Wayne's World (film)

Wayne's World is a 1992 American comedy film directed by Penelope Spheeris, produced by Lorne Michaels, and written by Mike Myers and Bonnie and Terry Turner. Based on the Saturday Night Live sketch of the same name, it stars Myers in his feature film debut as Wayne Campbell and Dana Carvey as Garth Algar, a pair of rock fans who broadcast a public-access television show. It also features Rob Lowe, Tia Carrere, Lara Flynn Boyle, Brian Doyle-Murray, Chris Farley, Ed O'Neill, Ione Skye, Meat Loaf, and Alice Cooper.

Wayne's World
Theatrical poster
Directed byPenelope Spheeris
Produced byLorne Michaels
Screenplay by
Mike Myers
Bonnie Turner
Terry Turner
Based onWayne's World
by Mike Myers
Starring
Music byJ. Peter Robinson
CinematographyTheo van de Sande
Edited byMalcolm Campbell
Production
company
Distributed byParamount Pictures
Release date
  • February 14, 1992 (1992-02-14)
Running time
95 minutes
CountryUnited States
LanguageEnglish
Budget$20 million
Box office$183.1 million[1]

Wayne's World was released in the US on February 14, 1992. A critical and commercial success, it was the eighth-highest-grossing film of 1992 and it remains the highest-grossing film based on Saturday Night Live skits. A sequel, Wayne's World 2, was released on December 10, 1993.

Plot

In Aurora, Illinois, rock fans Wayne Campbell and Garth Algar host a public-access television show, Wayne's World, from Wayne's parents' basement. After they sell the rights to the show to television producer Benjamin Oliver for $10,000, they celebrate at a night club, where they avoid Wayne's troubled ex-girlfriend Stacy. Wayne falls for Cassandra Wong, vocalist and bassist of the band performing that night, Crucial Taunt, and impresses her with his Cantonese. He purchases a 1964 Fender Stratocaster electric guitar he has long coveted.

Benjamin attempts to steal Cassandra from Wayne by using his wealth and good looks. He distracts Wayne and Garth with all-access tickets to an Alice Cooper concert in Milwaukee, while offering to produce a music video for Crucial Taunt. At the concert, Wayne and Garth make the acquaintance of a bodyguard to music producer Frankie Sharp, head of Sharp Records.

While filming the revamped Wayne's World under Benjamin's oversight, Wayne and Garth find it difficult to adjust to the professional studio environment. Their contract obliges them to give a promotional interview to their sponsor, Noah Vanderhoff, who owns a franchise of amusement arcades. After Wayne publicly ridicules Vanderhoff, he is fired from the show, causing a rift in his friendship with Garth. Jealous of the attention Benjamin is giving Cassandra, Wayne attempts to prevent her from participating in the Crucial Taunt music video shoot. She breaks up with him, furious at his lack of trust.

Wayne and Garth reunite and hatch a plan to win Cassandra back by having Sharp hear Crucial Taunt play. While Garth and their friends infiltrate a satellite station with the aid of Benjamin's assistant, Wayne goes to Cassandra's video shoot, but embarrasses himself in an attempt to expose Benjamin's ulterior motive. As he leaves, Cassandra changes her mind about Benjamin. Wayne apologizes and they return to Aurora.

The Wayne's World crew hacks into Sharp's satellite television and broadcast the Crucial Taunt performance from Wayne's basement, where Sharp and Benjamin converge. Sharp declines to offer Crucial Taunt a record contract, Cassandra breaks up with Wayne and departs with Benjamin for a tropical resort, Stacy reveals that she is pregnant with Wayne's child, and a fire destroys Wayne's house.

Dissatisfied, Wayne and Garth turn to the film's audience and halt proceedings. They restart the scene and unmask Benjamin as "Old Man Withers" in a Scooby-Doo parody ending. Still unsatisfied, they start again with a "mega happy ending" in which Cassandra signs a record contract and reunites with Wayne, Garth begins a relationship with a waitress, and Benjamin learns that money and good looks do not necessarily bring happiness.

