Psychedelic Pill

At 87 minutes in length, Psychedelic Pill is Neil Young's longest album and his only studio album to span two discs.[7] Many of the songs on the album came out of extended jam sessions with Crazy Horse while recording Americana, released earlier in 2012. Three of Psychedelic Pill's nine tracks are more than 15 minutes in length. The album was recorded at Young's ranch in Redwood City, California.

The opening track "Driftin' Back" makes references to Young's new memoir Waging Heavy Peace and his disdain for MP3s in between segments of extended jamming. Another of the album's extended tracks, "Walk Like a Giant", laments the failure of his generation to change the world for the better ("We were ready to save the world / But then the weather changed"). Elsewhere on the album Young recalls listening to Bob Dylan's "Like a Rolling Stone" and The Grateful Dead on the radio ("Twisted Road"), and his Canadian roots ("Born in Ontario").[8] A review of the album for Rolling Stone noted that the riff and lyrics of the title track share similarities with Young's previous work such as "Cinnamon Girl". The main riff is borrowed from Young's "Sign of Love". That track also features the recording filtered with a phaser effect, giving it a "psychedelic" feel (although the alternate mix removes the effect).

The 3-LP vinyl version contains the same tracks as the 2-CD set, though in a slightly different order, and with "Driftin' Back" split into two parts over sides A and B. The Blu-ray version contains two bonus tracks: the 37-minute "Horse Back", and a second alternate mix of the song "Psychedelic Pill".

Professional ratings

Aggregate scores
Source	Rating
Metacritic	80/100[9]
Review scores
Source	Rating
Allmusic	[10]
A.V. Club	A-[11]
The Boston Globe	(favorable)[12]
Chicago Sun-Times	[13]
NME	(8/10)[14]
Paste Magazine	(9.0/10)[15]
Pitchfork Media	(7.0/10)[16]
PopMatters	[17]
Rolling Stone	[18]
Spin	(7/10)[19]
Sputnikmusic	(4.5/5)[20]
Uncut	(favorable)[21]

Overall, Psychedelic Pill received positive reviews. Rolling Stone gave the album four stars and said "it has the roiling honesty and brutal exuberance of their best records." Douglas Heselgrave, writing for Paste Magazine, said: "Psychedelic Pill may be the best album Neil Young has ever done with Crazy Horse. It'll take years to figure out." Dan Stubbs, giving the album 8 out of 10 stars for NME, writes: "two tracks here – 'Ramada Inn' and 'Walk Like a Giant' – could sit among Young's best." Other reviewers were less generous, such as the Chicago Sun-Times, which stated that the album "boasts a few brilliant moments amid numerous typically thundering and meandering dull diversions." Robert Christgau suggested in 2018 that he appreciated the album and may have underrated it at the time of its release, writing it "showed up in my Neither file, which these days is kind of an honor, because I seldom add to it now that I don't feel obliged to nail down every possible Honorable Mention."[22]

The album was listed at #10 on Rolling Stone's list of the top 50 albums of 2012, saying, "This is as inspiringly strange as anything he's done."[23] They also named the song "Ramada Inn" the fifth best song of 2012.[24]

• Neil Young – vocals, guitar, pump organ, stringman, whistling

Crazy Horse

• Billy Talbot – bass, vocals
• Ralph Molina – drums, vocals
• Frank "Poncho" Sampedro – guitar, vocals

• Produced by Neil Young and John Hanlon with Mark Humphreys
• Recorded by John Hanlon
• Engineered by John Hanlon with John Hausmann and Jeff Pinn, Except “Driftin’ Back” acoustic intro- Recorded by John Nowland, assisted by Charles Brotman
• Recorded at Audio Casa Blanca, Broken Arrow Ranch, Redwood City, CA, Except “Driftin’ Back” acoustic intro-Recorded at Lava Tracks, Kamuela, HI
• Mixed at Redwood Digital’s Analog Mixing Room by John Hanlon and Neil Young
• Digital Mastering to 24-bit/192 kHz by Tim Mulligan at Redwood Digital
• Analog to Digital Transfers by John Nowland at His Master’s Wheels

• Directed by: Bernard Shakey
• Produced by: Will Mitchell
• Executive Producer: Elliot Rabinowitz

• Post Production at Shakey Pictures and Upstream Multimedia
• Art Direction: Toshi Onuki
• Editors: Mark Faulkner, Benjamin Johnson, Will Mitchell
• Motion Graphics: Kris Kunz
• Film research: Cameron Kunz, Mark Faulkner, Will Mitchell, Sarah Yee
• Licensing and clearances: Marcy Gensic
• Blu-ray authoring, programming at MX San Francisco, CA