Steven Erikson

Lundin and Esslemont initially devised the Malazan world as a backdrop for a table-top role-playing game.[7][8] Unhappy with the lack of quality adult oriented fantasy movies at the time, the duo decided to write their own movie script using their gaming experience and the world they had created. The script, titled Gardens of the Moon, was deemed too risky and failed to sell. With interest in the script seeming nonexistent, Lundin, with Esslemont's go ahead, reworked it into a fantasy novel, which he completed around 1991–92. [9][10]

After meeting almost a decade of rejection, the novel was finally sold to Transworld, a division of Random House. The publisher was pleased with the work and requested additional books in the series.[11] Using the history of the Malazan world, nine additional novels were plotted. After the publication of Gardens of the Moon, reviews spread via the internet, and Orion publications attempted to lure the writer away from Transworld. However, Transworld retained an option on additional novels in the series and offered £675,000 for the remaining nine books of the series.[11]

While there are many plotlines woven through the whole series, the main storyline focuses on a period in time where the Malazan Empire is facing resistance to their conquest of the world. The series was completed with the publication of The Crippled God, the tenth novel in the series, in 2011.[12][13]

Lundin's background as an archeologist and anthropologist also shaped how he crafted the story. His approach was to use as many perspectives and point of views as possible in terms of interpreting history. He also drew inspiration from Homer's Illiad, where gods constantly meddled into mortal affairs, adding the twist that it doesn't always work out as planned for the god.[14]

As of 2018, 3 million copies have been sold.[15]

After the publication of the seventh novel in the Malazan Book of the Fallen series, Reapers Gale, the publisher agreed to two trilogies and novellas set in the Malazan world. This consequently led to a prequel trilogy, titled the Kharkanas Trilogy, set almost three hundred thousand years before the events of the main series, elements of which he began introducing in Toll the Hounds and in The Crippled God.

The series deals with numerous founding or elder races from the Malazan World, with the narrative anchored around the circumstances that would ultimately lead to the split of the Tiste race. It sheds light and demystifies the events that are often hinted at in the background of Malazan Book of the Fallen. Primarily focusing on characters such as Anomander Rake, Draconus, Gothos, K’rul and Hood, mainly through the eyes of secondary characters.

As of 2018, two novels have been published, Forge of Darkness (2012) and Fall of Light (2016), with the third taking a backseat to the first novel in the Witness trilogy. In a post on his official Facebook account, the author explained that the dismal sale figures for the previous novels and the creative toll employing the writing style used throughout the previous books was what had led to his decision to take a break from it in order to do it justice.[16]

The second planned trilogy centers around the popular Karsa Orlong character. This trilogy will be a sequel to the main series, set, according to the author, a decade after the main narrative.[17]

The first novel is titled The God is Not Willing, which is set to be released in November, 2021.[18]

Lundin wrote side stories centering on two necromancers and their butler, characters he introduced in Memories of Ice, the third novel in the Malazan Book of the Fallen series. These side stories take place in the Malazan world, but have no connection to the series' overall plot.

As of 2018, six novellas have been published, the first in 2002, titled Blood Follows, and the latest in 2016, tilted The Fiends of Nightmaria. In 2009, the first three novellas were collected and published together as The Tales of Bauchelain and Korbal Broach. And in 2018, books four to six were collected and published together as The Second Collected Tales of Bauchelain & Korbal Broach.

As per his agreement with his publisher, the author is expected to write three more novellas featuring these characters.[12]

Lundin is a huge fan of the Star Trek series, especially the first iteration which he credits as being his gateway to Science Fiction in general. But he finds himself feeling disenfranchised by some of the later iterations, especially from The Next Generation onward. In an interview he goes into detail regarding this issue, concluding that among other things creative compromises were to blame for the dip in quality. But while criticizing the series' current state, he affirms that he nonetheless still is a fan.[19] Willful Child, published in September, 2014, is the writer's "response" to the overused tropes and caricature of Captain Kirk esque characters in science fiction, with the main character, Captain Hardrian, being the most recognizable reflection. While the novel is a spoof of science fiction in general, it is rife with oftentimes poignant social commentary.[20]

The Wrath of Betty, the follow-up, was published in 2016.[21]

Having written a three million words spanning fantasy series and having dealt with all the tropes that came with it, Lundin feels desensitized by most works found in the genre, which is why he prefers reading Science Fiction.[12] For more than a decade, he has also had aspirations to write a First Contact science fiction novel. In 2017, UK based publisher Gollancz revealed in a press release that they had acquired the right to this project, titled Rejoice, A Knife to the Heart.[23][24][22] In Canada, the publishing rights are owned by Promontory Press Inc.[25]

Similar to his fantasy work, the writer revealed that he would be playing with and overturning the conventions and dismantling a few tropes. It was his opinion that far too often the invading aliens would seek contact with an authority figure, someone in power. His goal was to flip that by asking what would happen if the aliens made contact with someone completely opposite.[22]

The novel was released on October 16, 2018, and was received with critical acclaim, with science fiction author Robert Sawyer praising its concept and its execution.[26][27]

Lundin has stated that apart from examining the "human condition", all his literary work share "compassion" as a theme, or main driving force.[17] Furthermore, when envisioning the Malazan world, both Esslemont and he agreed to create societies and cultures that never knew sexism and gender based hierarchies of power.[28]

Other themes include social inequality, egalitarianism, death, life, history, historical accuracy .[29][30][31][32][33]

Lundin has stated explicitly that he enjoys playing with and overturning the conventions of fantasy, presenting characters that violate the stereotypes associated with their roles. They embody the multidimensional characteristics found in human beings, making them more realistic and giving the story more depth, which is why his books are anything but predictable. He deliberately began Gardens of the Moon mid-plot rather than beginning with a more conventional narrative.[34][7] The writer's style of writing includes complex plots with masses of characters. In addition, he has been praised for his willingness to kill central characters when it enhances the plot.[1]

The first novel of the Malazan Book of the Fallen series, Gardens of the Moon (1999), was well received. It was short-listed for a World Fantasy Award[35] It has also earned Lundin the reputation as one of the best authors in the fantasy genre,[35] and was described as "An astounding début".[36] The novel was acclaimed for its "combination of originality and intelligent, strong and exciting storytelling".[35] The second book in the series, Deadhouse Gates (2000), was voted one of the ten best fantasy novels of 2000 by SF Site.[37]

Fellow author Glen Cook has called the series a masterwork of the imagination that may be the high water mark of the epic fantasy genre. In his treatise written for The New York Review of Science Fiction, fellow author Stephen R. Donaldson has also praised Lundin/Erikson for his approach to the fantasy genre, the subversion of classical tropes, the complex characterizations, the social commentary — pointing explicitly to parallels between the fictional Letheras Economy and the US Economy — and has referred to him as "an extraordinary writer", comparing him to the likes of Joseph Conrad, Henry James, William Faulkner, and Fyodor Dostoevsky.[36][38][39][40]

• On the Origins of Forge of Darkness (September 2013)
• Erikson on Authorial Intent (2016)

• Interview with Owen Williams (March 2011)
• Interview with Jay Tomio (June 2008)
• interview at Fantasy Book Critic (June 2008)
• Interview at Neth Space (March 2008)
• Interview at Pat's Fantasy Hotlist (August 2007)
• Interview at sffworld.com (January 2006)
• Interview by wotmania.com at OF blog, (March 2003).
• Interview at The SF Site (May 2000)
• Interview conducted by Jeff VanderMeer for Clarkesworld Magazine