Cast
  • Mike Myers as Wayne Campbell, host of Wayne's World. Wayne lives with his parents in Aurora, Illinois, and spends his free time “partying” with his friends in and around the popular rock/metal scene of the early-1990s. His best friend is Garth Algar with whom he hosts their late-night cable access show broadcasting from the basement of Wayne’s parents’ house.[2]
  • Dana Carvey as Garth Algar, Wayne's best friend and co-host. Garth is socially awkward and more stereotypically “nerdy” and introverted than his more outgoing friends. He has a crush on the girl who works at the Donut shop that their group frequents, Stan Mikita's Donuts, but is unable to work up the nerve to talk to her.[2]
  • Tia Carrere as Cassandra Wong, lead vocalist and bassist of local rock band, Crucial Taunt. She and her band perform gigs around town, notably at a heavy metal bar frequented by Wayne and his friends called The Gasworks. Cassandra is a Cantonese immigrant who claims to have learned English at college and from the Police Academy films.[2]
  • Rob Lowe as Benjamin Oliver, a sleazy, Chicago-based television producer. His official title is Regional Programming Director for Oliver Communications. Benjamin is good looking, well-educated, and highly successful, but cynical, manipulative, and ruthless in his approach to business. Garth believes that "if Benjamin were an ice cream flavor, he'd be Pralines and Dick."[2]
  • Lara Flynn Boyle as Stacy, Wayne's troubled ex-girlfriend. Possessing virtually no self-esteem, she does not understand or accept that Wayne has broken up with her and still treats him like they are a couple. Wayne and Garth both refer to her as “mental” and a “psycho hose beast.”[2]
  • Brian Doyle-Murray as Noah Vanderhoff, a video arcade magnate, and a prospective client of Benjamin’s who is seeking to place him as the primary corporate sponsor of a television show aimed at teens and younger adults.[2]
  • Colleen Camp as Mrs. Vanderhoff, Noah's wife.[2]
  • Kurt Fuller as Russell Finley, producer/director of many of the television shows executive produced by Benjamin. Russell has a reputation as something of a hit-maker, having won awards and acclaim for many of the programs he has produced. He is fiercely loyal to Benjamin, believing Benjamin to be his friend.
  • Chris Farley has a cameo as the well-informed security guard at an Alice Cooper concert taking place in Milwaukee.
  • Meat Loaf as Tiny, a doorman/bouncer at the Gasworks who Wayne and Garth are "in" with. He allows to skip the line at the door, and informs them about the bands playing and if they're good or not.[2]
  • Frank DiLeo as rock promoter Frankie 'Mr. Big' Sharp. The CEO of Sharp Records, Frank takes a very hands-on approach to his business, driving back and forth across the country to find new acts to sign to his label. He is afraid of flying, and thus takes his stretch limousine everywhere.[2]
  • Ed O'Neill as Glen, the darkly disturbed manager at Stan Mikita's Donuts. According to Wayne, he works at the donut shop “24-hours a day”. He makes frequent references to death, dying, and killing, and implies that he once murdered someone in the heat of passion.[2]
  • Michael DeLuise as Alan, one of Wayne and Garth's crew.
  • Lee Tergesen as Terry, Wayne and Garth's head cameraman who has a penchant for openly expressing platonic love for his friends through hugging and repeatedly telling them, “I love you, man.”
  • Dan Bell as Neil, Wayne's and Garth's second cameraman.
  • Sean Gregory Sullivan as Phil, Wayne and Garth's friend who works at an auto repair shop. Wayne describes him as being frequently “partied out”, a state of heavy intoxication which renders Phil near-catatonic and unable to clearly recall events of the previous evening.[2]
  • Mike Hagerty as Davey, a controller at the Cable 10 television station whom Benjamin and Russell ask for help.
  • Frederick Coffin as Officer Koharski. An enthusiastic local beat cop who is kind to Wayne, Garth, and their group.
  • Donna Dixon as Garth's dream woman, who works at Stan Mikita's Donuts.[2]
  • Ione Skye as Elyse, a seemingly casual girlfriend of Benjamin’s who introduces him to Wayne's World.[2]
  • Robin Ruzan as a waitress at Stan Mikita's.
  • Charles Noland as Ron Paxton, who tries to market his invention, the "Suck Kut", on Wayne and Garth's show.
  • Carmen Filpi as Old Man Withers. He runs a “haunted” amusement park.
  • Robert Patrick has a cameo as T-1000 (reprising his role from Terminator 2: Judgment Day). He is an officer who pulls Wayne over when he is speeding on his way to Cassandra.[2]
  • Alice Cooper with Pete Friesen, Derek Sherinian, Stef Burns,[3] and Jimmy DeGrasso as themselves, performing Feed My Frankenstein. Wayne and Garth go to see him back stage at his show,[2] where they receive a lecture on the history of Milwaukee.

