Janus UAE

Try starting Janus with a priority of -1. I use a little script:

cd sys:system/AmiBridge/emulator
changetaskpri -1
run janus-uae -f my_uaerc.config >nil:
cd sys:prefs
endcli

This stops it hogging all the CPU time.

Screen Blanker

Most blankers on the amiga (i.e. aros) run as commodities (they are in the tools/commodities drawer). Double click on blanker.

Control is with an app called Exchange, which you need to run first (double click on app) or run QUIET sys:tools/commodities/Exchange >NIL: but subsequently can use (Cntrl Alt h).

Icon tool types (may be broken) or command line options

seconds=number 

Once the timing is right then add the following to s:icaros-sequence or s:user-startup

e.g. for 5 minutes

run QUIET sys:tools/commodities/Blanker seconds=300 >NIL:

or

Garshneblanker can make Aros unstable or slow. Certain blankers crashes in Icaros 2.0.x like Dragon, Executor.

Acuario AROS version, the aquarium screen saver.

Startup: extras:acuariofv-aros/acuario

Kill: c:break name=extras:acuariofv-aros/acuario

Managed to start Acuario by the Executor blanker.

cx_priority=
cx_popkey=    ie CX_POPKEY="Shift F1" 
cx_popup=Yes or No

 Qualifier String    Input Event Class
   ----------------    -----------------
    "lshift"           IEQUALIFIER_LSHIFT
    "rshift"           IEQUALIFIER_RSHIFT
    "capslock"         IEQUALIFIER_CAPSLOCK
    "control"          IEQUALIFIER_CONTROL
    "lalt"             IEQUALIFIER_LALT
    "ralt"             IEQUALIFIER_RALT
    "lcommand"         IEQUALIFIER_LCOMMAND
    "rcommand"         IEQUALIFIER_RCOMMAND
    "numericpad"       IEQUALIFIER_NUMERICPAD
    "repeat"           IEQUALIFIER_REPEAT
    "midbutton"        IEQUALIFIER_MIDBUTTON
    "rbutton"          IEQUALIFIER_RBUTTON
    "leftbutton"       IEQUALIFIER_LEFTBUTTON
    "relativemouse"    IEQUALIFIER_RELATIVEMOUSE

    Synonym     Synonym
    String     Identifier
    -------    ----------
    "shift"    IXSYM_SHIFT    /* look for either shift key */
    "caps"     IXSYM_CAPS     /* look for either shift key or capslock */
    "alt"      IXSYM_ALT      /* look for either alt key */

Highmap is one of the following strings:
    "space", "backspace", "tab", "enter", "return", "esc", "del",
    "up", "down", "right", "left", "f1", "f2", "f3", "f4", "f5",
    "f6", "f7", "f8", "f9", "f10", "help".

unzip and copy the folder and info icon to Utilities folder

PATH sys:Utilities/WeatherBar ADD
run >nil: lua:amilua weatherforecast.lua

or wbstartup drawer (directory) to start automatically

run QUIET sys:tools/commodities/DepthMenu >NIL:

to make it easy to get to the window you need

http://itvision.altervista.org/why.linux.is.not.ready.for.the.desktop.current.html

Fab's Odyssey OWB

If you have up to 2gb of memory or more, copy the browser drawer (directory) to ram and run the browser environment there - saves hard disk wear and tear

With 2.1, drag the OWB drawer (directory) from Utilities to the RAM Disk icon on the desktop. Double click on the RAM Disk to open and again on the OWB icon. Right click on the OWB app and select WB Run option from the list shown.

With Icaros 2.0.x, you can use Magellan to copy sys:utilities/owb drawer (directory) to ram: (there is a right mouse click option to do this). Open the RAM Disk and go into the recently copied OWB drawer directory in the RAM Disk: and right mouse click on the OWB app and select WB Run to start the web browser in memory.

With older Icaros - Create User-Startup text file or add the following to this file in SYSːs drawer... i.e. creating a script

stack 100000

; using AspireOS 1.xx 
; copy FROM SYS:Extras/Networking/Odyssey_Web_Browser/ TO RAM:OWB ALL CLONE > Nil:

; using Icaros Desktop 1.x (line below may need further editing by removing the ; below) 
; copy FROM SYS:Tools/Odyssey_Web_Browser/ TO RAM:OWB ALL CLONE > Nil:

; using IcarosDesktop 2.0 
; copy FROM SYS:Utilities/OWB/ TO RAM:OWB ALL CLONE > Nil:

cd RAM:OWB
run OWB > Nil:

Slow internet experience can be improved by deleting cookies.db

Even simpler, add ezdownload.js to the scripts list just like youtube.js next. To use YouTube, OWB Settings->Scripts add youtube.js and then each YouTube play website will show a series of numbers. First set are for download, next with Flash and finally without Flash. It should highlight which are which.

The higher the number the better the quality and size. Numbers seem to go in order from a series of flv files, to a series of vp8 and finally h264 files. Google likes breaking YouTube support often and new .js scripts sometimes appear.

New CA certification file for MuiOWB/Odyssey needed from https://curl.haxx.se/ca/cacert.pem from https://curl.haxx.se/docs/caextract.html, obtained from https://hg.mozilla.org/mozilla-central/raw-file/tip/security/nss/lib/ckfw/builtins/certdata.txt

SimpleMail email client

Please read more on this User list

mid-2017, all outlook.com accounts will be migrated to Office 365 / Exchange

YAM

This email client is POP3 only if the SSL library is available YAM Freelists

Use of on-line e-mail accounts with this email client is not possible as it lacks the OpenSSL AmiSSl v3 compatible library

Outlook.com SMTP server address: smtp.live.com
Outlook.com SMTP user name: Your full Outlook.com email address (not an alias)
Outlook.com SMTP password: Your Outlook.com password
Outlook.com SMTP port: 587
Outlook.com SMTP TLS/SSL encryption required: yes 

“POP3 Server” – Set the POP server for incoming mails as pop.mail.yahoo.com. You will have to enable “SSL” and use 995 for Port.
“SMTP Server” – Set the SMTP server for outgoing mails as smtp.mail.yahoo.com. You will also have to make sure that “SSL” is enabled and use 465 for port. you must also enable “authentication” for this to work.
“Account Name or Login Name” – Your Yahoo Mail ID i.e. your email address without the domain “@yahoo.com”.
“Email Address” – Your Yahoo Mail address i.e. your email address including the domain “@yahoo.com”. E.g. myname@yahoo.com
“Password” – Your Yahoo Mail password.

IRC Internet Relay Chat

Just type a message in lowercase' letters and it will be posted to all in the AROS channel. Please do not use UPPER CASE as it is a sign of SHOUTING which is annoying.

Other things to type in - replace <message> with a line of text and <nick> with a person's name

/help

/list

/who
/whois <nick>

/msg <nick> <message>

/query <nick> 
<message>s
/query

/away <message>
/away

/quit <going away message> 

Intro guide here.

IRC Primer can be found here in html, TXT, PostScript.

Issue the command /me <text> where <text> is the text that should follow your nickname. Example: /me slaps ajk around a bit with a large trout

/nick <newNick>

/nickserv register <password> <email address>

/ns instead of /nickserv, while others might need /msg nickserv

/nickserv identify <password>

Alternatives: /ns identify <password> /msg nickserv identify <password>

run wookiechat from the shell and set stack to 1000000 e.g. wookiechat stack 1000000

Server: irc.freenode.net
Channel: #aros

Server: chat.amigaworld.net 
Channel: #amigaworld or #amigans 

On Sunday evenings USA time usually starting around 3PM EDT (1900 UTC)
Server:irc.superhosts.net
Channel #team*amiga  

BitlBee and Minbif are IRCd-like gateways to multiple IM networks
Server: im.bitlbee.org 
Port 6667 
Seems to be most useful on WookieChat as you can be connected to several servers at once. One for Bitlbee and any messages that might come through that. One for your normal IRC chat server. 

Multiple server support
"Perform on connect" scripts and channel auto-joins
Automatic Nickserv login
Tabs for channels and private conversations
CTCP PING, TIME, VERSION, SOUND
Incoming and Outgoing DCC SEND file transfers
Colours for different events
Logging and automatic reloading of logs
mIRC colour code filters
Configurable timestamps
GUI for changing channel modes easily
Configurable highlight keywords
URL Grabber window
Optional outgoing swear word filter
Event sounds for tabs opening, highlighted words, and private messages
DCC CHAT support
Doubleclickable URL's
Support for multiple languages using LOCALE
Clone detection
Auto reconnection to Servers upon disconnection
Command aliases
Chat display can be toggled between AmIRC and mIRC style
Counter for Unread messages
Graphical nicklist and graphical smileys with a popup chooser

Jabberwocky

Jabberwocky is ideal for one-to-one social media communication, use IRC if you require one to many. You sign up to a server that someone else has setup and access chat services through them. Servers are setup and close down at random so see the below lists for current servers.

The two ways to access chat from jabberwocky

Jabberwocky -> Server -> XMPP -> open and ad-free 
Jabberwocky -> Server -> Transports (Gateways) -> Proprietary closed systems 

The Jabber.org service connects with all IM services that use XMPP, the open standard for instant messaging and presence over the Internet. The services we connect with include Google Talk (closed), Live Journal Talk, Nimbuzz, Ovi, and thousands more. However, you can not connect from Jabber.org to proprietary services like AIM, ICQ, MSN, Skype, or Yahoo because they don’t yet use XMPP components (XEP-0114) but you can use Jabber.com's servers and IM gateways (MSN, ICQ, Yahoo etc.) instead.

The best way to use jabberwocky is in conjunction with a public jabber server with transports to your favorite services, like gtalk, Facebook, yahoo, ICQ, AIM, etc.

You have to register with one of the servers, gateway list with icons, this list or another list, this security XMPP list,

Unfortunately jabberwocky can only connect to one server at a time so it is best to check what services each server offers, see above lists. If you set it up with separate Facebook and google talk accounts, for example, sometimes you'll only get one or the other.

Jabberwocky open a window where the Jabber server part is typed in as well as your Nickname and Password.

Jabber ID (JID) identifies you to the server and other users.

Once registered the next step is to goto Jabberwocky's "Windows" menu and select the "Agents" option. The "Agents List" window will open.

