List of large sensor interchangeable-lens video cameras

List of digital video cameras with an image sensor larger than 2/3 inch and producing video in a horizontal resolution equal or higher than 1920 pixels.

Digital video cameras

Brand Camera Sensor size Lens Mount[1] Recording media[2] Codec Maximum video resolution ISO range Dynamic range (at native/peak ISO) Shutter type Anamorphic shooting Internal filters Frame rate(s−1)
AJA Video Systems Cion[3]
 22.5 x 11.9 mm Arri PL AJA Video Systems Pak Media, HD-SDI recorder, Thunderbolt recorder 12-bit 4:4:4 ProRes (internal recording)
AJA RAW (Thunderbolt recorders)		 4096 x 2160 320 - 1000 12 stops (per manufacturer)[4]
8.2 stops (usable)[5]		 Global[6] None Optical low pass, IR 23.98 - 120
Arri Alexa[7]
Alexa Plus		 23.76 x 13.37 mm Arri PL SxS card, T-link recorder (optional XR module upgrade)[8] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive)		 2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 1620 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[9]		 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8)[10] Rolling None by default, 2x and 1.33x desqueeze with license[11] Optical low pass, IR, UV 0,75 - 60 (default), 0.75 - 120 (with high speed license)[12]
Arri Alexa Plus 4:3[13]
Alexa M		 23.76 x 17.82 mm Arri PL SxS card, T-link recorder (optional XR module upgrade)[8] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive)		 2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 2160 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[9]		 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze[11] Optical low pass, IR, UV 0.75 - 120[12]
Arri Alexa Studio 23.76 x 17.82 mm Arri PL SxS card, T-link recorder (optional XR module upgrade)[8] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive)		 2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 1620 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[9]		 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Mechanical 2x and 1.33x desqueeze[11] Optical low pass, IR, UV, ND 0.6-1.3[14] 0.75 - 120[12]
Arri Alexa HD
Alexa HD Plus[15]
 23.76 x 13.37 mm Arri PL SxS card 12-bit 4444 ProRes, 10-bit DNxHD (with license) 1920 x 1080 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling None by default, 2x and 1.33x desqueeze with license[11] Optical low pass, IR, UV 0,75 - 60 (default), 0.75 - 120 (with high speed license)[12]
Arri Alexa Mini[16] 28.17 x 18.13 mm Arri PL, EF, B4 (interchangeable) CFast 2.0 card, SDI-6G recorders 12-bit 4444 ProRes XQ, ARRIRAW 2880 x 2160 (ARRIRAW)
3164 x 1778 (ProRes)
3840 x 2160 (In-camera upscaled ProRes)[17]		 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze Optical low pass, IR, UV, ND 0.6, 1.2, 2.1 0,75 - 200 (ProRes), 0.75 - 30 (ARRIRAW to CFast 2.0 card), 0,75 - 200 (ARRIRAW to external recorders)
Arri Alexa LF 36.7 x 25.54 mm LF, ships with Arri PL adapter SXR drive 12-bit ARRIRAW, ProRes 4444 XQ 4448x3096 (ARRIRAW)
 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze Optical low pass, IR, UV 23.98-150
Arri Alexa SXT[18]
Alexa SXT Plus		 28.17 x 18.13 mm[19] Arri PL SXR drive 12-bit 4444 ProRes XQ, 12-bit ARRIRAW 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes) 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze[20] Optical low pass, IR, UV, internal ND filter module with filters sold separately[21] 0,75 - 120
Arri Alexa SXT Studio[22] 28.17 x 18.13 mm[19] Arri PL SXR drive 12-bit 4444 ProRes XQ, 12-bit ARRIRAW 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes) 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Mechanical 2x and 1.33x desqueeze[23] Optical low pass, IR, UV, internal ND filter module with filters sold separately[21] 0,75 - 120
Arri Alexa XT[15]
Alexa XT Plus
Alexa XT M		 28.17 x 18.13 mm[19] Arri PL XR drive (optional SXR module upgrade, excluding Alexa XT M)[24] 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[19]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade)		 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze[25] Optical low pass, IR, UV, internal ND filter module with filters sold separately[21] 0,75 - 120
Arri Alexa XT Studio[15]
 28.17 x 18.13 mm[19] Arri PL XR drive (optional SXR module upgrade) 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[19]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade)		 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Mechanical 2x and 1.33x desqueeze[26] Optical low pass, IR, UV, ND 0.6-1.3[27] 0,75 - 120
Arri Alexa XT B+W Monochrome[28] 28.17 x 18.13 mm[19] Arri PL XR drive (optional SXR module upgrade) ProRes XQ, DNxHD (XR drive only), ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[19]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade)		 160 - 3200 (2000 native) 15 stops[28] Rolling 2x and 1.33x desqueeze[29] Omits bayer filters, internal ND filter module with filters sold separately[21] 0,75 - 120
Arri Alexa 65[30] 54.12 x 25.58 mm Arri XPL XR drive ARRIRAW 6560 x 3102 160 - 3200 (800 native) 14 stops Rolling 0,75 - 27 (60 fps upcoming)
Arri Amira[31]
 23.76 x 13.37 mm Arri PL, B4, EF (interchangeable) CFast 2.0 card ProRes (10-bit 4:2:2 by default, 4:2:2 HQ and 12-bit 4444 with license)[32] 1920 x 1080 (default)
2048 x 1152 (with 2K license)
3840 x 2160 (in-camera upscaling with license)[33]		 160 - 3200 (800 native) 14.5 stops (Log C)[34]
