Inca Mummy Girl

"Inca Mummy Girl" is episode four of season two of the television series Buffy the Vampire Slayer, originally airing on October 6, 1997. The episode was written by former series story editors Matt Kiene and Joe Reinkemeyer (penning their second and final script for the show) and directed by Ellen S. Pressman, inspired by the story of Momia Juanita, a real mummy discovered on the extinct volcano Ampato near Arequipa, Peru, in 1995.[1] The narrative revolves around a cultural exchange event at Sunnydale High, involving a museum exhibit, a dance, and foreign exchange students, two of whom stay with Buffy and Cordelia.

"Inca Mummy Girl"
Buffy the Vampire Slayer episode
Episode no.Season 2
Episode 4
Directed byEllen S. Pressman
Written byMatt Kiene
Joe Reinkemeyer
Production code5V04
Original air dateOctober 6, 1997
Guest appearance(s)

Plot

To prepare for Sunnydale High's cultural exchange program, Buffy visits an Incan exhibit with her schoolmates. She is paired with an exchange student with whom her mom signed her up. Xander becomes jealous when he learns that she will room with a guy.

The students learn that the mummy in the museum is one of a beautiful Incan princess, sacrificed by her people to save them from destruction. Willow and Buffy express remorse for the princess; dying before she could really live her life. After everyone leaves the museum, a class clown breaks the seal on the mummy while trying to steal it. The princess wakes up, for the curse is broken, and pulls the student into her coffin. She mummifies him by a kiss on the lips. When the Scoobies rush to the museum, they encounter a sword-wielding guard and the remains of the missing student.

Buffy's exchange student arrives at the bus station, but the mummy girl sucks out his life too. The 500-year-old becomes a beautiful teenager, and poses as "Ampata," the boy who was supposed to stay with Buffy (everyone simply assumes that the information was wrong on her sex). Xander is smitten with her, and the two begin a relationship. Giles asks Ampata to decipher the seal from her tomb, and she explains (reluctantly) that it describes a girl chosen to die to save her people, and a bodyguard who will keep her from straying from that path. She also tells Giles to destroy the seal completely. The bodyguard appears again and again, trying to stop Ampata, until she finally manages to use her kiss on him in the bathroom, sucking out his life to keep herself from dying.

Buffy and Ampata bond over the tale of the Inca Princess, Ampata stating that the princess was forced into her destiny by her people, as they claimed she was the only girl of her generation who could save them; Buffy miserably notes that this parallels her own life. Xander asks Ampata to the dance to enliven her; she gladly accepts. Willow is downcast to see her crush with another girl. Meanwhile, Buffy and Giles open Ampata's trunk and discover the real Ampata's body. Giles tries to piece together the seal while Buffy tries to save Xander from Ampata's deadly kiss. But Ampata feels too much for Xander and leaves for the museum. She tries to stop Giles from putting the seal back together. Buffy saves Giles, then Ampata starts to deteriorate as she tries to feed off Willow. Xander shows up and insists that if she must feed on anyone, it should be him; despite Ampata's feelings for him, she is quickly deteriorating back into a mummy, and is willing to kill him to remain alive. Buffy shows up to fight her, saving Xander, and in the battle, Ampata weakens to the point of returning to her dead form.

Cast

Arc significance

  • This episode features the first appearance of Seth Green as Oz, who will go on to be Willow's beau and is the guitarist in the band 'Dingoes Ate My Baby' (played by 'Four Star Mary').
  • This episode also features the first appearance of Danny Strong as Jonathan Levinson, named as such in the end credits although the character's name is not used in dialogue.

Reception

"Inca Mummy Girl" had an audience of 3.2 million households.[2]

References

Further reading

  • Kent A. Ono (2009). Contemporary Media Culture and the Remnants of a Colonial Past. Peter Lang. pp. 39–42. ISBN 978-0-8204-7939-2.
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