Gang of Four (band)

The band initially consisted of vocalist Jon King, guitarist Andy Gill, drummer Hugo Burnham and bass guitarist Dave Wolfson.[8] After two or three gigs,[8] Wolfson was replaced with Dave Allen.[9]

Gang of Four's music brought together an eclectic array of influences, ranging from the Frankfurt School of social criticism to the increasingly clear trans-Atlantic punk consensus. Gang of Four was named by Andy Corrigan, a member of the Mekons, while driving around with Gill and King when he came upon a newspaper billboard on the intra-Party coup against China's "Gang of Four".[10]

The Gang's debut single, "Damaged Goods" backed with "(Love Like) Anthrax" and "Armalite Rifle", was recorded in June 1978 and released on 10 December 1978, on Edinburgh's Fast Product label. It was a Number 1 indie chart hit[11] and John Peel radio show favourite. Damaged Goods was voted one of the 100 Greatest debut singles of all time in 2020's Rolling Stone Poll[12] Two Peel radio sessions followed, which, ith their incendiary live performances, propelled the band to international attention and sold-out shows across Europe and North America. They were then signed by EMI records. The group's debut single with this label, "At Home He's a Tourist", charted in 1979. Invited to appear on top rated BBC music program Top of the Pops, the band walked off the show when the BBC told them to sing "rubbish" in the place of the original lyric "rubbers", as the original line was considered too risque. The single was then banned by BBC Radio and TV, which lost the band support at EMI, who began to push another band, Duran Duran, instead.[13] King's lyrics were always controversial and a later single, "I Love a Man in a Uniform", was banned by the BBC during the Falklands War in 1982.[14]

Critic Stewart Mason has called "Anthrax" not only the group's "most notorious song" but also "one of the most unique and interesting songs of its time".[15] It's also a good example of Gang of Four's social perspective: after a minute-long, droning, feedback-laced guitar intro, the rhythm section sets up a funky, churning beat, and the guitar drops out entirely. In one stereo channel, King sings a "post-punk anti-love song",[15] comparing himself to a beetle trapped on its back ("and there's no way for me to get up") and equating love with "a case of anthrax, and that's some thing I don't want to catch." Meanwhile in the other stereo channel (and slightly less prominent in the mix), Gill reads (on the original EP version) a detailed account of the technical resources used on the song, which on the re-recorded album version is replaced by a deadpan monologue about public perception of love and the prevalence of love songs in popular music: "Love crops up quite a lot as something to sing about 'cause most groups make most of their songs about falling in love, or how happy they are to be in love; and you occasionally wonder why these groups do sing about it all the time." Although the two sets of lyrics tell independent stories they occasionally synchronise for emphasis.

According to critic Paul Morley, "The Gang spliced the ferocious precision of Dr. Feelgood's working-class blues with the testing avant-garde intrigue of Henry Cow. Wilfully avoiding structural obviousness, melodic prettiness and harmonic corniness, the Gang's music was studded with awkward holes and sharp corners."[16] At the time, the band was recognised to be doing something very different from other white guitar acts. Ken Tucker, in Rolling Stone, 1980, wrote: "...rarely have the radical edges of black and white music come closer to overlapping... the Gang of Four utilize their bass guitar every bit as prominently and starkly as the curt bass figures that prod the spoken verses in (Kurtis Blow's "culture defining" huge summer hit) "The Breaks."

In 1981, the band released their second LP, Solid Gold. Like Entertainment!, the album was uncompromising, spare, and analytical; such songs as "Cheeseburger," "He'd Send in the Army," and "In the Ditch" exposed the paradoxes of warfare, work, and leisure. Van Gosse, in a Village Voice review said: "Gang of Four embody a new category in pop, which illuminates all the others, because the motor of their aesthetic is not a 'personal creative vision.'"

Dave Allen (who later co-founded Shriekback, King Swamp, Low Pop Suicide and the Elastic Purejoy) had left in 1981, and had been briefly replaced by Busta "Cherry" Jones, a sometime player with Parliament, Brian Eno, and Talking Heads. After working with the Gang to complete their North American tour obligations, Jones left and was replaced by Sara Lee, who was Robert Fripp's bassist in the League of Gentlemen. Lee was as good a singer as bassist, and she helped give the band's third studio album, Songs of the Free, a more commercially accessible element. Although "I Love a Man in a Uniform" from the album was the band's most radio-friendly song, it was banned in the UK shortly after its release because Britain went to war in the Falkland Islands. In the spring of 1983, Burnham left the band after the release of Songs of the Free and formed Illustrated Man. Gill and King continued Gang of Four, releasing Hard in 1983.

After that, the band broke up, and Lee moved to the United States where she has worked with a number of artists, including the B-52's.