13.1 stops (usable)[5]		 Rolling None Optical low pass, IR, UV, ND 0.6, 1.2, 2.1 0,75 - 100 (default), 200 and 4K 60 with license
Arri D-20
D-21		 24.9 x 18.15 mm Arri PL HD-SDI recorder, T-link recorder Uncompressed 12-bit 4:4:4 signal (HD-SDI recorders), ARRIRAW (T-link recorders) 1920 x 1080 (HD-SDI recorders)
2880 x 2160 (ARRIRAW recorders)		 50 - 320 (D-20)
100 - 800 (D-21, 200 native)[35]		 11 stops (Log C data mode, +6, -5)[36] Mechanical 2x desqueeze Optical low pass, IR 1 - 60
Blackmagic Cinema Camera[37]
 15.81 x 8.88 mm CMOS Canon EF, MFT, Arri PL 2.5" SSD 10-bit 4:2:2 ProRes, 10-bit DNxHD, 12-bit CinemaDNG RAW 1920 x 1080 (ProRes/DNxHD)
2432 x 1366 (CinemaDNG RAW)		 200 - 1600 (800 native) 13 stops (BMD Film, +6, -7)[38][39] Rolling None None 23.98, 24, 25, 29.97, 30
Blackmagic Micro Cinema Camera 12.48 x 7.02 mm CMOS MFT SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native) 13 stops Rolling None None 23.98 - 60[40]
Blackmagic Pocket Cinema Camera[37]
 12.48 x 7.02 mm CMOS MFT SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native) 13 stops (BMD Film, +6, -7)[38][41] Rolling None None 23.98, 24, 25, 29.97, 30
Blackmagic Pocket Cinema Camera 4K[37]
 18.96 x 10 mm CMOS Active MFT CFast card, SD card, USB-C drives 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 4096 x 2160 (CinemaDMG)
3840 x 2160 (ProRes)		 Up to 25,600 13 stops (BMD Film, +6, -7)[38][42] Rolling None None 23.98 - 60
Blackmagic Production Camera 4K[37]
 21.12 x 11.88 mm CMOS Canon EF, MFT, Arri PL 2.5" SSD 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw)		 200 - 800 (400 native)[43] 12 stops (BMD Film, per manufacturer)[44]
8.2 stops (usable)[5]		 Global None None 23.98, 24, 25, 29.97, 30
Blackmagic Ursa 4K[45]
 21.12 x 11.88 mm CMOS Canon EF, Arri PL, B4 (interchangeable) CFast 2.0 card 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw)		 200 - 1600 (400 native)[46] 12 stops (BMD Film)[38] Global[47] None None 23.98, 24, 25, 29.97, 30, 50, 60
Blackmagic Ursa 4.6K 25.34 x 14.25 mm& CMOS Canon EF, Arri PL, B4 (interchangeable) CFast 2.0 card 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes)		 200 - 1600 (800 native) 15 stops Rolling 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze None 23.98 - 120
Blackmagic Ursa Mini 4K[48] 21.12 x 11.88 mm Canon EF, Arri PL CFast 2.0 card 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw)		 200 - 1600 (400 native)[49] 12 stops (BMD Film) Global[50] None None 23.98 - 60
Blackmagic Ursa Mini Pro[51] 25.34 x 14.25 mm Canon EF, Arri PL (interchangeable) CFast 2.0 card, SD card 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes)		 200 - 1600 (800 native) 15 stops Rolling 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze IR ND 0.6, 1.2, 1.8 23.98 - 60
Blackmagic Ursa Mini 4.6K 25.34 x 14.25 mm Canon EF, Arri PL CFast 2.0 card 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes)		 200 - 1600 (800 native) 15 stops Rolling 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze None 23.98 - 60
Canon C100
 24.6 x 13.8 mm Canon EF SD card, HDMI recorder 8-bit 4:2:0 AVCHD (internal recording), uncompressed 4:2:2 signal (HDMI recorders) 1920 x 1080 320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[52] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C100 Mark II
 24.6 x 13.8 mm Canon EF SD card, HDMI recorder 8-bit 4:2:0 AVCHD, MP4 (internal recording), uncompressed 4:2:2 signal (HDMI recorders) 1920 x 1080 320 to 102,400 (850 native) 12 stops (Canon Log, -6.7, +5.3)[52] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-60
Canon C200 24.6 x 13.8 mm Canon EF CFast 2.0 card, SD card 12-bit Cinema RAW Light (to CFast card), 8-bit 4:2:0 MPEG4 (to SD card) 4096 x 2160 (Cinema RAW Light)
3840 x 2160 (MPEG4)		 160 to 25,600 (100 to 102,400 expanded) 13 stops Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 (ND 0.6, 1.2, 1.8, 2.4, 3.0 expanded) 23.98-60 (4K) 23.98-120 (1080p)
Canon C300[53]
 24.6 x 13.8 mm Canon EF, Arri PL CF card, HDMI/HD-SDI recorder 8-bit 4:2:2 MPEG2 (internal recording), uncompressed signal (HDMI/HD-SDI recorders) 1920 x 1080 320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[54] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C300 Mark II[53]
 24.6 x 13.8 mm Canon EF, Arri PL (interchangeable by Canon) CFast 2.0 card, HDMI/HD-SDI recorder 10-bit 4:2:2 MPEG2 (4K internal recording), 12-bit 4:4:4 MPEG2 (2K internal recording), uncompressed 4K 12-bit signal (HD-SDI recorders) 4096 x 2160 320 to 102,400 (800 native) 15 stops (Canon Log 2, -8.7, +6.3)[55] Rolling None Optical low pass, IR, ND 0.6 - 3 1-30 (4K)
1-120 (2K)
Canon C500[53]
 26.2 x 13.8 mm Canon EF, Arri PL CF card, HDMI/HD-SDI recorder 8-bit 4:2:2 MPEG2 (internal recording), uncompressed 4K 10-bit 4:4:4 or 2K 12-bit 4:4:4 signal (HD-SDI recorders) 1920 x 1080 (internal recording)
4096 x 2160 (HD-SDI recorders)		 320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[56] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C700
C700 GS PL		 26.2 x 13.8 mm Canon EF, Arri PL (interchangeable by Canon) CFast 2.0 card, SD card, Codex recorder 12-bit 4444 ProRes, 12-bit 4:4:4 XF-AVC (to CFast 2.0 card), 8-bit XF-AVC (SD card), 12-bit RAW (to external recorders) 4096 x 2160 (internal recording)
4512 x 2376 (RAW to external recorder)		 100 to 102,400 (850 native) 15 stops (Canon Log 2, -8.7, +6.3)[57]
14 stops (GS PL global shutter)		 Rolling
