Peju Alatise

Alatise and her seven siblings were born and raised as a traditional Muslim family in Lagos State, Nigeria.[7] Nigeria is the most populous country in Africa, the seventh most populous country in the world, and is known for the valuable natural resources in the Continent.[8]

Peju Alatise first considered art as a career at age fifteen when she viewed an exhibit by Nigerian artist David Dale.[9] When Peju expressed her plan to become an artist, her father discouraged the idea, feeling that art was a waste of time.[9] He wanted his daughter to choose an occupation that was more economically stable.[2][9] Her mother, however, supported Peju's artistic pursuits, as a spiritualist had foretold that Peju would one day be wealthy.[9] Despite his original disapproval, even her father was eventually won over to the idea before he died.[9]

Before pursuing art, Peju studied architecture at a university, valuing the way it taught her to see and think logically.[9] During her college years Peju began to explore her interests in art by visiting Jakande, a crafts market in Lagos. There, she practiced various media, including painting, sculpting and jewelry making.[7]She began her art career with painting, then branched out to being a multimedia artist, using beads, cloth, resin and other materials.[7] She now works in sculpture, using her art to make statements about social issues, while incorporating literature, symbolism and traditional Yoruba mythology into her works.[7]Alatise also used media such as bead making, visual arts consultancy, creative writing, leather accessory designing, and interior designing.[10]

According to Vogue, “Alatise defines her artistic practice as a search for truth and to this end much of her work centres on women in Nigeria and on the political and religious issues at the heart of the country.”[6] Strongly believing that an artist should depict the world she lives in, Peju strives to visualize social issues of her country and personal experience.[2] Considering the strongly held social views of gender roles in Nigeria, it is not surprising that much of Peju's artwork focuses on gender inequality and women's rights.[2] Using her art to make statements about social issues, Alatise acts as a creative social activist through art.[2] Alatise's work expands on Afro-feminist views by fracturing the male mold of Modern African culture.[8] Over the years, Alatise's work has put her on a pedestal with many other distinguished Nigerian female artists like Nike Davies Okundaye, Lara Ige-Jacks, and Ndidi Dike.[10]

Although Alatise started her artistic career by exploring three-dimensional illusions on two-dimensional surfaces,[8] Peju also creates through literature.[7] This combined love of art and literature is reflected in one of her most stunning pieces, "Flying Girls".[1] Exhibited in Venice Biennale, this piece consisted of eight life-size girls with wings, and, according to BellaNaija, which is a fashion and entertainment website, is "based on the story of a ten-year old girl who works as a housemaid in Lagos while dreaming of a realm where she is free, who belongs to no one but herself, and can fly."[1] Bella also states that this piece "addresses the injustice of the present, but through a vision of a safer imaginary future, especially for little girls."[1] Additionally, this work addresses the issue of child labor.[7]

Alatise more directly combines her multidisciplinary skills in her 2013 exhibition, titled Wrapture. This piece combined short stories with sculptures, creating a visual narrative.[7]

Peju Alatise received the 2017 FNB Art Prize at the launch of the 10th installment of the FNB Joburg Art Fair.[12] This art fair is located in Johannesburg, South Africa.

Her most recent concerns include creating artist residencies in Morocco and Turkey[4] These are places where artists can live and work on their various art projects while being near other artists with similar interests.[7] In this way, Peju focuses on supporting up-and-coming artists.[7]

In an interview with Ijeoma Ndukwe, Peju Alatise described her goals in these words: "When I look at the standard in which I want my work to be, I look at what is happening on a global scale. The artists who inspire me are [those] whose works engage in a way that either inform or inspire you, [that] talk to the true essence of the human in you and I want my work to do the same."[7]

• Material Witness (2012): Nike Art Gallery, Lagos. Photography by Marc C and Yinka Akingbade[13]
• WRAPTURE: a Story of Cloth (Sept 12- Nov 16, 2013): Art Twenty-One, Lagos. Photography by Marc C and Yinka Akingbade
• Casablanca Biennale 2014: Ifitry residency, Essaouira, 2013
• 1:54 CONTEMPORARY AFRICAN ARTFAIR (2014): Somerset House, London
• 57th Venice Biennale (2017): August Wilson centre for Arts, 2018
• Prelude, pretexts and presumptions (2018): Arthouse Comtemporary, Lagos

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