Roster (contacts list)

Chatrooms (MUC) are available

File Transfer - can send and receive files through the Jabber service but not with other services like IRC, ICQ, AIM or Yahoo. All you need is an installed webbrowser and OpenURL.

Clickable URLs - The message window uses Mailtext.mcc and you can set a URL action in the MUI mailtext prefs like SYS:Utils/OpenURL %s NEWWIN.

There is no consistent Skype like (H.323 VoIP) video conferencing available over Jabber. The move from xmpp to Jingle should help but no support on any amiga-like systems at the moment. AmiPhone and Speak Freely was an early attempt voice only contact. SIP and Asterisk are other PBX options.

1. launch jabberwocky
2. if the login window doesn't appear on launch, select 'account' from the jabberwocky menu
3. your jabber ID will be user@chat.facebook.com where user is your user ID
4. your password is your normal facebook password
5. to save this for next time, click the popup gadget next to the ID field

6. click the 'add' button
7. click the 'close' button
8. click the 'connect' button

early months of 2013 Microsoft will ditch MSN Messenger client and force everyone to use Skype...
but MSN protocol and servers will keep working as usual for quite a long time....

MPlayer

Many of the menu features (such as doubling) do not work with the current version of mplayer but using

4:3

mplayer -vf scale=800:600 file.avi

16:9

mplayer -vf scale=854:480 file.avi

if you want gui use;

mplayer -gui 1 <other params> file.avi

stack 1000000

; using AspireOS 1.xx 
; copy FROM SYS:Extras/Multimedia/MPlayer/ TO RAM:MPlayer ALL CLONE > Nil:

; using Icaros Desktop 1.x 
; copy FROM SYS:Tools/MPlayer/ TO RAM:MPlayer ALL CLONE > Nil:

; using Icaros Desktop 2.x 
; copy FROM SYS:Utilities/MPlayer/ TO RAM:MPlayer ALL CLONE > Nil:

cd RAM:MPlayer
run MPlayer -gui > Nil:
;run MPlayer -gui -ao ahi_dev -playlist http://www.radio-paralax.de/listen.pls > Nil: 

MPlayer - Menu - Open Playlist and load already downloaded .pls or .m3u file - auto starts around 4 percent cache

MPlayer - Menu - Open Stream and copy one of the .pls lines below into space allowed, press OK and press play button on main gui interface

 
http://www.radio-paralax.de/listen.pls 

Extension: flv
Viewer: [your path to MPlayer here]
-cache 8192 %l

Midi - Musical Instrument Digital Interface

A midi file typically contains music that plays on up to 16 channels (as per the midi standard), but many notes can simultaneously play on each channel (depending on the limit of the midi hardware playing it). MIDI files are essentially a stream of event data. An event can be many things, but typically "note on", "note off", "program change", "controller change", or messages that instruct a MIDI compatible synth how to play a given bit of music.

• Channel
• Messages
• Sequencing - Vocals? Guitars? MIDI instruments? Drums? Sound design? Workflow,
• Recording -
• GUI - Piano roll (FL Studio like) or Tracker, Staves and Notes Notation, Ableton Live, NI Kontakt, KXStudio, ??

assign timidity: SYS:Extras/Audio/timidity

    C-3 02 .. .. 0000....


    --- .. .. 90 xxyy.... << This will set the value 
    --- .. .. .. 0000....    of the controller n.'xx' to 'yy' (both in hex)
    --- .. .. .. 0000....

N.B. Not all MIDI devices are created equal!

The left hand column defines which MIDI functions are being described.
The 2nd column defines what the device in question is capable of transmitting to another device.
The 3rd column defines what the device is capable of responding to.
The 4th column is for explanations of the values contained within these previous two columns.

Mode 1: Omni On, Poly; 
Mode 2: Omni On, Mono; 
Mode 3: Omni Off, Poly; 
Mode 4: Omni Off, Mono.

The next row will tell us which MIDI notes the device can send or receive, normally 0-127.
The second line, "True Voice" has the following in the MIDI specification: 
"Range of received note numbers falling within the range of true notes produced by the instrument."
My interpretation is that, for instance, a MIDI piano may be capable of sending all MIDI notes (0 to 127) by transposition, but only responding to the 88 notes (21 to 108) of a real piano. 

MIDI Time Code Quarter Frame messages (device synchronisation).
Song Position Pointer
Song Select
Tune Request

Timing Clock - often just written as "Clock"
Start
Stop
Continue

Aux. Messages
Again "O" or "X" for implemented or not.
Aux. = Auxilliary.
Active Sense = Active Sensing.

Time Code Quarter Frame	0xF1	1	Indicates timing using absolute time code, primarily for synthronization with video playback systems. A single location requires eight messages to send the location in an encoded hours:minutes:seconds:frames format*.
Song Position	0xF2	2	Instructs a sequencer to jump to a new position in the song. The data bytes form a 14-bit value that expresses the location as the number of sixteenth notes from the start of the song.
Song Select	0xF3	1	Instructs a sequencer to select a new song. The data byte indicates the song.
Undefined	0xF4	0	
Undefined	0xF5	0	
Tune Request	0xF6	0	Requests that the reciever retune itself**.

ID 0x7D is a placeholder for non-commercial entities.
ID 0x7E indicates a predefined Non-realtime SysEx message.
ID 0x7F indicates a predefined Realtime SysEx message.

Some inexpensive USB-to-MIDI interfaces aren’t capable of handling messages longer than four bytes.

0xnc, 0xkk, 0xpp
n is the status (0xA)
c is the channel nybble
kk is the key number (0 to 127)
pp is the pressure value (0 to 127)

0xnc, 0xpp
n is the status (0xD)
c is the channel number
pp is the pressure value (0 to 127)

0xnc, 0xLL, 0xMM
n is the status (0xE)
c is the channel number
LL is the 7 least-significant bits of the value
MM is the 7 most-significant bits of the value

0xnc, 0xcc, 0xvv
n is the status (0xB)
c is the MIDI channel
cc is the controller number (0-127)
vv is the controller value (0-127)

0xnc, 0xpp
n is the status (0xc)
c is the channel
pp is the patch number (0-127)

Simply put one line down to all midi notes on your pattern (use Insert key)
and go to 'Misc. Setup', adjust the latency and just search a value
that will make sound sync both audio/midi.

Mods

Digital module (mods) trackers are music creation software using samples and sometimes soundfonts, audio plugins (VST, AU or RTAS), MIDI.

Generally, MODs are similar to MIDI in that they contain note on/off and other sequence messages that control the mod player. Unlike (most) midi files, however, they also contain sound samples that the sequence information actually plays. MOD files can have many channels (classic amiga mods have 4, corresponding to the inbuilt sound channels), but unlike MIDI, each channel can typically play only one note at once. However, since that note might be a sample of a chord, a drumloop or other complex sound, this is not as limiting as it sounds.

Like MIDI, notes will play indefinitely if they're not instructed to end. Most trackers record this information automatically if you play your music in live. If you're using manual note entry, you can enter a note-off command with a keyboard shortcut - usually Caps Lock.

In fact when considering file size MOD is not always the best option. Even a dummy song wastes few kilobytes for nothing when a simple SID tune could be few hundreds bytes and not bigger than 64kB. AHX is another small format, AHX tunes are never larger than 64kB excluding comments.

Protrekkr (previously aka [w:Juan_Antonio_Arguelles_Rius|NoiseTrekkr])

If Protrekkr does not start, please check if the Unit 0 has been setup in the AHI prefs and still not, go to the directory utilities/protrekkr and double click on the Protrekkr icon

• Sample
• Note - Effect
• Track (column) - Pattern - Order

It all starts with the Sample which is used to create Note(s) in a Track (column of a tracker) The Note can be changed with an Effect. A Track of Note(s) can be collected into a Pattern (section of a song) and these can be given Order to create the whole song.

Patience (notes have to be entered one at a time) or playing the bassline on a midi controller (faster - see midi section above). Best approach is to wait until a melody popped into your head.

• Up-tempo means the track should be reasonably fast, but not super-fast.
• Groovy and funky imply the track should have some sort of "swing" feel, with plenty of syncopation or off beat emphasis and a recognizable, melodic bass line.
• Sweet and happy mean upbeat melodies, a major key and avoiding harsh sounds.
• Moody - minor key

First, create a quick bass sound, which is basically a sine wave, but can be hand drawn for a little more variance. It could also work for the melody part, too.

This is usually a bass guitar or some kind of synthesizer bass. The bass line is often forgotten by inexperienced composers, but it plays an important role in a musical piece. Together with the rhythm section the bass line forms the groove of a song. It's the glue between the rhythm section and the melodic layer of a song.

The drums are just pink noise samples, played at different frequencies to get a slightly different sound for the kick, snare, and hihats.

Instruments that fall into the rhythm category are bass drums, snares, hi-hats, toms, cymbals, congas, tambourines, shakers, etc. Any percussive instrument can be used to form part of the rhythm section.

The lead is the instrument that plays the main melody, on top of the chords. There are many instruments that can play a lead section, like a guitar, a piano, a saxophone or a flute. The list is almost endless. There is a lot of overlap with instruments that play chords. Often in one piece an instrument serves both roles. The lead melody is often played at a higher pitch than the chords.

Listened back to what was produced so far, and a counter-melody can be imagined, which can be added with a triangle wave.

To give the ends of phrases some life, you can add a solo part with a crunchy synth. By hitting random notes in the key of G, then edited a few of them.

For the climax of the song, filled out the texture with a gentle high-pitch pad… …and a grungy bass synth.

The arrow at A points at the pattern order list. As you see, the patterns don't have to be in numerical order. This song starts with pattern "00", then pattern "02", then "03", then "01", etcetera. Patterns may be repeated throughout a song.

The B arrow points at the song title. Below it are the global BPM and speed parameters. These determine the tempo of the song, unless the tempo is altered through effect commands during the song.

The C arrow points at the list of instruments. An instrument may consist of multiple samples. Which sample will be played depends on the note. This can be set in the Instrument Editing screen. Most instruments will consist of just one sample, though. The sample list for the selected instrument can be found under arrow D.

Here's a part of the main editing screen. This is where you put in actual notes. Up to 32 channels can be used, meaning 32 sounds can play simultaneously. The first six channels of pattern "03" at order "02" are shown here. The arrow at A points at the row number. The B arrow points at the note to play, in this case a C4. The column pointed at by the C arrow tells us which instrument is associated with that note, in this case instrument #1 "Kick".

