Pieter Claesz

Vanitas still life with Spinario

He was born in Berchem, Belgium, near Antwerp, where he became a member of the Guild of St. Luke in 1620. He moved to Haarlem in 1620, where his son, the landscape painter Nicolaes Pieterszoon Berchem was born (October 1).[1] He and Willem Claeszoon Heda, who also worked in Haarlem, were the most important exponents of the "ontbijt" or dinner piece. They painted with subdued, virtually monochromatic palettes, the subtle handling of light and texture being the prime means of expression. Claesz generally chose objects of a more homely kind than Heda, although his later work became more colourful and decorative. Claesz's still lifes often suggest allegorical purpose, with skulls serving as reminders of human mortality. The two men founded a distinguished tradition of still life painting in Haarlem. Pieter Claesz was influenced by the artist movement 'Vanitas'.

Claesz is registered in the Haarlem Guild of St. Luke as the teacher of his son, Nicolaes Berchem, in 1634, but Nicolaes preferred landscapes to still life painting and later after a trip his talent in music. Claesz had, in addition to his son, the pupils Evert van Aelst, Floris van Dyck, Christian Berentz, Floris van Schooten, and Jan Jansz Treck.[1]

There are few samples of this artist in Spanish collections. His examples in The Prado Museum Still life with roemer cup, silver tazza and bread roll[2] and Still life at The Royal Academy of Fine Arts of San Fernando[3], both in Madrid.

• 
  Stilleven met kalkoenpastei, Still Life with Turkey Pie, oil on panel, 1627
• 
  Still Life with Musical Instruments, by Pieter Claesz. 1623.
• 
  Still Life with Römer, Silver Tazza and Bread Roll. Prado Museum, Madrid.

• 
  A still life with a roemer, a crab and a peeled lemon
• 
  Still Life with fruit, bread and roemer

Wikimedia Commons has media related to Pieter Claesz..

• National Gallery of Art.

• Pieter Claesz at PubHist