Gaud Sarang

Gaud Sarang
Thaat Kalyan
Type Sampurna
Time of day Early afternoon, 12–3[1]
Arohana
  • S G R M G P  D P  N  [1]
  • S G R M G P  D P N D [2]
Avarohana
  •  N D P  P M G  R G R M G P R S[1]
  •  D N P D  P G M R P R M R P R S[2]
Vadi G[1]
Samavadi D[1]
Similar

Gaud Sarang is a raga in Hindustani classical music that combines characteristics of Sarang and the now extinct raga named Gaud.[1] Unlike most other members of the Sarang family of ragas, Gaud Sarang is assigned to the Kalyan thaat rather than the usual Kafi.[2]

Theory

Arohana:

Avarohana:

Notes

  1. Alternate notations:
    • Carnatic: S G₃ R₂ M₁ G₃ P M₂ D₂ P  N₃ Ṙ₂ 
    • Western: C E D F E G F# A G C B D C
  2. Alternate notations:
    • Carnatic: S G₃ R₂ M₁ G₃ P M₂ D₂ P N₃ D₂ 
    • Western: C E D F E G F# A G B A C
  3. Alternate notations:
    • Carnatic:  N₃ D₂ P M₂ P M₁ G₃  R₂ G₃ R₂ M₁ G₃ P R₂ S
    • Western: C B A G F# G F E 𝄒 D E D F E G D C
  4. Alternate notations:
    • Carnatic:  D₂ N₃ P D₂ M₂ P G₃ M₁ R₂ P R₂ M₁ R₂ P R₂ S
    • Western: C A B G A F# G E F D G D F D G D C

References

Sources

  • Bor, Joep; Rao, Suvarnalata (1999). The Raga Guide: A Survey of 74 Hindustani Ragas. Nimbus Records with Rotterdam Conservatory of Music. p. 70. ISBN 9780954397609.
  • Gauḍ Sārang Rāga (Hin), The Oxford Encyclopaedia of the Music of India. Oxford University Press. ISBN 9780195650983. Retrieved 8 October 2018. (Subscription required (help)).
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.