The Texican

The Texican is a Technicolor 1966 Techniscope film produced and written by John C. Champion and directed by Lesley Selander. It is a paella western remake of their 1948 film Panhandle adapted for the persona of Audie Murphy that featured Broderick Crawford as the heavy. The film was re-titled Ringo il Texano in Italy to coincide with the popularity of the Ringo Spaghetti Western film series.

The Texican
Original U.S. theatrical release poster
Directed byLesley Selander
Produced byJohn Champion
Bruce Balaban
Written byJohn C. Champion
José Antonio de la Loma
StarringAudie Murphy
Broderick Crawford
Music byNico Fidenco
Robby Poitevin
CinematographyFrancisco Marin
Edited byTeresa Alcocer
Production
company
Balcázar Producciones Cinematográficas
Distributed byColumbia Pictures
Release date
  • November 1966 (1966-11)
Running time
91 min.
CountrySpain
LanguageEnglish

Plot

The town of Rimrock, Arizona is run by political boss Luke Starr (Broderick Crawford). When one of Starr's henchmen wishes to escape from Starr he meets with the editor of the town newspaper, Roy Carlin (Víctor Vilanova) to ask his help. Starr discovers the meeting and he and his loyal henchmen shoot the both of them; spreading the story that the two killed each other in a gunfight.

Roy Carlin's brother Jess (Audie Murphy) is a former Texas sheriff now living in semi-retirement with his girlfriend in Mexico. He has a price on his head for unstated crimes done in the United States but earns income and beats the boredom of his quiet life by capturing fugitive American criminals and turning them over to American lawmen who return them across the border.

When Jess finds out the story of his brother he throws the quiet life away to bring his brother's killer to justice as he knows Roy never carried a firearm. On the way he is unsuccessfully ambushed by bounty hunters and has to escape without his saddle.

Stopping off at a ranch he thinks is vacant, he leaves money for a saddle but is held at gunpoint by the ranch owner Sandy (Luz Márquez). Sandy changes her opinion on Jess when she discovers he has left money that is four times the value of the saddle.

Riding into Rimrock, Jess unsuccessfully tries to find out information on his brother's death. The new editor of the paper asks Jess to stay to eliminate Luke Starr and his band. Jess explains that in the past when he was a sheriff in the same town where his brother was a newspaper editor they cleaned up the town but found out the hard way that the men who replaced those they got rid of were much worse.

After fist and gun fights, Jess is finally able to establish proof of Luke's involvement when he finds a decorative concho that leather worker Sandy is able to identify as one that came off Luke's gun belt.

Cast

Production

Audie Murphy was one of the many stars who turned down Sergio Leone's A Fistful of Dollars because he recognized that the screenplay was an uncredited copy of Akira Kurosawa’s Yojimbo.[1] With Westerns being not only in demand, but cheap to produce in Europe, the film crew traveled to Spain in September 1965 to shoot the film. Murphy recalled he had to do his own stunts and “had to do everything myself except pack my own lunch”.[2]

A third partner in the MCR (Murphy, Champion & SelandeR) Production company, Murphy had a large say in the making of the film. The team was to have made another film in Spain, Maverick Guns with Cesar Romero and Gary Crosby but it was never made.[3][4]

Producer and writer John C. Champion, whose first film had been Panhandle, had made several Westerns in America and the Laramie Western series. After his Spanish venture, he moved to England and started Oakmont Productions to film war films for Mirisch Productions. Lesley Selander finished his career directing Westerns for A.C. Lyles.

Notes

  1. p. 162 Nott, Robert Last Of The Cowboy Heroes: The Westerns of Randolph Scott, Joel McCrea, and Audie Murphy McFarland & Co., 2005
  2. p.150 Graham, Don The Story of Audie Murphy Texas Monthly, June 1989
  3. p. 135 The Milwaukee Journal 14 Aug. 1966
  4. p.210 Larkins, Bob & Magers, Boyd The Films of Audie Murphy McFarland & Co., 2004
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