Global (GS PL version)		 1.3x and 2x desqueeze Optical low pass, IR, ND 0.6, 1.2, 1.8, 2.4, 3.6 23.98-60 (ProRes/XF-AVC), 23.98-120 (4K RAW), 23.98-240 (2K RAW)
Canon C700 FF 38.1 x 20.1 mm Canon EF, Arri PL (interchangeable by Canon) CFast 2.0 card, SD card, Codex recorder 12-bit 4444 ProRes, 12-bit 4:4:4 XF-AVC (to CFast 2.0 card), 8-bit XF-AVC (SD card), 12-bit RAW (to external recorders) 4096 x 2160 (internal recording)
5952 x 3140 (RAW to external recorder)		 100 to 102,400 (850 native) 15 stops (Canon Log 2, -8.7, +6.3)[58]
14 stops (GS PL global shutter)		 Rolling
Global (GS PL version)		 1.3x and 2x desqueeze Optical low pass, IR, ND 0.6, 1.2, 1.8, 2.4, 3.6 23.98-60 (ProRes/XF-AVC), 23.98-120 (4K RAW), 23.98-240 (2K RAW)
Dalsa Origin II[53]
 34 x 17.2 mm Arri PL 1920 x 1080 30
Digital Bolex D16 12.85 x 9.64 mm CCD C-mount, EF, MFT, PL CF card, internal flash storage (non-removable) 12-bit 4:4:4 CinemaDNG RAW 2048 x 1152 100 - 800 (200 native)[59] 12 stops[60] Global None Optical low pass 23.98-90
Digital Bolex D16 Monochrome 12.85 x 9.64 mm CCD C-mount, EF, MFT, PL CF card, internal flash storage (non-removable) CinemaDNG RAW 2048 x 1152 13 stops[61] Global None Omits bayer filters 23.98-90
Kinefinity Kinemax 24 x 18 mm EF, PL, B4, F-mount (interchangeable) 2.5" SSD 12-bit Kineraw, Cineform, CinemaDNG RAW 5760 × 3240 (Kineraw)
4096 × 2160 (CinemaDNG RAW)
2880 × 1620 (Cineform)		 80 - 20480 (800 native) 14 stops (6K), 16 stops (3K) Rolling 4:3 sensor windowing and 2x desqueeze Optical low pass 23.98 - 30 (6K), 23.98 - 100 (4K), 23.98 - 144 (2K)
Kinefinity Kinemini 24 x 18 mm EF, PL, B4, F-mount (interchangeable) 2.5" SSD 12-bit Kineraw, Cineform, CinemaDNG RAW 4096 × 2160 (Kineraw and CinemaDNG RAW)
2048 × 1080 (Cineform)		 80 - 20480 (800 native) 12 stops (4K), 13 stops (2K) Rolling 4:3 sensor windowing and 2x desqueeze Optical low pass 23.98 - 30 (4K), 23.98 - 96 (1080p)
Panasonic AF-100, AF-101[62]
 17.8 x 10 mm Micro Four Thirds AVCHD 1920 x 1080 10.2 stops (-5.9, +4.3)[63] ND 0.6, 1.2, 1.8 12-60
Panasonic AJ-HPX3700[64]
 2/3" CCD x 3 2/3 inch bayonet mount[65] H.264, AVC-Intra 100 1920 x 1080 24, 1-60
Panasonic AJ-HPX2000[66] 2/3" CCD x 3 2/3 inch bayonet mount DVCPRO HD 137 Mbit/s 1920 x 1080 60 (interlaced)
Panasonic AJ-HPX3100GJ[67] 2/3" CCD x 3 2/3 inch bayonet mount AVC-Intra 100, DVCPRO HD 68 Mbit/s 1920 x 1080 30 (60)
Panasonic VariCam 35[68] 26.688 mm × 14.184 mm 35 mm, PL expressP2 card, P2 card, microP2 card V-RAW 12 bit/10 bit, AVC-Intra4K444, ProRes 4444 4096 x 2160 800 - 12,800 (800 & 5000 dual native ISO) 14+ stops Rolling 1.33:1 and 2.0:1 desqueeze UV/IR-cut filter, ND 0.6, 1.2, 1.8, CLEAR 23.98p - 120p
Panasonic VariCam LT 26.688 mm × 14.184 mm EF, PL expressP2 card, P2 card, microP2 card V-RAW 12 bit/10 bit, AVC-Intra4K444, ProRes 4444 4096 x 2160 800 - 12,800 (800 & 5000 dual native ISO) 14+ stops Rolling 1.33:1 and 2.0:1 desqueeze UV/IR-cut filter, ND 0.6, 1.2, 1.8, CLEAR 23.98p - 59.94
Panavision Millennium DXL[69] 40.96 x 21.60mm Panavision PV mount Mini RedMag SSD 16-bit Redcode RAW, ProRes, DNxHD 8192 x 4320 800 native 15 stops 2x and 1.33x desqueeze 23.98 - 60 (8K)
Panavision Millennium DXL 2[70] 40.96 x 21.60mm Panavision PV mount Mini RedMag SSD 16-bit Redcode RAW, ProRes, DNxHD 8192 x 4320 1600 native 16 stops 2x and 1.33x desqueeze 23.98 - 60 (8K)
Panavision Genesis[71] 24.89 x 16.86mm Panavision PV mount HD-SDI recorder, SSR-1 recorder, HDCAM recorder 10-bit 4:4:4 signal (HD-SDI recorders) 1920 x 1080 400 - 1600 (400 native) 8 stops[72] Global None[73] 30 (1-60)
Panavision HD900F[74] 2/3" CCD Panavision PV mount HDCAM 1920 x 1080 30 (24)
P+S Technik PS-CAM x35[75]
 21.1 x 11.9 mm PS-IMS CineForm RAW 1920 x 1080 60p, (24-450p)
P+S Technik SI-2K[76]
 10.24 x 5.76 mm PS-IMS CineForm RAW 2048 x 1152 24p (1080p12-25), 24p (1080p12-85)
P+S Technik WEISSCAM HS-1[77]
 15 x 12 mm Arri PL, Panavision, Nikon, Canon EF, BNC-R CineForm RAW 1280 x 1024 25p (1024p24-650), 25p (576p24-1150)
P+S Technik WEISSCAM HS-2 MKII[78]
 22.18 x 22.18 mm PS-IMS CineForm RAW 1980 x 1080 9.5 stops (-6, +3.5)[63] 25p (1080p24-2000)
RED Epic Dragon[53]
 30.7 x 15.8 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade)[79] 16-bit .r3d 6144 x 3160 80 – 12800 (250 native)[80] 14.8 stops (RedLogFilm, -8.3, +6.5)[81][82][83] Rolling (optional Motion Mount upgrade adds mechanical shutter)[84] 1.22:1 sensor windowing and 2x/1.3x desqueeze[85] Combination optical low pass/IR (interchangeable with low-light optimized version),[86] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED Epic Dragon Monochrome[87] 30.7 x 15.8 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) .r3d 6144 x 3160 Rolling (optional Motion Mount upgrade adds mechanical shutter)[84] 1.22:1 sensor windowing and 2x/1.3x desqueeze[85] Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED Epic Mysterium-X[53]
 27.7 x 14.6 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 5120 x 2700 80 – 12800 (800 native) 12.5 stops (-7, +5.5)[83] Rolling (optional Motion Mount upgrade adds mechanical shutter)[84] 1.22:1 sensor windowing and 2x/1.3x desqueeze[85] Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-120 (5K)
1-180 (3K)
1-225 (2K)
