Myrmidons

The Myrmidons (or Myrmidones Μυρμιδόνες) were an ancient nation of Greek mythology. In Homer's Iliad, the Myrmidons are the soldiers commanded by Achilles.[1] Their eponymous ancestor was Myrmidon, a king of Phthiotis who was a son of Zeus and "wide-ruling" Eurymedousa, a princess of Phthiotis. She was seduced by him in the form of an ant. An etiological myth of their origins, simply expanding upon their supposed etymology—the name in Classical Greek was interpreted as "ant-people", from murmekes, "ants"—was first mentioned by Ovid, in Metamorphoses: in Ovid's telling, the Myrmidons were simple worker ants on the island of Aegina.

Myrmidons
Greek mythology race
Information
Base of operationsAegina
TypeNation
LeaderAchilles

Ovid's myth of the repopulation of Aegina

Hera, queen of the gods, sent a plague to kill all the human inhabitants of Aegina because the island was named for one of the lovers of Zeus. King Aeacus, a son of Zeus and the intended target of Hera along with his mother, prayed to his father for a means to repopulate the island. As the ants of the island were unaffected by the sickness, Zeus responded by transforming them into a race of people, the Myrmidons. They were as fierce and hardy as ants, and intensely loyal to their leader. Because of their ant-ish origins, they wore brown armour.

After a time, Aeacus exiled his two sons, Peleus and Telamon, for murdering their half-brother, Phocis. Peleus went to Phthia and a group of Myrmidons followed him to Thessaly. Peleus's son, Achilles, brought them to Troy to fight in the Trojan War. They feature as the loyal followers of Achilles in most accounts of the Trojan War.

Another tradition states that the Myrmidons had no such remarkable beginnings, but were merely the descendants of Myrmidon, a Thessalian nobleman, who married Peisidice, the daughter of Aeolus, king of Thessaly. Myrmidon was the father of Actor and Antiphus. As king of Phthia, Actor (or his son) invited Peleus to stay in Thessaly.

Medieval Myrmidons

Achiles was described by Leo the Deacon (born ca. 950) not as Hellene, but as Schytian, while according to the Byzantine author John Malalas (c. 491 – 578), his army was made up of a tribe previously known as Myrmidons and "known now as Bulgars".[2][3] The 12th-century Byzantine poet John Tzetzes also identified the Myrmidons with the Bulgars, whom he also identified with the Paeonians, although the latter may be intended in a purely geographical sense.[4][5] In the 11th century, Michael Attaleiates called the Rus' Myrmidons, but this usage did not catch on.[6] According to Andrew Ekonomous, these represent intentional distortions designed to "minimize the valor of pagan heroes, and eventually to extinguish their memory altogether".[2] Anthony Kaldellis, on the other hand, argues that such use of classical ethnonyms for modern peoples "do not really fall under the category of distortion at all".[6]

Modern Myrmidons

The Myrmidons of Greek myth were known for their loyalty to their leaders, so that in pre-industrial Europe the word "myrmidon" carried many of the same connotations that "robot" does today. "Myrmidon" later came to mean "hired ruffian", according to the Oxford English Dictionary.

Myrmidons in literature
  • In Grant Morrison's comic book The Invisibles, the humans who serve the Archons and who have given themselves up for modification are known as Myrmidons.
  • In Chonchu, a manhwa (a Korean style of comics similar to the Japanese manga), the Mirmidons (with a little difference in the name's spelling) are a dreadful warrior tribe known for their strength and spirit. They are fierce fighters who live only for the delight of battling.
  • In Garth Nix's young adult novel Shade's Children, alien Overlords reconstruct human children into mindless soldiers called Myrmidons.
  • In The Languages of Pao by Jack Vance, a planet's population is artificially divided into three castes by imposing linguistic and cultural barriers; the members of the warrior caste refer to themselves as Myrmidons.
  • The Myrmidons were depicted twice in the DC Comics book Wonder Woman. The first time was when Wonder Woman astral projected into the mythological past to gain knowledge, and the second was in the Artemis/Requiem mini-series. There they are shown to now live in the underworld as servants, keeping guard over the dead.
  • In Jan Morris's novel Hav, which was first published as Last Letters from Hav in 1985, a second part appears in the 2006 version, entitled Hav of the Myrmidons. It portrays the (fictional) claim by a post-revolutionary regime to a mythical past derived from the legendary Myrmidons, companions of Achilles. The novel itself blurs the distinction between factual account and fiction, geographical precision and utopian abstraction, to use Myrmidons as a metaphor for domination seeking to legitimate itself through ethnic descent from an ancient tribe. The grotesque "Myrmidonic Tower" in Hav symbolises the instrumental use of ancient legends at the height of modernity.
  • Josephine Angelini depicts the Myrmidons as ant-human hybridlike creatures created to fight in the Trojan War in Dreamless, the sequel to her novel Starcrossed.
  • In Neal Stephenson's novel Snow Crash, robotlike hive-minded humans with antennae implanted in their brains are referred to by the antagonist that controls them as Myrmidons.

Myrmidons in video games

The term myrmidon enjoys widespread use in computer and video games, especially those in the role-playing game genre. It is in common use as a title for character classes or enemies, and even occasionally used as the name for a piece of equipment or vehicle within a game.

Notes
  1. Achilles himself is "the great Myrmidon/Who broils in loud applause" in Shakespeare's Troilus and Cressida.
  2. Ekonomou, Andrew (2007). Byzantine Rome and the Greek Popes. UK: Lexington Books. p. 123. Retrieved 14 September 2015.
  3. Jeffreys, Elizabeth; Croke, Brian. Studies in John Malalas. Australian Association for Byzantine Studies, Department of Modern Greek, University of Sydney,. p. 206. Retrieved 14 September 2015.CS1 maint: extra punctuation (link)
  4. Mitko B. Panov (2019), The Blinded State: Historiographic Debates about Samuel Cometopoulos and His State (10th–11th Century), Brill, p. 109.
  5. Anthony Kaldellis (2015), Byzantine Readings of Ancient Historians, Routledge, p. 79.
  6. Anthony Kaldellis (2013), Ethnography After Antiquity, University of Pennsylvania Press, p. 112.
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