Ricky Fataar

Fataar's first childhood band was The Flames, a band from his birthplace of Durban, South Africa that began in 1963. He joined the band at the age of nine. The band made several recordings as well as touring all over Southern Africa and before long they became quite popular in South Africa. By the time he was twelve years old he had already won the honour of being voted as the "Best Rock Drummer in South Africa."

In 1968 the band moved to London and began touring in the United Kingdom. On one of their tours, they were spotted by a founding member of The Beach Boys, Carl Wilson. He was impressed by their talent and offered to sign them to the Beach Boys new record label, Brother Records.[1] The band moved to Los Angeles, United States, and they recorded and released their 1970 album The Flame with Carl Wilson producing the album.

The Flames disbanded in late 1970, and Fataar and his former Flame bandmate Blondie Chaplin were recruited by The Beach Boys, in March 1972.[2] Fataar was asked to play drums for the band after drummer Dennis Wilson suffered a debilitating hand accident. The duo recorded two albums with the Beach Boys, and began touring with them in 1971. The 1972 Beach Boys album Carl and the Passions – "So Tough" featured musical and vocal contributions from Chaplin and Fataar. It also included two songs written by the duo, "Here She Comes" and "Hold On Dear Brother". On the band's next album, Holland, released a year later, both musicians recorded, and provided backing vocals, including the hit single "Sail On, Sailor", on which Chaplin sang as lead vocalist. They additionally collaborated with Carl Wilson and Mike Love on the song "Leaving This Town". 1973 saw the first live album The Beach Boys in Concert, upon which Fataar performed. It featured a live version of the previously unreleased Chaplin/Fataar/Love collaboration "We Got Love", which was originally intended to be released on the Holland album, but was removed from the running order to make way for single "Sail On, Sailor". Both Fataar and Chaplin would later depart the band, with Fataar only appearing on the tracks "It's OK" and "That Same Song" off the Beach Boys' next studio album, 1976's 15 Big Ones. Fataar is also credited as having played on the 1980 album Keepin' the Summer Alive.

In March 2019, Big Noise's Al Gomes and Connie Watrous presented a plaque from Roger Williams University to Fataar in Providence, RI at a sold-out Bonnie Raitt / James Taylor concert. The plaque commemorates The Beach Boys' September 22, 1971 concert at The Ramada Inn in Portsmouth, RI, now Roger Williams University's Baypoint Inn & Conference Center. The concert was a very significant historic event in The Beach Boys' career – it was the very first time Fataar played on-stage as a new member of The Beach Boys, which then led to Chaplin joining the band, and essentially changed The Beach Boys' live and recording act's line-up into a multi-cultural group.

In 1978, Fataar starred in All You Need Is Cash, a mockumentary film known more commonly as The Rutles, a spoof on the real life history of The Beatles, which had a follow up to a Saturday Night Live television sketch. The Beatlesque music for the Rutles was written by Neil Innes, formerly of the Bonzo Dog Doo-Dah Band and musical collaborator with Monty Python. Fataar's character was Stig O'Hara, the band's guitarist (analogous to George Harrison). He speaks no dialogue in the film, and indeed is sent up as "the quiet one" in it.[1] Fataar's then wife, Penelope Tree, also appeared in All You Need Is Cash, as Stig's wife, Penelope.

Fataar was less than quiet on the two albums produced by The Rutles, The Rutles and Archeology, which featured him playing guitar, bass, sitar, drums, and singing. He would also go on to record a single with Eric Idle as 'Dirk & Stig' titled, "Mr. Sheene" / "Ging Gang Goolie".

Fataar has also combined his talents as an actor and a musician, developing musical scores for both film and television. An example includes the composition of the score for an Australian film Spotswood.

Working in his capacity as producer, Fataar has produced the music for various films that include High Tide, Les Patterson Saves the World, and The Coca-Cola Kid, in which he makes a cameo appearance as an actor as well.

Fataar has worked as a session musician, notably for Ian McLagan as well as other artists, as a drummer. Fataar emigrated to Australia in 1978 where he recorded with and co-produced albums for Tim Finn, played the drums on the Split Enz song "Message To My Girl", and also worked with Crowded House, Jenny Morris, Peter Blakeley, and Wendy Matthews as well as various other artists.[1]

In 1979 Fataar was introduced to Bonnie Raitt, and recorded on her Green Light album. In 1990, he joined up with Raitt, and has been a member of Raitt's band.[3] Fataar continued to work in between other projects as a sideman for many artists, also on Peter Cetera's first album, usually as a drummer.