Tag (2015 film)

A quiet high school girl named Mitsuko survives a gust of wind that slices through her school bus, bisecting everyone else on board. The wind chases her and kills all the other girls she comes into contact with. Dazed, she stumbles onto a high school campus. She is greeted by girls named Aki, Sur (short for "Surreal") and Taeko. She confesses to Aki that she cannot remember if she ever attended this school. Aki comforts her and the girls cut class and go to the woods. They muse about whether there are multiple realities with multiple versions of themselves. Sur illustrates predetermination with a white feather, stating that it would mean the time it takes for the feather to fall and where it will land are all decided already. She suggests that fate can be tricked by simply doing something one would never normally do, thus changing the outcome.

Back at school, Mitsuko's homeroom teacher suddenly brandishes a machine gun and opens fire, killing all the girls except Mitsuko. Sur and Taeko grab Mitsuko and hide. Another homeroom teacher kills Taeko and Sur. Mitsuko and the remaining girls flee as they are gunned down. One of the girls recognizes Mitsuko and pleads for her to think about why this is happening. The remaining girls are then sliced apart by the wind.

Mitsuko finds herself in increasingly surreal situations where her identity and appearance change: first, as a bride named Keiko on her wedding day with a man who has the head of a pig, then as a student named Izumi in the middle of a marathon. In each scenario, she is supported by a version of her friend Aki, and sometimes Sur and Taeko, and must flee while the surrounding girls are slaughtered.

After encountering a group of revenant girls who try to kill her after stating that so long as she lives, they will continue to die, she is once again rescued by Aki, who reveals that all the girls are in a fictional world being observed by "someone" and that they will continue to hunt Mitsuko down and kill everyone else unless Mitsuko, as the "main character", does something to change it. Each of the scenarios is a different world, and to reach the final one, Aki tells her that Mitsuko must brutally kill her. Mitsuko reluctantly kills her and a portal opens before her.

She finds herself in a lewd city called "Men's World," filled with only men who pervertedly enjoy a poster advertisement for a "legendary" violent 3D survival horror video game called "Tag", depicting Mitsuko, Keiko, and Izumi as playable characters. She passes out and awakens in a temple where all the girls are showcased like mannequins. She arrives at a room where a decrepit old man is playing the game on his TV, showing the various trials she went through. Mitsuko is horrified to see full-size models of herself, Keiko, Izumi, Aki, and the other girls. The man tells her that she is in the future and that 150 years ago, she was a girl he had admired as a fellow student. When she died, he took her DNA and that of her friends and made clones for his 3D game. A younger version of the old man appears and strips, beckoning her to come to bed with him. The old man tells her that the final stage is the fulfillment of his deepest wish.

Mitsuko attacks the younger man, screaming at him to stop playing with girls like toys. She rips one of the pillows, showering the room with feathers. Remembering what Sur said about tricking fate, she commits suicide, to the shock of the old man. Finding herself once again in the beginning of each scenario, she simultaneously commits suicide on the bus, at the wedding chapel, and during the marathon before any of the violent scenarios can begin. Mitsuko then awakens alone in a field of white snow and runs away, realizing that "it's over now."

• Reina Triendl as Mitsuko
• Mariko Shinoda as Keiko
• Erina Mano as Izumi
• Yuki Sakurai as Aki
• Maryjun Takahashi as Jun
• Sayaka Isoyama as Mutsuko
• Takumi Saito cameo

Tag has an 91% approval rating on Rotten Tomatoes.[5] In Variety, Richard Kuipers described Tag as "grindhouse meets arthouse", praising the acting and photography.[6] Clarence Tsui of The Hollywood Reporter lauded the work as "by turns absurd and affecting, bloody and beautiful, carnal and cerebral."[7] Both critics noted the film's feminist undertones.

• Official website (in Japanese)
• リアル鬼ごっこ(2015) at allcinema (in Japanese)
• リアル鬼ごっこ at KINENOTE (in Japanese)
• Riaru onigokko on IMDb