Louis Dudek

On graduating, Dudek briefly freelanced in journalism and advertising. He married Stephanie Zuperko on September 16, 1941.[5] They would have one son, Gregory Dudek (a professor of computer science who was director of the McGill University School of Computer Science).[3]

During this time Louis Dudek "was prominent among the poets who participated in First Statement (1942-1945), a seminal 'little magazine' in the development of modern Canadian literature."[6] "Together with" John Sutherland, the magazine's editor "and Irving Layton, he fought hard to foster a native tradition in poetry and establish new ways of writing in Canada, pioneering a direct style that articulated experience in plain language."[5]

The Dudeks moved to New York City[5] in 1943, where Dudek began graduate studies in journalism and history at Columbia University, soon changing his major to literature.[7] (His doctoral dissertation, Literature and the Press, was published in 1960.)[8] After receiving his Ph.D., he taught at New York's City College.[7]

While in New York, Dudek continued to contribute poems to First Statement and its successor, Northern Review.[8] In 1944 some of his poems appeared in the anthology Unit of Five, alongside poetry by Ronald Hambleton, P. K. Page, Raymond Souster, and James Wreford. His own first book of poetry, East of the City, was issued by Toronto's Ryerson Press in 1946.[5]

Dudek began corresponding with modernist poet Ezra Pound in 1949, and met Pound in person the next year. Pound encouraged him to adopt a more cosmopolitan approach to his writing.[5]

By the early 1950s the Dudeks' marriage was breaking up.[3] Louis Dudek returned to Montreal and joined the Department of English at McGill University in 1951. He would remain at McGill for the rest of his life. He became Greenshield professor of English in 1969,[5] and Professor Emeritus in 1984.[1] His colleague Brian Trehearne remembered him as a "gifted and natural lecturer" who taught "one of the most popular and challenging courses in the history of the Faculty of Arts."[6]

In 1952 Dudek founded Contact Press with Raymond Souster and Irving Layton; its first book was Cerberus, an anthology by the three of them. Contact Press would go on to publish "most of the important Canadian poets of the fifties and sixties."[8] Dudek also worked on the little magazine CIV/n ("Civilation"), founded in 1953 and edited by Aileen Collins.[3]

Dudek published his first long poem, Europe, in 1954.[8]

In 1956 Dudek began the McGill Poetry Series, a series of chapbooks by McGill students published by Contact Press. The first book in the Series, printed in 1956, was Let Us Compare Mythologies, the first book from Leonard Cohen. In 1957 the Series published The Carnal and the Crane, the first book by Daryl Hine.[9]

In 1957 Dudek began Delta, his own poetry magazine, "in which he featured the work of many promising new poets" until 1966.[8] He bought a press, installed it in his basement, and learned how to run it to print the early issues of the magazine, as well as his 1958 book Laughing Stalks.[3] In his own writing he continued to explore the possibilities of long poems, writing Transparent Sea in 1956 and En Mexico in 1958.[8]

Throughout the 1950s Dudek remained "a passionate admirer and defender" of Ezra Pound, "and his efforts contributed to the older poet's release in 1958 from St. Elizabeth's mental hospital (where Pound had been confined since 1946)."[10]

At odds with literary trends in the early 1960s, Dudek concentrated on his teaching and on the writing of his long poem, Atlantis (published in 1967).[8] In 1966 he founded Delta Canada Books along with Michael Gnarowski and Glen Siebrasse. The firm published more than 30 titles between 1966 and 1971, including Dudek's Collected Poems (1971).[3]

Dudek married Aileen Collins in 1970. The next year the two of them began DC Books,[3] which they would run until 1986,[10] and which is still in business.[11]

He wrote a column on books, film, and the arts for the Montreal Gazette between 1965 and 1969. "This activity together with his reviews, articles and radio talks has remained fundamental to Dudek's perception of the poet's and the critic's role in society."[8] His collected columns were published in 1988 as In Defence of Art.[3]

As well, he regularly contributed to Canadian academic journals "and, in keeping with his commitment to literature as part of daily life, made frequent appearances on CBC Radio and in various newspapers as a commentator on the arts and culture."[6] The First Person in Literature was originally broadcast as a series of CBC Radio lectures.[3]

Dudek "kept up a lifelong battle against some of the most famous and influential voices in Canadian cultural writing, including Northrop Frye and Marshall McLuhan." Perhaps for that reason, some major awards passed him by.[10]

Dudek always preferred to publish in the small press. "He was incredibly supportive of small publishers and writers," Simon Dardick, publisher of Véhicule Press, said of him. "There are dozens and dozens of writers and publishers who owe him so much. There was such a generosity of spirit there."[12] In return the small press contained some of his strongest supporters (including Véhicule Press), who continued to release new books by him through his lifetime.[10]

