Kim Sa-in

Kim Sa-in
Born	1956 (age 61–62)
Language	Korean, English, Chinese
Nationality	South Korean
Citizenship	South Korean
Alma mater	Seoul National University
Genre	Poetry, Literary Criticism

Kim Sa-in (The romanization preferred by the author according to LTI Korea^[1]), also known as Sa-in Kim is a South Korean poet, literary critic, professor of creative writing at Dongduk Women's University.^[2] Kim has been appointed as the 7th President of the LTI Korea (Literature Translation Institute of Korea) in the Ministry of Culture, Sports and Tourism of South Korea, which is an Undersecretary-level position.^[3][4]

Life

Kim was born in Boeun, North Chungcheong Province and studied Korean Literature at Seoul National University. Following time in prison in the early 1980s, he began writing poetry and co-founded the magazine "Poetry and Economy." ^[5] He has taught creative writing at Dongduk Women’s University^[6] and Seoul National University.^[7] He was a visiting professor at Harvard University’s Korean Institute, and participated in the International Writing Program at the University of Iowa in 2010.^[8]

Work

Kim debuted in the journal Poetry and Economics (Shi wa gyeongje) in 1982, during the period of the military government’s oppressive rule. He chose to respond to the pain of the period rather than ignore it, as he made clear in the preface to his first poetry collection: “fragments of an ungoverned rage and pain tear at the heart. But by what other method could I have afforded food in the 70s and 80s?” He therefore tries to foreground “the human” in his poetry. His poems adopt a disciplined form, but the subjects described in them are people from the general walk of life, often deficient in character or even stupid-sounding. The poet thus confesses, “I feel the warmth of humanity more in naivete and clumsiness, rather than in perfection and smoothness.”^[9]

Kim defines writing poetry as "questioning things tirelessly." But he emphasizes that the poet should not only ask questions: he must also find answers and actively put them into practice. By the same token, reading poetry means to participate in the poem with one’s whole being, to become a part of the poem. Kim’s poetics involves engagement with the poem, both by the poet who writes and the reader who reads. Poetry without full participation has no meaning.^[10]

Awards

• 6th Shin Dong-Yup Grant for Creative Writing (1987)
• 50th Contemporary Literature Prize (2005)
• 14th Daesan Literature Prize for poetry (2006)
• 1st Lyric Poetry Prize (2007)
• 15th Ji-hoon Literature Prize (2015)
• 7th Imhwa Literary Arts Prize (2015)

Works in Korean (Partial)

Poetry

• Night Letter (Cheongsa, 1987)
• Dream, Once Clear Day, on the 20th Anniversary of the Gwangju Uprising (Irum, 2000)
• The Homeless, in the 50th Modern Literature Prize Collection (Hyeondae Munhaksa, 2005)
• Liking in Silence (Changbi, 2006)
• Compiler, Best Poems of the Year (Hyeondae Munhaksa, 2004, 2005, 2009)
• Beside the Young Donkey (Changbi, 2015)

Essay

• A Bowl of Hot Rice (Kunna, 2006)

Criticism

• "Poems from Here and Now: A Commentary on Kim Kwang-Kyu" in The Present Stage of Korean Literature 1 (Changbi. 1982)
• A Deep Reading of the Novels of Park, Sang-Ryung (Munhakgwa Jiseongsa, 2001)
• Feeling Poetry (Publishing B, 2013)

References