No Retreat, No Surrender

After living in Taiwan for a year in the early 1980s, screenwriter Keith W. Strandberg became interested in working in martial arts films as an actor.[7] Strandberg moved back to the United States and became a tour director in China, where he continued to stop by in Hong Kong to make contact with producers and screenwriters.[7] After being turned down by several studios including Shaw Brothers,[7] Strandberg read about Seasonal Film Corporation and got in contact with the studio head Ng See-yuen. Ng expressed an interest in making an American film and asked if Strandberg knew anything about screenplays. Strandberg stated that he had despite never seeing one before.[7] A year later, ng See-yuen contacted Strandberg in America stating that he wanted to write a script for them. Strandberg wrote a draft of what would become No Retreat, No Surrender. While production began on the film, Strandberg was on set and spent hours every night changing the script to improve its quality while filming.[7]

Jean-Claude van Damme was cast as the Soviet villain Ivan Kraschinsky. On set, Van Damme performed a round house kick on Pete Cunningham which rendered him unconscious.[7] Actor and martial artist Timothy Baker stated that while working with Van Damme during the action scenes on the set, the production manager and director Corey Yuen instructed him to not make contact with the other actors and stuntmen.[8][9] Despite continuous warnings, Van Damme continued to make contacts with his kicks to Baker on the set.[9] Other actors and martial artists claimed that Van Damme had not been reckless with his physical contact with people during the fight scene including Ron Pohnel who said that "His control wasn't such as mine, but I had no complaints."[8] Van Damme originally had a two picture deal with screenwriter Strandberg but broke his contract.[7]

No Retreat, No Surrender was released on May 2, 1986.[10] The film was the eleventh highest grossing film on its opening week in the American box office grossing $739,723.[11] The film grossed a total of $4,662,137.[5]

Walter Goodman of The New York Times gave the film a negative review, writing that the screenplay was "thrown together".[12] Time Out compared the film to The Last Dragon, Karate Kid, and Rocky IV noting that it "borrows heavily" from those films and "makes them look like masterpieces".[13] The martial arts magazine Black Belt gave the film a rating of one and a half out of five noting that Jean-Claude Van Damme does not have much screen time and that the film was derivative of The Karate Kid.[14] Patrick Goldstein of the Los Angeles Times called it "hilariously bad" and an "amateurish clunker" with poor action scenes.[15]

In 1993, Black Belt placed the film at seventh on their list of top ten choreographed martial arts films. The magazine specifically praised Van Damme's jump kicks while noting that McKinney's look "suspiciously quick" noting that "unlike the Hong Kong movie industry, American filmmakers have yet to master the technique of speeding up the film without "jumpy/fidgety" side effects".[16] In 2017, Ed Travis of Cinapse said the film "manages to never the less [sic] entertain and delight with a combination of pure earnestness and legitimately cool fight work."[17] Austin Trunick of Under the Radar said Van Damme's scenes "are prime Van Damme, at least, with some fantastic fight choreography and a full showcase of splits, high-kicks, and bug-eyed snarling."[18]

The film was riffed live at a number of venues on the Mystery Science Theater 3000 Live: The Great Cheesy Movie Tour by Joel Hodgson in 2019.[19][20]