Niki Caro

Caro first found interest in working with metal sculptures, but later changed in it to film. She did not receive any formal training in the field, but instead began by reading narrative film books and writing rough drafts for scripts. Caro's mother would type her handwritten drafts after she finished writing each one.[6]

Caro's first experience in directing was when she was hired to create commercials for different companies such as the New Zealand Land Transport Safety Authority, Nike and Tower Insurance, but it was only after being signed by a production company to write and direct for the television series, Another Country that she had her first breakthrough. She did not have any experience in directing, but it felt it was instinctual once she started working with the actors.[6][5]

Caro's first feature film, Memory & Desire, was meant to be a showcase of New Zealand's culture and lifestyle (aligning with the start of the 100% Pure New Zealand tourism campaign by the New Zealand tourism section of the government), but it fell short; seeing disappointing results at the box office and mixed international reviews.[7] This was especially true in Japan, where the film was deemed to have not captured the essence of Japanese culture, despite its attempts to evoke money and consult from possible Japanese investors.[8] The film is meant to use landscapes to juxtapose the characters and their origins. The calm and relaxed outdoor setting of New Zealand is meant to oppose the hustle and bustle of the big, busy city of Tokyo. It works twofold because the contrast also works for the comparison of the "civilized" parts of New Zealand against the wild outdoors, showing off the two different sections of the country in an effort to advertise to multiple groups of people considering visiting the country. The tourism board looked to use landscapes as the most enticing factor in a tourist's eyes, along with people, adventure and culture.[9] The film shows evidence of this by implying that Keiji and Sayo are unable to consummate their marriage anywhere but in the outdoors due to Keiji being unable to achieve an erection in an urban setting, emphasizing the "natural" state of humanism of being connected to the surrounding landscapes.[8] Along the couple's trip they encounter different New Zealand tourist hotspots such as; the Museum of Technology and Rotorua's spa pools on the West Coast Beach. It is also in contrast of the bland hotel rooms that the couple stay in; as if to say that the only time they are truly free is when they are outside in nature, specifically New Zealand's nature.[8]

It was chosen for Critics' Week at Cannes week in 1998.[10] In 1999 the film was voted best new film at the New Zealand Film Awards.[11]

Caro went on to write and direct Whale Rider, which is about a Māori girl that has to stand up against the other men and her grandfather in the tribe to show she can be as much of a leader as the boys who were being trained to be leaders. Caro argues that Whale Rider is more about leadership than sexism because the Māori are also profoundly matriarchal. Caro says there is a Māori saying that "women lead from behind," even though in their culture, knowledge and lineage are passed down through the males and not the women.[12] She directed thirteen-year-old Keisha Castle-Hughes to a performance nominated for an Oscar for Best Actress. The film had a budget of 2 million,[7] which is considered small for a major film, but it was still considered to be a good interpretation of the indigenous story that it was trying to interpret and demonstrate. Whale Rider would also go on to become New Zealand's most financially successful film and either the film, or Caro herself, would win or be nominated for over 50 different awards by different, international film festivals.[5]

With the success of Whale Rider under her belt, Caro was chosen to direct her first Hollywood film, North Country (2005), starring Charlize Theron. It was later nominated for Best Actress for lead and supporting role at the Oscars, and also was nominated for a Golden Globe.[13]

After doing North Country, Caro went back to New Zealand to write and direct the feature film The Vintner's Luck (2009) otherwise known as A Heavenly Vintage, which is about a peasant winemaker who sets out to make the perfect vintage wine.[14] The film reunited her with her Whale Rider star Keisha Castle-Hughes.

In 2013, Caro planned to direct the film adaptation of The Zookeeper's Wife, based on Diane Ackerman's non-fiction book.[15] It was released in 2017 and received generally mixed to positive reviews.[16] In an interview with FF2 Media, Caro states that "female sexuality from a female's point of view is rather under-explored in cinema" and so felt it necessary to include such a perspective in her film. [17]

Caro directed McFarland, USA starring Kevin Costner. It was released in February 2015 and has received a critical success.[18][19]

Caro will also be writing and directing the biographical film Callas, about the famous opera singer Maria Callas and her relationship with billionaire Aristotle Onassis.[20]

In February 2017, Caro was hired to direct Disney's live-action adaptation of Mulan and then Untitled film based on The Wuzzles. She is the second woman at the studio to direct a film budgeted at over $100 million, after Ava DuVernay (2018's A Wrinkle in Time),[21] and the second New Zealander, after Taika Waititi (2017's Thor: Ragnarok).

In 18 November 2019, Caro will direct Amazon TV series Daisy Jones and the Six which is based on novel by Taylor Jenkins Reid and produced by Reese Witherspoon.[22]