RED Epic Mysterium-X Monochrome[88] 27.7 x 14.6 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) .r3d 5120 x 2700 80 – 12800 (2000 native) Rolling (optional Motion Mount upgrade adds mechanical shutter)[84] 1.22:1 sensor windowing and 2x/1.3x desqueeze[85] Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-120 (5K)
1-180 (3K)
1-225 (2K)
RED Epic-W Gemini[53]
 30.72 x 18 mm PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 5120 x 3000 (r3d)
4096 x 2160 (ProRes, DNxHR)		 800, 3200 dual native ISO rating with Standard OLPF)[89] 15.2 stops[90] Rolling (optional Motion Mount upgrade adds mechanical shutter)[84] 1.22:1 sensor windowing and 2x/1.3x desqueeze[85] Combination optical low pass/IR (interchangeable with low-light optimized version),[91] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-30 (8K)
1-75 (6K)
1-96 (5K)
1-120 (4K)
1-150 (3K)
1-240 (2K)
RED Epic-W Helium[53]
 29.9 x 15.8 mm PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 8192 x 4320 (r3d)
4096 x 2160 (ProRes, DNxHR)		 1280-2500 (Balanced ISO rating with Standard OLPF)[92] 15.2 stops[93] Rolling (optional Motion Mount upgrade adds mechanical shutter)[84] 1.22:1 sensor windowing and 2x/1.3x desqueeze[85] Combination optical low pass/IR (interchangeable with low-light optimized version),[91] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-30 (8K)
1-75 (6K)
1-96 (5K)
1-120 (4K)
1-150 (3K)
1-240 (2K)
RED One[94]
 24.4 x 13.7 mm PL, EF, F-mount (interchangeable) CF card, Red Hard Drive (optional RedMag SSD module upgrade)[95] 12-bit .r3d 4096 x 2304 100 - 2000 (320 native) 11.3 stops[96] Rolling 1.22:1 sensor windowing and 2x desqueeze 1-30 (120)
RED One Mysterium-X[53]
 24.2 x 12.5 mm PL, EF, F-mount (interchangeable) CF card, Red Hard Drive (optional RedMag SSD module upgrade)[95] 12-bit .r3d 4480 x 2304 100 - 6400 (800 native) 11.9 stops (-7, +5)[63] Rolling 1.22:1 sensor windowing and 2x desqueeze 1-30 (120)
RED Raven[97] 23.04 x 10.8 mm Canon EF Mini RedMag SSD 16-bit .r3d, 10-bit 422 ProRes 4608 × 2160 (r3d)
2048 × 1080 (ProRes)		 250 native 14.8 stops (RedLogFilm, -8.3, +6.5)[81][82][83] Rolling None Combination optical low pass/IR 1-120 (4K)
1-160 (3K)
1-240 (2K)
RED Scarlet Mysterium-X 27.7 x 14.6 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 5120 x 2700 (Maximum 12 fps)
4096 x 2160		 80 – 12800 (800 native) 11.9 stops (-7, +5)[63] Rolling (optional Motion Mount upgrade adds mechanical shutter)[84] None Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-12 (5K)
1-30 (4K)
1-48 (3K)
1-60 (1080p)
1-120 (1K)
RED Scarlet Dragon 30.7 x 15.8 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 6144 x 3160 (Maximum 12 fps)
5120 x 2700		 80 – 12800 (250 native)[80] 14.8 stops (RedLogFilm, -8.3, +6.5)[81][82][83] Rolling (optional Motion Mount upgrade adds mechanical shutter)[84] 1.22:1 sensor windowing and 2x/1.3x desqueeze[85] Combination optical low pass/IR (interchangeable with low-light optimized version),[98] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-12 (6K)
1-48 (5K)
1-60 (4K)
1-80 (3K)
1-120 (2K)
RED Scarlet-W Dragon 25.6 x 13.5 mm PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 10-bit 4:2:2 ProRes HQ 5120 × 2700 (r3d)
2048 × 1080 (ProRes)		 250 native[80] 14.8 stops (RedLogFilm, -8.3, +6.5)[81][82][83] Rolling (optional Motion Mount upgrade adds mechanical shutter)[84] 1.22:1 sensor windowing and 2x/1.3x desqueeze[85] Combination optical low pass/IR (interchangeable with low-light optimized version),[99] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-60 (5K)
1-120 (4.5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED Weapon Dragon 6K 30.7 x 15.8 mm PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ 6144 x 3160 (r3d)
2048 x 1152 (ProRes)		 250 native[80] 14.8 stops (RedLogFilm, -8.3, +6.5)[81][82][83] Rolling (optional Motion Mount upgrade adds mechanical shutter)[84] 1.22:1 sensor windowing and 2x/1.3x desqueeze[85] Combination optical low pass/IR (interchangeable with low-light optimized version),[100] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED Weapon Dragon 8K 40.96mm x 21.6mm PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 8192 x 4320 (r3d)
4096 x 2160 (ProRes)
4096 x 2160
(DNxHR)		 250 native[80] 14.8 stops (RedLogFilm, -8.3, +6.5)[81][82][83] Rolling (optional Motion Mount upgrade adds mechanical shutter)[84] 1.22:1 sensor windowing and 2x/1.3x desqueeze[85] Combination optical low pass/IR (interchangeable with low-light optimized version),[101] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1 - 75 (8K)
RED Weapon Helium 29.9mm x 15.8mm PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 8192 x 4320 (r3d)
4096 x 2160 (ProRes, DNxHR)		 1280-2500 (Balanced ISO rating with Standard OLPF)[102] 15.2 stops[103] Rolling (optional Motion Mount upgrade adds mechanical shutter)[84] 1.22:1 sensor windowing and 2x/1.3x desqueeze[85] Combination optical low pass/IR (interchangeable with low-light optimized version),[91] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1 - 60 (8K)
RED Weapon Monstro 8K VV 40.96 mm x 21.60 mm PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 8192 x 4320 (r3d)
4096 x 2160 (ProRes)
4096 x 2160
(DNxHR)		 250-12,800, default 800 claimed 17+ Rolling (optional Motion Mount upgrade adds mechanical shutter)[84] 1.22:1 sensor windowing and 2x/1.3x desqueeze[85] Combination optical low pass/IR (interchangeable with low-light optimized version),[91] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 60 fps (8K)