Production

Wayne's World was greenlit by Paramount Pictures in 1991. It was the second film based on a Saturday Night Live sketch following The Blues Brothers in 1980.[4] Producer Lorne Michaels hired Penelope Spheeris to direct, who had directed several music documentaries. Spheeris said, "I had been just struggling as a female director in this business for many years. I was 45 years old when I got that job. I just kept hanging in there. And Wayne's World happened, and it sort of flipped my life around."[5]

Spheeris clashed with Myers during filming. An example was the "Bohemian Rhapsody" sing-along inside Garth's powder-blue, flame-accented 1976 AMC Pacer that was far more physically demanding than expected.[6] She told Entertainment Weekly that Myers was "emotionally needy and got more difficult as the shoot went along. You should have heard him bitching when I was trying to do that 'Bohemian Rhapsody' scene: 'I can't move my neck like that! Why do we have to do this so many times? No one is going to laugh at that!'" She said she attempted to assuage Myers by having her daughter provide him snacks,[7] and on one occasion he stormed off the set, upset that there was no margarine for his bagel.[7] Myers and Spheeris argued over the final cut of the film, causing Myers to prevent Spheeris from directing Wayne's World 2.[8][9] "Myers didn't realize it at the time, but the scene would become the comedy's signature moment."[6]

Reception

Box office

The movie was a box office success, debuting at number one.[10][11] The film's final domestic gross was $121,697,323,[12] making it the eighth-highest-grossing film of 1992[13] and the highest-grossing of the 11 films based on Saturday Night Live skits.

Critical response

On Rotten Tomatoes, the film has an 84% "Certified Fresh" rating based on 51 reviews, with an average rating of 6.75/10, with the critical consensus stating, "An oddball comedy that revels in its silliness and memorable catch phrases, Wayne's World is also fondly regarded because of its endearing characters."[14] On Metacritic, the film has a score of 57 out of 100, based on 14 critics, indicating "mixed or average reviews".[15] Roger Ebert said in his review: "I walked into Wayne's World expecting a lot of dumb, vulgar comedy, and I got plenty, but I also found what I didn't expect: a genuinely amusing, sometimes even intelligent, undercurrent."[16] Gene Siskel ranked the film number eight on his list of the ten best movies of 1992. [17] However, Desson Howe wrote in the Washington Post that making a movie out of such a "teeny sketch" is "better than you'd expect" but criticized the finale as "an attempt to lampoon movie endings" "and a despair-driven inability to end the movie".[18]

Effect on pop culture
Wayne's World AMC Pacer clone at Rusty's TV & Movie Car Museum in Jackson, Tennessee

Filled with pop culture references, the sketches and the film started catchphrases such as "Schwing!" and "Schyea", as well as popularizing "That's what she said", "Party on!" and the use of "... Not!" after apparently affirmative sentences in order to state the contrary.[19]

The scene that is most associated with this film is "where Wayne, Garth and their buddies cram into in an AMC Pacer and lip-synch to Queen's 'Bohemian Rhapsody'."[20] Produced by American Motors Corporation (AMC) from 1975 to 1980, the Pacer "was a supporting star of the hugely successful way - cool comedy."[21] The movie car was purposely a second-hand Pacer painted baby blue with flames on the sides and non-matching wheels, which Wayne and Garth dubbed "The Mirthmobile".[22][23] Due to Wayne, Garth, and "The Mirthmobile," the 'Bohemian Rhapsody' single reached #2 in the United States.[24]

The original car from the movie was sold and appeared in a 2015 episode of Pawn Stars.[25][26] The car was restored to running condition with the original movie props inside the car, but a functional stereo system was added, the Pacer was sold in 2016 for $37,400.[27] Because of "The Mirthmobile" role, the Pacer has arguably become the most famous AMC car featured in film or TV.[28]

Awards

American Film Institute recognition:

