Akai S1000

Akai S1000
Akai S1000 MIDI Stereo Digital Sampler
Manufacturer Akai
Dates 1988 - 1993
Technical specifications
Polyphony 16 voices
Timbrality 16 parts
Oscillator 1 (Saw Down, Saw Up, Sine, Square)
LFO 3 LFO's[1]
Synthesis type Digital Sample-based Subtractive
Filter 18dB/octave digital
Storage memory 2MB (expandable to 32 MB)
Effects None
Input/output
Keyboard 61-key (S1000KB only)
External control MIDI

The Akai S1000 is a 16-bit 44.1 kHz professional stereo digital sampler, released by Akai in 1988. The S1000 was among the first professional-quality 16-bit stereo samplers.[2] Its abilities to splice, crossfade, trim, and loop music in 16-bit CD-quality sound made it popular among producers of this era. The S1000 also had the ability to "time-stretch", a feature that allowed the music's tempo to be adjusted without its pitch being altered. The sampler used 24-bit internal processing, had digital filters and an effects send and return, and featured up to 32MB of ram with memory expansion.

Variants

A keyboard variant, the S1000KB, included room for an 80MB hard disk. The S1000PB was a playback-only version of the sampler.[3] The S1100, released in 1990, is an expanded and enhanced version of the S1000.[2]

Notable users

Notable users include FrontRunner, 808 State,[4] Butch Vig,[5] Cabaret Voltaire,[6] The Chemical Brothers, Crystal Method, Depeche Mode, Duran Duran, Fatboy Slim, Future Sound of London, Gary Numan, Jean-Michel Jarre, Moby, Nine Inch Nails,[7] Orchestral Manoeuvres in the Dark[8] Pet Shop Boys, The Sisters of Mercy, The Stone Roses,[9] Tears for Fears,[10] My Bloody Valentine,[11] Vangelis and Vince Clarke.

References

  1. "Akai Professional S1000 Stereo Digital Sampler". Encyclotronic. Retrieved 2018-07-03.
  2. 1 2 Russ, Martin (2004). Sound Synthesis and Sampling. Elsevier. p. 221. ISBN 0-240-51692-3
  3. "Action Replay". Sound On Sound. April 1989. pp. 86–88. ISSN 0951-6816. OCLC 925234032.
  4. "Art of the State". 808 State. Retrieved 16 December 2016.
  5. "Behind the Music with Butch Vig". Waves. 6 August 2014. Retrieved 16 December 2016.
  6. "A Chat with Richard H. Kirk". Electronic Beats. Retrieved 16 December 2016.
  7. "Nine Inch Nails "Closer"".
  8. "Power in the Darkness". Music Technology. December 1991.
  9. "The Stone Roses 'Fools Gold'". Sound on Sound. February 2005. Retrieved 16 December 2016.
  10. "Tears for Fears".
  11. "Alan Moulder: Recording My Blood Valentine's Loveless".

Further reading

  • Shapiro, Peter. Modulations: A History of Electronic Music. New York: Caipirnha Productions Inc., 2000.
  • "Akai S1000". Music Technology. December 1988. pp. 32–6. ISSN 0957-6606. OCLC 24835173.
  • "The New Standard?". Sound On Sound. November 1988. pp. 48–52. ISSN 0951-6816. OCLC 925234032.
  • "Akai S1100". Music Technology. May 1991. pp. 34–8. ISSN 0957-6606. OCLC 24835173.
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