75 fps (8K 2.4:1)

100 fps (6K 2.4:1)

96 fps (5K)

120 fps (5K 2.4:1)

150 fps (4K 2.4:1)

200 fps (3K 2.4:1)

240 fps (2K)

300 fps (2K 2.4:1)

Sony F35[104]
 21.6 x 13.3 mm Arri PL 1920 x 1080 400 native[105] 11.3 stops (-5, +6.3)[63] Global 1-60
Sony F65[106]
 24.7 x 13.1 mm Arri PL SR Memory Recorder 8182 x 2160 800 native 14 stops (-7, +7)[106][107] Mechanical 2x and 1.3x desqueeze[108] Optical low pass, ND 0.9, 1.2, 1.5, 1.8 1-60
Sony F55[106]
 24 x 12.7 mm Sony FZ, Arri PL SxS card, AXS-R5 Recorder 4096 x 2160 1250 native 14 stops[106] Global 1.3x and 2x desqueeze[109] Optical low pass (interchangeable), ND 0.9, 1.8 1-60
Sony NEX-FS100[110]
 21.6 x 13.3 mm E-mount MPEG4 AVCHD 28 Mbit/s 1920 x 1080 800 native 11.5 stops (-6.5, +5)[111] None 1, 2, 4, 8, 15, 30, 60
Sony NEX-FS700[110]
 23.6 x 13.3 mm E-mount SD card, Memory Stick, HD-SDI recorder, AXS-R5 recorder MPEG4 AVCHD 4096 x 2160 500 native[112] 12 stops (-7, +5)[113] Rolling ND 0.6, 1.2, 1.8 1-240
Sony NEX-VG10[114] 23.4 x 15.6 mm E-mount AVCHD 24 Mbit/s 1920 x 1080 60i, 30
Sony NEX-VG20[115] 23.4 x 15.6 mm E-mount AVCHD 2.0 24 Mbit/s 1920 x 1080 60, 30, 24
Sony NEX-VG30 23.4 x 15.6 mm E-mount AVCHD 2.0 24 Mbit/s 1920 x 1080 60, 30, 24
Sony NEX-VG900[116] 35.8 x 23.9 mm E-mount AVCHD 2.0 28 Mbit/s 1920 x 1080 60, 24
Sony PMW-F3K, PMW-F3L[117]
 21.6 x 13.3 mm E-mount, PL-mount SxS card MPEG2 35 Mbit/s 1440 x 1080 800 native[118] 11.2 stops (-7, +4.3)[63] Rolling ND 0.9, 1.8 1, 2, 4, 8, 15, 30, 60
Sony PMW-F5 24 x 12.7 mm E-mount, PL-mount MPEG2 35 Mbit/s 1920 x 1080 (default)
4096 x 2160 (with 4K license[119] or altering internal preferences)[120]		 2000 native 14 stops[106] Rolling 1.3x and 2x desqueeze[109] Optical low pass (interchangeable), ND 0.9, 1.8 1, 2, 4, 8, 15, 30, 60
Sony Sony PXW-FS5 24 x 12.7 mm E-mount SD card XAVC Long, AVCHD 3840 x 2160 3200 native 14 stops[106] Rolling ND 0.6, 1.2, 1.8, 2.1
Sony Sony PXW-FS7 24 x 12.7 mm E-mount XQD card, HD-SDI and HDMI 2.0 recorder XAVC Intra, XAVC Long, MPEG 2 600 Mbit/s, ProRes (422 HQ, 422 1080p, upcoming[121]) 4096 x 2160 2000 native 14 stops[106] Rolling ND 0.6, 1.2, 1.8 23.98 - 60 (4K), 23.98 - 180 (1080p)
Sony VENICE[122] 36 x 24 mm with full frame license, 24.3 x 12.8 mm by default E-mount, PL mount (interchangeable) SxS card, AXS-R7 recorder 10-bit XAVC, 422 Apple ProRes (SxS card), 16-bit RAW (AXS-R7 recorder) 6048 x 4032 (with full frame license)
4096 x 2160 (default)		 500 and 2500 dual native 15 stops (-9, +6) Rolling 4:3 sensor-windowing and 2x desqueeze with license ND 0.3-2.4 23.98 - 60 (4K), 23.98 30 (6K)
Vision Research, Inc Phantom 65[123] 52.1 x 30.5 mm Arri PL (standard), Nikon F / Mamiya 645 (optional) Cine RAW 2341 Mbit/s 4096 x 2440 141, (1080p320)
Vision Research Phantom Flex[124] 52.1 x 30.5 mm Arri PL (standard), Nikon F / Mamiya 645 (optional) Cine RAW 3181 Mbit/s 2560 x 1600 9.9 stops (-5.4, +4.5)[63] 1455 (1080p2570)