Soundtrack

Main article: Wayne's World: Music from the Motion Picture
  • The soundtrack album reached number one on the Billboard 200. The album was certified double-Platinum by the RIAA on July 16, 1997.[32]
  • The use of Queen's "Bohemian Rhapsody" in the film propelled the song to number two on the Billboard singles charts 17 years after its first release. The studio originally wanted to use a Guns N' Roses song for the scene, but Myers demanded "Bohemian Rhapsody", even threatening to quit the production unless it was used.[33][34] Freddie Mercury, the lead singer of Queen, had died of bronchial pneumonia resulting from AIDS a few months before the film's release. However, Mercury saw the head banging scene before his death, finding it hilarious and approved the song for the film's use.[35]
  • Gary Wright re-recorded "Dream Weaver" for the film, which is heard whenever Wayne looks at Cassandra.[36]
  • Tia Carrere sang her own vocals on the songs she performed in the film, as well as cover songs such as Sweet's "The Ballroom Blitz", which were included on the film's soundtrack album.[37]
  • Myers originally wanted Alice Cooper's "I'm Eighteen" and "School's Out" in the film, but Cooper's manager Shep Gordon convinced him to use "Feed My Frankenstein" instead. It was Myers' first meeting with Gordon and it made such a strong, positive impression on him that they formed a friendship. Myers directed a 2014 documentary about Gordon, titled Supermensch: The Legend of Shep Gordon.[33]