The column at D is used (mainly) for volume commands. In this case it is left empty which means the instrument should play at its default volume. You can see the volume column being used in channel #6.

The E column tells us which effect to use and any parameters for that effect. In this case it holds the "F" effect, which is a tempo command. The "04" means it should play at tempo 4 (a smaller number means faster).

Base pattern

When I create a new track I start with what I call the base pattern. It is worthwhile to spend some time polishing it as a lot of the ideas in the base pattern will be copied and used in other patterns. At least, that's how I work. Every musician will have his own way of working. In "Wild Bunnies" the base pattern is pattern "03" at order "02".

In the section about selecting samples I talked about the four different categories of instruments: drums, bass, chords and leads. That's also how I usually go about making the base pattern. I start by making a drum pattern, then add a bass line, place some chords and top it off with a lead. This forms the base pattern from which the rest of the song will grow.

Drums

Here's a screenshot of the first four rows of the base pattern. I usually reserve the first four channels or so for the drum instruments. Right away there are a couple of tricks shown here. In the first channel the kick, or bass drum, plays some notes. Note the alternating F04 and F02 commands. The "F" command alters the tempo of the song and by quickly alternating the tempo; the song will get some kind of "swing" feel.

In the second channel the closed hi-hat plays a fairly simple pattern. Further down in the channel, not shown here, some open hi-hat notes are added for a bit of variation.

In the third and fourth channel the snare sample plays. The "8" command is for panning. One note is panned hard to the left and the other hard to the right. One sample is played a semitone lower than the other. This results in a cool flanging effect. It makes the snare stand out a little more in the mix.

Bass line

There are two different instruments used for the bass line. Instrument #6 is a pretty standard synthesized bass sound. Instrument #A sounds a bit like a slap bass when used with a quick fade out. By using two different instruments the bass line sounds a bit more ”human”. The volume command is used to cut off the notes. However, it is never set to zero. Setting the volume to a very small value will result in a reverb-like effect. This makes the song sound more "live".

The bass line hints at the chords that will be played and the key the song will be in. In this case the key of the song is D-major, a positive and happy key.

Chords

The D major chords that are being played here are chords stabs; short sounds with a quick decay (fade out). Two different instruments (#8 and #9) are used to form the chords. These instruments are quite similar, but have a slightly different sound, panning and volume decay. Again, the reason for this is to make the sound more human. The volume command is used on some chords to simulate a delay, to achieve more of a live feel. The chords are placed off-beat making for a funky rhythm.

Lead

Finally the lead melody is added. The other instruments are invaluable in holding the track together, but the lead melody is usually what catches people's attention.

A lot of notes and commands are used here, but it looks more complex than it is. A stepwise ascending melody plays in channel 13. Channel 14 and 15 copy this melody, but play it a few rows later at a lower volume. This creates an echo effect. A bit of panning is used on the notes to create some stereo depth. Like with the bass line, instead of cutting off notes the volume is set to low values for a reverb effect. The "461" effect adds a little vibrato to the note, which sounds nice on sustained notes.

Those paying close attention may notice the instrument used here for the lead melody is the same as the one used for the bass line (#6 "Square"), except played two or three octaves higher. This instrument is a looped square wave sample. Each type of wave has its own quirks, but the square wave (shown below) is a really versatile wave form.

Song structure

Good, catchy songs are often carefully structured into sections, some of which are repeated throughout the song with small variations.

A typical pop-song structure is: Intro - Verse - Chorus - Verse - Chorus - Bridge - Chorus.

Other single sectional song structures are

Strophic or AAA Song Form - oldest story telling with refrain (often title of the song) repeated in every verse section melody 
AABA Song Form - early popular, jazz and gospel fading during the 1960s 
AB or Verse/Chorus Song Form - songwriting format of choice for modern popular music since the 1960s 
Verse/Chorus/Bridge Song Form
ABAB Song Form
ABAC Song Form
ABCD Song Form
AAB 12-Bar Song Form - three four-bar lines or sub-sections 
8-Bar Song Form
16-Bar Song Form
Hybrid / Compound Song Forms

The most common building blocks are:

1. INTRODUCTION(INTRO)
2. VERSE
3. REFRAIN
4. PRE-CHORUS / RISE / CLIMB
5. CHORUS
6. BRIDGE
7. MIDDLE EIGHT
8. SOLO / INSTRUMENTAL BREAK
9. COLLISION
10. CODA / OUTRO
11. AD LIB (OFTEN IN CODA / OUTRO)

The chorus usually has more energy than the verse and often has a memorable melody line. As the chorus is repeated the most often during the song, it will be the part that people will remember.

The bridge often marks a change of direction in the song. It is not uncommon to change keys in the bridge, or at least to use a different chord sequence. The bridge is used to build up tension towards the big finale, the last repetition of chorus.

C-x   xh xx xx hhhh             Volume 
B-x   xh xx xx hhhh             Jump to 
A#x  xh xx xx hhhh hhhh   Slide 
F-x    xh xx xx hhhh            Tempo 
D-x   xh xx xx hhhh             Pattern Break 
G#x  xh xx xx hhhh

   C-2 1 000 - Starts the note playing
   ---      000
   C-3    330 - Starts the slide to C-3 at a speed of 30.
   ---     300 - Continues the slide
   ---     300 - Continues the slide

 C-7 00 .. .. 1B37 <-  Turn Arpeggio effect on
  --- .. .. .. 0000
  --- .. .. .. 0000
  --- .. .. .. 0000
  --- .. .. .. 1B38 <- Change datas
  --- .. .. .. 0000
  --- .. .. .. 0000
  --- .. .. .. 0000
  --- .. .. .. 1B00 <- Turn it off

Support for the following modules formats:
669 (Composer 669, Unis 669), 
AMF (DSMI Advanced Module Format), 
AMF (ASYLUM Music Format V1.0), 
APUN (APlayer), DSM (DSIK internal format), 
FAR (Farandole Composer), 
GDM (General DigiMusic), 
IT (Impulse Tracker), 
IMF (Imago Orpheus), 
MOD (15 and 31 instruments), 
MED (OctaMED), 
MTM (MultiTracker Module editor), 
OKT (Amiga Oktalyzer), 
S3M (Scream Tracker 3), 
STM (Scream Tracker), 
STX (Scream Tracker Music Interface Kit), 
ULT (UltraTracker), 
UNI (MikMod), 
XM (FastTracker 2),
Mid (midi format via timidity)

Audio Evolution 4

The number of tracks per project(s) is unlimited .... AHI limits you to recording only two at a time. i.e. not on 8 track sound cards like the Juli@ or Phase 88.

Frying Pan

Can be backup DVDs (4GB ISO size limit due to use of FileInfoBlock), create audio cds from mp3's, and put .iso files on discs

If using for the first time - click Drive button and Device set to ata.device and unit to 0 (zero)

Click Tracks Button - Drive 1 - Create New Disc or Import Existing Disc Image (iso bin/cue etc.) - Session File open cue file

If you're making a data cd, with files and drawers from your hard drive, you should be using the ISO Builder.. which is the MUI page on the left. ("Data/Audio Tracks" is on the right).

You should use the "Data/Audio tracks" page if you want to create music cds with AIFF/WAV/MP3 files, or if you download an .iso file, and you want to put it on a cd.

Click WRITE Button - set write speed - click on long Write button

Examples

Easiest way would be to burn a DATA CD, simply go to "Tracks" page "ISO Builder" and "ADD" everything you need to burn.

On the "Write" page i have "Masterize Disc (DAO)", "Close Disc" and "Eject after Write" set.

One must not "Blank disc before write" if one uses a CDR

AUDIO CD from MP3's are as easy but tricky to deal with. FP only understands one MP3 format, Layer II, everything else will just create empty tracks

Burning bootable CD's works only with .iso files. Go to "Tracks" page and "Data/Audio Tracks" and add the .iso

ZunePaint

simplified typical workflow

• importing and organizing and photo management
• making global and regional local correction(s) - recalculation is necessary after each adjustment as it is not in real-time
• exporting your images in the best format available with the preservation of metadata

Whilst achieving 80% of a great photo with just a filter, the remaining 20% comes from a manual fine-tuning of specific image attributes.

For photojournalism, documentary, and event coverage, minimal touching is recommended. Stick to Camera Raw for such shots, and limit changes to level adjustment, sharpness, noise reduction, and white balance correction.

For fashion or portrait shoots, a large amount of adjustment is allowed and usually ends up far from the original. Skin smoothing, blemish removal, eye touch-ups, etc. are common. Might alter the background a bit to emphasize the subject.

Product photography usually requires a lot of sharpening, spot removal, and focus stacking.

For landscape shots, best results are achieved by doing the maximum amount of preparation before/while taking the shot. No amount of processing can match timing, proper lighting, correct gear, optimal settings, etc. Excessive post-processing might give you a dramatic shot but best avoided in the long term.

• White Balance - Left Amiga or F12 and K and under "Misc color effects" tab with a pull down for White Balance - color temperature also known as AKA tint (movies) or tones (painting) - warm temp raise red reduce green blue - cool raise blue lower red green
• Exposure - exposure compensation, highlight/shadow recovery
• Noise Reduction - during RAW development or using external software
• Lens Corrections - distortion, vignetting, chromatic aberrations
• Detail - capture sharpening and local contrast enhancement
• Contrast - black point, levels (sliders) and curves tools (F12 and K)
• Framing - straighten () and crop (F12 and F)
• Refinements - color adjustments and selective enhancements - Left Amiga or F12 and K for RGB and YUV histogram tabs -
• Resizing - enlarge for a print or downsize for the web or email (F12 and D)
• Output Sharpening - customized for your subject matter and print/screen size

White Balance - F12 and K

scan your image for a shade which was meant to be white (neutral with each RGB value being equal) like paper or plastic which is in the same light as the subject of the picture. Use the dropper tool to select this color, similar colours will shift and you will have selected the perfect white balance for your part of the image - for the whole picture make sure RAZ or CLR button at the bottom is pressed before applying to the image above.

Exposure correction

F12 and K - YUV Y luminosity - RGB extra red tint - move red curve slightly down and move blue green curves slightly up

Workflows in practice

• Undo - Right AROS key or F12 and Z
• Redo - Right AROS key or F12 and R

First flatten your image (if necessary) and then do a rotation until the picture looks level.

