Psychedelic trance

The first hippies who arrived in Goa, India in the mid-1960s were drawn there for many reasons, including the beaches, the low cost of living, the friendly locals, the Indian religious and spiritual practices and the readily available Indian cannabis, which until the mid-1970s was legal.[7] During the 1970s the first Goa DJs were generally playing psychedelic rock bands such as the Grateful Dead, Pink Floyd and The Doors. In 1979 the beginnings of electronic dance music could occasionally be heard in Goa in the form of tracks by artists such as Kraftwerk but it was not until 1983 that DJs Laurent and Fred Disko, closely followed by Goa Gil, began switching the Goa style over to electro-industrial/EBM which was now flooding out of Europe from artists such as Front 242 and Nitzer Ebb as well as Eurobeat.[8][9]

The tracks were remixed, removing the lyrics, looping the melodies and beats and generally manipulating the sounds in all manner of ways before the tracks were finally presented to the dancers as custom Goa-style mixes.[10]

An indoor event

By 1990–91 Goa was no longer under the radar and had become a hot destination for partying. As the scene grew bigger, Goa-style parties spread like a diaspora all over the world from 1993. Parties like Pangaea and Megatripolis in the UK helped spawn a multitude of labels in various countries (U.K. Australia, Japan, Germany) to promote psychedelic electronic music that reflected the ethos of Goa parties, Goa music, and Goa-specific artists, producers, and DJs.[11] Goa Trance as commercial scene began gaining global traction in 1994. The golden age of the first wave of Goa Psy Trance as a generally agreed upon genre was between 1994–97.

Performance at a Russian psytrance festival, 2008

By 1992 the Goa trance scene had a pulse of its own, though the term 'Goa trance' didn’t become the name tag of the genre until around 1994.[12] The Goa trance sound, which by the late 1990s was being used interchangeably with the term psychedelic trance, retained its popularity at outdoor raves and festivals, but also permanent psytrance nightclubs emerged such as Natraj Temple in Munich.[13] New artists were appearing from all over the world and it was in this year that the first Goa trance festivals began, including the Gaia Festival in France and the still-running VuuV festival in Germany.

In 1993 the first 100% Goa trance album was released, Project II Trance, featuring tracks by Man With No Name and Hallucinogen to name two. Goa trance enjoyed its commercial peak between 1996 and 1997 with media attention and some recognised names in the DJ scene joining the movement. This hype did not last long and once the attention had died down so did the music sales, resulting in the failure of record labels, promotion networks and also some artists. This ‘commercial death of Goa trance’ was marked musically by Matsuri Productions in 1997 with the release of the compilation Let it RIP. On the back sleeve of the album at the bottom of the notes, R.I.P : Mother Theresa, Princess Diana, William Burroughs & Goa Trance was written.

While the genre may have been incubated in the goa trance scene it went on to proliferate globally.[14] Its impact was felt in western Europe, Israel, North America, Australia, Japan and South Africa.[14] Psytrance is linked to other music genres such as big beat, electroclash, grime and 2-step.[15] The genre evolved in conjunction with a multimedia psychedelic arts scene.[14]

Dark psychedelic (also dark psytrance or darkpsy) trance is the heavier end of the psychedelic trance spectrum with tempos around 148 bpm and over. Related styles include psycore (fast and crazy), hi-tech (bouncy and glitchy), and forest (organic and earthy). Characterized of having obscure, deep and more eschatological background that leads into profound meditation of death, night and transcendence, often with dismal sounds and heavy basslines. The subgenre often samples horror films in contrast to the science fiction film samples more regularly used in "normal" psytrance. The German artist Xenomorph, Mark Petrick, is considered a pioneer of dark psytrance, with his album Cassandra's Nightmare released in 1998 being a major influence on the subgenre; X-Dream's Radio is another 1998 album cited as an early influence.[18]

Full-On is a psychedelic trance style that is particularly popular in Israel.[4] This genre has high energy for peak moments, often having melodic, energetic and crisp basslines with a fast tempo (usually 140 to 148 bpm). There are some related styles that are derived from this style and are distinguished as different varieties of Full-On: twilight and night full-on (or dark full-on), having bolder and lower notes in their basslines, morning (light and kind of happy), and uplifting.[19]

Progressive psytrance is among the common party themes, normally played during the afternoon or on a different stage. It has grown in popularity since the mid-2010s to the point where it is often also labelled "psytrance". Artists working in the genre are Astrix and Protonica.

Psybient (short name of psychedelic ambient) is a style of electronic music that contains elements of psychedelic trance, ambient, downtempo, dub, world music, new wave and ethereal wave.[20] Psybient pieces are structured to generate vast soundscapes, or a "musical journey". Like psytrance, it emphasizes on-going rhythm and beatmatching. However, it is more lenient to beat changes than its parent genre, in the interest of generating interesting soundscapes.[20] Psybient is known by other names, including ambient psytrance, ambient goa, psychill and psydub.

The origins of this genre is from the trend of goa and psytrance artists ending albums with slower, "chillout" tracks. Shpongle's 1998 release, Are You Shpongled? is widely considered to be the key album which popularized this genre, though full-length psybient records had been released before.[21]

Suomisaundi (English: Finnish sound; also known as spugedelic trance or freeform psy) is an experimental variety originating in Finland during the mid-1990s. Popular artists and groups include Luomuhappo and Texas Faggott.

Zenonesque is a style of psytrance which is any psytrance that has characteristics of Zenon Records signature sound. It is often deep, dark ambient sounding with a lower bpm, making it almost progressive. It can include elements of techno. Relevant artists include Electrypnose, Kromagon, Ivort, Grouch, Tetrameth and Shadow FX.