Norman Carlberg

Carlberg was born in Roseau, Minnesota.[2] He was the son of Gustav Carlberg and his wife Alma Forsberg. He studied at the Minneapolis School of Art and then enlisted in the Air Force. He finished his undergraduate and graduate degree in art at the Yale School of Art under Josef Albers, who was instrumental in his acceptance as a student at Yale and his nomination for a Fulbright Fellowship to teach at Pontifical Catholic University of Chile. Besides Josef Albers, Robert Engman was a huge influence as a teacher and later as a good friend. Norman died 11 November 2018.

"Recent Sculpture USA", a 1959 exhibition at the Museum of Modern Art, featured Carlberg's work.[3] Afterwards, Carlberg taught briefly (1960–61) in Santiago, Chile at the Pontifical Catholic University of Chile. In 1961, he was named director of the Rinehart School of Sculpture at the Maryland Institute College of Art (MICA) in Baltimore. He taught at MICA until 1997.[4]

He collaborated with architects on major public projects, such as the Riverside Centre,[5] designed by Harry Seidler and Associates in Brisbane, Australia.

Caterpillar (1976) in front of Dallas F. Nicholas Sr. Elementary School in Baltimore, MD.

Carlberg has written: "My style of sculpture represents the movement known as 'modular constructivism', which grew into its maturity and popularity in the 50s and 60s." The "modular" aspect of Carlberg's constructions is often readily apparent to the eye. Carlberg discussed modular constructivism with art critic Brian Sherwin, stating,

My sense of it is that "modular" constructivism is making a work of art within the limitations that modules impose on the object. They restrict what can be made but the restrictions also give meaning and value to the object, just as a poem is beautiful, in part, because the rules, or limitations, give the words a structure that the mind finds pleasurable over and above the message.[6]

Carlberg's sculptures often consist of repetitions of such a unit, a basic shape capable of combining with other such elements in various ways—somewhat in the way a composer such as Bach or Webern might compose a piece of music by exploring the combinatorial possibilities of a single motivic cell, working within implicit constraints. At Yale, Erwin Hauer was an important influence who prodded Carlberg in this stylistic direction. While both men often employed curvilinear forms as modules, Carlberg more often used relatively geometric, hard-edged design units, often combining curves with straight edges (or flat planes) in the same module. His prints, mostly dating after 1970, show a similar preoccupation with precision, simplicity, and modularity. Some are actually groups of prints, placed contiguously together on a wall, with each print conceived as a module.[7]

Carlberg's sculptures are in the permanent collections of the Whitney Museum of American Art[8] in New York, the Art and Architecture Gallery at Yale University in New Haven, Connecticut, the Pennsylvania Academy of Fine Arts in Philadelphia, the Hirshhorn Museum,[9] the Guggenheim Museum, the Josef & Anni Albers Foundation, and the Baltimore Museum of Art.[10]

• Constructivism (art)
• Minimalism
• Formalism (art)
• Harry Seidler (architect; collaborated with Carlberg)
• Riverside Centre (one of Carlberg's collaborative projects)
• Jane Frank (noted student of Carlberg)
• Earl Hofmann (MICA art teacher)

• Primary source of information for this article is the Norman Carlberg profile, a website maintained by the following institutions: the Baltimore Museum of Art; the Enoch Pratt Free Library; Johns Hopkins University; the Maryland Institute College of Art; the Maryland Historical Society; the Maryland State Department of Education; the University of Maryland, Baltimore County; and the Walters Art Museum.
• Carlberg, Norman. Norman Carlberg: an exhibition of sculpture [exhibition catalogue] (Exhibition of sculpture — Norman Carlberg: presented by the Pennsylvania State University College of Arts and Architecture, November 5–29, 1966). OCLC 81988058; OCLC 82275454; OCLC 77954741
• Galerie Chalette. Structured sculpture: December 1960-January 1961 (NYC: The Gallery, 1960) [exhibition catalogue]. OCLC 6027697
• Montpelier Cultural Arts Center. Sculpture 2000: the twentieth anniversary of the Montpelier invitational sculpture exhibition, Montpelier Cultural Arts Center, June 8 – August 18, 2000 [exhibition catalogue] (Maryland : Montpelier Cultural Arts Center, 2000). OCLC 49254937
• Museum of Modern Art (New York, N.Y.). Recent sculpture U.S.A. Sponsored by the [NYC] Junior Council of the Museum of Modern Art (1959). OCLC 1097018

• Color images of large public Carlberg sculpture at Riverside Centre, built by Harry Seidler and Associates in Brisbane, Australia
• Hirshhorn Gallery permanent collection listing for Carlberg's "Minimal Surface Form 6", 1960.
• Norman Carlberg's submission for the World Trade Center site memorial design competition
• Ford Foundation Grant recipient listing
• Askart.com pages on Norman Carlberg
• Pages on Norman Carlberg at g11.org.uk [click on 'sculpture' link at top, for access to both black and white and color images of Carlberg's works]
• Fulbright Chile site
• Interview with Norman Carlberg at myartspace.com