Suicideboys

Scrim was born Scott Anthony Arceneaux Jr. on April 11, 1989 in Marrero, Louisiana. Arceneaux originally was inspired by T-Pain and Kanye West to produce music, buying his first laptop which he used to start DJing with money gained from selling drugs. Arceneaux's passion for DJing extended when he started to attend Delgado Community College, where he was hired to DJ parties. He also worked selling used furniture, getting fired for his new hand tattoos after three years.[12]

Ruby da Cherry was born Aristos Norman Petrou on April 22, 1990 to an American mother and Greek Cypriot father Pavlos Petrou, a former association football head coach at Mount Carmel Academy who arrived in the country after obtaining a scholarship to the University of New Orleans.[13] Raised in Metairie, Louisiana, Petrou's interest in music began when he was seven, playing violin and then drums when he was ten, eventually joining bands in middle school. He worked at his father's restaurant as a waiter, a job he held until 2015.[12] His experience with the punk rock scene continued as he joined the band Vapo-Rats as its drummer; however, disillusioned with the apathy his bandmates showed towards the future of the band, Petrou left in order to pursue a career in hip-hop with Arceneaux.

Arceneaux and Petrou are cousins, and as such shared a close relationship growing up. Realising that both were interested in taking a musical career seriously, and both dissatisfied with the direction of their lives, the two formed Suicideboys, making a pact that if their musical career didn't work out, they would both commit suicide.[14] Elaborating on this in an interview with Mass Appeal, Arceneaux states that, “it was pretty much like cutting the hand, bleeding, and making a pact that there’s no plan B, that if this doesn’t happen by the time we’re 30, I’m blowing my head off”.[9]

The duo's first project together, a three-track EP named Kill Yourself Part I: The $uicide $aga, was released in June 2014 on SoundCloud and Bandcamp, attracting attention for their collaboration with notable underground rapper Bones. In the following months, the duo released a further nine iterations of the Kill Yourself series. After a number of collaboration EPs with fellow underground artist Black Smurf, their first full length project titled Gray/Grey was released on March 3, 2015.

Suicideboys' underground breakthrough came with the release of 2015 EP $outh $ide $uicide, a collaboration with established South Florida rapper Pouya, which thrust the duo into the underground rap spotlight. As of October 2018, the tape has gained over 75 million track plays on streaming platform SoundCloud alone. The duo's first foray onto the mainstream musical charts came with the release of Radical $uicide in the summer of 2016. The five-track EP, produced by EDM musician Getter, peaked at number 17 on the Billboard Rap charts.[15]

On September 7, 2018, their debut studio album I Want to Die in New Orleans was released.[1][16] A statement posted by the duo's official Instagram account stated, "We started recording this album in the beginning of 2017. Initially we wanted to write about our experiences on the road and express how our lives had become slightly more extravagant."[17]

Suicideboys have gained a cult following in the hip hop scene, in part due to their niche subject matter involving subjects scarcely seen in rap such as suicidal ideation, satanism and depression. As of June 2020, their most viewed music video on YouTube is for their song Paris, reaching over 110 million views; Paris is additionally the song with the most plays on their Spotify page, with 60 million plays.[18] The duo were featured in Billboard's list titled "Billboard Dance's 15 Artists to Watch in 2017".[19]

In late 2018, a rumor arose that the group had broken up following a series of ominous tweets. However, they soon clarified that the tweets were in relation to "personal issues" facing Arceneaux, and that they had in fact not broken up.[20]

In May 2019, the group put this rumor to rest with the release of their six-track EP Live Fast, Die Whenever in collaboration with Blink-182 drummer Travis Barker, and prominently featuring Korn guitarist James Shaffer.[11]

The music of Suicideboys varies between different subgenres of rap; while some songs have melancholy tones with lyrical content that focuses on subjects such as depression and suicidal ideation (topics not widely exposed in rap music), others are wildly aggressive, with themes of violence and sexual content.[25] Some of their music is based around life growing up in New Orleans; song titles such as Audubon, Tulane, Elysian Fields and St. Bernard reflect streets and neighborhoods that influenced the life of Arceneaux and Petrou.

There is a clear Three 6 Mafia influence in much of their music, with many earlier Suicideboys songs using samples from the group's songs.[26] While the use of Three 6 Mafia has been met with reservations by some of its former members, particularly Gangsta Boo,[27] it has been embraced by others; founding member Juicy J has been vocal about his support and mentorship of Suicideboys, and enlisted the duo to produce his mixtapes Highly Intoxicated and ShutDaF*kUp, featuring artists such as ASAP Rocky, Cardi B, Wiz Khalifa and XXXTentacion.[28]

A large portion of their music focuses on depression and its symptoms, an angle not often received in mainstream hip hop; Arceneaux elaborated on this in an interview with Mass Appeal, stating, “A lot of people take it as emo, or depressed music, or negative music... it’s really just connecting. It’s therapy, through music".[29]

Excluding occasional guest producers and usage of purchased instrumental loops, the entirety of Suicideboys' discography is self-produced, mainly by Arceneaux under his pseudonym Budd Dwyer (an homage to the former politician of the same name). Arceneaux has produced tracks for multiple artists, including Denzel Curry, Dash and Juicy J; additionally, he states that he once held an in-house deal with Universal/Republic.[30]

Both Ruby and Scrim have many different alter egos that they rap under. Their alter egos can have different flows, styles of rapping, and/or lyrical meaning.

*Named after the Politician R. Budd Dwyer, who committed suicide on live TV.