Avemmaria, Sandron, Palermo, 1922
  • Storia di buoni zoccoli e di cattive scarpe, Bemporad, Florence, 1926

Other

  • Un idillio letterario inedito verghiano: lettere inedite di Maria Messina a Giovanni Verga, edited by Giovanni Garra Agosta, introduction by Concetta Greco Lanza, Greco, Catania, 1979

Bibliography

  • Giovanni Garra Agosta (ed.), Un idillio letterario inedito verghiano: lettere inedite di Maria Messina a Giovanni Verga, Greco, Catania, 1979
  • Lucio Bartolotta, Maria Messina, Il centro storico, Mistretta, 2009

References

  1. - Cfr. Mistrettanews
  2. 1 2 3 Lombardo, Maria Nina. "Maria Messina." Italian Women Writers: A Bio-bibliographical Sourcebook. By Rinaldina Russell. Westport, CT: Greenwood, 1994. 253-259.
  3. Lombardo, Maria Nina."Maria Messina." Italian Women Writers: A Bio-bibliographical Sourcebook. By Rinaldina Russell. Westport, CT: Greenwood, 1994. 253-259.
  4. Magistro, Elise. “Narrative Voice and the Regional Experience: Redefining Female Images in the Works of Maria Messina.” Italian Women Writers from the Renaissance to the Present: Revising the Canon. By Maria Ornella Marotti. University Park, PA: Pennsylvania State UP, 1996. 111-128.
  5. Le Autrici della Letteratura Italiana
  6. SCRITTRICI/ Il sapore acido della libertà non scelta in «La casa nel vicolo» | La ventisettesima ora
  7. Lo Iacono, Salvatore (August 31, 2017). "Una casa editrice romana rilancia Maria Messina". Giornale di Sicilia.
  8. Ferlita, Salvatore (November 22, 2017). "Maria Messina, la riscoperta di un'autrice". la Repubblica.
  9. "Concorso Letterario "Maria Messina" riservato alla narrativa" (pdf). Mistretta.eu. Associazione Culturale Progetto Mistretta. Retrieved November 27, 2017.
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