Still cameras with video mode

Brand Camera Sensor size Lens Mount Recording media Maximum video resolution Native ISO Dynamic range (native/peak ISO) Shutter type Frame rate(s−1) Codec
Canon 1D Mark IV[125]
 27.9 x 18.6 mm Canon EF CF card, SD card 1920 x 1080 11.2 stops (-7, +4.3)[63] Rolling 23.976, 25, 29.97 (50, 59.94) H.264
Canon 1D X[125]
 36 x 24 mm Canon EF CF card 1920 x 1080 Rolling 24, 25, 30 (50, 60) MPEG4
Canon 1D C
 36 x 24 mm Canon EF CF card 4096 x 2160 11.7 stops[126] Rolling 24, 25, 30 (50, 60) MPEG4
Canon 5D Mark II[125]
 36 x 24 mm Canon EF CF card 1920 x 1080 160[127] 11.2 stops (-7, +4.2)[63] Rolling 24, 25, 30 H.264
Canon 5D Mark III[128] 36 x 24 mm Canon EF CF card, SD card, HDMI recorder 1920 x 1080 160[129] 11.2 stops
11.6 stops (sensor Raw)[130]		 Rolling 24, 25, 30 H.264 90 Mbit/s (internal recording), uncompressed signal (HDMI recording)
Canon 6D[131]
 35.8 x 23.9mm Canon EF SD card 1920 x 1080 160[132] Rolling 24, 25, 30 (50,60) H.264 90 Mbit/s
Canon 7D[125]
 22.3 x 14.9 mm Canon EF/EF-S CF card 1920 x 1080 160[133] 11 stops (-5.5, +5.4)[63] Rolling 24, 25, 30 (50,60) H.264
Canon 7D Mark II[125]
 22.3 x 14.9 mm Canon EF/EF-S CF card, SD card 1920 x 1080 160[134] Rolling 24, 25, 30 (50,60) H.264
Canon 60D[125]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 160[135] Rolling 24, 25, 30 H.264
Canon 550D[125]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 600D[125]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 650D[125]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 700D[125]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 750D[125]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Nikon D3100[125][136] 23.1 x 15.4 mm Nikon F SD card 1920 x 1080 Rolling 24 (24, 25, 30) MPEG4
Nikon D3200[125][137] 23.2 x 15.4 mm Nikon F SD card 1920 x 1080 Rolling 24, 25, 30 MPEG4
Nikon D4[138]
 36.0 x 23.9 mm Nikon F CF card, XQD card 1920 x 1080 Rolling 24, 25, 30 (50, 60) H.264/MPEG4 24 Mbit/s
Nikon D5100[125]
 23.6 x 15.7 mm Nikon F SD card 1920 x 1080 Rolling 24, 25, 30 MPEG4
Nikon D7000[125]
 23.6 x 15.7 mm Nikon F SD card 1920 x 1080 10.2 stops (-6.7, +3.6)[63] Rolling 24 (24, 25, 30) MPEG4
Nikon D750[139]
 35.9 x 24 mm Nikon F SD card, 8-bit uncompressed 4:2:2 via HDMI 1920 x 1080 Rolling 24, 25, 30, 50, 60 H.264/MPEG4, ~38 Mbit/s
Nikon D800[140]
 35.9 x 24 mm Nikon F CF card, SD card 1920 x 1080 Rolling 24, 25, 30 (50, 60) H.264/MPEG4 24 Mbit/s
Panasonic DMC-G3[125]
 17.3 x 13 mm Micro Four Thirds SD card 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GF2[125]
 17.3 x 13 mm Micro Four Thirds SD card 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GF3[125]
 17.3 x 13 mm Micro Four Thirds SD card 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GH1[125]
 18.89 x 14.48 mm Micro Four Thirds SD card 1920 x 1080 30 AVCHD
Panasonic DMC-GH2[125]
 18.89 x 14.48 mm Micro Four Thirds SD card 1920 x 1080 24, 60 (30) AVCHD 22 Mbit/s
Panasonic DMC-GH3[125]
 17.3 x 13 mm Micro Four Thirds SD card 1920 x 1080 24, 60 (30) H.264, AVCHD 2 (All-I, IPB) 22-72 Mbit/s
Panasonic DMC-GH4[125]
 17.3 x 13 mm Micro Four Thirds SD card 4096 x 2160 11 stops[141] 24, 60 (30) H.264, AVCHD 2 (All-I, IPB) 10-200 Mbit/s
Panasonic DC-GH5[125] 17.3 x 13 mm Micro Four Thirds SD card 4096 x 2160 24, 25, 30, 50, 60 (up to 180 at 1920x1080) AVCHD / H.264 / H.265

(10bit color and 4:2:2 chroma subsampling)