1986 saw the release of The Peel Sessions, a collection of rawly rendered material recorded during the period 1979 to 1981 for British radio BBC. Melody Maker dubbed the album "a perfect and classic nostalgia trip into the world of gaunt cynicism."

Gill and King reunited to record Mall in 1991, and finally Shrinkwrapped in 1995. Mall featured Gail Ann Dorsey, later famous for her longtime association with David Bowie, on bass.

The original lineup of Jon King, Andy Gill, Dave Allen and Hugo Burnham reformed in November 2004. A UK tour in January 2005, shows in Europe and Japan and tours of the United States in May/June and again in September. In October 2005, Gang of Four released a new disc featuring new recordings of songs from the albums Entertainment!, Solid Gold and Songs of the Free entitled Return the Gift (which featured Mark Heaney on drums) accompanied by an album's worth of remixes.

In January 2011, the band, now featuring Mark Heaney on drums, and Thomas McNeice on bass, released a new album, Content, which was called "their best record since the Seventies",[17] Jon Pareles, in a New York Times 4-star review, declared that [the band] "have reclaimed, with a vengeance, their old attack",[18] _r=1&scp=1&sq=gang%20of%20four%20content&st=cse | newspaper=The New York Times | first1=Ben | last1=Ratliff | first2=Nate | last2=Chinen | first3=Jon | last3=Pareles Following successful tours of the US, Australia and Europe in 2011, King and Gill disagreed about the band's direction and ceased working together.

Gill toured and recorded under the Gang of Four name, releasing 'What Happens Next' in 2015, 'Complicit'in 2018, and 'Happy for Now ' in 2019, which featured a range of guest artists, including Herbert Grönemeyer, Allison Mosshart, Robbie Furze, and John "Gaoler" Sterry.

'Complicit' was reviewed in media including the Washington Post[19] and Newsweek.[20] January 2019 saw the release of "Paper Thin", the first single from their latest album 'web|url=https://music.mxdwn.com/2018/12/14/news/gang-of-four-announces-new-album-happy-for-now-for-march-2019-release/%7Ctitle=Gang of Four Announces New Album Happy for Now For March 2019 Release -|date=14 December 2018|website=Music.mxdwn.com|accessdate=20 April 2019}}</ref> XSNoise said "The album is as intense as any ever released on their discography."[21]

Andy Gill died on 1 February 2020, and obituaries across the world hailed his legacy and impact. He was "one of the most influential musicians of the post-punk era, leading his band Gang of Four to huge acclaim with his intense, angular, staccato guitar work that blended rock with funk," said the Independent.[22] Gang of Four's "brusque, angular style would directly or indirectly influence post-punk and indie-rock bands like Red Hot Chili Peppers (who chose Mr. Gill to produce their debut album), the Jesus Lizard, Nirvana, Rage Against the Machine, Franz Ferdinand and Protomartyr," said the New York Times. "Michael Hutchence of INXS once said that Gang of Four’s music 'took no prisoners,' adding, 'It was art meets the devil via James Brown.'"[23] The NME wrote: "Great musicians encapsulate their age; the very best echo endlessly onwards, and Andy Gill...has been reverberating along the baseline of alternative culture for 40 years."[24] An EP, 'This Heaven Gives Me Migraine', was released after his death featuring some final recordings, [25]

• Entertainment! (EMI, 1979) – UK Number 45,[32] Australia Number 39
• Solid Gold (Warner Bros., 1981) – UK Number 52,[32] US Pop Number 190
• Songs of the Free (Warner Bros., 1982) – UK Number 61,[32] US Pop Number 175
• Hard (Warner Bros., 1983) – US Pop Number 168
• Mall (Polydor, 1991)
• Shrinkwrapped (Castle, 1995)[33]
• Return the Gift (V2, 2005) – re-recordings of earlier tracks
• Content (Yep Roc, 2011)
• What Happens Next (Metropolis/Membran, 2015)
• Happy Now (Gill Music Ltd, 2019)[34]

• At the Palace (Mercury, 1984)
• Live...In The Moment (Metropolis, 2016)

• The Peel Sessions (1990), Strange Fruit/Dutch East India
• A Brief History of the Twentieth Century (1990), Warner Bros
• 100 Flowers Bloom (1998), Rhino

• Yellow (EMI, 1980) – US Pop Number 201
• Another Day/Another Dollar (Warner Bros., 1982) – US Pop Number 195
• The Peel Sessions (16.1.79) (1986), Strange Fruit
• Die Staubkorn Sammlung (Membran, 2015) (credited as Herbert Grönemeyer + Gang of Four)
• Complicit (замешанная) (2018) (download only)
• This Heaven Gives Me Migraine (2020)[35]