See also

References
  1. "Wayne's World (1992) – Daily Box Office". Box Office Mojo. Archived from the original on 2016-02-11. Retrieved 2016-02-02.
  2. Wayne's World (the film). Produced by NBC and distributed by Paramount Pictures.
  3. "Archived copy". Archived from the original on 2011-01-17. Retrieved 2012-11-03.CS1 maint: archived copy as title (link)
  4. "Mike Myers couldn't drive during 'Wayne's World'". New York Post. 2017-02-02. Archived from the original on 2017-06-17. Retrieved 2017-05-17.
  5. Pirnia, Garin (2017-02-06). "How Wayne's World Made—and Broke—Its Director's Career". Vanity Fair. Archived from the original on 2017-07-06. Retrieved 2017-05-17.
  6. Siegel, Alan (2019-08-19). "Comedy in the '90s, Part 1: 'Wayne's World' Starts the Party". The Ringer. Archived from the original on 2019-09-14. Retrieved 2019-09-12.
  7. "Mike Myers: Man of Mystery". Entertainment Weekly. 2008-06-16. Archived from the original on 2017-05-05. Retrieved 2017-05-17.
  8. Kirby, Brandon (2013-04-24). "Mike Myers, Dana Carvey Set Aside 'Wayne's World' Feud at Academy Screening". The Hollywood Reporter. Archived from the original on 2015-07-10. Retrieved 2015-07-08. Carvey and Spheeris both notoriously fell out with Myers despite the 1992 film's huge success. Myers is said to have blocked Spheeris from directing the 1993 sequel because she'd ignored his edit suggestions on the original.
  9. "How Mike Myers and Dana Carvey Resolved Their 'Wayne's World'-'Austin Powers' Feud". The Hollywood Reporter. 2013-04-11. Archived from the original on 2015-07-10. Retrieved 2015-07-08. Myers blocked Spheeris from directing the 1993 sequel because she'd ignored his edit suggestions on the original (her cut already had tested well). And Carvey felt Myers later stole his Dr. Evil impression for Austin Powers, which supposedly was based on Carvey's goof on Lorne Michaels.
  10. Fox, David J. (1992-03-03). "Weekend Box Office `Wayne's World' Keeps Partyin' On". Los Angeles Times. Archived from the original on 2012-11-03. Retrieved 2010-11-18.
  11. Fox, David J. (1992-03-17). "Weekend Box Office `Wayne's World' Gains in Fifth Week". The Los Angeles Times. Archived from the original on 2012-11-04. Retrieved 2010-10-26.
  12. "Alphabetical Movie Index A-Z". Box Office Mojo. Amazon.com. Archived from the original on 2011-03-02. Retrieved 2011-01-17.
  13. "1992 Yearly Box Office Results - Box Office Mojo". Boxofficemojo.com. Archived from the original on 20 August 2017. Retrieved 20 August 2017.
  14. "Wayne's World". Rottentomatoes.com. Archived from the original on 2017-11-27. Retrieved May 12, 2020.
  15. "Wayne's World Reviews". Metacritic. Archived from the original on 2016-06-08. Retrieved 2016-07-17.
  16. Ebert, Roger. "Wayne's World Movie Review & Film Summary (1992) | Roger Ebert". Rogerebert.com. Archived from the original on 2017-03-29. Retrieved 2017-03-25.
  17. "TOP TEN MOVIES: 1969-1998". chicagotribune.com. Archived from the original on 2019-01-05. Retrieved 2020-06-27.
  18. Howe, Desson. "Wayne's World (PG-13)". Washingtonpost.com. Archived from the original on 2017-12-12. Retrieved 2017-03-25.
  19. "Schwing! Mike Myers & Dana Carvey's 'Wayne's World' Reunion Recap". FirstShowing.net. 2013-04-25. Archived from the original on 2016-03-13. Retrieved 2016-07-17.
  20. Murray, Noel (2017-02-14). "10 Things You Didn't Know About "Wayne's World"". Rolling Stone. Archived from the original on 2019-08-31. Retrieved 2019-09-12.
  21. Yates, Brock (September 1993). "Star Cars". Car and Driver. 39 (3): 119. Retrieved 2019-09-12.
  22. Long, Christian (2017). The Imaginary Geography of Hollywood Cinema 1960–2000. Intellect Books. ISBN 9781783208319. Retrieved 2019-09-19.
  23. "Wayne's World AMC Pacer for sale". money.cnn.com. December 16, 2004. Archived from the original on May 16, 2019. Retrieved 2019-09-19.
  24. Brown, Matthew (2012). Debussy Redux: The Impact of His Music on Popular Culture. Indiana University Press. p. 155. ISBN 9780253357168. Retrieved 2019-09-19.
  25. "Pawn Stars: Wayne's World Car - History". Youtube. 2015-10-23. Archived from the original on 2019-11-28. Retrieved 2019-09-12.
  26. Valdes-Dapena, Peter (2016-10-11). "The AMC Pacer from 'Wayne's World' is for sale". CNN. Archived from the original on 2018-07-02. Retrieved 2019-09-12.
  27. "Lot #608: 1976 AMC Pacer "Wayne's World"". Barrett-Jackson. October 2016. Archived from the original on 2019-10-31. Retrieved 2019-09-12.
  28. "Wayne's World - The Mirth Mobile - 1976 AMC Pacer". On Screen Cars. 2010-02-12. Archived from the original on 2019-07-09. Retrieved 2019-09-19.
  29. "This is the American Film Institute's list of 500 movies nominated for the top 100 Funniest American Movies" (PDF). Afi.com. Archived (PDF) from the original on 2015-12-20. Retrieved 2017-08-20.
  30. "ACE VENTURA : All-righty then!" (PDF). Afi.com. Archived (PDF) from the original on 2011-06-28. Retrieved 2017-08-20.
  31. "AFI's 100 Years... 100 Songs" (PDF). Afi.com. Archived (PDF) from the original on 2015-02-21. Retrieved 2017-08-20.
  32. "Search results for Wayne's World". riaa.com. Archived from the original on 11 August 2016. Retrieved 8 August 2016.
  33. "WTF Podcast with Mark Maron". WTF. 2014-07-28. Archived from the original on 2014-07-31. Retrieved 2014-07-31.
  34. "Mike Myers Almost Walked When 'Wayne's World' Wasn't Going To Use 'Bohemian Rhapsody'" Archived 2014-10-10 at the Wayback Machine. Huffington Post. Retrieved July 22, 2015
  35. "Brian May: 'Wayne's World' "Bohemian Rhapsody" Scene Hit Close to Home". Guitar World. 2017-06-05. Archived from the original on 2019-10-08. Retrieved 2019-11-07.
  36. "The Five Most Culturally Significant Wayne's World Songs". LA Weekly. Archived from the original on December 3, 2017. Retrieved March 17, 2019.
  37. Martin Charles Strong; Brendon Griffin (2008). Lights, camera, sound tracks. Canongate. p. 396. ISBN 978-1-84767-003-8. Retrieved March 17, 2019.
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