Heavy Horses

Produced by Ian Anderson and recorded and engineered by Robin Black in London, Heavy Horses marks the last Jethro Tull studio album with full participation of bass player John Glascock. Anderson stated that the recording of the album came at a time when other artists were moving towards the new trends in music, and the band decided they did not want "to appear as if we were trying to slip into the post-punk coattails that were worn by The Stranglers or The Police [...] They were bands that were seen as being part of the punk world, but they weren't".[2]

Heavy Horses bares more earthly and prosaic themes compared to its predecessor. Songs about the conformist view of daily life ("Journeyman"), or dedicated to Anderson's dog ("Rover") and cat ("...And the Mouse Police Never Sleeps"), or even another one for his new son, James ("No Lullaby"). However, an element already present in Songs from The Wood continued as Heavy Horses served as a discourse on transience and disappearing worlds. The title track - one of two complex suites on the record - is compared by Anderson to an "equestrian Aqualung ". Other tracks, such as "Acres Wild" and "Weathercock", works as a plea for better days ahead. But, alongside the changes on themes, the music went much harder, too. The mini-epic of the title track flowing from a piano ballad to a fiddle-fest (of Curved Air's Darryl Way) to full gallop, is a great example of the album's style as a whole. "No Lullaby" rushes from a crushing Martin Barre riff as "Weathercock" starts full folk, to add progressive rock flavours. Barre declared that "Songs From The Wood and Heavy Horses are two of the best albums from my time in Jethro Tull".[2]

Professional ratings

Review scores
Source	Rating
AllMusic	[4]
Rolling Stone	(favourable)[5]
Melody Maker	(unfavourable)[6]
Sputnik Music	[7]

Rolling Stone's contemporary review was positive, calling the instrumental arrangements lavish and stating that Heavy Horses and the folk genre, as a follow up to Songs From the Wood, suited Jethro Tull perfectly.[5]

AllMusic calls Heavy Horses one of the prettiest records of the band, praising both Martin Barre's and John Glascock's playing as Robin Black engineering and the special participation of Curved Air violinist Darryl Way.[4]

All tracks are written by Ian Anderson with additional material by Martin Barre and Dee Palmer.

On 2 March 2018 Jethro Tull released a five-disc ‘bookset’ version of Heavy Horses with a 96-page booklet that includes a track-by-track annotation of the album and its associated recordings by Ian Anderson. It is similar to the band's other 40th Anniversary reissues, with the first disc containing another Steven Wilson stereo remix followed by ‘associated recordings’ including seven previously unreleased tracks. The second and third discs contain 22 previously unreleased live tracks, recorded at the Festhalle in Berne Switzerland during the European leg of their 1978 Heavy Horses Tour, from 28 May 1978, remixed to stereo by Jakko Jakszyk. The set also includes DVDs.

Jethro Tull

• Ian Anderson – lead vocals, flute, acoustic guitar, additional electric guitar, mandolin
• Martin Barre – electric guitar
• John Glascock – backing vocals, bass guitar
• John Evan – piano, organ
• Dee Palmer – keyboards, portative pipe organ, orchestral arrangements
• Barriemore Barlow – drums, percussion

Additional personnel

• Darryl Way – violin (on "Acres Wild" and "Heavy Horses")
• Shona Anderson – photography
• Robin Black – sound engineer
• James Cotier – photography

• Jethro Tull - Heavy Horses (1978) album review by Bruce Eder, credits & releases at AllMusic.com
• Jethro Tull - Heavy Horses (1978) album releases & credits at Discogs.com
• Jethro Tull - Heavy Horses (1978) album credits & user reviews at ProgArchives.com
• Jethro Tull - Heavy Horses (1978) album review by vanderb0b at SputnikMusic.com
• Jethro Tull - Heavy Horses (1978/2003 Remaster) album to be listened as stream at Play.Spotify.com