The Ghost Writer

The Ghost Writer is a 1979 novel by the American author Philip Roth. It is the first of Roth's novels narrated by Nathan Zuckerman, one of the author's putative fictional alter egos, and constitutes the first book in his Zuckerman Bound trilogy. The novel touches on themes common to many Roth works, including identity, the responsibilities of authors to their subjects, and the condition of Jews in America. Parts of the novel are a reprise of The Diary of Anne Frank.[1]

Not to be confused with the 2010 film The Ghost Writer, which was based on the novel The Ghost by Robert Harris.
The Ghost Writer
First edition cover
AuthorPhilip Roth
CountryUnited States
LanguageEnglish
SeriesZuckerman Bound
GenreNovel
PublisherFarrar, Straus & Giroux
Publication date
1979
Media typePrint (hardback & paperback)
Pages180 pp
ISBN0-374-16189-5
OCLC4933340
813/.5/4
LC ClassPZ4.R8454 Gh PS3568.O855
Followed byZuckerman Unbound 

Plot introduction

Nathan Zuckerman is a promising young writer who spends a night in the home of E.I. Lonoff (a portrait, it has been argued, of Bernard Malamud or Henry Roth, or a composite of both),[2] an established author whom Zuckerman idolizes. Also staying in the Lonoff home is Amy Bellette, a young woman with a vague past whom the narrator apparently comes to suspect of being Anne Frank, living in the United States anonymously, having survived the Holocaust.

Television movie

In 1984 a television adaptation was made of the book in the UK. It was directed by Tristram Powell and starred Rose Arrick, Claire Bloom, Sam Wanamaker, Cecile Mann, MacIntyre Dixon, Mark Linn-Baker, Ralph Morse, Joseph Wiseman, and Patricia Fellows.

Critical reception

The book was widely praised at publication. In The New Yorker, John Updike described Roth as "Always one of the most intelligent and energetic of American writers, he has now become one of the most scrupulous."[3] In The New York Times Book Review, critic Harold Bloom said of the three collected Zuckerman novels, "Zuckerman Bound merits something reasonably close to the highest level of esthetic praise for tragicomedy."[4]

In 2018, The Ghost Writer was listed as one of Roth's seven essential books.[5]

Awards

The Pulitzer committee for fiction selected The Ghost Writer for the prize in 1980. The Pulitzer board, which has final say over awarding the prize, overrode their decision and chose Norman Mailer's The Executioner's Song instead.[6] The book was also a finalist for the 1980 National Book Award.[7]

Exit Ghost

In 2007, Roth published the novel Exit Ghost, which Michiko Kakutani in The New York Times called "elegiac" and "a kind of valedictory bookend to The Ghost Writer."[8]

References
  1. Moraru, Christian (2005) Memorious discourse: reprise and representation in postmodernism, pp.224-25
  2. Cohen, Joshua (October 31, 2007). "A Life Torn Between Myth and Fact". The Forward. Retrieved 2019-05-29.
  3. Updike, John (1991). Odd Jobs: Essays and Criticism. New York: Random House. p. 398. ISBN 9780679645856.
  4. Bloom, Harold (1985-05-19). "His Long Ordeal by Laughter". The New York Times. ISSN 0362-4331. Retrieved 2019-05-29.
  5. Coates, Tyler (2018-05-23). "Seven Essential Philip Roth Books". Esquire. Retrieved 2019-11-22.
  6. McDowell, Edwin (1984-05-11). "Publishing: Pulitzer Controversies". The New York Times. p. C26. ISSN 0362-4331. Retrieved 2019-05-29.
  7. "National Book Awards - 1980". National Book Foundation. Retrieved 14 January 2014.
  8. Kakutani, Michiko (2007-10-02). "Seeking a Moral at the End of the Tale". The New York Times. p. E1. ISSN 0362-4331. Retrieved 2019-05-29.
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