The Last Dance (miniseries)

On review aggregator Rotten Tomatoes, the series holds an approval rating of 96% based on 52 reviews, with an average rating of 8.72/10. The website's critics consensus reads: "A compelling and comprehensive portrait of one of basketball's great teams, The Last Dance's blend of archival footage and candid interviews confirms there's nobody quite like Mike or the team he led to victory."[18] Metacritic, which uses a weighted average, assigned the series a score of 91 out of 100 based on 12 critics, indicating "universal acclaim".[19]

Writing for Consequence of Sound, Robert Daniels gave The Last Dance a perfect score, calling the series "beautifully composed and edited together" and a "pulsating celebration of greatness."[20] Similarly, Alex Pattle of The Independent praised director Jason Hehir, writing that "Hehir's fear of being formulaic fosters a compelling freshness, and his ability to subtly segue between tones ensures Jordan's auras of magnetism and intensity are highlighted at the appropriate moments",[21] while Brian Lowry of CNN gave the series five stars out of five, saying that "it's a very, very deep dive, but for fans who will eat this stuff up, it hits all the right notes."[22]

Chicago Sun-Times's Richard Roeper gave the film three and a half stars out of four, writing that "while some might question whether even one of the great team sports dynasties of all time merits such a lengthy treatment, if anything each episode left me wanting more. Not only were the Bulls a team for the ages, they also gave us a sports soap opera for the ages."[23] Daniel Finberg of The Hollywood Reporter gave the series a positive review, writing that "it's a tremendously engaging, ridiculously fun assemblage of spectacular basketball footage and reasonably introspective interviews with almost everybody you'd hope to hear from on the subject."[24] Writing for The New York Times, Wesley Morris wrote that "Hehir has this trick where any time someone says something debatable or controversial or simply worthy of running by [Michael] Jordan, he hands him an iPad and makes him watch what was said. And every time Hehir does it, Jordan turns the reaction into gold. He's an incredulous Zeus in these moments, lightning bolts falling from his toga as he laughs, zapping lesser gods."[25]

Conversely, filmmaker Ken Burns criticized Michael Jordan's involvement in the production of the series, saying that "if you are there influencing the very fact of it getting made, it means that certain aspects that you don't necessarily want in aren't going to be in [...] and that's not the way you do good journalism." Specifically, Burns pointed to Jordan's production company, Jump 23, being listed as a partner in the series.[26]

While the series drew positive reactions from many current NBA players,[27] several players featured in the documentary were critical of how they were portrayed. Scottie Pippen was reportedly "wounded and disappointed" by his characterization, though he did not make any public remarks during the documentary's airing.[28] Horace Grant expressed a belief that the documentary was edited to favor Jordan, remarking that the series was "entertaining, but we know [...] that about 90% of it [was] BS in terms of the realness of it"; he also denied Jordan's accusation that Grant was the source for The Jordan Rules and agreed that Pippen was portrayed unfairly.[29] Craig Hodges, who was not interviewed for the documentary, was "bothered" by Jordan's comments about the team's use of cocaine during the 1980s, remarking, "I was thinking about the brothers who [were on the team] with you who have to explain [what happened] to their families".[30][31]

For the 2019–20 television season, the show tied for fifth among adults 18-49 in the Nielsen ratings with This Is Us, averaging a 2.9 rating and 15 share. It also placed 55th in total viewership, averaging 6.709 million viewers. Variety dubbed the show's performance a "consolation prize" for ESPN given the network's struggle to find live sports.[32]

The Last Dance : U.S. viewers per episode (millions)