Sondra Radvanovsky

Radvanovsky was born in Berwyn, Illinois, to Czech father and Danish mother.[5] At age 11, she moved to Richmond, Indiana. She studied at Richmond High School and then Mission Viejo High School. She sang her first full-length opera, La bohème as Mimì in Richmond at the age of 21.[6] She studied voice at the University of Southern California for 2 years and drama at the University of California, Los Angeles for 2 years, after which she studied privately.[7] She also received training at the Tanglewood Music Center and the University of Cincinnati – College-Conservatory of Music.[8]

In 1995 Radvanovsky won the Metropolitan Opera National Council Auditions[9] and first prize in the Loren L. Zachary Society Competition.[10] In 1997 she won the George London Foundation Competition.[11] Her teachers have included Martial Singher, Ruth Falcon,[1] and Anthony Manoli, who is also her accompanist.[2]

Sondra Radvanovsky

After the National Council Auditions, Radvanovsky subsequently enrolled in the Metropolitan Opera's Lindemann Young Artist Development Program.[2] In 1996, she debuted the stage in Rigoletto as Countess Ceprano.[12] After performances in smaller roles there, she came to attention as Antonia in Les contes d'Hoffmann and was singled out as a soprano to watch.

In 2010, she opened the Canadian Opera Company's season in the title role of Verdi's Aida.[13] She has had success in recent years as Leonora, notably in David McVicar's production of Il trovatore at the Metropolitan Opera.[14] In 2011, she hosted the Metropolitan Opera Live in HD, which was broadcast in movie theaters around the world.[15] In addition to her specialty in Verdi heroines, she has also sung the title roles in Suor Angelica, Tosca, Susannah, Rusalka, and Norma, among others.[16][17]

During the 2014/15 season, Radvanovsky sang the title role in Norma, which she called a "perfect role vocally and temperamentally" in an interview with The New York Times,[2] at the San Francisco Opera. She made her Norma debut at Teatro Campoamor de Oviedo in the 2011/12 season and received critical and popular acclaim in the role during the 2013/14 season at the Metropolitan Opera.[18]

In the Metropolitan Opera's 2015/16 season, Radvanovsky performed all three queens in Donizetti's "Tudor" operas, Anna Bolena, Maria Stuarda, and Queen Elizabeth I in Roberto Devereux, which no one had done before in the company's history.[19]

At the Paris Opera in 2016 Radvanovsky sang the title role of Aida and won praise for her "superlative technique".[20] Other roles at the Paris Opera have included Marguerite in Faust, Hélène in Les vêpres siciliennes and Élisabeth in Don Carlos.[21] She opened the Metropolitan Opera's 2017/18 season, as Norma in a new production.[22]

At the Liceu Opera, Barcelona, on 24 March 2018, after receiving a prolonged ovation for her performance of the aria La mamma morta in the opera Andrea Chénier, she and the conductor granted the audience an encore, a practice which is now exceedingly rare.[23] On 4 July 2018, she repeated the aria D'amor sull'ali rosee during a performance of Il trovatore at the Opéra Bastille in Paris, the first woman - and only the third singer - to ever do so since the house's opening in 1989.

In concert, Radvanovsky has performed Beethoven's Ninth with James Levine and the Boston Symphony Orchestra, Rossini's Stabat Mater with the Orchestra of the Age of Enlightenment, and the Verdi Requiem with David Zinman and the Chicago Symphony Orchestra and the Vienna Symphony.[24]

Tenor Plácido Domingo has been a noted champion of her career.[6]

Radvanovsky was introduced to Duncan Lear by tenor Michael Schade.[25] They married in December 2001[1] and Lear has since assumed the full-time job as her manager. She lived in New York while her husband was in Toronto during the first year of marriage, after which they have lived together in the suburbs of Greater Toronto, formerly in Oakville, currently in Caledon, Ontario.[26][27] She acquired Canadian citizenship in February 2016.[28]

In 2014 Dora Award, Radvanovsky was named Outstanding Female Performances in Roberto Devereux with Canadian Opera Company while the production itself was awarded the best production.[29] She also won the Female Singer category in the 2nd Annual Excellence in Opera Awards for the same production.[30] She was a recipient of 2015 Opera News Award.[31] On 12 October 2016 she was honored in the annual Opera Canada Awards.[32] She won "Sustained Excellence in Performance" in the 4th Annual Excellence in Opera Awards for the Tudor trilogy at the Met.[33] She was awarded "Outstanding Female Performance" in the 2017 Dora Award for Norma at the Canadian Opera Company.[34] She was named the 2018 Vocalist of the Year by Musical America.[35] In June 2018 she was named an Honorary Fellow of The Royal Conservatory of Music.[36]

• Official website
• Centre Stage Management
• IMG Artists page archived on 27 May 2011
• Classical Archives Interview
• From Tosca on YouTube: "Vissi d'arte", Metropolitan Opera, 2011