Tamara Rojo

In 1996 Galina Samsova, artistic director of Scottish Ballet, invited Rojo to join the company. There she performed principal roles in Swan Lake, The Nutcracker, La Sylphide and Cranko's Romeo and Juliet. Derek Deane, then English National Ballet artistic director, asked her to join ENB the following year. For her he created the roles of Juliet in "Romeo and Juliet" and Clara in "The Nutcracker" for which The Times named Rojo "Dance Revelation of the Year" in 1997. She also danced principal roles in Swan Lake, Paquita, Coppelia and Glen Tetley's The Sphinx.[6]

Rojo approached Royal Ballet director Anthony Dowell in 2000 with a view to joining the company, and was invited to become a principal dancer when a contract became available later in the year. Over the next 12 years, she performed major roles in most of the company's repertoire including ballets choreographed by Kenneth MacMillan and Frederick Ashton, Dowell's Swan Lake, Makarova's La Bayadere, Rudolph Nureyev's Don Quixote, and Peter Wright 's The Nutcracker. She danced in the world premiere of Snow White, created for her by choreographer Ricardo Cué. The title role in Isadora was recreated for her by MacMillan's widow, the artist and set designer Deborah MacMillan, custodian of the late choreographer's ballets.

In 2000, Rojo was asked at short notice to replace the injured Royal Ballet principal Darcey Bussell in the title role in Giselle. Ignoring her own sprained ankle, Rojo learned the role in a fortnight and went on to receive rave reviews.[7] In 2002, while dancing Clara in Nutcracker, Rojo began to tremble on stage. Sent to a private hospital after the performance, she learned her appendix had burst and was told to take six weeks off. However, she resumed dancing dancing after only two, relapsed and returned to hospital. Rojo admitted some years later it was "completely wrong [to continue dancing while injured or ill] and I do not feel that anyone should do this. It really is not worth it."[8]

In 2003, while preparing for the Royal Ballet's Australian tour, Rojo suffered an infected bunion so serious that her foot swelled to the size of a tennis ball. Doctors recommended surgery on her foot, a potentially career-ending operation. Months later, after countless hours of rehabilitation, she resumed dancing and said the injury changed her perspective on life, her body and dance. She felt that she valued each and every day more and learned that nothing in life should be taken for granted.[9]

After this experience, she and her father developed a device to stretch pointe shoes in order to reduce pressure on bunions, and formed a company in 2017 to market it.[10]