Lovers and Luggers

Lovers and Luggers is a 1937 Australian film directed by Ken G. Hall. It is an adventure melodrama about a pianist (Lloyd Hughes) who goes to Thursday Island to retrieve a valuable pearl.

Lovers and Luggers
Flyer for theatrical release
Directed byKen G. Hall
Produced byKen G. Hall
Written byFrank Harvey
Edmund Barclay
Based onnovel by Gurney Slade
StarringLloyd Hughes
Shirley Ann Richards
Music byHamilton Webber
CinematographyFrank Hurley
George Heath
Edited byWilliam Shepherd
Production
company
Distributed byBritish Empire Films (Aust)
Paramount Pictures (UK)[1]Astor Pictures (USA)
Release date
31 December 1937 (Australia)
1940 (USA)
Running time
99 mins (Australia)
96 mins (Uk)[2]
65 mins (USA)
CountryAustralia
LanguageEnglish
Budget£24,000[3]

It was retitled Vengeance of the Deep in the US and United Kingdom.

Synopsis

In London, concert pianist Daubenny Carshott is feeling dissatisfied with his life and wanting a masculine adventure; he also desires the beautiful Stella Raff. Stella agrees to marry him if he brings back a large pearl with his own hands from Thursday Island. Daubenny notes a painting in Stella's apartment from "Craig Henderson" but when asked Stella is evasive about the artist.

Daubenny travels to Thursday Island where he buys a lugger and a house from the villainous Mendoza. He makes friends on the island, including another diver, Craig Henderson, the drunken duo of McTavish and Dorner, and the boisterous Captain Quidley. He also meets Quidley's daughter, the beautiful Lorna, who likes to dress in men's clothing so she can walk around on her own at night. Lorna and Daubenny become friends and she secretly falls in love with him but Daubenny assumes she is in love with Craig.

Captain Quidley, teaches Daubenny to dive. Quidley, Lorna, Daubenny and Mendoza all go out diving for pearls. Daubenny finds a pearl, to the fury of Mendoza, who believes since Daubenny used his lugger that Mendoza should have a share. Daubenny disagrees and the two men fight on board the lugger, causing the pearl to drop over the side.

Both men get in their diving suits and go down to retrieve the pearl. Mendoza dies and Daubenny is trapped. Bill Craig risks his life to rescue Daubenny.

Back on Thursday Island, Stella has arrived, accompanied by an aristocratic friend, Archie. Daubenny discovers that Bill Craig is Craig Henderson, and was also in love with Stella, and sent on a similar mission to find a pearl. Daubenny and Craig both reject Stella.

Daubenny decides to leave Thursday Island on his boat. Lorna reveals she is in love with him, not Craig and the two kiss and decide to get married. They sail off into the sunset with Captain Quidley.

Cast
  • Lloyd Hughes as Daubenny Carshott
  • Shirley Ann Richards as Lorna Quidley
  • Sidney Wheeler as Captain Quidley
  • James Raglan as Bill Craig/Craig Henderson
  • Elaine Hamill as Stella Raff[4]
  • Frank Harvey as Carshott's manager
  • Ronald Whelan as Mendoza
  • Alec Kellaway as McTavish
  • Leslie Victor as Dormer
  • Campbell Copelin as Archie
  • Charlie Chan as Kishimuni
  • Marcelle Marnay as Lotus
  • Horace Cleary as China Tom
  • Claude Turton as Charlie Quong
  • Bobbie Hunt as Lady Winter
  • Paul Furness as Professor of psychology
  • Charles Zoli as Carshott's valet

Original novel
Lovers and Luggers
AuthorGurney Slade,
CountryUnited Kingdom
LanguageEnglish
Genreadventure
Publication date
1928

The script was based on a 1928 novel by Gurney Slade, from whom Cinesound obtained the film rights in late 1936.[5] In the novel, Daubenny travels to "Lorne" (Broome, thinly-disguised) rather than Thursday Island. Lorna is not related to Captain Quid, but actually is Stella's half-sister. There are two other British expatriates diving for pearls in addition to Craig, Chillon and Major Rawlings. Daubney does not romance Lorna and is reunited with a reformed Stella at the end. Lorna winds up with Craig.[6]

Although the novel was set in Broome Ken G. Hall had Cinesound screenwriter Frank Harvey relocate the story to Thursday Island because it was easier to access.[7]

Production

Casting

Hall gave the lead role to American actor Lloyd Hughes, who had been a star in the silent era and since then mostly worked on stage.[8] Hall had met Hughes when the director visited Hollywood in 1935.[9] The actor went on to make The Broken Melody for Hall.

This was the first of what would be several character roles Alec Kellaway played for Ken G. Hall. The cast included a Hong Kong actor called Charlie Chan.[10]

Shooting

James Ranglan was signed under a seven week contract.[11]

Hall was enthusiastic about the project because of his love for the tropics, although budget considerations meant most of the film had to be shot in the studio, with only the second unit going to Thursday Island under Frank Hurley. Hurley also shot some footage at Port Stephens and Broken Bay.[12] Cinesound built one of its largest ever sets to recreate Thursday Island.[13]

A tank was built to shoot the underwater scenes. However the water was not clear, so the scenes were shot at North Sydney Olympic Pool.[14][15]

Hall would direct scenes on boats by radio.[16]

In June Hall paid tribute to art director Eric Thompson saying "we have had almost inces sant rain since we began production some five weeks ago with the result that we have been compelled to keep on working ‘exteriors,’ and immediately we finish one set Eric’s boys have to start demolishing and as sembling a new set for the next take.” [17]

Stuart F. Doyle had resigned from Cinesound during production but was kept on to supervise the finishing of the movie.[18]

Reports of the budget ranged from £18,000[19][20] to £24,000.

