Artists and Models Abroad

Artists and Models Abroad
Directed by Mitchell Leisen
Produced by Arthur Hornblow Jr.
Written by Ken Englund
Howard Lindsay (story & screenplay)
Russel Crouse (story & screenplay)
J.P. McEvoy (story)
Starring Jack Benny
Joan Bennett
Cinematography Ted Tetzlaff
Edited by Doane Harrison
Distributed by Paramount
Release date
  • December 20, 1938 (1938-12-20)
Running time
90 minutes
Country United States
Language English

Artists and Models Abroad (UK title: Stranded in Paris) is a 1938 film made by Paramount Pictures directed by Mitchell Leisen, starring Jack Benny and Joan Bennett. The screenplay was written by Ken Englund, Howard Lindsay and Russel Crouse.

Plot

The story starts off with Joan Bennett playing Patricia Harper the Heiress of a billionaire oil tycoon, James Harper, having dinner with Mrs. Isabel Channing and Elliott Winthrop whom Mrs. Channing wants Patricia to marry. Caught up in Mrs. Channing’s need to behave ‘proper’ Patricia expresses her wish to live a normal life and enjoy simple mundane things. Elliott announces his promotion as US ambassador to France. He is then called away to the consulate to handle a problem at the gate.

This is where Elliott meets the American dance troupe led by Buck Boswell (Jack Benny) asking for an emergency fare back to the U.S. . Elliott declares that there is no such contingency in the budget for such an occasion or else no one would buy a return flight home and wishes them luck before presumably returning to dinner. Buck then promises the troop that he’ll get them back and brings them to an expensive hotel on the premise that they don’t have the money to pay for it regardless so they might as well live it up.

Upon their arrival, Buck and The Yacht Club Boys (named Swifty, Dopey, Jimmy, and Kelly in the film) convince the owner of the hotel that they have money and are used to paying at the end of their stay instead of the beginning. The owner mesmerized by the thought that all Americans have money allows them to move into their rooms against the will of his wife.

However the next day, while the troupe is practicing their cowboy & Indians routine, the hotel owners wife locks them out of their rooms and in order for their rooms to be unlocked she insists that they pay their bill. With their stuff requisitions the guys are pushed by the girls to go out and find jobs so that they can have their stuff back. Buck receives 5 francs from one of the girls, the last 5 francs to any of the troupe's name.

Walking down the street, Buck is called on by Patricia Harper who recognizes him as American by his cowboy outfit. She tells him that she has left her money in her hotel room and asks him to cover the 3 franc bill for her breakfast, which he does. Then, thinking she’s a scammer who also has not a penny to her name, he invites her to act with his troupe. Seeking adventures as a normal person- Patricia keeps her wealth a secret a plays along.

They go back to the hotel and Patricia pretends to be suicidal and lures the staff to the roof, meanwhile, the troupe grabs the keys to get their stuff. After the scene the staff wises up and calls the police on the troupe who is joined by Patricia's’ father whom found her after she let Mrs. Channing know she wasn’t coming home. The troupe is now forced to climb through the window and parkour to another building in order to escape the police.

Still running from the police they manage to hide out in an old studio full of mannequins that they think is abandoned. After evading the police by posing as mannequins they decide to spend the night. Upon waking up they hear people talking- thinking it’s the police they prepare to run. Overhearing a producers conversation buck realizes that it’s a theater that’s putting on a performing arts piece. Buck runs into another troupe from Russia who thinks he is the producer and he turns them away for his troupe to take their spot.

After rehearsals, Patricia's father sees the royal jewels in a case and asks if he can buy it- not realizing what it is. After being declined he swipes it before the troupe leaves. Upon realizing the jewels are gone there is a mad hunt for the jewel thieves.

Patricia’s father has a copy of it made for Patricia, as a present. The two Jewels get mixed up while Patricia’s father shows it to Ms. Channing.

Buck is back at Patricia’s father’s hotel where he planned on gifting the replica necklace to her. He hides it but buck finds it while snooping around, suspicious of her father. There is a knock on the door and a mad scramble to ditch the hotel room. While this is going on Buck stays behind and is introduced to a man while the troupe is running away away because they think it’s the police still after them. The man turns out to be an oil magnate who Patricia father plans to sell his oil to, and Buck, thinking that the old man is running a scam on the oil magnate, rips up the contract.

Buck then becomes wise and tells the troupe that he’ll get them home by returning the jewels and either the French being grateful and giving them fare home or by thinking they stole it and deporting them. The French lock him and the troupe up but upon realizing the jewels were a replica they let Buck go and sent people to follow him.

Buck goes to confront Patricia and her father who are out at dinner with Elliot and Ms. Channing. There’s a struggle and the jewels get stuck on the roof, after retrieving it they are all promptly arrested. Back at the police station everything comes to light about everyone’s real identity. Everyone is released and Buck & Patricia get married with their new found riches.

Cast

Production

Paramount started production in 1937 according to the Production Encyclopedia.[1]

In Spanish magazine, Cine--Mundail, it is mentioned that in one of the pool scenes they used foam instead of water in order to prevent the actresses from getting sick.[2]

In the Paramount International News volume 5 No. 5 in May 1938, Mary Boland and Joan Bennett were added to the film whose name was confirmed as "Artists & Models Abroad". In volume 5 no. 6 in June 1938, Jean Sablon, French singer, was added to the cast for a specialty number. In July 1938, the cast was augmented and Evelyn Keys was brought in to play Marie Antoinette in a beauty pageant.

Promotion

his being a sequel to the successful Artists & Models, Paramount promoted this film heavily for its holiday release. This included several interviews and articles published months in advance of the films release. They even got the National Board of Review Magazine to give it a classification of ‘Movies worth an audience's patronage’.

Among print ads put up in newspapers and journals, they also had radio ads for the film according to a Dec 1938 article in The Film Daily. The whole premise of its advertising campaign was that the best gift you could give for the holidays was a ticket to see this movie.

There were a few interviews in Photoplay Magazine with the famous designer Edith Head who was in charge of designing the clothes for Joan Bennett to wear in the film.[3]

Several posters were made for the film, some of which are in different languages including Spanish. The film was marketing to multiple regions & Spanish magazines reviewed the film.

Advertising was heavily marketed to women who were into fashion.

Reception

The U. S. theatrical release of the film was on December 20, 1938.

The film opened at the Paramount theater in NYC where it played at capacity over the holidays according to a December 1938 article in The Film Daily.

There were many reviews of this film ahead of its release on December 20.

"Watch this clean up at the box office with its appeal both to the femmes and the men." - The Film Daily (pre-release)[4]

"Mass Entertainment at its best"- Motion Picture Herald (pre-release)[5]

Upon its initial release at the paramount, the reviews were mixed.[6]

"Few came to see it, less liked the show" - H. Workman (Shakopee, Minn)

"The lowest grosses in 6 months and the picture didn't deserve better" -R. Lee (Covington, Ohio)

"The cast should go to Paris, and stay there" - S. Roberts (Camden, ME)

"A gay and irrepressible comedy..." - Silver Screen[7]

References

  1. Production Encyclopedia 1952
  2. "Por Estrenar". Cine-Mundial. October 1938.
  3. Walters, Gwenn (September 1938). "Photoplay Fashions". PhotoPlay.
  4. "Artists and Models Abroad". The Film Daily. November 2, 1938.
  5. ""Artists and Models Abroad" is O.K". Motion Picture Herald. July 16, 1938.
  6. "The Exhibitor has his Say". Boxoffice. March 25, 1939.
  7. "Artists & Models Abroad". Silver Screen. January 1939.
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