• Crop the picture. Click the selection button and drag a box over the area of the picture you want to keep. Press the crop button and the rest of the photo will be gone.
• Adjust your saturation, exposure, hue levels, etc., (right AROS Key and K for color correction) until you are happy with the photo. Make sure you zoom in all of the way to 100% and look the photo over, zoom back out and move around. Look for obvious problems with the picture.
• After coloring and exposure do a sharpen (Right AROS key and E for Convolution and select drop down option needed), e.g. set the matrix to 5x5 (roughly equivalent Amount to 60%) and set the Radius to 1.0. Click OK.

And save your picture

Cutting out and/or replacing unwanted background or features - select large areas with the selection option like the Magic Wand tool (aka Color Range) or the Lasso (quick and fast) with feather 2 to soften edge or the pen tool which adds points/lines/Bézier curves (better control but slower), hold down the shift button as you click to add extra points/areas of the subject matter to remove. Increase the tolerance to cover more areas. To subtract from your selection hold down alt as you're clicking.

• Layer masks are a better way of working than Erase they clip (black hides/hidden white visible/reveal). Clone Stamp can be simulated by and brushes for other areas.
• Leave the fine details like hair, fur, etc. to later with lasso and the shift key to draw a line all the way around your subject. Gradient Mapping - Inverse - Mask. i.e. Refine your selected image with edge detection and using the radius and edge options / adjuster (increase/decrease contrast) so that you will capture more fine detail from the background allowing easier removal.

Remove fringe/halo

saving image as png rather than jpg/jpeg to keep transparency background intact.

Combining photos (cut, resize, positioning, lighting/shadows (flips) and colouring) - search out photos where the subjects are positioned in similar environments and perspective, to match up, simply place the cut out section (use Magic Wand and Erase using a circular brush (varied sizes) with the hardness set to 100% and no spacing) over the worked on picture, change the opacity and resize to see how it fits. Clone areas with a soft brush to where edges join, Adjust mid-tones, highlights and shadows.

A panorama is a wide-angled view of a physical space. It is several stable, rotating tripod based photographs with no vertical movement that are stitched together horizontally to create a seamless picture. Grab a reference point about 20%-30% away from the right side, so that this reference point allows for some overlap between your photos when getting to the editing phase.

Spotlights - triange of white opaque shape

HDR image consists of three movement free pictures, one overexposed (too bright), one normal and one under-exposed (too dark). These three are merged in software (over, under and then normal at the bottom) to provide a high dynamic range.

Aging faces - the ears and nose are more pronounced i.e. keep growing, the eyes are sunken, the neck to jaw ratio decreases, and all the skin shows the impact of years of gravity pulling on it, slim the lips a bit, thinner hairline, removing motion

Implemented colour model representations Mathematical approach - Photo stills are spatially 2d (h and w), but are colorimetrically 3d (r g and b, or H L S, or Y U V etc.) as well.

• RGB - split cubed mapped color model for photos and computer graphics hardware using the light spectrum (adding and subtracting)
• YUV - Y-Lightness U-blue/yellow V-red/cyan (similar to YPbPr and YCbCr) used in the PAL, NTSC, and SECAM composite digital TV color video

Not implemented

• HSV/HSB - hue saturation value (brightness) or HSVA with additional alpha transparent (cone of color-nonlinear transformation of RGB)
• HSL - slightly different to above (spinning top shape)
• CIE Lab - Commission Internationale de l'Eclairage based on brightness, hue, and colourfulness
• CIELUV, CIELCH
• YCbCr/YCC
• CMYK CMJN (subtractive) profile is a narrower gamut (range) than any of the digital representations, mostly used for printing printshop, etc.
• Pantone (TM) Matching scale scheme for DTP use
• SMPTE DCI P3 color space (wider than sRGB for digital cinema movie projectors)

Color Gamuts

• sRGB Rec. 709 (TV Broadcasts)
• DCI-P3
• Abode RGB
• NTSC
• Pointers Gamut
• Rec. 2020 (HDR 4K streaming)
• Visible Light Spectrum

Histograms

White balanced (neutral) if the spike happens in the same place in each channel of the RGB graphs. If not, you're not balanced. If you have sky you'll see the blue channel further off to the right.

RGB is best one to change colours. These elements RGB is a 3-channel format containing data for Red, Green, and Blue in your photo scale between 0 and 255. The area in a picture that appears to be brighter/whiter contains more red color as compared to the area which is relatively darker. Similarly in the green channel the area that appears to be darker contains less amount of green color as compared to the area that appears to be brighter. Similarly in the blue channel the area appears to be darker contains less amount of blue color as compared to the area that appears to be brighter. Brightness luminance histogram also matches the green histogram more than any other color - human eye interprets green better e.g. RGB rough ratio 15/55/30%

RGBA (RGB+A, A means alpha channel) . The alpha channel is used for "alpha compositing", which can mostly be associated as "opacity". AROS deals in RGB with two digits for every color (red, green, blue), in ARGB you have two additional hex digits for the alpha channel.

The shadows are represented by the left third of the graph. The highlights are represented by the right third. And the midtones are, of course, in the middle. The higher the black peaks in the graph, the more pixels are concentrated in that tonal range (total black area). By moving the black endpoint, which identifies the shadows (darkness) and a white light endpoint (brightness) up and down either sides of the graph, colors are adjusted based on these points. By dragging the central one, can increased the midtones and control the contrast, raise shadows levels, clip or softly eliminate unsafe levels, alter gamma, etc... in a way that is much more precise and creative .

RGB Curves

• Move left endpoint (black point) up or right endpoint (white point) up brightens
• Move left endpoint down or right endpoint down darkens

Color Curves

• Dragging up on the Red Curve increases the intensity of the reds in the image but
• Dragging down on the Red Curve decreases the intensity of the reds and thus increases the apparent intensity of its complimentary color, cyan

(Green’s complimentary color is magenta, and blue’s is yellow.)

YUV Best option to analyse and pull out statistical elements of any picture (i.e. separate luminance data from color data). The line in Y luma tone box represents the brightness of the image with the point in the bottom left been black, and the point in the top right as white. A low-contrast image has a concentrated clump of values nearer to the center of the graph. By comparison, a high-contrast image has a wider distribution of values across the entire width of the Histogram. A histogram that is skewed to the right would indicate a picture that is a bit overexposed because most of the color data is on the lighter side (increase exposure with higher value F), while a histogram with the curve on the left shows a picture that is underexposed. This is good information to have when using post-processing software because it shows you not only where the color data exists for a given picture, but also where any data has been clipped (extremes on edges of either side): that is, it does not exist and, therefore, cannot be edited. By dragging the endpoints of the line and as well as the central one, can increased the dark/shadows, midtones and light/bright parts and control the contrast, raise shadows levels, clip or softly eliminate unsafe levels, alter gamma, etc... in a way that is much more precise and creative .

The U and V chroma parts show color difference components of the image. It’s useful for checking whether or not the overall chroma is too high, and also whether it’s being limited too much Can be used to create a negative image but also With U (Cb), the higher value you are, the more you're on the blue primary color. If you go to the low values then you're on blue complementary color, i.e. yellow. With V (Cr), this is the same principle but with Red and Cyan. e.g. If you push U full blue and V full red, you get magenta. If you push U full yellow and V full Cyan then you get green.

YUV simultaneously adds to one side of the color equation while subtracting from the other. using YUV to do color correction can be very problematic because each curve alters the result of each other: the mutual influence between U and V often makes things tricky. You may also be careful in what you do to avoid the raise of noise (which happens very easily). Best results are obtained with little adjustments

sunset that looks uninspiring and needs some color pop especially for the rays over the hill, a subtle contrast raise while setting luma values back to the legal range without hard clipping.

Implemented/ * would like to see for simplification and ease of use

basic filters (presets) like black and white, monochrome, edge detection (sobel), motion/gaussian blur,

• negative, sepiatone, retro vintage, night vision, colour tint, color gradient, color temperature, glows, fire, lightning, lens flare, emboss, filmic, pixelate mezzotint, antialias, etc.

adjust / cosmetic tools such as crop,

• reshaping tools, straighten, smear, smooth, perspective, liquify, bloat, pucker, push pixels in any direction, dispersion, transform like warp, blending with soft light, page-curl, whirl, ripple, fisheye, neon, etc.
• red eye fixing, blemish remover, skin smoothing, teeth whitener, make eyes look brighter, desaturate,

effects like oil paint, cartoon, pencil sketch, charcoal, noise/matrix like sharpen/unsharpen, (right AROS key with A for Artistic effects)

• blend two image, gradient blend, masking blend, explode, implode, custom collage, surreal painting, comic book style, needlepoint, stained glass, watercolor, mosaic, stencil/outline, crayon, chalk, etc.

borders such as

• dropshadow, rounded, blurred, color tint, picture frame, film strip polaroid, bevelled edge, etc.

brushes e.g.

• frost, smoke, etc.

and manual control of

fix lens issues including vignetting (darkening), color fringing and barrel distortion, and chromatic and geometric aberration - lens and body profiles

perspective correction

levels - directly modify the levels of the tone-values of an image, by using sliders for highlights, midtones and shadows

curves - Color Adjustment and Brightness/Contrast

color balance

one single color transparent (alpha channel (color information/selections) for masking and/or blending ) for backgrounds, etc.

Threshold indicates how much other colors will be considered mixture of the removed color and non-removed colors

decompose layer into a set of layers with each holding a different type of pattern that is visible within the image

any selection using any selecting tools like lasso tool, marquee tool etc. the selection will temporarily be save to alpha If you create your image without transparency then the Alpha channel is not present, but you can add later.

File formats like .psd (Photoshop file has layers, masks etc. contains edited sensor data. The original sensor data is no longer available) .xcf .raw .hdr

Image Picture Formats

• low dynamic range (JPEG, PNG, TIFF 8-bit), 16-bit (PPM, TIFF), typically as a 16-bit TIFF in either ProPhoto or AdobeRGB colorspace - TIFF files are also fairly universal – although, if they contain proprietary data, such as Photoshop Adjustment Layers or Smart Filters, then they can only be opened by Photoshop making them proprietary.
• llinear high dynamic range (HDR) images (PFM, ILM .EXR, jpg, cr2 (canon tiff based), hdr, NEF, CRW, ARW, MRW, ORF, RAF (Fuji), PEF, DCR, SRF, ERF, DNG files are RAW converted to an Adobe proprietary format - a container that can embed the raw file as well as the information needed to open it)

An old version of dcraw

There is no single RAW file format. Each camera manufacturer has one or more unique RAW formats. RAW files contain the brightness levels data captured by the camera sensor. This data cannot be modified. A second smaller file, separate XML file, or within a database with instructions for the RAW processor to change exposure, saturation etc. The extra data can be changed but the original sensor data is still there. RAW is technically least compatible.

