Renata Adler

In 1962, Adler became a staff writer-reporter for The New Yorker, and in 1968–69, she served as chief film critic for The New York Times. Her film reviews were collected in her book, A Year in the Dark. She then rejoined the staff of The New Yorker, where she remained for four decades.[2][3] Her reporting and essays for The New Yorker on politics, war, and civil rights were reprinted in Toward a Radical Middle. Her introduction to that volume provided an early definition of radical centrism as a political philosophy.[4] Her "Letter from the Palmer House" was included in the collection The Best Magazine Articles of the Seventies.

In 1980, upon the publication of her New Yorker colleague Pauline Kael's collection When the Lights Go Down, she published an 8,000-word review in The New York Review of Books that dismissed the book as "jarringly, piece by piece, line by line, and without interruption, worthless",[5] arguing that Kael's post-1960s work contained "nothing certainly of intelligence or sensibility", and faulting her "quirks [and] mannerisms", including Kael's repeated use of the "bullying" imperative and rhetorical question. The piece, which stunned Kael and quickly became infamous in literary circles,[6] was described by Time magazine as "the New York literary Mafia['s] bloodiest case of assault and battery in years."[7]

Adler taught for three years in both the University Professors Honors Program and the Journalism Department of Boston University. She also held Trumbull and Branford Fellowships at Yale, and visiting fellowships at the Hoover Institute of Stanford University.

In 1974, Adler's short story "Brownstone" won first prize in the O. Henry Awards. She has published two novels, Speedboat (1976) and Pitch Dark (1983). In 2010, members of the National Book Critics Circle called for Speedboat to be returned to print, and it was re-published by New York Review Books in 2013, along with Pitch Dark.[8] Both were greeted with new critical acclaim.

Adler's book, Reckless Disregard: Westmoreland v. CBS et al., Sharon v. Time (1986), an account of two libel trials and the First Amendment, was also praised: "This book should be under the Christmas tree of every lawyer and journalist", wrote William B. Shannon in The Washington Post. The journalist Edwin M. Yoder wrote, also in The Washington Post, "Reckless Disregard is the best book about American journalism of our time."

Her book Gone: The Last Days of The New Yorker (1999) described what she saw as the magazine's decline in the 1980s and 1990s. The New York Times called it an "irritable little book" and criticized Adler for claiming that famed Watergate judge John Sirica was a "corrupt, incompetent, and dishonest figure, with a close connection to Senator Joseph McCarthy and clear ties to organized crime", without offering any proof.[9] Adler rebutted this accusation in a detailed article, "A Court of No Appeal", published in Harper's in August 2000.[10]

In 2001, Adler published Canaries in the Mineshaft: Essays on Politics and the Media, a collection of pieces from The New Yorker, the Atlantic, Harper's, The New Republic, The Los Angeles Times, Vanity Fair, and The New York Review of Books. Some of these, on the National Guard, Biafra, Pauline Kael, soap operas, the impeachment inquiries (of both Richard Nixon and Bill Clinton), and the press, had received awards.

In 2008, Adler contributed an essay to the Corcoran Gallery of Art exhibition catalog Richard Avedon: Portraits of Power. Her introduction, a memoir of her close friendship and work with the photographer, includes details of her work as editor of Avedon's photo-essay for Rolling Stone magazine, "The Family" (1976).

In 2015, New York Review Classics published a collection of Adler's essays and reporting pieces as After the Tall Timber: Collected Non-Fiction.