Reception

A charity ball was held to promote the release of the film.[21] The film was released in both the US and England. It was the last Australian film sold to Britain as a British quota picture before the British quota laws were amended.[19]

Critical

Reviews were positive, the critic from the Sydney Morning Herald calling it "Australia's finest picture to date."[22] The Bulletin called it "a jolly good entertainer...a great advance even on “Tall Timbers.” It hasn’t spectacle as unique as the timber drive in that film, but it has an altogether better story, more interesting scenes, more action, more varied characters, and it deals with a more colorful cross-section of life...It is almost incredibly better film than the narrative outline might seem to permit."[23]

Box office

The movie was a slight disappointment at the box office, and Ken G. Hall thought this helped make Greater Union's then-managing director Norman Rydge disillusioned with feature production.[24] Variety said it performed better in the "nabes and stix".[25]

However Hall said in 1972 that "I think I like it best of all the pictures that I've made. Because of the backgrounds. I'd go tomorrow to make a film about the Tropics."[26]

References
  1. "AUSTRALIAN FILM". The Sydney Morning Herald. National Library of Australia. 4 December 1937. p. 12. Retrieved 14 August 2012.
  2. Lovers and luggers. 1938, Monthly Film Bulletin, 5, 69. Retrieved from https://search.proquest.com/docview/1305796729
  3. Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998, 180.
  4. "ACTRESS WHO HAS A CHARMED LIFE". The Sydney Morning Herald. National Library of Australia. 8 June 1937. p. 6 Supplement: Women's Supplement. Retrieved 14 August 2012.
  5. "CINESOUND FILM". The Sydney Morning Herald. National Library of Australia. 24 December 1936. p. 10. Retrieved 14 August 2012.
  6. Stephen Vagg, 'FRANK HARVEY: AUSTRALIAN SCREENWRITING PIONEER' – Australasian Drama Studies Journal, April 2006
  7. 'Australian Firm to Make Pearling Story Film', The Courier-Mail (Brisbane), Wednesday 23 December 1936 p 11
  8. 'Hollywood Actor for Australian Film', The Argus (Melbourne), Saturday 8 May 1937 p 15
  9. "INTELLIGENCE, DIGNITY, AND EASE". The Sydney Morning Herald. National Library of Australia. 21 September 1937. p. 7 Supplement: Women's Supplement. Retrieved 14 August 2012.
  10. Vagg, Stephen (25 May 2020). "The A to Z of Non-White Aussie Movies and TV in White Australia". Filmink.
  11. "ANNOUNCER WANTED FOR MOVIE We Visit the Cinesound Studios". Wireless Weekly. 11 June 1937. p. 18.
  12. 'NEW AUSTRALIAN FILM Will Deal With Pearling', The Sydney Morning Herald, Friday 16 April 1937 p 5
  13. "THURSDAY ISLAND IN A BONDI STUDIO". The Sydney Morning Herald. National Library of Australia. 27 July 1937. p. 9 Supplement: Women's Supplement. Retrieved 14 August 2012.
  14. "Electrically-Controlled Blowfly to Worry Comedian!". The Sydney Morning Herald. National Library of Australia. 24 September 1940. p. 12 Supplement: Women's Supplement. Retrieved 14 August 2012.
  15. North Sydney Pool Newsletter Archived 5 June 2012 at the Wayback Machine
  16. "DIRECTING FILMS BY RADIO". The Sydney Morning Herald. National Library of Australia. 14 July 1937. p. 10. Retrieved 14 August 2012.
  17. ""Lovers and Luggers" on Schedule: Hall's Enthusiasm". Everyones. 7 July 1937. p. 7.
  18. ""LOVERS AND LUGGERS."". The Sydney Morning Herald. National Library of Australia. 8 July 1937. p. 5. Retrieved 14 August 2012.
  19. "NEW AUSTRALIAN MOVING PICTURE". The Argus. Melbourne: National Library of Australia. 14 March 1938. p. 4. Retrieved 14 August 2012.
  20. "THE CINEMA WEEK BY WEEK". The Argus. Melbourne: National Library of Australia. 9 April 1938. p. 7 Supplement: The Argus Week–end Magazine. Retrieved 15 August 2012.
  21. "WITCH DOCTOR'S HUT". The Sydney Morning Herald. National Library of Australia. 24 December 1937. p. 4. Retrieved 14 August 2012.
  22. "FILM REVIEWS". The Sydney Morning Herald. National Library of Australia. 28 February 1938. p. 4. Retrieved 14 August 2012.
  23. "SUNDRY SHOWS". The Bulletin. 29 December 1937. p. 32.
  24. Graham Shirley and Brian Adams, Australian Cinema: The First Eighty Years, Currency Press, 1989p156
  25. https://archive.org/stream/variety133-1939-01#page/n22/mode/1up
  26. Philip Taylor, 'Ken G. Hall', Cinema Papers January 1974 p 76
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