A raw file is high-bit (usually 12 or 14 bits of information) but a camera-generated TIFF file will be usually converted by the camera (compressed, downsampled) to 8 bits. The raw file has no embedded color balance or color space, but the TIFF has both. These three things (smaller bit depth, embedded color balance, and embedded color space) make it so that the TIFF will lose quality more quickly with image adjustments than the raw file. The camera-generated TIFF image is much more like a camera processed JPEG than a raw file. A strong advantage goes to the raw file. The power of RAW files, such as the ability to set any color temperature non-destructively and will contain more tonal values.

The principle of preserving the maximum amount of information to as late as possible in the process. The final conversion - which will always effectively represent a "downsampling" - should prevent as much loss as possible.

Once you save it as TIFF, you throw away some of that data irretrievably. When saving in the lossy JPEG format, you get tremendous file size savings, but you've irreversibly thrown away a lot of image data. As long as you have the RAW file, original or otherwise, you have access to all of the image data as captured.

• Exposure triange - aperture, ISO and shutter speed - the three fundamental elements working together so you get the results you want and not what the camera appears to tell you
• The Manual/Creative Modes on your camera are Program, Aperture Priority, Shutter Priority, and Manual Mode. On most cameras, they are marked “P, A, S, M.” These stand for “Program Mode, Aperture priority (A or Av), Shutter Priority (S or TV), and Manual Mode.
• letters AV (for Canon camera’s) or A (for Nikon camera’s) on your shooting mode dial sets your digital camera to aperture priority - If you want all of the foreground and background to be sharp and in focus (set your camera to a large number like F/11 closing the lens). On the other hand, if you’re taking a photograph of a subject in focus but not the background, then you would choose a small F number like F/4 (opening the lens). When you want full depth-of-field, choose a high f-stop (aperture). When you want shallow depth of field, choose a lower fstop.
• Letter M if the subjects in the picture are not going anywhere i.e. you are not in a hurry - set my ISO to 100 to get no noise in the picture -
• COMPOSITION rule of thirds (imagine a tic-tac-toe board placed on your picture, whatever is most interesting or eye-catching should be on the intersection of the lines) and leading lines but also getting down low and shooting up, or finding something to stand on to shoot down, or moving the tripod an inch -
• Focus PRECISELY else parts will be blurry - make sure you have enough depth-of-field to make the subject come out sharp. When shooting portraits, you will almost always focus on the person's nearest eye
• landscape focus concentrate on one-third the way into the scene because you'll want the foreground object to be in extremely sharp focus, and that's more important than losing a tiny bit of sharpness of the objects far in the background.

Also, even more important than using the proper hyperfocal distance for your scene is using the proper aperture -

• entry level DSLRs allow to change which autofocus point is used rather than always using the center autofocus point and then recompose the shot - back button

Free royalty pictures

www.freeimages.com, http://imageshack.us/ , http://photobucket.com/ , http://rawpixels.net/,

ZuneFIG

Vector Image Editing of files .svg .ps .eps

Golden ratio divine proportion golden section mean phi fibonnaci term of 1.618 1.6180339887498948482 including mathematical progression sequences a+b of 1, 2, 3, 5, 8, 13, 21, 34, etc. Used it to create sculptures and artwork of the perfect ideal human body figure, logos designs etc. for good proportions and pleasing to the eye for best composition

AmiFIG (xfig manual)

All windows available to AmiFIG.

for drawing simple to intermediate vector graphic images for scientific and technical uses and for illustration purposes for those with talent

Menu options

• Load - fig format but import(s) SVG
• Save - fig format but export(s) eps, ps, pdf, svg and png
• PAN = Ctrl + Arrow keys
• Deselect all points

There is no selected object until you apply the tool, and the selected object is not highlighted.

Metrics - to set up page and styles - first window to open on new drawings

Tools - Drawing Primitives - set Attributes window first before clicking any Tools button(s)

• Shapes - circles, ellipses, arcs, splines, boxes, polygon
• Lines - polylines
• Text "T" button
• Photos - bitmaps
• Compound - Glue, Break, Scale
• POINTs - Move, Add, Remove
• Objects - Move, Copy, Delete, Mirror, Rotate, Paste

use right mouse button to stop extra lines, shapes being formed and the left mouse to select/deselect tools button(s)

• Rotate - moves in 90 degree turns centered on clicked POINT of a polygon or square

Attributes which provide change(s) to the above primitives

• Color
• Line Width
• Line Style
• arrowheads

Modes

Choose from freehand, charts, figures, magnet, etc.

Library - allows .fig clip-art to be stored

• compound tools to add .fig(s) together

FIG 3.2 Format as produced by xfig version 3.2.5

Landscape
Center
Inches
Letter 
100.00
Single
-2
1200 2
4 0 0 50 -1 0 12 0.0000 4 135 1050 1050 2475 This is a test.01

1. change the text alignment within the textbox. I can choose left, center, or right aligned by either changing the integer in the second column from 0 (left) to 1 or 2 (center, or right).
2. The third integer in the row specifies fontcolor. For instance, 0 is black, but blue is 1 and Green3 is 13.
3. The sixth integer in the bottom row specifies fontface. 0 is Times-Roman, but 16 is Helvetica (a MATLAB default).
4. The seventh number is fontsize. 12 represents a 12pt fontsize. Changing the fontsize of an item really is as easy as changing that number to 20.
5. The next number is the counter-clockwise angle of the text. Notice that I have changed the angle to .7854 (pi/4 rounded to four digits=45 degrees).
6. twelfth number is the position according to the standard “x-axis” in Xfig units from the left. Note that 1200 Xfig units is equivalent to once inch.
7. thirteenth number is the “y-position” from the top using the same unit convention as before.

• The nested text string is what you entered into the textbox.
• The “01″ present at the end of that line in the .fig file is the closing tag. For instance, a change to \100 appends a @ symbol at the end of the period of that sentence.

Just to note there are no layers, no 3d functions, no shading, no transparency, no animation

Lunapaint

Pixel based drawing app with nice onion-skin anmation function

YouTube movies of DigiCel Flipbook. It becomes quite clear that there is not much missing in Lunapaint to be as good as FlipBook and then you have to take into account that Flipbook is considered to be amongst the best and easiest to use animation software out there. Ok to be honest Flipbook has some nice features that require more heavy work but those aren't so much needed right away, things like camera effects, sound, smart fill, export to different movie file formats etc.

Films like Princess and the Frog and Simpsons the movie is made on this piece of software. It's astonising simplistic when you look at it. But it gets the job done. Just like LunaPaint could. I tried Flipbook with my tablet and compared it to Luna. The feeling is the same when sketching. LunaPaint is very responsive/fluent to draw with. Just as Flipbook is, and that responsiveness is something its users have mentioned as one of the positive sides of said software.

author was learning MUI. Some parts just have to be rewritten with proper MUI classes before new features can be added.

• add [Frame Add] / [Frame Del]
• whole animation feature is impossible to use. If you draw 2 color maybe but if you start coloring your cells then you get in trouble
• pickup the entire image as a brush, not just a selection ? And consequently remove the brush from memory when one doesn't need it anymore. can pick up a brush and put it onto a new image but cropping isn't possible, nor to load/save brushes.
• Undo is something I longed for ages in Lunapaint.
• to import into the current layer, other types of images (e.g. JPEG) besides RAW64.
• implement graphic tablet features support

• • GENERAL DRAWING**

Miss it very much: UNDO ERASER COLORPICKER - has to show on palette too which color got picked. BACKGROUND COLOR -Possibility to select from "New project screen"

Miss it somewhat: ICON for UNDO ICON for ERASER ICON for CLEAR SCREEN ( What can I say? I start over from scratch very often ) BRUSH - possibility to cut out as brush not just copy off image to brush

• • ANIMATING**

Miss it very much: NUMBER OF CELLS - Possibity to change total no. of cells during project ANIM BRUSH - Possibility to pick up a selected part of cells into an animbrush

Miss it somewhat: ADD/REMOVE FRAMES: Add/remove single frame

In general LunaPaint is really well done. It feels like I'm using a new DPaint version. It works with my tablet. Sure there's much missing of course but things can always be added over time. So there is great potential in LunaPaint that's for sure. Animations could be made in it and maybe put together in QuickVideo, gif or mng some day.

LAYERS -Layers names doesn't get saved globally in animation frames -Layers order doesn't change globally in an animation. I would want this as default.

EXPORTING IMAGES -Exporting frames to JPG/PNG gives problems with colors. (wrong colors. See my animatiopn --> My robot was blue now it's "gold" ) I think this only happens if you have layers. -Trying to flatten the layers before export doesn't work if you have animation frames only the one you have visible will flatten properly all other frames are destroyed. (Only one of the layers are visible on them) -Exporting images filenames should be fore example file0001, file0002...file0010 instead as of now file1, file2...file10

LOAD/SAVE (Preferences) -Make a setting for the default "Work" folder.

• Destroyed colors if exported image/frame has layers
• mystic color cycling of the selected color while stepping frames back/forth (annoying)

Lodepaint

Pixel based painting artwork app

Grafx2

Pixel based painting artwork app

Pagestream 3.2 3.3

Assign PageStream: "Work:PageStream3"
Assign SoftLogik: "PageStream:SoftLogik"
Assign Fonts: "PageStream:SoftLogik/Fonts" ADD

Normally Pagestream Fonts are installed in directory Pagestream3:Fonts/. Next step is to mark the right fonts-path in Pagestream's Systemprefs (don't confuse softlogik.font - this is only a screen-systemfont). Installed them all in a NEW Pagestream/Fonts drawer - every font-family in its own separate directory and marked them in PageStream3/Systemprefs for each family entry. e.g. Project > System Preferences >Fonts. You simply enter the path where the fonts are located into the Default Drawer string. e.g. System:PageStream/Fonts Then you click on Add and add a drawer. Then you hit Update. Then you hit Save. The new font(s) are available.