Dudek's poetry "was a beacon to three generations of Canadian poets, and among them are names like Daryl Hine and Doug Jones in the '50s, George Bowering and Frank Davey in the '60s, and Ken Norris, Endre Farkas and Peter Van Toorn in the '70s and '80s."[10]

• Unit of Five: Louis Dudek, Ronald Hambleton, P. K. Page, Raymond Souster, James Wreford. Edited by Ronald Hambleton. Toronto: Ryerson Press, 1944.
• East of the City. Toronto: Ryerson Press, 1946.
• Cerberus. By Louis Dudek, Raymond Souster and Irving Layton. Toronto: Contact Press, 1952.
• The Searching Image. Toronto: Ryerson Press, 1952.
• Twenty-Four Poems. Toronto: Contact Press, 1952.
• Europe. Toronto: Laocoön (Contact) Press, 1954.[8] Reprinted: Erin, ON: The Porcupine's Quill, 1991.
• The Transparent Sea. Toronto: Contact Press, 1956.
• En Mexico. Toronto: Contact Press, 1958.
• Laughing Stalks. Toronto: Contact Press, 1958.
• Atlantis. Montreal: Delta Canada, 1967.
• Collected Poetry. Montréal: Delta Canada, 1971.
• Selected Poems. Ottawa: Golden Dog, 1975.
• "Continuation 1". The Tamarack Review 69 (1976).
• Cross-Section: Poems 1940-1980. Toronto: Coach House Press, 1980.
• Poems from Atlantis. Ottawa: Golden Dog, 1981.[3]
• Continuation I. Montréal: Véhicule Press, 1981.
• Zembla´s Rocks. Montreal: Véhicule Press, 1986.
• Infinite Worlds: The Poetry of Louis Dudek. Robin Blaser ed. Montreal: Véhicule Press, 1988.
• Continuation II. Montreal: Véhicule Press, 1990.
• Small Perfect Things. Montreal: DC Books, 1991.
• The Caged Tiger. Montreal: Empyreal Press, 1997.
• The Poetry of Louis Dudek. Ottawa: The Golden Dog, 1998.
• The Surface of Time. Montreal: Empyreal, 2000.
• For You, You/Für Dich, Dir. Elfenbein Verlag, Berlin (English with German translation). Bernhard Beutler ed., 2006.

• Literature and the Press: A History of Printing, Printed Media and Their Relation to Literature. Toronto: Ryerson Press and Contact Press, 1960.
• The First Person in Literature. Toronto: CBC Publications, 1967.
• All kinds of Everything: Teacher´s Guide. Toronto: Clarke, 1973.
• Epigrams. Montreal: DC Books, 1975.
• Selected Essays and Criticism. Ottawa: The Tecumseh Press, 1978.
• Technology and Culture: Six Lectures. Ottawa: The Golden Dog Press, 1979.
• Louis Dudek: Texts and Essays, 1981.
• Ideas for Poetry. Montréal: Véhicule Press, 1983.
• In Defense of Art: Critical Essays and Reviews. Aileen Collins ed. Kingston: Quarry Press, 1988.
• Essays on Myth, Art, & Reality. Montréal: Véhicule Press, 1992.
• The Birth of Reason. Montreal: DC Books, 1994.
• Notebooks 1940-1994. Ottawa: Golden Dog Press, 1994.
• 1941 Diary. Aileen Collins ed. Montreal: Empyreal, 1996.
• Reality Games. Montreal: Empyreal, 1998.

• Canadian Poems, 1850-1952. Edited by Louis Dudek and Irving Layton. Toronto: Contact Press, 1952.
• The Selected Poems by Raymond Souster. Toronto: Contact Press, 1956.
• Delta: A Magazine of Poetry and Criticism. 1-26 (1957-1966).
• Montreal: Paris of America. Edited by Michel Regnier and Louis Dudek. Toronto: Ryerson Press; Montreal: Editions du Jour, 1961.
• Poetry of Our Time: An Introduction to Twentieth-Century Poetry Including Modern Canadian Poetry. Toronto: Macmillan, 1965.
• The Making of Modern Poetry in Canada: Essential Articles on Contemporary Poetry in English. Edited by Louis Dudek and Michael Gnarowski. Toronto: Ryerson Press, 1967.
• All Kinds of Everything: Worlds of Poetry. Toronto: Clarke Irwin, 1973.
• Dk/ Some Letters of Ezra Pound. Montréal: DC Books, 1974.

• The Dudek archives and many of his papers, known as the Louis Dudek fonds, are stored with Library and Archives Canada (formerly the National Library of Canada).[7]

Except where noted, all bibliographical information courtesy of Canadian Poetry Online.[13]