Pentax K-01[142]
 23.4 x 15.6 mm Pentax K 1920 x 1080 30p, 25p M-JPEG 95 Mbit/s
Pentax K-30[143]
 23.7 x 15.7 mm Pentax K 1920 x 1080 30p (25p, 24p) H264
Pentax K-5[144]
 23.4 x 15.6 mm Pentax K 1920 x 1080 30p, 25p M-JPEG 95 Mbit/s
Samsung NX20 23.5 x 15.7 mm Samsung NX 1920 x 1080 30 H.264
Sony DSLR-A560[125]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony DSLR-A580[125]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony NEX-5[125]
 23.4 x 15.6 mm E-mount 1920 x 1080 60 (30) AVCHD
Sony NEX-5N[125]
 23.4 x 15.6 mm E-mount 1920 x 1080 60 (30) AVCHD
Sony NEX-7[125]
 23.4 x 15.6 mm E-mount 1920 x 1080 60 (30) MPEG4
Sony SLT-A33[125]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A35[125]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A37[125]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) ?
Sony SLT-A55[125]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A57[125]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) (NTSC countries)
50, 25 (PAL countries)		 AVCHD/MPEG4
Sony SLT-A65[125]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A77[125]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) (NTSC countries)
50, 25 (PAL countries)		 AVCHD
Sony SLT-A99[125]
 35.8 x 23.8 mm Sony A-mount 1920 x 1080 60, 29.97 (30) AVCHD
Sony a7S 35.8 x 23.9 mm Sony E-mount SD card, Sony Memory Stick, 4K HDMI recorder 1920 x 1080 (internal recording)
3840 x 2160 (4K HDMI recorders)		 3200[145] 14.1 stops[126] Rolling 60, 29.97 (30) AVCHD
Sony a7S II 35.8 x 23.9 mm Sony E-mount SD card, Sony Memory Stick 3840 x 2160 50-409,600 (3200 native)[146] Rolling 23.98 - 30 (4K), 23.98 - 120 (1080p) XAVC S, AVCHD, MP4