If everything went ok font "triumvirate-normal" should be chosen automatically when typing text. Kerning and leading

Normally, only use postscript fonts (Adobe Type 1 - both metric file .afm or .pfm variant and outline file .pfb) because easier to print to postscript printers and these fonts give the best results and printing is fast! Double sided printing.

CYMK pantone matching system color range support

http://pagestream.ylansi.net/

For long documents you would normally prepare the body text beforehand in a text editor because any DTP package is not suited to this activity (i.e. slow). Cropping pictures are done outside usually.

Wysiwyg Page setup - Page Size - Landscape or Portrait - Full width bottom left corner

Toolbar - Panel General, Palettes, Text Toolbox and View

Master page (size, borders margin,etc.) - Styles (columns, alley, gutter between, etc.) i.e. balance the weight of design and contrast with white space(s) - unity

Text via two methods - click box for text block box which you resize or click I resizing text box frame which resizes itself

Centre picture if resizing horizontally - Toolbox - move to next page and return - grid Structured vector clipart images - halftone - scaling

Table of contents, Header and Footer Back Matter like the glossary, appendices, index, endnotes, and bibliography.

Right Mouse click - Line, Fill, Color -

Spot color

Quick keyboard shortcuts

l - line 
a - alignment 
c - colours 

DTP Design layout to impress an audience

Ignition - Amiga Spreadsheet

Needs ABIv1 to be completed before more can be done

File formats supported

• ascii #?.txt and #?.csv (single sheets with data only).
• igs and TurboCalc(WIP) #?.tc for all sheets with data, formats and formulas.

There is no support for xls, xlsx, ods or uos (Uniform Unified Office Format) at the moment.

• Always use Esc key after editing Spreadsheet cells.
• copy/paste seems to copy the first instance only so go to Edit -> Clipboard to manage the list of remembered actions.
• Right mouse click on row (1 or 2 or 3) or column header (a or b or c) to access optimal height or width of the row or column respectively
• Edit -> Insert -> Row seems to clear the spreadsheet or clears the rows after the inserted row until undo restores as it should be...

Change Sheet name by Object -> Sheet -> Properties

Click in the cell which will contain the result, and click down arrow button to the right of the formula box at the bottom of the spreadsheet and choose the function required from the list provided. Then click on the start cell and click on the bottom right corner, a very small blob, which allows stretching a bounding box (thick grey outlines) across many cells This grey bounding box can be used to copy a formula to other cells.

Object -> Cell -> Properties to change cell format - Currency only covers DM and not $, Euro, Renminbi, Yen or Pound etc. Shift key and arrow keys selects a range of cells, so that formatting can be done to all highlighted cells. View -> Overview then select ALL with one click (in empty cell in the top left hand corner of the sheet).

Default mode is relative cell referencing e.g. a1+a2 but absolute e.g. $a$1+$a$2 can be entered.

• #sheet-name to absolute reference another sheet-name cell unless reference() function used.

Graphs

use shift key and arrow keys to select a bunch of cells to be graph'ed making sure that x axes represents and y axes represents

• value() - 0 value, 1 percent, 2 date, 3 time, 4 unit ...

Dates

• Excel starts a running count from the 1st Jan 1900 and Ignition starts from 1st Jan 1AD (maybe this needs to change)

Set formatting Object -> Cell -> Properties and put date in days

Time

Set formatting Object -> Cell -> Properties and put time in seconds taken

Database (to be done by someone else)

type - standard, reference (bezug), search criterion (suchkriterium),

• select a bunch of cells and Object -> Database -> Define to set Datenbank (database) and Felder (fields not sure how?)
• Neu (new) or loschen (delete) to add/remove database headings e.g. Personal, Start Date, Finish Date (one per row?)
• Object -> Database -> Index to add fields (felder) like Surname, First Name, Employee ID, etc. to ?

Filtering done with dbfilter(), dbproduct() and dbposition().

Activities with dbsum(), dbaverage(), dbmin() and dbmax().

Table sorting -

Scripts (Arexx)

Excel(TM) to Ignition - commas , replaced by semi-colons ; to separate values within functions

• SUM(),
• AVERAGE(), MAX(), MIN(), INT(), PRODUCT(), MEDIAN(), VAR() becomes Variance(), Percentile(),
• IF(), AND, OR, NOT
• LEFT(), RIGHT(), MID() becomes MIDDLE(), LEN() becomes LENGTH(),
• LOWER() becomes LOWERCASE(), UPPER() becomes UPPERCASE(),
• DATE(yyyy,mm,dd) becomes COMPUTEDATE(dd;mm;yyyy),
• TODAY(), DAY(),WEEK(), MONTH(),=YEAR(TODAY()),
• EOMONTH() becomes MONTHLENGTH(),
• NOW() should be date and time becomes time only, SECOND(), MINUTE(), HOUR(),
• DBSUM() becomes DSUM(),

Missing and possibly useful features/functions needed for ignition to have better support of Excel files

There is no Merge and Join Text over many cells, no protect and/or freeze row or columns or books but can LOCK sheets, no define bunch of cells as a name, Macros (Arexx?), conditional formatting, no Solver, no Goal Seek, no Format Painter, no AutoFill, no AutoSum function button, no pivot tables, (30 argument limit applies to Excel)

• HLOOKUP(), VLOOKUP(), INDEX(), MATCH(), CHOOSE(), TEXT(),
• TRIM(), FIND(), SUBSTITUTE(), CONCATENATE() or &, PROPER(), REPT(),
• SUMPRODUCT(), ROUND(), ROUNDUP(), *ROUNDDOWN(), COUNT(), COUNTA(), SUMIF(), COUNTIF(), COUNTBLANK(), TRUNC(),
• PMT(), PV(), FV(), POWER(), SQRT(), MODE(), TRUE, FALSE,
• MODE(), LARGE(), SMALL(), RANK(), STDEV(),
• DCOUNT(), DCOUNTA(), WEEKDAY(),

Excel Keyboard shortcuts needed to aid usability in Ignition

Ctrl Z - Undo

Ctrl D - Fill Down
Ctrl R - Fill right

Ctrl F - Find
Ctrl H - Replace

Ctrl 1 - Formatting of Cells
CTRL SHIFT ~ Apply General Formatting ie a number 
Ctrl ; - Todays Date 

Every ODF file is a collection of several subdocuments within a package (ZIP file), each of which stores part of the complete document.

• content.xml – Document content and automatic styles used in the content.
• styles.xml – Styles used in the document content and automatic styles used in the styles themselves.
• meta.xml – Document meta information, such as the author or the time of the last save action.
• settings.xml – Application-specific settings, such as the window size or printer information.

To read document follow these steps:

• Extracting .ods file.
• Getting content.xml file (which contains sheets data).
• Creating XmlDocument object from content.xml file.
• Creating DataSet (that represent Spreadsheet file).
• With XmlDocument select “table:table” elements, and then create adequate DataTables.
• Parse child’s of “table:table” element and fill DataTables with those data.
• At the end, return DataSet and show it in application’s interface.

To write document follow these steps:

• Extracting template.ods file (.ods file that we use as template).
• Getting content.xml file.
• Creating XmlDocument object from content.xml file.
• Erasing all “table:table” elements from the content.xml file.
• Reading data from our DataSet and composing adequate “table:table” elements.
• Adding “table:table” elements to content.xml file.
• Zipping that file as new .ods file.

XLS file format

The XLS file format contains streams, substreams, and records.

These sheet substreams include worksheets, macro sheets, chart sheets, dialog sheets, and VBA module sheets. All the records in an XLS document start with a 2-byte unsigned integer to specify Record Type (rt), and another for Count of Bytes (cb). A record cannot exceed 8224 bytes. If larger than the rest is stored in one or more continue records.

• Workbook stream
  • Globals substream
    • BoundSheet8 record - info for Worksheet substream i.e. name, location, type, and visibility. (4bytes the lbPlyPos FilePointer, specifies the position in the Workbook stream where the sheet substream starts)
  • Worksheet substream (sheet) - Cell Table - Row record - Cells (2byte=row 2byte=column 2byte=XF format)
    • Blank cell record
    • RK cell record 32-bit number.
    • BoolErr cell record (2-byte Bes structure that may be either a Boolean value or an error code)
    • Number cell record (64-bit floating-point number)
    • LabelSst cell record (4-byte integer that specifies a string in the Shared Strings Table (SST). Specifically, the integer corresponds to the array index in the RGB field of the SST)
    • Formula cell record (FormulaValue structure in the 8 bytes that follow the cell structure. The next 6 bytes can be ignored, and the rest of the record is a CellParsedFormula structure that contains the formula itself)
    • MulBlank record (first 2 bytes give the row, and the next 2 bytes give the column that the series of blanks starts at. Next, a variable length array of cell structures follows to store formatting information, and the last 2 bytes show what column the series of blanks ends on)
    • MulRK record
    • Shared String Table (SST) contains all of the string values in the workbook.

ACCRINT(), ACCRINTM(), AMORDEGRC(), AMORLINC(), COUPDAYBS(), COUPDAYS(), COUPDAYSNC(), COUPNCD(), COUPNUM(), COUPPCD(), CUMIPMT(), CUMPRINC(), DB(), DDB(), DISC(), DOLLARDE(), DOLLARFR(), DURATION(), EFFECT(), FV(), FVSCHEDULE(), INTRATE(), IPMT(), IRR(), ISPMT(), MDURATION(), MIRR(), NOMINAL(), NPER(), NPV(), ODDFPRICE(), ODDFYIELD(), ODDLPRICE(), ODDLYIELD(), PMT(), PPMT(), PRICE(), PRICEDISC(), PRICEMAT(), PV(), RATE(), RECEIVED(), SLN(), SYD(), TBILLEQ(), TBILLPRICE(), TBILLYIELD(), VDB(), XIRR(), XNPV(), YIELD(), YIELDDISC(), YIELDMAT(),

Scandal

Scanner usually needs to be connected via a USB port and not via a hub or extension lead.

Check in Trident Prefs -> Devices that the USB Scanner is not bound to anything (e.g. Bindings None) If not found then reboot the computer and recheck.

Start Scandal, choose Settings from Menu strip at top of screen and in Scanner Driver choose the ?#.device of the scanner (e.g. epson2.device).

