King Sunny Adé

Adé was born in Osogbo to a Nigerian royal family from Ondo and Akure, thus making him an Omoba of the Yoruba people.[4][5] His father was a church organist, while his mother, Maria Adegeye (nèe Adesida), was a trader. As a member of the Adesida dynasty, his mother's relatives included her father Oba Adesida I (who ruled Akure for 60 years) and would later include her nephew and Adé's cousin, Oba Adebiyi Adegboye Adesida Afunbiowo II, a future king of Akure.

Adé left grammar school in Ondo City under the pretense of going to the University of Lagos. It was thus in Lagos that his mercurial musical career began.

Sunny Adé's musical sound has evolved from the early days. His career began with Moses Olaiya's Federal Rhythm Dandies, a highlife band. He left to form a new band, The Green Spots, in 1967. Over the years, for various reasons ranging from changes in his music to business concerns, Sunny Adé's band changed its name several times, first to African Beats and then to Golden Mercury.

King Sunny was influenced by Juju pioneer Tunde Nightingale and borrowed stylistic elements from his ‘So wa mbe’ style of juju.

He founded the King Sunny Ade Foundation, an organization that includes a performing arts center, a state of the art recording studio, and housing for young musicians.

He is a visiting lecturer at the Obafemi Awolowo University, Ile-Ife and recipient of the Order of the Federal Republic.

In the 1970s and 1980s Adé embarked on a tour of America and Europe. His stage act was characterised by dexterous dancing steps and mastery of the guitar.

After more than a decade of resounding success in his native Nigeria, Adé was received to great acclaim in Europe and North America in 1982.[6][7] The global release of Juju Music and its accompanying tour was "almost unanimously embraced by critics (if not consumers) everywhere".[6] Adé was described in The New York Times as "one of the world's great band leaders",[8] in Record as "a breath of fresh air, a positive vibration we will feel for some time to come"[9] and in Trouser Press as "one of the most captivating and important musical artists anywhere in the world".[6]

His next album, Syncro System (1983), was equally successful,[10] earned him his first Grammy Award nomination in the ethnic/traditional folk recording category, hence making him the first Nigerian Grammy award nominee ever[11]

On 16 July 2017, King Sunny Ade announced that he would be returning to stage in London alongside his rival act Ebenezer Obey for a musical comeback themed A Night 2 Remember with the Legends [12]

A Yoruba griot, Sunny Adé's music is characterised by, among other instruments, the talking drum – an instrument indigenous to his Yoruba roots, the guitar and his peculiar application to jùjú music,[13] that would easily put him in the same class as guitar musicians like Santana. His music is in the age-old tradition of singing poetic lyrics ("ewi" in Yoruba) and praise singing of dignitaries as well as components of Juju (traditional African belief) called the Ogede (casting of spells). Hence, Adé's music constitutes a record of the oral tradition of his people for posterity.

Sunny Adé introduced the pedal steel guitar to Nigerian pop music. He introduced the use of synthesizers, clavinet, vibraphone, tenor guitar into the jùjú music repertoire such as dub and wah-wah guitar licks. Adé said he used these instruments not as an attempt to innovate, but as a substitute for traditional jùjú instruments which were too difficult to find and/or impractical for touring.[14] The pedal steel guitar, for instance, was added to his repertoire as a sound-alike for an African violin.[14]

Sunny Adé with his band invented his unique sound and instrumental which he mostly use as an entrance song during live performances. The sound was made with a phalanx of electric guitars that functions like a percussion section, and talking drums that sound like a gossipy Greek chorus.

After the death of Bob Marley, Island Records began looking for another third world artist to put on its contract, while Fela Kuti had just been signed by Arista Records. Producer Martin Meissonnier introduced King Sunny Adé to Chris Blackwell, leading to the release of Juju Music in 1982. Robert Palmer claims to have brought King Sunny Adé to Island's attention, his familiarity being from his life on Malta in the 60s listening to African Radio and Armed Forces Radio.[15] Adé gained a wide following with this album and was soon billed as "the African Bob Marley".

Sunny Adé has said that his refusal to allow Island to meddle with his compositions and over-Europeanise and Americanise his music were the reasons why Island then decided to look elsewhere.

Sunny has collaborated with major artists such as Manu Dibango (Wakafrika) and Stevie Wonder (who played harmonica on Aura), as well as younger Nigerian artists such as Wasiu Alabi Pasuma and Bola Abimbola.

Sunny Adé's brief recordings with Island Records opened the floodgates for other world music artists like Senegalese Youssou N'Dour, Mali's Salif Keita and many others.[16]

In the 1980s Adé embarked on a career in Hollywood. He featured in few Nollywood movies in the early 2000s. His music was featured in the 1983 film Breathless, starring Richard Gere, and the 1986 comedy One More Saturday Night, and he acted in Robert Altman's 1987 comedy O.C. and Stiggs.

Sunny Adé has received numerous awards during his career. In November 2016 he became a recipient of the AFRIMA award.[23] In December 2016 he was inducted into Hard Rock Cafe hall of fame.[24] [25]