References

  1. ↑ Cameras with various lens mounts are available in such configurations but the lens mount is not interchangeable unless stated as such.
  2. ↑ Most cameras are capable of HDMI and HD-SDI recording, but this is only noted as a recording option if they provide expanded capabilities not available with internal recording.
  3. ↑ "AJA Video Systems". www.aja.com. Retrieved 2017-05-05.
  4. ↑ https://www.aja.com/en/products/cion#techspecs
  5. 1 2 3 "Early Footage & Reviews of the 4K AJA CION Are In & They're... Interesting". No Film School. Retrieved 2017-05-05.
  6. ↑ http://nofilmschool.com/2014/04/aja-4k-global-shutter-cion-hfr-camera/
  7. ↑ "Arri Makes a "Baby Alexa", Introducing the Alexa HD « Wide Open Camera". wideopencamera.com. Retrieved 2017-05-05.
  8. 1 2 3 http://www.arri.com/camera/alexa/learn/alexa_xr_module_faq/
  9. 1 2 3 http://www.broadcastnow.co.uk/techfacils/arri-adds-uhd-recording-to-amira/5083389.article
  10. ↑ http://www.arri.com/camera/alexa/cameras/camera_details/alexa/subsection/technical_data/
  11. 1 2 3 4 http://blog.abelcine.com/2011/08/10/alexas-anamorphic-de-squeeze-explained-2/
  12. 1 2 3 4 http://www.arrimedia.com/news/view/23/alexa-high-speed
  13. ↑ http://blog.abelcine.com/2013/10/02/go-anamorphic-with-the-arri-alexa-plus-43/
  14. ↑ http://www.arri.com/camera/alexa/cameras/camera_details/alexa-xt-studio/subsection/technical_data/
  15. 1 2 3 "ARRI ALEXA Model comparison". ARRI. Retrieved 2011-11-03.
  16. ↑ http://www.arri.com/alexamini/
  17. ↑ http://nofilmschool.com/2015/02/arri-alexa-mini-smaller-package-price-cost-release-date
  18. ↑ http://www.arri.com/camera/alexa/cameras/camera_details/alexa-sxt
  19. 1 2 3 4 5 6 7 8 http://www.arri.com/camera/alexa/cameras/camera_details/alexa-xt/subsection/xt_features/
  20. ↑ http://www.arrimedia.com/downloads/download/101/arri-alexa-pocket-guide.pdf
  21. 1 2 3 4 http://www.fdtimes.com/2013/04/03/arri-alexa-internal-filter-module/
  22. ↑ http://www.arri.com/camera/alexa/cameras/camera_details/alexa-sxt
  23. ↑ http://www.arrimedia.com/downloads/download/101/arri-alexa-pocket-guide.pdf
  24. ↑ http://www.newsshooter.com/2015/03/18/codex-working-hand-in-hand-with-arri-to-deliver-better-workflow-for-the-alexa-sxt/
  25. ↑ http://www.arrimedia.com/downloads/download/101/arri-alexa-pocket-guide.pdf
  26. ↑ http://www.arrimedia.com/downloads/download/101/arri-alexa-pocket-guide.pdf
  27. ↑ http://www.arri.com/camera/alexa/cameras/camera_details/alexa-xt-studio/subsection/technical_data/
  28. 1 2 http://www.arri-rental.com/camera/digital-cinematography/arri-alexa-xt-b-w-new/
  29. ↑ http://www.arrimedia.com/downloads/download/101/arri-alexa-pocket-guide.pdf
  30. ↑ http://arrirentalgroup.com/alexa65/
  31. ↑ "ARRI Amira Model comparison". ARRI. Retrieved 2013-06-03.
  32. ↑ http://www.arri.com/camera/amira/camera_details/amira/subsection/technical_data/
  33. ↑ http://www.arri.com/about_arri/press/english/english_single/tx_ttnews%5Btt_news%5D=1664&tx_ttnews%5BbackPid%5D=7581&cHash=b5e1e534809b25789e921c2e46655a47
  34. ↑ http://nofilmschool.com/2014/08/dynamic-range-new-550-sony-a5100
  35. ↑ http://www.arri.com/camera/alexa/cameras/camera_details/5/subsection/overview/
  36. ↑ http://www.arricsc.com/pdf/d21_manual.pdf
  37. 1 2 3 4 "Blackmagic Production Camera 4K". Blackmagic. Retrieved 2013-04-13.
  38. 1 2 3 4 http://www.blackmagicdesign.com/products/blackmagicursa/techspecs/
  39. ↑ https://www.hurlbutvisuals.com/blog/2014/08/cinematography-bmcc-training-ground-for-cinematographers/
  40. ↑ https://www.blackmagicdesign.com/products/blackmagicmicrocinemacamera/techspecs
  41. ↑ https://www.hurlbutvisuals.com/blog/2014/08/cinematography-bmcc-training-ground-for-cinematographers/
  42. ↑ https://www.hurlbutvisuals.com/blog/2014/08/cinematography-bmcc-training-ground-for-cinematographers/
  43. ↑ http://www.eoshd.com/content/12204/4k-is-here-blackmagic-production-camera-review
  44. ↑ http://www.blackmagicdesign.com/products/blackmagicproductioncamera4k/techspecs/
  45. ↑ "Blackmagic Ursa". Blackmagic. Retrieved 2013-04-13.
  46. ↑ http://software.blackmagicdesign.com/CinemaCamera/docs/Blackmagic_URSA_Manual_2014-08-14.pdf
  47. ↑ http://www.blackmagicdesign.com/press/pressdetails?releaseID=60307
  48. ↑ https://www.blackmagicdesign.com/products/blackmagicursamini
  49. ↑ http://software.blackmagicdesign.com/CinemaCamera/docs/Blackmagic_URSA_Manual_2014-08-14.pdf
  50. ↑ http://www.blackmagicdesign.com/press/pressdetails?releaseID=60307
  51. ↑ https://www.blackmagicdesign.com/products/blackmagicursamini
  52. 1 2 http://www.bhphotovideo.com/explora/announcements/canon-expands-their-eos-line-new-eos-c100-video-production-camera
  53. 1 2 3 4 5 6 7 8 9 "Canon digital learning center, Cinema EOS". canon.com. Retrieved 2011-11-04.
  54. ↑ http://www.learn.usa.canon.com/resources/misc/cinemaEOS_faq.shtml
  55. ↑ http://www.cinema5d.com/canon-announces-eos-c300-mark-ii-4k-camera/
  56. ↑ http://www.bhphotovideo.com/explora/canon/news/canon-goes-4k-two-ways-eos-1d-c-and-eos-c500-cameras-introduced-nab
  57. ↑ https://www.usa.canon.com/internet/portal/us/home/products/details/cameras/cinema-eos/eos-c700?tab=technicalspecifications_tab
  58. ↑ https://www.usa.canon.com/internet/portal/us/home/products/details/cameras/cinema-eos/eos-c700?tab=technicalspecifications_tab
  59. ↑ http://www.eoshd.com/content/12292/digital-bolex-d16-review-part-1
  60. ↑ http://www.gizmag.com/digital-bolex-d16-cinema-camera/30239/
  61. ↑ https://www.digitalbolex.com/help-desk/tech-specs-digital-bolex/
  62. ↑ "Panasonic Pro AG-AF100 specifications". panasonic. Retrieved 2011-11-03.
  63. 1 2 3 4 5 6 7 8 9 10 11 https://vimeo.com/24334733
  64. ↑ Panasonic AJ-HPX3700 High Definition VariCam Camcorder - Professional Video Camera, P2HD VariCam Cinematography Camcorder - Panasonic Professional Video Cameras
  65. ↑ Panasonic Canon 2/3" HD CAC Lens with 2x extender, Panasonic Camcorder Accessories - Panasonic Solutions Company
  66. ↑ Panasonic AJ-HPX2000 P2 HD Solid-State Camcorder, P2HD Solid-State Camcorder - Panasonic Professional Video Cameras
  67. ↑ Panasonic AJ-HPX3100GJ High Definition Camcorder - Professional Video Equipment, P2HD Solid-State Camcorder - Panasonic Professional Video Cameras
  68. ↑ "The New VariCam Cameras from Panasonic". us.panasonic.com. Retrieved 2016-12-28.
  69. ↑
  70. ↑
  71. ↑ GENESIS, Panavision
  72. ↑ http://www.studiodaily.com/2007/04/444-genesis-workflow-made-easy/
  73. ↑ http://www.cinematography.net/Files/Panavision/PV_digital_imaging/GenesisFAQs20070618.pdf
  74. ↑ HD900F, Panavision
  75. ↑ "PS-CAM x35". P+S Technik. 2011-10-30. Retrieved 2012-06-05.
  76. ↑ "User Manual: SI-2K Digital Cinema Camera System" (PDF). P+S Technik. 2010-09-01. Retrieved 2012-06-05.
  77. ↑ "WEISSCAM HS-1: Free your creativity with this compact, flexible and mobile digital highspeed system". P+S Technik. 2010-09-01. Retrieved 2012-06-05.
  78. ↑ "WEISSCAM HS-2 MKII". P+S Technik. 2010-09-01. Retrieved 2012-06-05.
  79. ↑ http://www.red.com/store/products/red-mini-mag-side-ssd-module
  80. 1 2 3 4 5 https://www.dxomark.com/Reviews/RED-Epic-Dragon-review-First-camera-to-break-the-100-point-DxOMark-sensor-score-barrier/In-Depth-Analysis
  81. 1 2 3 4 5 6 http://www.thephoblographer.com/2014/03/03/dxomark-tests-red-epic-dragon-confirms-sensors-image-quality-indeed-epic/#.U5u6SpRdVYh
  82. 1 2 3 4 5 6 http://nofilmschool.com/2013/08/first-footage-red-epic-dragon-mx-6k-2000-iso-sensor-price-cost/
  83. 1 2 3 4 5 6 7 https://vimeo.com/99241145
  84. 1 2 3 4 5 6 7 8 9 10 11 12 13 http://nofilmschool.com/2013/09/red-goes-global-shutter-new-motion-mount-epicscarlet-plus-new-dragon-footage/
  85. 1 2 3 4 5 6 7 8 9 10 11 12 http://s3.amazonaws.com/red_3/downloads/manuals/955-0002_v4.0_EPIC_Operation_%20Guide_REV-C.pdf
  86. ↑ http://www.red.com/store/products/dsmc-low-light-optimized-olpf
  87. ↑ http://www.red.com/store/products/epic-dragon-monochrome-side-ssd-module-nikon
  88. ↑ http://www.red.com/store/products/epic-x-monochrome-brain-only
  89. ↑ "RED 8K Sensor Test 2017". www.reduser.net. Retrieved 2017-06-17.
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