The next two boxes - leave empty as they are for morphos SCSI use only

or put ata.device (use the selection option in bigger box below) and Unit as 0 this is needed for gt68xx

• gt68xx - no editing needed in s/gt68xx.conf but needs a firmware file that corresponds to the scanner gt68xx firmwares in sys:s/gt68xx.
• epson2 - Need to edit the file epson2.conf in sys/s that corresponds to the scanner being used

Save the settings but do not press the Use button (aros freezes)

Back to the Picture Scan window and the right-hand sections.

Click on the Information tab and press Connect button and the scanner should now be detected.

Go next to the Scanner tab next to Information Tab should have Color, Black and White, etc. and dpi settings now. Selecting an option Color, B/W etc. can cause dpi settings corruption (especially if the settings are in one line) so set dpi first. Make sure if Preview is set or not.

In the Scan Tab, press Scan and the scanner will do its duty. Be aware that nothing is saved to disk yet.

In the Save tab, change format JPEG, PNG or IFF DEEP. Tick incremental and base filename if necessary and then click the Save button. The image will now be saved to permanent storage.

The driver ignores a device if it is already bond to another USB class, rejects it from being usable. However, open Trident prefs, select your device and use the right mouse button to open. Select "NONE" to prevent poseidon from touching the device. Now save settings. It should always work now.

Hurrican

AROS version can be compiled from hurrican svn. Compiled it on the Linux side with AROS cross compilers.

• get Hurrican source from sourceforge
• get SDL_mixer from archives.aros-exec.org (the one in AROS contrib does not have MOD support compiled in)
• cd to "Hurrican/src", adjust Makefile (TARGET=aros, make INCLUDES_OS point to AROS SDL headers and fix path to libSDL_mixer.a)
• type make. I compiled everything on the Linux side, so "export PATH=$PATH:<arosdir>/bin/linux-i386/tools/crosstools" first.
• this should create "Hurrican/hurricanaros".
• copy "Hurrican/" over to where AROS can see it. Increase stack before launching it (try 1000000 - stacksnoop seems to be broken at the moment, so that's just a random guess). Also make sure to have enough RAM in AROS. For AROS hosted try starting AROS with "-m 256".
• cursor keys in game may not work. Try 2/4/6/8 on numkey pad and game prefs to reconfigure.
• On AROS hosted (only place I tested) to use accelerated opengl do "make workbench-libs-hostgl" and before running the game do "Loadresource sys:storage/libs/mesa.library", or copy the library over the one in sys:libs.

There are still some little gfx, music and other problems in the game.

Warzone 2100

Command Centre - once built - radar mini map bottom left appears

Icons in bottom right (clockwise from top) - production, research, build, design, intelligence (goals), Bar power bottom middle of screen Power Generator near to Command Oil derricks on oil field (4 per gemerator)

Factory near to power generator

2 Research Facility near Command (one after the other)

Set tanks off to right and scavengers attack

Make another 3 research to end up with 5 (right mouse click to pause)

Design menu - shows items that can be made Click new design centre window and click icon on rhs - choose body on the right Click next 2 icons and rename at strip at the top of the central window

Search out scavengers and cars on route left and up

If discover base - destroy tower(s) first - fences - buildings last (keep distance - not too close)

Artifacts (grey canisters) recovered to advance research Destroy enemy derricks and eventually put your own on there

Research new ability - intelligence option icon - weapon research Research patterns - mk2 - mk3

Build another factory - remove any rookie machine gun cars before building new ones up to 5

Rally point(s) - yellow numbers in circles are moveable

At each new rally point - new factory - scuttle old machine gun units - build new ones Put new oil derrick and connect to factory -

Move west to next scavenger base

Machine guard tower finally becomes available to research

Save point

Further missions add more to the map - to the south and east

If you use TTF fonts and have installed the MSFonts (Arial etc.) the trouble is that SimpleHTML will use those TTF fonts and the HTML mail will ask for them in such a size that it is unreadable on the amiga, the solution would be to have simplehtml not allow sizes under a certain size or update the SimpleHTML to handle <FONT SIZE=xx> fully, for instance this:

<FONT SIZE="-2" FACE="Verdana, Arial, Helvetica, sans-serif">Retrieve email using your device<BR> ($49.99)</FONT>

is getting translated to an unreadable Verdana font in size 9 if you have the MS Fonts installed, SimpleHTML does not support negative sizes in the SimpleHTML.config file (in any logical way at least).

this is how my SimpleHTML.config looks like

H1=TimesNewRomanPS/40
H2=TimesNewRomanPS/36
H3=TimesNewRomanPS/32
H4=TimesNewRomanPS/28
H5=TimesNewRomanPS/24
H6=TimesNewRomanPS/20
H7=TimesNewRomanPS/20
NORMAL-3=Arial/20
BORMAL-2=Arial/20
NORMAL-1=Arial/20
NORMAL1=Arial/20
NORMAL2=Arial/24
NORMAL3=Arial/28
NORMAL4=Arial/32
NORMAL5=Arial/36
NORMAL6=Arial/40
NORMAL7=Arial/48
FIXED1=Courier/20
FIXED2=Courier/24
FIXED3=Courier/28
FIXED4=Courier/32
FIXED5=Courier/36
FIXED6=Courier/40
FIXED7=Courier/48
ARIAL1=Arial/20
ARIAL2=Arial/24
ARIAL3=Arial/28
ARIAL4=Arial/32
ARIAL5=Arial/36
ARIAL6=Arial/40
ARIAL7=Arial/48
TAHOMA1=Tahoma/20
TAHOMA2=Tahoma/24
TAHOMA3=Tahoma/28
TAHOMA4=Tahoma/32
TAHOMA5=Tahoma/36
TAHOMA6=Tahoma/40
TAHOMA7=Tahoma/48
VERDANA-3=Verdana/20
VERDANA-2=Verdana/20 <- this has no effect whatsoever
VERDANA-1=Verdana/20
VERDANA1=Verdana/20
VERDANA2=Verdana/24
VERDANA3=Verdana/28
VERDANA4=Verdana/32
VERDANA5=Verdana/36
VERDANA6=Verdana/40
VERDANA7=Verdana/48
SANS-SERIF1=Arial/20
SANS-SERIF2=Arial/24
SANS-SERIF3=Arial/28
SANS-SERIF4=Arial/32
SANS-SERIF5=Arial/36
SANS-SERIF6=Arial/40
SANS-SERIF7=Arial/48
SERIF1=TimesNewRomanPS/20
SERIF2=TimesNewRomanPS/24
SERIF3=TimesNewRomanPS/28
SERIF4=TimesNewRomanPS/32
SERIF5=TimesNewRomanPS/36
SERIF6=TimesNewRomanPS/40
SERIF7=TimesNewRomanPS/48

• Transparent m68k emulation: copy any old amiga filesystem to L: and use directly partitions in that format, e.g. PFS3. Can copy any datatype and any native apps will use them. It really feels integrated, not like running in a separate box (emulation wise).
• MUI4: slowly getting there but basics like screennotify.library support is missing and Zune windows are not autoclosing when adjusting screen mode or window decorations.
• CGX: way ahead of P96 but AROS still lacks overlay support.
• Console: AROS console is still missing some functions like ssh support
• HD Tools: Partition tools, recovery tools, easier mounting tools are still needed.
• Good language translations - always needed

White balance, Kelvin value of a candle 2000K, of the lightbulb is 3200K (early AM late PM), white fluorescent is 4200K, sun is 5200K, cloud is 6000K, and house with shade is 7000K, clear blue sky 10000-15000K

RGB colour values for "familiar" colours. The first set below was originally compiled by Steve Hollasch and is organised as follows: the first column is the descriptive name of the colour; the next three columns are the RGB coordinates in the 0 to 255 range as if the components were being stored in one unsigned byte; the last three columns are the RGB colour coordinates in the range of 0 to 1 inclusive.

Whites

antique_white     250   235   215   0.9804   0.9216   0.8431
azure             240   255   255   0.9412   1.0000   1.0000
bisque            255   228   196   1.0000   0.8941   0.7686
blanched_almond   255   235   205   1.0000   0.9216   0.8039
cornsilk          255   248   220   1.0000   0.9725   0.8627
eggshell          252   230   201   0.9900   0.9000   0.7900
floral_white      255   250   240   1.0000   0.9804   0.9412
gainsboro         220   220   220   0.8627   0.8627   0.8627
ghost_white       248   248   255   0.9725   0.9725   1.0000
honeydew          240   255   240   0.9412   1.0000   0.9412
ivory             255   255   240   1.0000   1.0000   0.9412
lavender          230   230   250   0.9020   0.9020   0.9804
lavender_blush    255   240   245   1.0000   0.9412   0.9608
lemon_chiffon     255   250   205   1.0000   0.9804   0.8039
linen             250   240   230   0.9804   0.9412   0.9020
mint_cream        245   255   250   0.9608   1.0000   0.9804
misty_rose        255   228   225   1.0000   0.8941   0.8824
moccasin          255   228   181   1.0000   0.8941   0.7098
navajo_white      255   222   173   1.0000   0.8706   0.6784
old_lace          253   245   230   0.9922   0.9608   0.9020
papaya_whip       255   239   213   1.0000   0.9373   0.8353
peach_puff        255   218   185   1.0000   0.8549   0.7255
seashell          255   245   238   1.0000   0.9608   0.9333
snow              255   250   250   1.0000   0.9804   0.9804
thistle           216   191   216   0.8471   0.7490   0.8471
titanium_white    252   255   240   0.9900   1.0000   0.9400
wheat             245   222   179   0.9608   0.8706   0.7020
white             255   255   255   1.0000   1.0000   1.0000
white_smoke       245   245   245   0.9608   0.9608   0.9608
zinc_white        253   248   255   0.9900   0.9700   1.0000

Greys

cold_grey         128   138   135   0.5000   0.5400   0.5300
dim_grey          105   105   105   0.4118   0.4118   0.4118
grey              192   192   192   0.7529   0.7529   0.7529
light_grey        211   211   211   0.8275   0.8275   0.8275
slate_grey        112   128   144   0.4392   0.5020   0.5647
slate_grey_dark    47    79    79   0.1843   0.3098   0.3098
slate_grey_light  119   136   153   0.4667   0.5333   0.6000
warm_grey         128   128   105   0.5000   0.5000   0.4100

