Wes Anderson

Anderson's first film was Bottle Rocket (1996), based on a short film of the same name that he made with Luke and Owen Wilson. It was a crime caper about a group of young Texans aspiring to achieve major heists. It was well reviewed but performed poorly at the box office.[15][16][17]

His next film was Rushmore (1998), a quirky comedy about a high school student's crush on an elementary school teacher starring Bill Murray and Jason Schwartzman. It was a critical success.[18] Murray has since appeared in every Anderson film to date. In 2000, filmmaker Martin Scorsese praised Bottle Rocket and Rushmore.[19]

The Royal Tenenbaums (2001) was Anderson's next comedy-drama film, about a successful artistic New York City family and its ostracized patriarch. It represented his greatest success until Moonrise Kingdom in 2012, earning more than $50 million in domestic box office receipts. The Royal Tenenbaums was nominated for an Academy Award and ranked by an Empire poll as the 159th greatest film ever made.[20]

Anderson in 2005

Anderson's next feature was The Life Aquatic with Steve Zissou (2004) about a Jacques Cousteau-esque documentary filmmaker played by Bill Murray. It serves as a classic example of Anderson's style, but its critical reception was less favorable than his previous films, and its box office did not match the heights of The Royal Tenenbaums.[21] In September 2006, Steely Dan's Walter Becker and Donald Fagen released a tongue-in-cheek "letter of intervention" for Anderson's artistic "malaise" following the disappointing commercial and critical reception of The Life Aquatic with Steve Zissou, proclaiming themselves to be fans of World Cinema and of Anderson in particular. They offered Anderson their soundtrack services for his The Darjeeling Limited, including lyrics for a title track.[22]

The Darjeeling Limited (2007) was about three emotionally distant brothers traveling together on a train in India. It reflected the more dramatic tone of The Royal Tenenbaums but faced criticisms similar to The Life Aquatic. Anderson has acknowledged that he went to India to film the movie partly as a tribute to Indian filmmaker Satyajit Ray, whose "films have also inspired all my other movies in different ways" (the film is dedicated to him).[23] The film starred Anderson staples Jason Schwartzman and Owen Wilson in addition to Adrien Brody, and the script was co-written by Anderson, Schwartzman, and Roman Coppola.[24]

In 2008, Anderson was hired to write the screenplay of the American adaptation of My Best Friend, a French film, for producer Brian Grazer; Anderson's first draft was titled "The Rosenthaler Suite".

Anderson's stop motion animation adaptation of the Roald Dahl book Fantastic Mr Fox was released in 2009. The film was highly praised and nominated for the Academy Award for Best Animated Feature, although not earning much more than its production budget.

Anderson, Koyu Rankin, Liev Schreiber, Jeff Goldblum, and Kunichi Nomura at the Isle of Dogs press conference at Berlinale 2018

Following the critical success of Fantastic Mr. Fox, Anderson made Moonrise Kingdom which opened at the Cannes Film Festival 2012.[25] The film was emblematic of Anderson's style, was a financial success, and earned Anderson another Academy Award nomination for his screenplay.

Anderson's next film, The Grand Budapest Hotel (2014), starred Ralph Fiennes, Jude Law, F. Murray Abraham, and Saoirse Ronan, along with several of his regular collaborators including Bill Murray, Owen Wilson, and Jason Schwartzman.[26] It is set in the 1930s and follows the adventures of M. Gustave, the hotel's concierge, making "a marvelous mockery of history, turning its horrors into a series of graceful jokes and mischievous gestures", according to The New York Times.[27] The film represented one of Anderson's greatest critical and commercial successes, grossing nearly $175 million worldwide and earning dozens of award nominations, including nine Oscar nominations with four wins.[28] These nominations also included his first for Best Director.

Anderson returned to stop motion animation with Isle of Dogs,.[29] Production on the film started in the United Kingdom in October 2016, and it was released in select theaters on March 23, 2018, and wide on April 6, 2018.[30][31][32] In August 2018, it was reported that Anderson is working on his next film, set in post-war France, and was set to begin filming at Angoulême, beginning in November 2018. Named The French Dispatch, the film stars Bill Murray, Frances McDormand, Owen Wilson, Willem Dafoe, Adrien Brody, and Timothée Chalamet, and was selected for release on July 24, 2020.[33][34][35][36]

Anderson has also created several notable short films. In addition to the original Bottle Rocket short, he made the Paris-set Hotel Chevalier (2007), which was created as a prologue to The Darjeeling Limited and starred Jason Schwartzman alongside Natalie Portman, and the Italy-set Castello Cavalcanti (2013),[37] which was produced by Prada and starred Jason Schwartzman as an unsuccessful race-car driver. Additionally, he has directed a number of television commercials for companies such as Stella Artois and Prada, including an elaborate American Express ad, in which he starred as himself.[38]

Anderson has chosen to direct mostly fast-paced comedies marked by more serious or melancholic elements, with themes often centered on grief, loss of innocence, dysfunctional families, parental abandonment, adultery, sibling rivalry and unlikely friendships. His movies have been noted for being unusually character-driven, and by turns both derided and praised with terms like "literary geek chic".[47][48] The plots of his movies often feature thefts and unexpected disappearances, with a tendency to borrow liberally from the caper genre.[49]

Anderson has been noted for his extensive use of flat space camera moves, obsessively symmetrical compositions, knolling, snap-zooms, slow-motion walking shots, a deliberately limited color palette, and hand-made art direction often utilizing miniatures.[50] These stylistic choices give his movies a highly distinctive quality that has provoked much discussion, critical study, supercuts, mash-ups, and even parody. Many writers, critics, and even Anderson himself, have commented that this gives his movies the feel of being "self-contained worlds", or a "scale model household".[51] According to Jesse Fox Mayshark, his films have "a baroque pop bent that is not realist, surrealist or magic realist", but rather might be described as "fabul[ist]".[52] In 2019, the company Murals Wallpaper from the UK launched a line of wallpapers inspired by the visual design of Anderson's films.[53]

From The Life Aquatic on, Anderson has relied more heavily on stop motion animation and miniatures, even making entire features with stop motion animation with Fantastic Mr. Fox and Isle of Dogs.[54]

Anderson frequently uses pop music from the 1960s and '70s on the soundtracks of his films, and one band or musician tends to dominate each soundtrack. In Rushmore, Cat Stevens and British Invasion groups featured prominently, The Royal Tenenbaums included songs recorded by Nico, The Life Aquatic was replete with David Bowie including both originals and covers performed by Seu Jorge, The Kinks appeared on the soundtrack for The Darjeeling Limited and Rushmore, The Beach Boys in Fantastic Mr. Fox, and Hank Williams for Moonrise Kingdom. (Much of Moonrise Kingdom is filled with the music of Benjamin Britten, which is tied to a number of major plot points for that film.)[55] The Darjeeling Limited also borrowed music styles from Satyajit Ray's films. The Grand Budapest Hotel, which is mostly set in the 1930s, is notable for being the first Anderson film to eschew using any pop music, and instead used original music composed by Alexandre Desplat. Its soundtrack won Desplat the Academy Award for Best Original Score, the BAFTA Award for Best Film Music and World Soundtrack Award for Best Original Score of the Year. The soundtracks for his films have often brought renewed attention to the artists featured, most prominently in the case of "These Days", which was used in The Royal Tenenbaums.[56]

Critical, public and commercial reception to Anderson's directorial features as of 4 February 2019.