Naṟṟiṇai

Naṟṟiṇai (Tamil: நற்றிணை meaning excellent tinai[1]), is a classical Tamil poetic work and traditionally the first of the Eight Anthologies (Ettuthokai) in the Sangam literature.[2] The collection – sometimes spelled as Natrinai[3] or Narrinai[4] – contains both akam (love) and puram (war, public life) category of poems. The Naṟṟiṇai anthology contains 400 poems, mainly of 9 to 12 lines, but a few with 8 to 13 lines each.[5][1] According to Takanobu Takahashi – a Tamil literature scholar, the Naṟṟiṇai poems were likely composed between 100–300 CE based on the linguistics, style and dating of the authors.[6] The Naṟṟiṇai manuscript colophon states that it was compiled under the patronage of the Pandyan king named Pannatu Tanta Pantiyan Maran Valuti, but the compiler remained anonymous.[1]

Topics in Sangam literature
Sangam literature
AkattiyamTholkāppiyam
Eighteen Greater Texts
Eight Anthologies
AiṅkurunūṟuAkanāṉūṟu
PuṟanāṉūṟuKalittokai
KuṟuntokaiNatṟiṇai
ParipāṭalPatiṟṟuppattu
Ten Idylls
TirumurukāṟṟuppaṭaiKuṟiñcippāṭṭu
MalaipaṭukaṭāmMaturaikkāñci
MullaippāṭṭuNeṭunalvāṭai
PaṭṭiṉappālaiPerumpāṇāṟṟuppaṭai
PoruṇarāṟṟuppaṭaiCiṟupāṇāṟṟuppaṭai
Related topics
SangamSangam landscape
Tamil history from Sangam literatureAncient Tamil music
Eighteen Lesser Texts
NālaṭiyārNāṉmaṇikkaṭikai
Iṉṉā NāṟpatuIṉiyavai Nāṟpatu
Kār NāṟpatuKaḷavaḻi Nāṟpatu
Aintiṇai AimpatuTiṉaimoḻi Aimpatu
Aintinai EḻupatuTiṉaimalai Nūṟṟu Aimpatu
TirukkuṛaḷTirikaṭukam
ĀcārakkōvaiPaḻamoḻi Nāṉūṟu
CiṟupañcamūlamMutumoḻikkānci
ElātiKainnilai

The Naṟṟiṇai poems are credited to 175 ancient poets.[1] Two of these poems are attributed to the patron king.[2] According to Kamil Zvelebil – a Tamil literature and history scholar, this poetic anthology contains a few Sanskrit loan words and contains 59 allusions to historical events.[2] Many lines from these poems were borrowed into later Tamil works such as the famed post-Sangam Tamil works: Tirukkural, Silappatikaram and Manimekalai. The Tamil legend about Kannagi (Kannaki), one who tore of her breast to protest against her husband's unjust execution, appears in Naṟṟiṇai 312.[2][7]

Translations

The text has been translated by A. Dakshinamurthy and published by the International Institute of Tamil Studies, Chennai in the year 2000.

References

  1. Takanobu Takahashi (1995). Tamil Love Poetry and Poetics. BRILL Academic. pp. 2, 46–48. ISBN 90-04-10042-3.
  2. Kamil Zvelebil 1973, pp. 51–52.
  3. Velayutham Saravanan (2016). Colonialism, Environment and Tribals in South India,1792-1947. Taylor & Francis. ISBN 978-1-315-51719-3.
  4. Padma Srinivasan (2017). "Towards a Third Language". In Indra, C. T.; Rajagopalan, R. (eds.). Language, Culture and Power. Routledge. doi:10.4324/9780203703441. ISBN 978-0-203-70344-1.
  5. Kamil Zvelebil 1973, p. 51.
  6. Takanobu Takahashi (1995). Tamil Love Poetry and Poetics. BRILL Academic. pp. 47–52. ISBN 90-04-10042-3.
  7. For a summary of Kannagi story: E.T. Jacob-Pandian (1977). K Ishwaran (ed.). Contributions to Asian Studies: 1977. Brill Academic. pp. 56–57. ISBN 90-04-04926-6.
Bibliography
  • Mudaliyar, Singaravelu A., Apithana Cintamani, An encyclopaedia of Tamil Literature, (1931) - Reprinted by Asian Educational Services, New Delhi (1983)
  • Kamil Zvelebil (1973). The Smile of Murugan: On Tamil Literature of South India. BRILL. ISBN 90-04-03591-5.CS1 maint: ref=harv (link)
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