Blacks

black               0     0     0   0.0000   0.0000   0.0000
ivory_black        41    36    33   0.1600   0.1400   0.1300
lamp_black         46    71    59   0.1800   0.2800   0.2300

Reds

alizarin_crimson  227    38    54   0.8900   0.1500   0.2100
brick             156   102    31   0.6100   0.4000   0.1200
cadmium_red_deep  227    23    13   0.8900   0.0900   0.0500
coral             255   127    80   1.0000   0.4980   0.3137
coral_light       240   128   128   0.9412   0.5020   0.5020
deep_pink         255    20   147   1.0000   0.0784   0.5765
english_red       212    61    26   0.8300   0.2400   0.1000
firebrick         178    34    34   0.6980   0.1333   0.1333
geranium_lake     227    18    48   0.8900   0.0700   0.1900
hot_pink          255   105   180   1.0000   0.4118   0.7059
indian_red        176    23    31   0.6900   0.0900   0.1200
light_salmon      255   160   122   1.0000   0.6275   0.4784
madder_lake_deep  227    46    48   0.8900   0.1800   0.1900
maroon            176    48    96   0.6902   0.1882   0.3765
pink              255   192   203   1.0000   0.7529   0.7961
pink_light        255   182   193   1.0000   0.7137   0.7569
raspberry         135    38    87   0.5300   0.1500   0.3400
red               255     0     0   1.0000   0.0000   0.0000
rose_madder       227    54    56   0.8900   0.2100   0.2200
salmon            250   128   114   0.9804   0.5020   0.4471
tomato            255    99    71   1.0000   0.3882   0.2784
venetian_red      212    26    31   0.8300   0.1000   0.1200

Browns

beige             163   148   128   0.6400   0.5800   0.5000
brown             128    42    42   0.5000   0.1647   0.1647
brown_madder      219    41    41   0.8600   0.1600   0.1600
brown_ochre       135    66    31   0.5300   0.2600   0.1200
burlywood         222   184   135   0.8706   0.7216   0.5294
burnt_sienna      138    54    15   0.5400   0.2100   0.0600
burnt_umber       138    51    36   0.5400   0.2000   0.1400
chocolate         210   105    30   0.8235   0.4118   0.1176
deep_ochre        115    61    26   0.4500   0.2400   0.1000
flesh             255   125    64   1.0000   0.4900   0.2500
flesh_ochre       255    87    33   1.0000   0.3400   0.1300
gold_ochre        199   120    38   0.7800   0.4700   0.1500
greenish_umber    255    61    13   1.0000   0.2400   0.0500
khaki             240   230   140   0.9412   0.9020   0.5490
khaki_dark        189   183   107   0.7412   0.7176   0.4196
light_beige       245   245   220   0.9608   0.9608   0.8627
peru              205   133    63   0.8039   0.5216   0.2471
rosy_brown        188   143   143   0.7373   0.5608   0.5608
raw_sienna        199    97    20   0.7800   0.3800   0.0800
raw_umber         115    74    18   0.4500   0.2900   0.0700
sepia              94    38    18   0.3700   0.1500   0.0700
sienna            160    82    45   0.6275   0.3216   0.1765
saddle_brown      139    69    19   0.5451   0.2706   0.0745
sandy_brown       244   164    96   0.9569   0.6431   0.3765
tan               210   180   140   0.8235   0.7059   0.5490
van_dyke_brown     94    38     5   0.3700   0.1500   0.0200

Oranges

cadmium_orange    255    97     3   1.0000   0.3800   0.0100
cadmium_red_light 255     3    13   1.0000   0.0100   0.0500
carrot            237   145    33   0.9300   0.5700   0.1300
dark_orange       255   140     0   1.0000   0.5490   0.0000
mars_orange       150    69    20   0.5900   0.2700   0.0800
mars_yellow       227   112    26   0.8900   0.4400   0.1000
orange            255   128     0   1.0000   0.5000   0.0000
orange_red        255    69     0   1.0000   0.2706   0.0000
yellow_ochre      227   130    23   0.8900   0.5100   0.0900

Yellows

aureoline_yellow  255   168    36   1.0000   0.6600   0.1400
banana            227   207    87   0.8900   0.8100   0.3400
cadmium_lemon     255   227     3   1.0000   0.8900   0.0100
cadmium_yellow    255   153    18   1.0000   0.6000   0.0700
gold              255   215     0   1.0000   0.8431   0.0000
goldenrod         218   165    32   0.8549   0.6471   0.1255
goldenrod_dark    184   134    11   0.7216   0.5255   0.0431
goldenrod_light   250   250   210   0.9804   0.9804   0.8235
goldenrod_pale    238   232   170   0.9333   0.9098   0.6667
light_goldenrod   238   221   130   0.9333   0.8667   0.5098
melon             227   168   105   0.8900   0.6600   0.4100
naplesyellowdeep  255   168    18   1.0000   0.6600   0.0700
yellow            255   255     0   1.0000   1.0000   0.0000
yellow_light      255   255   224   1.0000   1.0000   0.8784

Greens

chartreuse        127   255     0   0.4980   1.0000   0.0000
chromeoxidegreen  102   128    20   0.4000   0.5000   0.0800
cinnabar_green     97   179    41   0.3800   0.7000   0.1600
cobalt_green       61   145    64   0.2400   0.5700   0.2500
emerald_green       0   201    87   0.0000   0.7900   0.3400
forest_green       34   139    34   0.1333   0.5451   0.1333
green               0   255     0   0.0000   1.0000   0.0000
green_dark          0   100     0   0.0000   0.3922   0.0000
green_pale        152   251   152   0.5961   0.9843   0.5961
green_yellow      173   255    47   0.6784   1.0000   0.1843
lawn_green        124   252     0   0.4863   0.9882   0.0000
lime_green         50   205    50   0.1961   0.8039   0.1961
mint              189   252   201   0.7400   0.9900   0.7900
olive              59    94    43   0.2300   0.3700   0.1700
olive_drab        107   142    35   0.4196   0.5569   0.1373
olive_green_dark   85   107    47   0.3333   0.4196   0.1843
permanent_green    10   201    43   0.0400   0.7900   0.1700
sap_green          48   128    20   0.1900   0.5000   0.0800
sea_green          46   139    87   0.1804   0.5451   0.3412
sea_green_dark    143   188   143   0.5608   0.7373   0.5608
sea_green_medium   60   179   113   0.2353   0.7020   0.4431
sea_green_light    32   178   170   0.1255   0.6980   0.6667
spring_green        0   255   127   0.0000   1.0000   0.4980
spring_greenmedium  0   250   154   0.0000   0.9804   0.6039
terre_verte        56    94    15   0.2200   0.3700   0.0600
viridian_light    110   255   112   0.4300   1.0000   0.4400
yellow_green      154   205    50   0.6039   0.8039   0.1961

Cyans

aquamarine        127   255   212   0.4980   1.0000   0.8314
aquamarinemedium  102   205   170   0.4000   0.8039   0.6667
cyan                0   255   255   0.0000   1.0000   1.0000
cyan_white        224   255   255   0.8784   1.0000   1.0000
turquoise          64   224   208   0.2510   0.8784   0.8157
turquoise_dark      0   206   209   0.0000   0.8078   0.8196
turquoise_medium   72   209   204   0.2824   0.8196   0.8000
turquoise_pale    175   238   238   0.6863   0.9333   0.9333

Blues

alice_blue        240   248   255   0.9412   0.9725   1.0000
blue                0     0   255   0.0000   0.0000   1.0000
blue_light        173   216   230   0.6784   0.8471   0.9020
blue_medium         0     0   205   0.0000   0.0000   0.8039
cadet              95   158   160   0.3725   0.6196   0.6275
cobalt             61    89   171   0.2400   0.3500   0.6700
cornflower        100   149   237   0.3922   0.5843   0.9294
cerulean            5   184   204   0.0200   0.7200   0.8000
dodger_blue        30   144   255   0.1176   0.5647   1.0000
indigo              8    46    84   0.0300   0.1800   0.3300
manganese_blue      3   168   158   0.0100   0.6600   0.6200
midnight_blue      25    25   112   0.0980   0.0980   0.4392
navy                0     0   128   0.0000   0.0000   0.5020
peacock            51   161   201   0.2000   0.6300   0.7900
powder_blue       176   224   230   0.6902   0.8784   0.9020
royal_blue         65   105   225   0.2549   0.4118   0.8824
slate_blue        106    90   205   0.4157   0.3529   0.8039
slate_blue_dark    72    61   139   0.2824   0.2392   0.5451
slate_blue_light  132   112   255   0.5176   0.4392   1.0000
slate_blue_medium 123   104   238   0.4824   0.4078   0.9333
sky_blue          135   206   235   0.5294   0.8078   0.9216
sky_blue_deep       0   191   255   0.0000   0.7490   1.0000
sky_blue_light    135   206   250   0.5294   0.8078   0.9804
steel_blue         70   130   180   0.2745   0.5098   0.7059
steel_blue_light  176   196   222   0.6902   0.7686   0.8706
turquoise_blue      0   199   140   0.0000   0.7800   0.5500
ultramarine        18    10   143   0.0700   0.0400   0.5600

Magentas

blue_violet       138    43   226   0.5412   0.1686   0.8863
cobalt_violetdeep 145    33   158   0.5700   0.1300   0.6200
magenta           255     0   255   1.0000   0.0000   1.0000
orchid            218   112   214   0.8549   0.4392   0.8392
orchid_dark       153    50   204   0.6000   0.1961   0.8000
orchid_medium     186    85   211   0.7294   0.3333   0.8275
permanent_violet  219    38    69   0.8600   0.1500   0.2700
plum              221   160   221   0.8667   0.6275   0.8667
purple            160    32   240   0.6275   0.1255   0.9412
purple_medium     147   112   219   0.5765   0.4392   0.8588
ultramarine_violet 92    36   110   0.3600   0.1400   0.4300
violet            143    94   153   0.5600   0.3700   0.6000
violet_dark       148     0   211   0.5804   0.0000   0.8275
violet_red        208    32   144   0.8157   0.1255   0.5647
violet_redmedium  199    21   133   0.7804   0.0824   0.5216
violet_red_pale   219   112   147   0.8588   0.4392   0.5765