Gyaling

The gyaling is oboe-like in appearance with a long hardwood body and copper brass bell. The instrument is generally covered with ornate embellishments of colored glass. The double reed, which is made from a single stem of marsh grass, is placed upon a small metal channel that protrudes out of the top.[2] There are eight (8) fingerholes on a standard gyaling.[3]

To play a gyaling requires a technique called circular breathing, in which the instrument will constantly be emitting a linear sound, even while the musician inhales. The reed is fully submerged in the player’s mouth but does not touch it; the lips are pressed against the flat metal channel below the reed. A gyaling player tunes the instrument with the breath. The way of playing a gyaling varies depending on the lineage and ritual.[4]

A typical Tibetan Buddhist ritual orchestra consists of a gyaling, dungchen, kangling, dungkar (conch shells), drillbu (handbells), silnyen (vertical cymbals), and most importantly, chanting. Together, the music creates a state of mind to invite or summon deities.

Often, the style of performance is similar to that of a bagpipe, with many short and fast neighbor tones.

• Clip of traditional Tibetan music
• Informational gyaling video on circular breathing

• Music of Asia
• Tibetan Buddhism
• Suona
• Shawm